939 résultats
réf. 5912533-nnew. unknown
réf. 6104093687Author Solutions Inc. . Hardback. New. pp. 174 Author Solutions, Inc. hardcover
réf. 1456819860.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1456819879.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 9788516047115MODERNA. new. Por que a pele dos dedos enruga quando ficamos muito tempo debaixo da gua Por que a lgrima salgada Os pssaros cantam ou conversam Que animal tem o paladar nas patinhas Como se cria um perfume Neste almanaque voc vai descobrir as respostas a essas e a muitas outras perguntas curiosas. Vai tambm conhecer hist�rias muito interessantes e saber por exemplo como Perseu venceu a temida Medusa. E tem mais. Explicaes cient�ficas e experincias vo lhe ajudar a entender como funcionam nossos cinco sentidos. Assim poderemos comprender melhor o mundo as pessoas nossa volta e principalmente a n�s mesmos. MODERNA unknown
2025réf. __1800133138Karnac Books 2025. Paperback. New. 336 pages. 9.00x0.50x6.00 inches. Karnac Books paperback
1790réf. 40866Italy 1790. Oblong quarto 219 x 279 mm. Sewn. Notated in black ink on 10-stave rastrum-ruled paper. i title 54 i blank pp. Scored for two soprano voices Corimba and Calto and strings. The duet for the same characters is accompanied by strings oboes and horns. Minor soiling to title and final blank page; occasional browning and minor foxing; small early label with "293" in manuscript to upper inner corner of title. Drawn from the opera La disfatta di Duntalamo re di Theuta first performed in Rome at the Teatro Argentina in 1789. Caruso "studied first with his father Giuseppe and then with Nicola Sala at the Conservatorio della Pietà dei Turchini Naples. He began composing operas at an early age achieving success both in Italy and abroad where his works were performed almost every year. . Caruso wrote many operas; his comic operas were sometimes reworked under different titles to satisfy the constant demand of the theatres. Their comedy always has a touch of pathos and intimacy typical of 18th-century Neapolitan opera. Orchestral numbers and excerpts were widely distributed in contemporary manuscripts and were published in Florence London Paris and Rome. The librettos he set whether by illustrious poets Metastasio Bertati Rossi or little-known writers were always of high quality. He is notable for his extended melodies often reminiscent of Paisiello and for their formal construction. Although he continued to compose into the 19th century he was unwilling to accept the innovations of Romanticism remaining firmly linked to the older Neapolitan style. For this reason in the last years of his life he turned his attention almost exclusively to sacred music which contain some interesting stylistic features and instrumental music." Galliano Ciliberti and Marita P. McClymonds in Grove Music Online. unknown books
1790réf. 40866Italy 1790. Oblong quarto 219 x 279 mm. Sewn. Notated in black ink on 10-stave rastrum-ruled paper. i title 54 i blank pp. Scored for two soprano voices Corimba and Calto and strings. The duet for the same characters is accompanied by strings oboes and horns. Minor soiling to title and final blank page; occasional browning and minor foxing; small early label with "293" in manuscript to upper inner corner of title. Drawn from the opera La disfatta di Duntalamo re di Theuta first performed in Rome at the Teatro Argentina in 1789. Caruso "studied first with his father Giuseppe and then with Nicola Sala at the Conservatorio della Pietà dei Turchini Naples. He began composing operas at an early age achieving success both in Italy and abroad where his works were performed almost every year. . Caruso wrote many operas; his comic operas were sometimes reworked under different titles to satisfy the constant demand of the theatres. Their comedy always has a touch of pathos and intimacy typical of 18th-century Neapolitan opera. Orchestral numbers and excerpts were widely distributed in contemporary manuscripts and were published in Florence London Paris and Rome. The librettos he set whether by illustrious poets Metastasio Bertati Rossi or little-known writers were always of high quality. He is notable for his extended melodies often reminiscent of Paisiello and for their formal construction. Although he continued to compose into the 19th century he was unwilling to accept the innovations of Romanticism remaining firmly linked to the older Neapolitan style. For this reason in the last years of his life he turned his attention almost exclusively to sacred music which contain some interesting stylistic features and instrumental music." Galliano Ciliberti and Marita P. McClymonds in Grove Music Online. unknown
réf. ria9781780932149_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this detailed treatment of the myth of Adonis in post-Classical times Carlo Caruso provides an overview of the main texts both literary and scholarly in Latin and in the vernacular which secured for the Adonis myth a unique place hardcover
réf. 22766270-nnew. unknown
réf. 22766270like new. unknown
2015réf. x-1474244033Bloomsbury USA Academic 2015. Paperback. New. reprint edition. 240 pages. 9.00x6.00x0.75 inches. Bloomsbury USA Academic paperback
réf. 1474244033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. Bloomsbury-9781474244039Bloomsbury Academic. Paperback. New. 240 pages Bloomsbury Academic paperback
réf. Bloomsbury-9781780932149Bloomsbury Academic. Hardback. New. 240 pages Bloomsbury Academic hardcover
réf. Bloomsbury-9781474244039Bloomsbury Academic. Paperback. New. 240 pages Bloomsbury Academic paperback
réf. Bloomsbury-9781780932149Bloomsbury Academic. Hardback. New. 240 pages Bloomsbury Academic hardcover
réf. ria9781474244039_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this detailed treatment of the myth of Adonis in post-Classical times Carlo Caruso provides an overview of the main texts both literary and scholarly in Latin and in the vernacular which secured for the Adonis myth a unique place paperback
réf. B9781474244039Paperback / softback. New. A detailed treatment of the myth of Adonis in the Italian literary culture of the Renaissance and early Baroque one of the most interesting cases of the creative use of ancient mythology in post-Classical times. paperback
réf. 0886803136.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992réf. Q-014015440XPenguin Books 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Books paperback
2004réf. Q-1590770404M. Evans & Company 2004-02-19. Paperback. New. In shrink wrap. Looks like an interesting title! M. Evans & Company paperback
réf. 1551281295.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1551281147.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback