ARTURO TOSCANINILivre Rare Book
125 résultats
réf. R130004517CARRON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Symphony orchestra, couverture création PUBLICIS. Pochette en couleurs, introduction de Dorel Handman.. . . . Classification : 410-33 Tours
1971réf. 703346Moskva, 1971. M. zahlr. Taf. 311 S. Lwd. (Ispolnitel'skoe iskusstvo zarubeznych stran 6).
réf. CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech “To The People of America” an important document in Italian-American history that was printed in Life Magazine during the Second World War. Full descriptions as follows: Typed Draft of Arturo Toscanini’s “To The People of America” with Corrections in Toscanini’s Hand. New York September 3 1943. A late typed draft of Arturo Toscanini’s “To The People of America” which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. “On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled ‘To the People of America’ and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music… The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini’s coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy’s immediate future and they tried - as the text illustrates - to influence allied policy toward their native country.” Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini’s career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - “defying everything” is added in the fourth paragraph of the published version the “…” marks are replaced by simple periods in a few instances and “just” has been replaced by “righteous” in the published version. Strangely the one error in AT’s hand - moving the word “either” in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo’s hand. A Collection of Nine Letters to Arturo Toscanini from his Colleagues. These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives. New York 1954. A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped “File Copy / Do Not Remove” and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix “33107” suggest that they could be for the rehearsals from his final performance on April 4. Typed Letter from Arturo Toscanini to his Orchestra 1940. N.p. July 22 1940. Typed letter text on recto only. Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: “My dear friends sic Tomorrow our trip will be over… To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life… We have never been so linked all as one as in these 16 concerts… We must be proud of what we have done… God bless you all.” The full text of the letter appears on page 374 of Harvey Sach’s The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943. Washington 1943. Card with stamped envelope 6 x 5 inches. A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York. An interesting group all quite well preserved in excellent condition. unknown
réf. CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech "To The People of America" an important document in Italian-American history that was printed in Life Magazine during the Second World War. Full descriptions as follows: Typed Draft of Arturo Toscanini's "To The People of America" with Corrections in Toscanini's Hand. New York September 3 1943. A late typed draft of Arturo Toscanini's "To The People of America" which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. "On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled 'To the People of America' and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music. The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini's coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy's immediate future and they tried - as the text illustrates - to influence allied policy toward their native country." Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini's career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - "defying everything" is added in the fourth paragraph of the published version the "." marks are replaced by simple periods in a few instances and "just" has been replaced by "righteous" in the published version. Strangely the one error in AT's hand - moving the word "either" in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo's hand. A Collection of Nine Letters to Arturo Toscanini from his Colleagues. These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives. New York 1954. A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped "File Copy / Do Not Remove" and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix "33107" suggest that they could be for the rehearsals from his final performance on April 4. Typed Letter from Arturo Toscanini to his Orchestra 1940. N.p. July 22 1940. Typed letter text on recto only. Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: "My dear friends sic Tomorrow our trip will be over. To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life. We have never been so linked all as one as in these 16 concerts. We must be proud of what we have done. God bless you all." The full text of the letter appears on page 374 of Harvey Sach's The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943. Washington 1943. Card with stamped envelope 6 x 5 inches. A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York. An interesting group all quite well preserved in excellent condition. unknown books
1995In-4 (cm. 32), tela editoriale, sovracoperta editoriale illustrata (tracce d’uso), pp. 177, (11), con illustrazioni in bianco e nero e - soprattutto - a colori, nel testo. In ottimo stato (nice copy). .
1946réf. ABE-76037124156 PAGES FORMAT JOURNAL-LES BIENFAITS DE RODIN PAR CLAUDE ROGER MARX-A CARNAVALET TROIS SIECLES DE DESSIN PARISIEN PAR FRANCOIS BOUCHER-EN TUNISIE ARCHITECTURE RELIGIEUSE-PICABIA PAR DENYS CHEVALIER-JEAN DUBUFFET PAR PIERRE DESCARGUES-PIERRE LAPRADE PAR K.GRANOFF-LA DANSE CREATIONS A MONTE CARLO PAR MAURICE POURCHET/LIFAR-CINEMA: LA FEMME FATALE/JACQUELINE GAUTHIER-RETOUR DE TOSCANINI A LA SCALA DE MILAN-UN POEME INEDIT DE RAYMOND SCHWAB/PRIERE D'IL Y A UN AN-GUY LAVAUD PAR JEAN LEBRAU-JANINE SOLANE PAR CATHERINE VALOGNE-D.H.LAWRENCE NOUS PARLE PAR GABRIEL D'AUBAREDE-RETOUR DE TOSCANINI QUI DIRIGERA DEMAIN L'ORCHESTRE DE LA SCALA DE MILAN DONT CE SERA LA REOUVERTURE
19661 Vol. In-8 t. edit., tit. bianco al dorso. Sovracpt. ill pag. 358 alc. ill. f.t PROG 2875 CATT_ATT 43
réf. 458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown
2007Mm 135x215 Collana "Tascabili Bompiani". Brossura editoriale di XVI-288 pagine. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
réf. 458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown books
193624 p., 16 tav. f/t ; ill. con rare foto del maestro (a lato con Bruno Walter e Stefano Zweig a Salisburgo ad opera di S. von Winternitz) in b/n ; 18 cm. Opuscolo di prefazione al volume di Stefan Zweig “Arturo Toscanini”, tradotto da Lavinia Mazzucchetti, a beneficio della “casa di riposo G. Verdi” di Milano. Intonso. Brossura. ****.
Sovracopertina usurata con strappetti, interno molto buono, rilegatura solida libro perfettamente fruibile
Milano, Edizioni Beatrice d'Este n. 1126 - Arti Grafiche Ricordi, [anni '70 del'900], grande poster murale che riproduce un ritratto fotografico in bianco e nero, autografato, del maestro; mm. 980x680. Ottime condizioni.
198727 cm, brossura illustrata; p. 150, numerose tavole in nero. Homage to the Maestro on the 30th. anniversary of his death
1943Mm 130x195 Articolo di Howard Taubman, tradotto dal New York Times Magazine, 26 settembre 1943. "La sua musica è un'arma per la libertà" - Opuscolo rilegato a punto metallico con copertina illustrata a colori, 8 pagine. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1935réf. 21946AWien, Leipzig und Zürich, Herbert Reichner Verlag, 1935. Ca. 23,5 x 16 cm. 77 (2) Seiten, mit 54 Abbildungen auf Tafeln. Original-Karton mit illustriertem Original-Umschlag.
2012IN 4°, pp.62. COPERTINA EDITORIALE ILLUSTRATA A COLORI CON TITOLO SU FONDO NERO. CATALOGO RICCAMENTE ILLUSTRATO CHE PROPONE ALL'ASTA 72 LOTTI RIGUARDANTI ARTURO TOSCANI TRA AUTOGRAFI, SPARTITI, CIMELI, FOTO, ECC. PRECEDE LA DESCRIZIONE DEI LOTTI UNA INTRODUZIONE A TOSCANIN DI ANDREA PENNA. TESTO BILINGUA, ITALIANO - INGLESE. PERFETTA CONSERVAZIONE SENZA ANNOTAZIONI E SOTTOLINEATURE. RARO CATALOGO. ID, 5962.
1936réf. ABE-14888851197368 PAGES-43 CM X 60 CM-LA CREATION DU MUSEE DE L'ART FRANCAIS ET L'EXPOSITION DE 1937, PAR GEORGES WILDENSTEIN-BOLETTE NATANSON, PAR CLAUDE ROGER-MARX, SUITE P8-LES 75 ANS DE MAILLOL, 3 PHOTOS-LE BAL GAUGUIN, PAR PIERRE IMBOURG, SUITE P5-LA MUSIQUE PAR ANDRE COEUROY: TOSCANINI-MARQUET, GALERIE DRUET, PAR JACQUES DE LAPRADE, ILL "SAN GIORGIO"-VICTOR CHARRETON, DECES
1927réf. 14811NY BEETHOVEN ASSOC 1927 1927. SIGNED BY TOSCANINI FIRST EDITION VERY GOOD. Signed by Authors. F. NY, BEETHOVEN ASSOC, 1927 unknown books
1814In-8°, pp. VII, 260, (2), legatura coeva m. pelle con dorso adorno di titolo e filetti in oro e di decori a freddo. Piatti marmorizzati, tagli azzurri a spruzzo. Bell'ex-libris di Walter Toscanini (1893-1971), figlio di Arturo Toscanini, raffigurante una donna intenta a suonare il pianoforte. Etichetta ottocentesca di libreria milanese. Bell'esemplare marginoso con fioriture usuali. Edizione originale; il nome dell'autore è in calce all'avviso agli editori. Per ogni opera descritta si dà conto dei prezzi di vendita al tempo, della collazione bibliografica, ecc. Alle pp. 199 e sgg., prospetto della collana editoriale e indice alfabetico-cronologico degli autori inseriti nella stessa. Il Fusi, libraio milanese, aveva assunto nel 1807 la rappresentanza sociale della Società Tipografica de'Classici Italiani. Da ciò l'idea di un'organica bibliografia da offrire come donoagli associati sottoscrittori della "Collezione de' Classici Italiani", edita tra il 1802 e il 1814. Il programma editoriale, avviato nel luglio del 1802 sotto gli auspici del Ministro della Cultura e favorito dal Melzi, prevedeva la realizzazione della prima grande biblioteca letteraria italiana, composta da 250 opere che abbracciassero cinque secoli di tradizione letteraria. Il presente volume si poneva programmaticamente come strumento da affiancare alla "Collezione" per rendere "ragione del metodo seguito" e per dar conto delle varie edizioni precedenti di ogni singola opera. Nell'"Avviso degli Editori", che compare ad inizio volume, il Fusi sintetizza le ragioni dell'opera: fornire una bibliografia di supporto alla collezione basata sui "migliori Cataloghi" e sullo spoglio delle "migliori librerie di questa Città [Milano]", arricchita da una selezione delle varie "Raccolte" di poeti e prosatori e da puntuali biografie direttamente mutuate dalla "Serie delle edizioni di testi di Lingua Italiana" di Bartolomeo Gamba. Petzholdt, p. 356. Vallée, n. 624.
1967(Parma 25 marzo 1867 - New York 16 gennaio 1957) promosse dal Comune di Milano e dall'Ente Autonomo Teatro alla Scala sotto l'Alto Patronato del Presidente della Repubblica Giuseppe Saragat. Celebrazione ufficiale svoltasi Sabato 25 marzo 1967 alle ore 10. Messaggio del Presidente della Repubblica. Discorso di Gianandrea Gavazzeni. Esecuzione del Te Deum e dell'Inno delle Nazioni di Giuseppe Verdi. Esemplare perfetto Brossura editoriale, pp. 23, in 4°
194924 cm, brossura editoriale con titolo al piatto e dorso, p. 270. Minime tracce del tempo alla copertina. Complessivamente ben conservato.
1959Mm 130x195 Prima edizione. Collana "I quaderni dello Specchio" - Brossura editoriale con bandelle, velina protettiva, 159 pagine. Esemplare in buone-ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Firenze, E. A. Teatro Comunale (Tip. A. Vallecchi), 1943, in-8, br. editoriale, pp. (12). Programma di sala con note illustrative di Guido Piamomte. L'esordio nella direzione del maestro veneziano, anche compositore e violoncellista, fu a Siena nel 1904, ma il punto di svolta della sua carriera fu l'arrivo al Teatro alla Scala nel 1922, chiamato da Toscanini (che presto divenne suo grande rivale). Negli anni 1939-46 tenne corsi di direzione orchestrale alla Chigiana (si ricorda una memorabile Juditha vivaldiana del 1941); nel 1942 coll'Orchestra del Maggio era a Vienna per il centenario dei Wiener Philarmoniker. Considerato uno dei più grandi direttori del '900.
1960Mm 135x205 Due volumi in copertina rigida, sovraccoperta non in buone condizioni con lacune e strappi; vol. I, (1921-1927) di xii-851 pagine; vol. II, (1928-1943) di 878 pagine. Entrambi i tomi sono con interni in buone condizioni e con legature ben salde. Spedizione in 24 ore dalla conferma dell'ordine.
