7 012 résultats
1986réf. 212201Washington D.C.: National Museum of American Art - Smithsonian Institution Press 1986. First edition. Softcover. 63 pages. Exhibition catalog for a show that ran April 4 thorugh August 17 1986. Features an introduction by Elizabeth Broun and an essay by Lucy R. Lippard. Includes a number of color and black and white illustrations a checklist and a selected bibliography. A near fine copy in wrappers. National Museum of American Art - Smithsonian Institution Press unknown books
1996réf. 186022Chicago IL: The Arts Club of Chicago 1996. First edition. Oblong softcover. 27 pages. Exhibition catalog for a show that ran April 10 through June 28 1996. Features an essay by Michael Anania. Includes 2 color and numerous black and white illustrations lists of previous exhibitions public projects and commissions awards and public collections. A fine copy in wrappers. The Arts Club of Chicago unknown books
1984réf. 187367Cambridge MA: Hayden Gallery and MIT Campus The MIT Press 1984. First edition. Softcover. 56 pages. Exhibition catalog for a show that ran March 24 through April 29 1984. Features acknowledgements and essay by Gary Garrels. Includes 31 black and white illustrations and biographies and bibliographies. A clean near fine copy in stapled wrappers. Uncommon. Hayden Gallery and MIT Campus, The MIT Press unknown books
1922réf. 46353New York: Irish Republican Headquarters 1922. First Edition. 12mo 18cm.; staplebound self-wrappers; 8pp. Light dust-soil and toning else Near Fine. Small pamphlet issued by the fraternal oath-bound Irish Republican Brotherhood reprinting excerpts by General Macready in Dublin and Churchill and George from the House of Commons regarding the Irish Civil War concluding with the tongue-in-cheek "Crowning Triumph: 'In William Cosgrave and Richard Mulcahy two men stepped forward who if they did not at first inspire univeral confidence proved for a time loyal to their obligations towards the British Government and determined to assert their authority in their own country by means far more drastic than any which the British Government dared to impose during the worst period of the rebellion'" p. 8. Missed by Woods. Irish Republican Headquarters] unknown books
réf. 47629V.p. v.d. First Edition. Two volumes as described below: 1. Days of Fear. London: John Murray 1928. First Edition. 12mo 19.5cm.; publisher's cloth in white dust jacket lettered in red and green. 175pp. Light wear to jacket extremities including small coin-sized loss at bottom edge of rear panel touching one letter else Near Fine in Very Good jacket. Laid in brief autograph note signed on An Bureau um Eolas Stáit / Government Information Bureau letterhead dated November 11 1953 and addressed to one "Mac" transmitting this copy. 2. Days of Fear. New York: Harper Brothers Publishers 1929. First American Edition. 12mo 19.5cm.; publisher's cloth printed paper spine label dark orange printed dust jacket; 175pp. Light shelf wear to jacket extremities spine panel a bit faded else Very Good or better. Review copy with rubberstamp to front panel of dustwrapper. The first U.K. and first American editions of Gallagher's diary kept while imprisoned in Mountjoy Jail Dublin in 1920 for his involvement with the militant Irish Volunteers later the Irish Republican Army. The diary provides a near hour-by-hour account of Gallagher's participation in the Dublin Hunger Strike which he personally maintained for nine days. The author survived the strike and his time in prison going on to become a senior state official later dubbed rather unflatteringly the "Irish Dr. Goebbels" for his work as a leading propagandist of the Irish Civil War. Both editions quite scarce in jacket. unknown books
1976réf. 167024Philadelphia PA: Philadelphia College of Art 1976. First edition. Softcover. 35 pages. Exhibition catalog for a show that ran April 19 through May 21 1976. Essay by Janet Kardon. Features the text of a symposium with a conversation between Marcia Tucker and Anne Healy Patrick Ireland Robert Irwin and Charles Simonds. Includes several black and white images. A clean very near fine copy in stapled wrappers. Philadelphia College of Art unknown books
1998réf. 9026136New York: Harper Collins 1998. 1st. Hardcover. Fine/fine. Harper Collins hardcover books
1834réf. 221358London 12 Dorset Square 1834. 3pp. in secretarial hand on single folded sheet. Retained copy. 1 vols. 4to. Fine. 3pp. in secretarial hand on single folded sheet. Retained copy. 1 vols. 4to. The powerful and influential Plunket 1st Baron served as Lord High Chancellor of Ireland from 1830-1841. His son John Plunket QC 1793-1871 afterwards third Baron Plunket was the father of William Conyngham 4th Baron Plunket Chuirch of Ireland archbishop of Dublin. unknown books
1882réf. 153581882. Ireland Alexander. In Memoriam. Ralph Waldo Emerson: Recollections of His Visits to England 1882 presents a contemporary account of Ralph Waldo Emerson's engagements with British literary culture written by a close associate who facilitated his lecture tours and maintained long-term correspondence with him. Compiled immediately following Emerson's death the work draws on personal recollections and unpublished letters to document his visits to England in 1833 1847 to 1848 and 1872 to 1873 situating him within a network that included figures such as Thomas Carlyle William Wordsworth and Samuel Taylor Coleridge. The text supports research into American Transcendentalism transatlantic literary exchange and the personal and professional relationships that shaped nineteenth-century intellectual life. Ireland Alexander. In Memoriam. Ralph Waldo Emerson: Recollections of His Visits to England in 1833 1847-8 1872-3 and Extracts from Unpublished Letters. London: Simpkin Marshall & Co. 1882. Octavo volume measuring approximately 5.75" x 8.75" 120 pages bound in publisher's light blue cloth with black titling and black endpapers. The work expands upon an earlier article published in the Manchester Examiner on April 29 1882 and incorporates additional material including correspondence and reflective commentary on Emerson's visits and influence. Ireland a Scottish publisher and bibliophile first met Emerson during his initial trip to England and later organized his 1847 lecture tour. Published in the immediate aftermath of Emerson's death the volume reflects the memorialization of a major American intellectual figure within British literary circles and documents the enduring connections between American and European thought in the nineteenth century. Ireland's perspective as both friend and organizer provides insight into the reception of Emerson's ideas abroad and the mechanisms through which lectures publications and personal networks facilitated intellectual exchange. Light wear and soiling to covers; minor internal spotting; overall in very good condition. unknown books
1790réf. 020516London: T & I Egerton 1790. First Octavo Edition. Hardcover. Slight foxing to some plates with offsetting to facing text pages. Joints split but covers secure holding by cords; small piece of leather lacking from spine. Good. Octavo 6" x 9" in contemporary calf-backed marbled boards with a heavily gilt-decorated spine; xvi 213 1 pages. The complete first volume with half-title page that covers the Netherlands. Illustrated with an engraved title page and 28 sepia aquatint plates. The missing second volume covered France. [T & I Egerton] hardcover books
1940réf. 165564Universal City: Universal Pictures 1940. Vintage studio still photograph from the 1940 film showing actresses Mickey Anderson Peggy Moran Lynn Marshall Lorraine Page June Derry Evie Howeth and Helen Ireland. Printed mimeo snipe and credit stamp of photographer Ed Jones on the verso. An all-girl band and their team of promoters head to Argentina in order to escape their New York debtors. The film debut of The Andrews Sisters. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Fine. Universal Pictures unknown books
1958réf. 172476Culver City CA: Columbia Pictures 1958. Vintage studio still photograph from the 1958 re-release of the 1949 film noir. Based on the 1946 novel of the same name by Robert Penn Warren. Follows a grassroots politician who over his career in politics turns to corruption to keep himself in power. Winner of three Academy Awards for Best Picture and Best Actor and Actress for Broderick Crawford and Mercedes McCambridge. Set in the American South shot on location in Northern California. 8 x 10 inches. About Near Fine with some creasing at the right edge. Grant US. National Film Registry. Selby US. Spicer US. Twilight Time. Columbia Pictures unknown books
1955réf. 172358Culver City CA: Columbia Pictures 1955. Vintage studio still photograph from the 1955 film noir. Based on the 1949 novel by Edna L. Lee. A manipulative woman and her husband betray and scheme against each other and the other family members and associates living in their home. Set in Georgia shot on location in Memphis. 8 x 10 inches. Near Fine. Selby US. Spicer US. Columbia Pictures unknown books
1970réf. 167475Universal City: Universal Studios 1970. Revised Draft script for Season 9 Episode 3 of the 1962-1971 television series. Copy belonging to actor Jack Naughton with his name in manuscript ink on the title page and his annotations in manuscript ink and pencil on four leaves denoting dialogue. Television's first 90-minute Western series and one of the longest running Western shows in history having aired for a total of 249 episodes. Based on the 1902 novel by Owen Wister the series revolved around the foreman of the Shiloh Ranch a tough man known only as "The Virginian." The series was renamed "The Men from Shiloh" in the final ninth season and the series was redesigned in a "Spaghetti Western" style with a new theme song by Ennio Morricone. In this episode The Virginian is stranded on a stagecoach with an old girlfriend who is being pursued by mysterious attackers. Originally aired on September 30 1970 on NBC. Set in Medicine Bow Wyoming. Self wrappers. Title page present dated May 22 1970 noted as Rev. with credit for screenwriter Arthur Heinemann. 86 leaves with last page of text numbered 83. Mimeograph duplication rectos only with blue and pink revision pages throughout dated 7/8/70. Pages Near Fine bound with three gold brads. Universal Studios unknown books
1982réf. 162752Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 3 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie is drawn into a dangerous construction scheme while investigating a suspected murder. Originally aired on February 12 1982 on NBC. Self wrappers. Title page present dated January 8 1982 noted as FINAL DRAFT and production No. 1818 with credit for screenwriter Mark Rosenthal. 71 leaves with last page of text numbered 68. Xerographic duplication on pink stock rectos only with yellow green and white revision pages throughout some undated and some dated 1/22/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982réf. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982réf. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1973réf. 147085N.p.: N.p. 1973. Revised scenes for second unit post-production re-shooting and editing for the 1973 film seen here under the working title "Valdez Horses." With annotations in manuscript ink and pencil throughout. Based on the 1967 novel "The Valdez Horses" by Lee Hoffman about a mixed-race horse breeder who lives on the outskirts of New Mexican society a solitary life that is disrupted for better when he takes in a young runaway boy who asks to be his protégé. Set in southwest New Mexico shot on location in Andalucia Spain. Blue untitled wrappers. Lacking title page. 40 leaves with last page of text numbered 38. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1977réf. 146939Venice CA: Capricorn Productions 1977. Revised Draft script for the 1979 film here under the working title "Love and Bullets Charlie." With some copied manuscript annotations throughout but also with a few manuscript pencil annotations made from a master. A lawman travels to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. Meanwhile the gangster has sent thugs of his own to Switzerland to find and stop the pair. Set in Switzerland and America shot on location in Matterhorn Switzerland. White titled wrappers. Title page present with credits for screenwriter Wendell Mayes. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly soiled bound with two silver brads. Capricorn Productions unknown books
réf. 147044N.p.: N.p. Unknown. Original carbon typescript draft for an unpublished Motion Picture Magazine article about Charles Bronson and Jill Ireland's wedding day. With manuscript ink and pencil proofreader's annotations throughout. Title page present with credits for journalist Marcia Borie. 19 leaves with last page of text numbered 18. Carbon typescript on yellow onionskin stock rectos only. Pages Very Good plus partially bound with a single staple. N.p. unknown books
1979réf. 151103Universal City: Universal Pictures 1979. Vintage press kit for the 1979 Mexican-American exploitation film. Full-color illustrated pocketed folder containing nine black and white photographs and four gatherings of promotional reading material. The increasingly paranoid fanatical leader of a large independent church in San Francisco moves his congregation to a plot of land in Guyana in the hopes of creating a utopia. A controversial fictionalization of the Jonestown Massacre. Folder photographs and promotional material Near Fine. Universal Pictures unknown books
1977réf. 143875London: ITC 1977. Draft script for the 1979 film. Laid in is a 14-page shooting schedule. A lawman is sent to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. The gang has sent people of their own to Switzerland assassins who seek only to kill the messenger. Set in Switzerland shot on location there as well as Arizona. White titled wrappers. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two silver brads. ITC unknown books
1976réf. 143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1955réf. 128288Culver City CA: Columbia Pictures 1955. Draft script for the 1955 film. A crew of Air Force soldiers are called in for a difficult bombing mission on the border of Manchuria and North Korea and while the mission is successful in the end it takes a hefty toll on the group. White untitled wrappers. Title page present with credits for screenwriter Gries. 155 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books
1962réf. 132151Hollywood: Paramount Pictures 1962. Two vintage black-and-white British front-of-house cards from the UK release of the 1962 US film. A relatively unknown low-budget jungle film the only film credit for director Jack Warner Jr. son of the then-head of Warner Brothers Studios. 8 x 10 inches. Very Good plus with one with pinholes at the corners one with a short closed tear. Paramount Pictures unknown books
