4 572 résultats
1622In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
1845réf. B87732Antverpiae [Antwerpen], J.E. Buschmann 1845-1848 5 volumes (complete, all published): xvi,473 + 499 + xvi,532 + 502 + 446pp., illustrated with 3 folding plates (large folding panoramic view on Antwerp, "Turris Croneburgica" & "Vetus curia") in volume I & 2 folding plates (of which one large map of Antwerp) in volume 2 & 1 folding plate in volume 3, nice uniform 19th cy. hardcover bindings (marbled boards, spines in black leather with title and decorations in gilt, text in latin, text is clean and bright with only few occasional foxing, very good set, rare, [Papebroch, Papebrochius = Daniel Van Papenbroeck, Anvers 1628-1714, cfr. De Backer-Sommervogel VI p.182 no.12], B87732
18455 volumes (complete, all published): xvi,473 + 499 + xvi,532 + 502 + 446pp., illustrated with 3 folding plates (large folding panoramic view on Antwerp, "Turris Croneburgica" & "Vetus curia") in volume I & 2 folding plates (of which one large map of Antwerp) in volume 2 & 1 folding plate in volume 3, nice uniform 19th cy. hardcover bindings (marbled boards, spines in black leather with title and decorations in gilt, text in latin, text is clean and bright with only few occasional foxing, very good set, rare, [Papebroch, Papebrochius = Daniel Van Papenbroeck, Anvers 1628-1714, cfr. De Backer-Sommervogel VI p.182 no.12], B87732
réf. 304c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark. unknown books
Hardcover, 554 pages . L'ouvrage comporte un ensemble de documents anglais (traduits en francais) relatifs a l'expedition de Walcheren en 1809. Il s'agissait pour les troupes anglaises de debarquer dans Anvers et Flessingue pour y detruire les arsenaux et les bassins de construction a Anvers, Terneuse et Flessingue, de s'emparer de l'ile de Walcheren et d'obstruer la navigation de l'Escaut afin que la marine napoleonienne ne puisse l'emprunter.
1600réf. 304c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.
1627réf. 27508Antverpiae [Anvers / Antwerpen], ex Officina Plantiniana [Christophe Plantin] / Balthasaris Moretis [Balthasar Moretus], 1627. Un vol. au format pt in-4 (231 x 175 mm) de 60 pp., 1 f. n.fol. et 2 ff. bl. Reliure de l'époque de plein vélin ivoire à coutures apparentes et rabats rempliés, titre anciennement calligraphié en tête du dos ; lisse, traces de fermoirs.
réf. 26563Paris, Ferroud, 1911 In-8? , 16.6x24.1 cm., 266 pp., belle edition illustree du classique de Balzac. Les 26 compositions d'Auguste Leroux - en texte et hors texte, dont un frontispice - ont ete gravees sur bois en couleurs par Florian, Froment et Duplesses. Relie demi-maroquin havane a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos orne, dos a 4 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Tirage limite. Tirage de 1200 exemplaires dont 1020 exemplaires sur velin d'Arches numerotes de 181 a 1200.
1616réf. 029925Antwerpen 1616 Trognaesius Trognesius Vellum (Hardcover) 1st Edition
réf. 7905Hispanicarumque in numis Veterum Dialogie XI.Latine redtti. Ab Andrea Schotto Societ.Iesu.Cuius accesit Duodecimus.De prisca Religione,Düsque Gentium.Seorsim éditae Nomismatum Icones.A.Jacobo Biaeo aeri graphicè incisae In folio reliure plein cuir fauve,dos muet à 6 nerfs et fers et filets à froid sur les plats. Titre orné d’une vignette gravée, XIV, 182 pages XVI pages d’index 1page d’errata Anverpiae apud Henricum Aertssium 1617à la suite Nomismata imperatorum Romanorum aurea argentaea aerea A. C Julio Caesare usque AD Valentinianum AVG OPERA Jacobo BIAEI Antverpiani aeri graphice incisa Antverpiae 1617.Titre illustré et gravé,II,complet des 68 planches gravées,4 pages d’index.Rare.Reliure restaurée,le dos,les coins, pages de gardes remontées. Intérieur très bon état
réf. 53171Antwerpen , Eigen Beheer, 1966 Losbladig in originele overslagdoos. Van dit album verschenen 68 exemplaren. In ieder album is een reeks van vijftien originele etsen van Jacques Gorus verzameld. 50 exemplaren werden genummerd van 1 tot 50. Dit exemplaar is nummer 34. Gesigneerd door Gorus en Gilliams.
Losbladig in originele overslagdoos. Van dit album verschenen 68 exemplaren. In ieder album is een reeks van vijftien originele etsen van Jacques Gorus verzameld. 50 exemplaren werden genummerd van 1 tot 50. Dit exemplaar is nummer 34. Gesigneerd door Gorus en Gilliams. Drie exemplaren, niet in de handel, voorzien van merkletters A.B.C. bevatten tevens al de staten van een zestal etsen. Vijftien exemplaren, genummerd van I tot XV, bevatten de eerste staat van een zestal etsen alsmede een originele tekening. De typografische verzorging werd uitgevoerd door drukkerij G. De Batist, te Antwerpen. Met 3 bladen tekst 'Begroeting' (en boekverzorging) door Maurice Gilliams. Exemplaar nummer 34. Jacques Gorus was schilder, aquarellist, tekenaar van figuren, stadszichten en landschappen maar vooral gekend als etser van het Antwerpse straatleven. Hij is een meesterlijk observator van de menselijke soort. In tekeningen en etsen geeft de kunstenaar zijn toeschouwers les in lichaamstaal. Jacques Gorus verbleef in de jaren 1925-1937 op het Vlaams Hoofd.
1666réf. 73611666 Rottendorffi. Antwerpiae [Antwerp], ex officina Plantiniana Balthasaris Moreti 1666.Première édition (un des supposés trois cents exemplaires pour le compte de l’éditeur, le médecin Bernhard Rottendorff (1594-1671) - ce livre de considérations sur la mort est illustré avec un frontispice en intaglio d’un squelette, d’après une image du célèbre De humani corporis fabrica (1543), œuvre anatomique clé d’Andreas Vesalius. Dans cet ouvrages , des citations d'auteurs anciens : Pline, Galen et Aristote. Superbe reliure aux armes du Duc de Saint Maure, duc de Montausier , avec des initiales sur les angles des plats encadrées par un triple filet doré
1883réf. B102944Antwerpen, Antwerpsche Bibliophilen 1883-1918 & 1955 Complete series of 9 volumes + 1 supplement ; v,320 + 320 + 371 + xii,331 + viii,331 + xi,334 + xi,363 + ix,637 pp. + Supplement: 408pp. (Antwerp, 1955), original softcovers, vols. 1-9 are printed by J.E. Buschmann in Antwerp, published in the series "Uitgaven der Antwerpsche Bibliophilen" nos.12-15-26-29-30-31-32-33-34, Vols.1-7-8-9 are still uncut, Vol.8-9 in one physical volume, printed on handmade paper (except for vol.1), vols.3-6 with wide margins ; 26x18cm., weight: 7kg., [Rare complete set of the first and only edition of correspondence by Chr. Plantijn, 1555-1589], B102944
1883Complete series of 9 volumes + 1 supplement ; v,320 + 320 + 371 + xii,331 + viii,331 + xi,334 + xi,363 + ix,637 pp. + Supplement: 408pp. (Antwerp, 1955), original softcovers, vols. 1-9 are printed by J.E. Buschmann in Antwerp, published in the series "Uitgaven der Antwerpsche Bibliophilen" nos.12-15-26-29-30-31-32-33-34, Vols.1-7-8-9 are still uncut, Vol.8-9 in one physical volume, printed on handmade paper (except for vol.1), vols.3-6 with wide margins ; 26x18cm., weight: 7kg., [Rare complete set of the first and only edition of correspondence by Chr. Plantijn, 1555-1589], B102944
1629réf. 4435Anvers, Plantin (Balthazar Moretus), 1629 ; fort in-12 (11,5 x 6 cm) ; plein maroquin grenat, dos et plats encadrés d'un double filet doré, toutes tranches dorées (reliure de l'époque) ; 861 pp., (1) p. nom d'imprimeur, (1) f. marque au compas, verso blanc.
1636réf. 003006ANTVERPIAE (Antwerpen, Anvers), apud Ioannem Cnobbarum, 1636
1926réf. 031112Antwerpen 1926 privé uitgave Fernand Van Goethem Soft cover 1st Edition
1914réf. 3226Antwerp 1914. Broadsheet leaflet 280 x 185 mm. With the arms of Antwerp and the arms of the Plantin Press at the foot. Creased along fold soiling and browning. Good condition. WWI CHRISTMAS 1914 LEAFLET from Belgian children to "the Children of the United States" USING "THE OLD ORIGINAL TYPES OF CHRISTOPHORUS PLANTINUS 1514-1589." A remarkable survival. As the German soldiers moved through neutral Belgium en route to capture Paris they confiscated the food supply; civilians especially children were brought to starvation or quite near to it. In order to feed its people the Belgian government appealed to the people of the United States for humanitarian aid. In response a large number of Americans young and old sent funds and food to the beleaguered Belgian people. Here we have an original instrument sent from the children of Belgium thanking the Americans and their children for "their nice Christmas presents." This expression of thanks bears the original signatures of three persons no doubt Belgian children judging from the inscriptions who were blessed by the donations received from Americans. The leaflet is dated Dec. 25 1914 -- this is the exact date of the UNOFFICIAL CHRISTMAS TRUCE. "Starting on Christmas Eve many German and British troops fighting in World War I sang Christmas carols to each other across the lines and at certain points the Allied soldiers even heard brass bands joining the Germans in their joyous singing. At the first light of dawn on Christmas Day some German soldiers emerged from their trenches and approached the Allied lines across no-man's-land calling out "Merry Christmas" in their enemies' native tongues. At first the Allied soldiers feared it was a trick but seeing the Germans unarmed they climbed out of their trenches and shook hands with the enemy soldiers. The men exchanged presents of cigarettes and plum puddings and sang carols and songs. Some Germans lit Christmas trees around their trenches and there was even a documented case of soldiers from opposing sides playing a good-natured game of soccer. German Lieutenant Kurt Zehmisch recalled: "How marvelously wonderful yet how strange it was. The English officers felt the same way about it. Thus Christmas the celebration of Love managed to bring mortal enemies together as friends for a time." Source: "Christmas Truce of 1914" online. That the leaflet was printed with original PLANTIN TYPES is of great interest. Note that the W in the word "War" was created using two letters: an upper-case U and a lower-case u. But clearly Plantin had a W as we see from the large Fraktur W in the word "With." We have located an announcement that was published in the Jan. 22 1915 issue of the extremely obscure newspaper "Het Volk: Christen Werkmansblad." It states that "the Antwerp administration" was responsible for printing the leaflet. "The schoolchildren will sign this acknowledgment of thanks which will then be sent to America. The children from East Flanders weren't so happy!" We are unable to explain the meaning of this last sentence ! Few originals of this leaflet are likely to have survived over the last 106 years. It remains a heartwarming example of the generosity of young Americans towards the suffering Belgian children. unknown books
1856réf. B119438Antwerpen (Anvers), Buschmann 1856-1871 Collectie van de eerste zes volumes, met vele illustraties in tekst en enkele platen buiten tekst, 33x27cm., uniforme intacte contemporaine gecart. banden (gemarbreerde platten, bruinlederen ruggen met titel in goudopdruk en twee labeltjes en met wat slijtage), gemarbreerde schutbladen, ex-libris stempel op titelblad, lichte roestplekjes, tweetalige uitgave: Nederlands-Frans, gewicht: 18 kg., [Inhoud/ contenu ; Volume I: Cathedrale kerk - Eglise cathédrale (xxxix + 463 + 8pp.) // vol.II: Antwerpen parochiekerken 1e afdeling - Eglises paroissiales 1e partie (clxii + 518pp.) // vol.III: Antwerpen parochiekerken 2e afd. - Eglises paroissiales 2e partie (cxxx + 609,[1] pp.) // vol.IV: Antwerpen abdyen en kloosters 1e afd. - Anvers abbayes et couvents 1e partie (ccix + 539pp.) // Vol.V: Antwerpen kloosters - Anvers Couvents (585pp. + 8pp. Rapport) // Vol.VI: Antwerpen kloosters der orde van St.Franciscus - Anvers couvents de l'ordre de St-François (xx + 312,[1] pp.)], [Edition bilingue: néerlandais-français, les premiers 6 volumes, avec de nombreuses illustrations dans le texte et quelques planches hors-texte, 33x27cm., reliures uniformes cart. contemporaines intactes (plats marbrés, dos en cuir brun avec titre doré et deux étiquettes et avec quelques traces dusage), cachet sur la page de titre, avec des rousseurs légères, bon état, poids: 18kg.] B119438
1734réf. 031125Antwerpen 1734 Van Soest (Joannes Franciscus van Soest) Vellum 1st Edition
1638"Due volumi rilegati in uno. In-8°, frontespizio figurato,16pp; 76pp, legatura in pergamena coeva. Nei Tre discorsi Guicciardini pone la sua attenzione sulla città di Anversa e la sua fortuna commerciale, mentre Tolomei si focalizza sulle qualità che deve avere un sito per la costruzione di una città. In ultimo Botero parla del numero di abitanti di Roma al colmo della sua potenza. Bozza, 5 Per quanto riguarda l’opera del Foglietta, si tratta della prima edizione, scritta in forma di dialogo, in cui lo storico ligure denunciò gli abusi della vecchia nobiltà di Genova: ciò gli procurò una vasta notorietà e il bando da quella Repubblica. Bitossi: ""il solo testo del dibattito politico genovese del Cinque-Seicento a conoscere la via della stampa, associava i temi dell'indipendenza e del riarmo navale della Repubblica, immaginava per Genova una prospettiva di lucroso mercenariato marinaro, era animato da una visione antinobiliare della storia genovese, proponeva una riforma censitaria del sistema politico"" Bitossi, D.B.I., Vol. 48, 1997."
réf. 5581P II V.Pont.Max.iussu éditum Nuncpluribus quàm hactenus vmquam figures oeneis illustratum Officina plantiniana, 162.Petit in 4 EDITION PLANTINIENNE plein maroquin de couleur rouge foncé de l’époque,à nerfs,caissons dorés,6 filets et écoinçons dorés sur les plats,trace de roulette dorée sur les coupes; titre avec vignette gravée,XXXVI pages,696 pages,2 pages index eorum quae officio B Mariae continentur Impression en rouge et noir,91 superbes gravures sur cuivre ,57 pleine page et 34 dans le texte,67 lettrines gravées sur bois, tranches dorées. Antverpiae ex officina Platiniana Apud Balthazarem Morerum & Viduam Joanus Moreti,& Io Meufium 1622.Reliure de l’époque.Raccommodages principalement charnières et coiffes et coins.
1566réf. 001293Antverpiae (Anvers) Plantin 1566
réf. 51457, Chez Durand et Pissot, Paris, France, 1752 Relie, demi-toile, en veau a l'impression dore et au 5 nerfs, plattes interieures decorees, (19e siecle) , 632 pp.,16 pl., 26 x 21 x 5 cm. V.G. condition.