David Van AntwerpBiblio.com
249 résultats
réf. A9783382112318Hardback. New. hardcover
réf. 3382112310.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1147096260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 326739Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1515–20. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326738Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1515–20. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326740Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1515–20. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326741Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1515–20. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1939073065.Gboard_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1874réf. 001253Boston: James R Osgood 1874. Book. Good. Hardcover. 8vo - over 7¾ - 9¾" tall. 334pp. Blue boards gilt titles on spine gilt vignette on front board. Missing 1/2" of cloth at head and foot of spine. Wear to corners and edges. Hinges showing but binding is intact. Previous owner's name in pencil on FFEP but endpaper is brown so it's barely visible. Pages unmarked. 100 illustrated plates. By Jules Verne translated from the French by N. D'Anvers. . James R Osgood Hardcover
réf. 00281821New York: John W. Lovell Brown/gilt/black embossed boards. Tight rubbed edges spine bumped. Minor foxing engraved frontispiece. xi. list of illustrations 334 pgs. Nice copy of scarce early edition c- 1890. Early American Edition. Decorative Cloth. Good. John W. Lovell hardcover
1850réf. 103087Antwerp S. Mayer n.d. c. 1860. Four porcelain cards. size: c. 225 x 31 cm. All signed: "Gravé par S. Mayer a Anvers" & "Etabl. lith. de S. Mayer à Anvers". In 1880 the firm of S. Mayer was taken over by Seghers. some light staining & two plates with some tiny damage to the margins but good copies. The five senses - sight hearing smell taste and touch - are represented on these charming porcelain cards. Sight hearing and smell each have their own card and taste & touch share a card. Five scenes represent the five senses: sound is represented by a woman listening at at door; taste by a clergyman drinking a glass of wine smell by a man sitting on a chair who smells a substance he has taken from a small pot; sight by a girl looking through binoculars and a woman who is reading; and touch by a miser touching coins. Surrounding these scenes on each of the plates are numerous tiny drawings also representing the senses. They range from seventeen small noses on cord held by two little devils twelve tiny eyes no a scroll held by two little angels to small scenes showing a painter at work a cook two fencing boys a little girl playing a piano a woman being revived with smelling salt etc. etc. The lithographer obviously had fun making these. Porcelain-cards or were mainly produced in Belgium in the nineteenth century between 1825 and the 1870's. They are called porcelain-cards because they look a bit like porcelain. They were printed in lithography on a white background of paper with kaolin or lead white. Their production gradually stopped in the 1870's because of the health hazards for printers. They are technical masterpieces of the so-called chromolithography just after its invention.
réf. 1528347633.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1334592829.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1334993246.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 326727Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326728Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326726Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 326729Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 12777Antwerp: Juliaen van Montfort 1662. Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.' Image on application. [Antwerp: Juliaen van Montfort, 1662] unknown
réf. ria9781138957152_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1870réf. 037082Anvers Belgium: s.n. 1870. First Edition. Decorated Boards. Very Good. 24 Albertype photographic views on 24 plates accordion format folding into embossed green boards gilt cover title. Contains exterior and interior views of: Anvers Place Verte et Cathedrale; birdseye views; La Bourse; Cour du Mussee Plantin; Musee Steen; Le Puits de Quentin Mestis; La Banque; Maison de Charles-Quint; Eglise des Jesuites; Bassin de Kattendyk; Theatre Flamand; &c. 4" x 6" Precedes the 1885 Universal Exposition at Anvers. This title not found in WorldCat. s.n. unknown
1932réf. 1241751932. San Francisco: The Book Club of California 1932. 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and spotted rust-shadow of paperclip to preliminaries otherwise fine. § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
1932réf. 1078811932. San Francisco: The Book Club of California 1932. 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and worn in places internally fine. § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
1974réf. 65145Milano: Grafica Uno 1974. Ottimo Fine. Acquaforte appartenente al volume ''Ora di noi'' testo di Franco Passoni e sei incisioni originali di Seuphor stampato in 150 XXX esemplari Milano Grafica Uno 1974. Cm 162x15 Foglio 312x312. . Ottimo Fine. Tiratura 150 XXX. Upiglio Upiglio 1975 Marras Piero a cura di Giorgio Upiglio stampatore in Milano. L'opera grafica. Milano Cordani S.p.a. 1975. Grafica Uno, unknown
réf. stela2208Antwerpen: 1969. 4to. unpaginated. Dutch text. b/w illus. b/w illus. wrs. printed acetate dw. torn at jacket folds one chip to lower edge Antwerpen: 1969 unknown
