2 275 résultats
réf. RO80193992BRILL E.J.. Non daté. In-8. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 236 Pages - couverture tachée sur le premier plat - nombreuses salissures dans l'ouvrage n'altérant pas la lecture - jaquette déchirée mais conservée - OUVRAGE EN ANGLAIS. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1997réf. R200081117FRANCE LOISIRS. 1997. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 359 pages - Jaquette legerement déchiré en coiffe en tete - Tampon sur la page de titre et étiquette au dos et pochette de bibliotheque en dernier plat.. Avec Jaquette. . . Classification Dewey : 840.091-XX ème siècle
2003réf. RO60142652Headline. 2003. In-12. Broché. Bon état, Couv. légèrement passée, Dos plié, Intérieur acceptable. 536 pages. Annotation au feutre sur la tranche.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1949réf. RO80211907Rouart - Leroll -. 1949. In-Folio. En feuillets. Etat d'usage, Couv. défraîchie, Dos frotté, Déchirures. en feuillets de 5 pages. Quelques déhirures sans conséquences sur la lecture.Dos avec mors fendus.Didon et Enée ( 2e Air de Didon) -R. L.10109. . . . Classification Dewey : 780.26-Partitions
réf. RO50063745Non communiqué. Non daté. In-4. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. Paginé de 99 à 104 .Pour piano et chant. . . . Classification Dewey : 780.26-Partitions
1996réf. RO80221775France Loisirs. 1996. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 436 pages.Exemplaire de bibliothèque recouvert d'un film transparent.Etiquette sur le premier plat et au dos . Tampon encreur sur certaines pages.Range fichette sur le dernier contreplat. Un signet conservé.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
réf. RO20220810New Island. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 536 pages. Quelques rousseurs sur la page de titre. Texte en langue anglaise.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
2013réf. LFA-126713553Un ouvrage de 256 pages, format 120 x 180 mm, broché couverture couleurs, publié en 2013, Fayard / Mirare, bon état
réf. QWA-881Edition Eulenburg 1971 XI-74 p. in-8 br., N° 1334, préface en anglais et en allemand par Antony Ford, bon état
1976réf. 154235Washington DC: Corcoran Gallery of Art 1976. First Edition. First Edition. Published in conjunction with an exhibition at the Corcoran Gallery of Art on September 24 through November 21 1976. Very Good in card wrappers. Light toning overall with bumps to the top and bottom fore-edge corners affecting both wrappers and text block light creasing to the spine with small bruises to the heel and mid-spine and moderate soiling to the wrappers. Corcoran Gallery of Art unknown books
1761réf. 7777London: Published by R. H. Laurie; 53 Fleet Street and Bowles & Carver 1761. Mezzotint. New state ii/ii with the publication line altered. Inscription reads as follows: " J. Reynolds pinx.Cha Corbutt fecit./ Strive not TRAGEDY nor COMEDY to Engross a GARRICK who to your NOBLEST CHARACTER does EQUAL HONOUR./ Reddere Personae scit convenientia cuique./ Published by R.H.LAURIE; 53 Fleet Street and BOWLES & CARVER St. Pauls Church Yard London Price 6s.". In good condition apart from a small section of paper loss in the upper margin not extending into the image and two small skillfully mended tears on the bottom margin. Images size: 13 1/8 x 16 inches. One of the most famous portraits of the actor David Garrick by Sir Joshua Reynolds. David Garrick 1717-1779 was perhaps the most influential actor in the English theater. He successfully took on all aspects of theatrical production including actor manager playwright publicist and theatre advocate. He displayed an amazing range by convincingly playing parts in every genre from comedy to tragedy history to farce. From 1747 until his retirement in 1776 he was the manager of Drury Lane where he initiated many improvements: he introduced concealed stage lighting removed spectators from the stage and cultivated a naturalistic style of acting. Garrick was acutely conscious of the value of pictures as advertisements. He sat for every painter of note many of whom are now little more than names. He was painted in oils and in watercolours drawn in pencil and in pastels modelled in wax and in terracotta; his likeness even appeared on medals Wedgewood china and playing-cards. This portrait by his friend Reynolds demonstrates in a mildly humorous way the actor's talents and character; posed between Tragedy and Comedy Garrick is depicted the master of both. Garrick's broad smile and Tragedy's melodramatic stance note the dagger at her waist favor Comedy. Reynolds' painting was a huge public success and inspired many prints and paintings pirated prints of the image even made their way to the streets of Paris. The popularity of this image is a testimony to Garrick's fame and to Reynolds' talent. University of Florida website Penny An interesting derivative of this scene is Shakespeare Nursed by Tragedy and Comedy a beautiful stipple engraving based on a painting by Romney. Penny Reynolds 42; Chaloner Smith British Mezzotinto Portraits 31 this state not recorded; Russell English Mezzotint Portraits and their States 31 this state not recorded; Hamilton Catalogue Raisonné of the Engraved Works of Sir Joshua Renolds p.29; Lennox-Boyd Theatre: the Age of Garrick p.108; O'Donoghue Catalogue of Engraved British Portraits. in the British Museum 52. Published by R. H. Laurie; 53 Fleet Street, and Bowles & Carver unknown books
1940réf. 165665Universal City: Universal Pictures 1940. Vintage publicity photograph from the 1940 film showing actors Allan Jones Nancy Kelly Peggy Moran and Robert Cummings posed behind a large straw hat. Printed mimeo snipe affixed to the verso referring to the film by its working title "Caribbean Holiday." Based on Earl Derr Biggers' 1914 novel "Love Insurance." The film debut of Abbott and Costello. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1993réf. 171234Burbank CA: MFS Productions Inc 1993. Revised Draft script for the 1994 television film here under working title "My Father's Son." Copy belonging to an unknown cast member inscribed by director-star Beau Bridges. With production documentation laid in. A family is torn apart when a farmer is suspected to have murdered his wife and his son is picked to lead the investigation. Green titled self wrappers noted as REVISED GREEN on the front wrapper dated May 28 1993 with credits for screenwriter Ken Hixon. Title page integral with front rapper with three title pages laid in corresponding with previous revision pages dated variously between May 11 1993 an May 26 1993. 146 leaves with last page of text numbered 92. Mimeograph duplication rectos only with white blue pink yellow and green revision pages throughout dated variously between Apr 28 1993 and 5/28/93. Pages Fine wrapper Very Good plus bound with two gold brads. MFS Productions Inc unknown books
1932réf. 152592Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1932. Vintage press portrait photograph from the 1932 film showing actress Polly Moran. Printed mimeo snipe affixed to the verso along with manuscript ink annotations and a written date of 3-13-32. A beautiful socialite pretends to have fallen in love with a weird plumber in order to make her lover jealous. MGM's first attempt to pair actors Buster Keaton and Jimmy Durante as a comedy team followed by "Speak Easily" 1932 and "What-No Beer" 1933. Set in Paris. 8 x 10 inches. Very Good lightly toned and soiled. Metro-Goldwyn-Mayer [MGM] unknown books
1938réf. 164624Universal City: Universal Pictures 1938. Vintage publicity photograph from the 1938 film showing actors Beryl Wallace and Dick Purcell. Printed mimeo snipe on the verso along with the credit stamp of studio photographer Ray Jones. Two discharged Marine pilots sign on as airborne policemen for a dictator of a small South Sea island eventually finding themselves at odds over their shared affection for a beautiful woman. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 9.25 x 7.75 inches. Very Good plus. Universal Pictures unknown books
1978réf. 85573London: John Calder 1978. First U.K. Edition. First impression. Inscribed on title page: "To Edward" signed undated but apparently contemporary with publication. Octavo. Red cloth hardcover; dustjacket; xv765pp. Mild soil to text block edges; faint reading crease to spine still solidly Very Good. In the original dustwrapper unclipped priced £15 at base of front flap crisp and clean with just a trace of wear along upper extremities Near Fine. A major work of postructuralist literary analysis expanded from Cixous' 1968 doctoral dissertation L'Exil de James Joyce ou l'Art du remplacement. This translation originally appeared in the U.S. in 1972. An elusive title quite uncommon signed. John Calder unknown books
1938réf. 164609Universal City: Universal Pictures 1938. Vintage publicity photograph of Mamo Clark from the 1938 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Two discharged Marine pilots Larry J. Blake and Dick Purcell sign on as airborne policemen for a dictator of banana-republic south sea island and begin fighting over the same girl Marcia Brandford before realizing they may be on the wrong side. Marguerite Mamo Clark better known as Mamo Clark or simply Mamo was a Hawaiian born actress and is best known for her debut as a Polynesian girl who marries Clark Gable in the 1935 Academy Award winning film "Mutiny on the Bounty" directed by Frank Lloyd. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1935réf. 158578N.p.: N.p. 1935. Vintage photograph of architect Timothy L. Pflueger civil engineer Charles H. Purcell editor and writer Rob Wagner and photographer Walter G. Swanson standing at the base of the then-incipient San Francisco-Oakland Bay Bridge circa 1935. Annotations in manuscript ink and pencil on the verso. Purcell and Pflueger both oversaw the construction of the Bay Bridge-Purcell being the Chief Engineer and Pflueger serving on the committee of architects for the project. Rob L. Wagner is best remembered today as the editor and publisher of "Script" a left-leaning weekly literary film magazine published in Beverly Hills between 1929 and 1949. A lifelong Socialist and advocate for progressive causes Wagner used "Script" to give a voice to blacklisted screenwriters including Dalton Trumbo and Gordon Kahn and prominent leftists including Upton Sinclair Max Eastman and William C. deMille. While Wagner's involvement with Pflueger Purcell and Swanson is unclear it is evident that Wagner maintained many connections with powerful leaders in California. 10 x 8 inches. Very Good plus lightly worn at the right corners. N.p. unknown books
1937réf. 148098Burbank CA: Warner Brothers 1937. Three vintage reference photographs from the 1937 film two showing actors Jane Wyman and William Hopper and one showing Wyman and actors Berton Churchill Dick Purcell Archie Robbins and Raymond Hatton. A family of con artists decide to stage a sham public wedding to make money off the ticket sales not counting on the bride actually falling in love with the groom. Jane Wyman's first starring film role. Set in New York. Two photographs 10 x 8 inches one photograph 8 x 10 inches. Two Very Good plus with light edgewear and toning and one Very Good with a small open tear to the bottom right corner. Warner Brothers unknown books
1960réf. 9029880New York: Boosey & Hawkes 1960. Softcover. Fine. Realised and edited by Benjamin Britten and Imogen Holst. Libretto by Nahum Tate. German translation by Ludwig Landgraf. Bound in publisher's original cream paper with covers stamped in red and front cover illustrated in brown. 9 1/4 x 12 1/4 inches. 71 pages. Boosey & Hawkes paperback books
1962réf. 158729Iver Heath Buckinghamshire: Pinewood Studios 1962. Shooting script for the 1963 British film. A young woman moves to the countryside in order to start a new job as a district nurse and must face the suspicions of the local townsfolk who distrust her due to her age. OCLC locates no holdings. AMPAS shows no holdings. Shot on location in Buckinghamshire and Berkshire. Tall tan titled wrappers noted as SHOOTING SCRIPT on the front wrapper dated 19th October 1962. Title page present dated 16th October 1962 with credits for novelist Joanna Jones and screenwriter Norman Hudis. 92 leaves with last page of text numbered 91. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good bound with a silver prong. Pinewood Studios unknown books
1975réf. 186950Boston MA: David R. Godine Publisher 1975. First edition. Simultaneous softcover issue. 72 pages. Volume 1 in the Contemporary Photographers Series. Features a preface by Rosamond Wolff Purcell and an afterword by David Purcell. Includes numerous black and white images. A clean near fine copy in photo-illustrated wrappers. David R. Godine Publisher unknown books
1944réf. 150926Universal City: Universal Pictures 1944. Three vintage photographs and one borderless publicity photograph from the 1944 musical film. A musical revue about a former vaudeville star who decides to try his luck at Hollywood. Notable for its extensive celebrity cameos including appearances by Orson Welles Lon Chaney Jr. Dinah Shore Noah Beery Jr. The Andrews Sisters Jeanette MacDonald and Maria Montez among many more. Set in Hollywood. Three 8 x 10 inches one 6.75 x 9 inches. Very Good plus several lightly and evenly toned one with a short closed tear to the top left corner. Universal Pictures unknown books
1740réf. 36821London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass intended for the accompaniment of the flute. Signed in the plate by the engraver G. Bickham. Ca 326 x 200 mm. 12.75" x 7.85" plate mark. Slightly worn; minor browning to edges; minor soiling and dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. "Purcell was one of the most important 17th-century composers and one of the greatest of all English composers." Peter Holman and Robert Thompson in Grove Music Online. "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. A charming engraving. The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown books
1959réf. 33757London: Oxford University Press 1959. Octavo. Boards. 136 pp. Oxford University Press unknown books
