794 risultati
1993rif. 53934University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to spine - 269 pages -- with a bonus offer--; Lichtenstein Jacqueline translated By McVarish Emily The Eloquence of Color Rhetoric And Painting In The French Classical Age . 1993. 0520069072 . University of California Press hardcover
2009rif. 79147University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 160 pp. With 123 ills. 23 x 23 cm. -- with a bonus offer--; Through an examination of Surrealist photographs objects exhibitions activities and writings the essays in Twilight Visions the beautifully illustrated companion volume to the exhibition of the same name portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research the major Surrealist exhibitions and the photographs of Paris by Brassai Andre Kertesz Ilse Bing Germaine Krull and Man Ray among others all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar they seek to break down repressive hierarchies. At the same time they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein with essays by Therese Lichtenstein Julia Kelly Colin Jones and Whitney Chadwick this absorbing volume considers the social aesthetic and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality subjectivity and objectivity. Copub: Frist Center for the Visual Arts . 2009. 0520260813 . University of California Press hardcover
2010rif. 87434Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 372 pages; 489 illus. -- with a bonus offer--; One of the most complete monographs of the artist to date this volume depicts the career of Roy Lichtenstein one of the finest American pop artists of his era. Roy Lichtenstein 1923-1997 was the master of the stereotype and the most sophisticated of the major pop artists. An emblematic protagonist of the New York art scene of the second half of twentieth century he became a legend in his prolific lifetime. Even now thirteen years after his death his works and lexicon of symbols subjects and themes continue to intrigue the art world. Published on the occasion of the major exhibition at the Milan Triennial this monograph covers the entire artistic development of Roy Lichtenstein through more than 250 paintings and sculptural works a rich photographic section including unpublished material and critical text. The reproductions of Lichtenstein’s work are large-format in full color. The insightful quotes and most of the references to his personal life serve to explain how his art evolved or how he came to be in a particular place in the world. This deluxe edition large square format with padded cover offers a dynamic and provocative look at the works of Lichtenstein through a powerful combination of text and visual elements. It will appeal to Lichtenstein fans critics dealers and anyone interested in contemporary art. . 2010. 885720460X . Skira hardcover
1971rif. 61791Palais Liechtenstein. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in German. 78 pp. With 20 ills. 20 x 19 cm. -- with a bonus offer-- . 1971. Palais Liechtenstein paperback
2006rif. 90277D. A. P. Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 77 illus. -- with a bonus offer--; Charles Stuckey writes in his essay "Lichtenstein and Surrealism" that "Searching for a worldwide audience in the 1930s the Surrealists nowhere received more welcome than in the United States with important exhibitions at the Wadsworth Athenaeum in Hartford and The Museum of Modern Art in New York. The Julien Levy Gallery quickly became something of an official New York headquarters. By the 1940s when Lichtenstein attended art school at Ohio State University Surrealism was widely acclaimed as the matrix style for contemporary American abstract art." So no one should be surprised that the young Lichtenstein's work of that era is "fundamentally Surrealist in spirit" and that the style that influenced him as a young man would carry over into his life's work. The paintings and works on paper in Conversations with Surrealism show the movement's continuing power and inspiration through to the 1970s when Lichtenstein drew on the work of Dali Magritte and Picasso. The works from this series endow Surrealist archetypes such as dreamlike landscapes with Lichtenstein's distinctive style weaving the artist himself into an art-historical narrative. Conversations with Surrealism offers a glimpse into the development of some of Lichtenstein's best-known motifs including his "self-portraits" in which various objects represent the artist's head and face. Includes a work of short fiction by Frederic Tuten author of The Green Hour. . 2006. 0974960748 . D. A. P. (Distribution) hardcover
2003rif. 63919Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 40 pp. With 23 col. Ills. 25 x 22 cm. Description: "Documents 16 paintings and drawings from the collection of television producer Cramer selected to examine contemporary artistic approaches to the body and sexuality including works by Warhol Hockney Salle Fischl Lichtenstein Pittman Currin and Essenhigh." -- with a bonus offer-- . 2003. Museum paperback
2008rif. 97614University of Chicago Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 330 pp. ; 72 illus. -- with a bonus offer--; AIMprint: New Relationships in the Arts and Learning offers an expansive model for arts integration that places relationships between people processes concepts and curricula at the center of effective teaching practice. Through curriculum samples essays and first-person testimony AIMprint outlines teaching methods that account for students' diverse learning styles and offers an expansive model for arts integration in the 21st century. AIMprint presents a new theory of arts integration practices in the multiple voices of teaching artists teachers principals college faculty program administrators and public school students. . addressed include: higher-order thinking strategies that link arts and literacy building partnerships between educational and community interests and creating a community of learners at every level of an arts partnership. . of School Partnerships and Amanda Leigh Lichtenstein Writer/Arts Educator and is a publication of Project AIM Arts Integration Mentorship and the Center for Community Arts Partnerships at Columbia College Chicago. Funding for the publication of AIMprint was provided by the US Department of Education's Fund for the Improvement of Postsecondary Education FIPSE the Oppenheimer Family Foundation and Columbia College Chicago. See http://www.colum.edu/ccap for more information. . 2008. 0929911229 . University of Chicago Press (Distribution) paperback
2010rif. 87435Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 228 pages; 154 illus. -- with a bonus offer-- . 2010. 1935263129 . Gallery hardcover
rif. Z1-C-038-02885University of Illinois Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. University of Illinois Press unknown
1994rif. 102398Hudson Hills Pr. New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Hudson Hills Pr hardcover
rif. 143165London: The Lilja Art Fund Foundation in association with Azimuth Editions. 1995. Signed by 7 Pop Artists First edition first printing number 18 of 50 copies. Signed by Dine Hockney Johns Lichtenstein Rauschenberg Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards titles to spine in white. With dust jacket. Fine in fine dust jacket. hardcover
rif. 51-7261Paris: Editions du Solstice 1992. Folio. 36 x 48.5. 113pp. Printed on unwatermarked rag paper. Sheets loose as issued in original red cloth boards and blue cloth slipcase.One of 80 signed and numbered copies this one printed for Bruno Pons. The prints have been removed by a previous owner. This copy ideal for someone who owns any of the prints but not the actual portfolio. RLCR 4139 Corlett 267–276; RL 1654: ."The publisher Jean-Claude Meyer brought the poet Allen Ginsberg and Lichtenstein together for this collaboration. Work on the project began in 1991 and the book La Nouvelle Chute de l'Amérique The New Fall of America was published in 1992 by Les Éditions du Solstice Paris. Included are eleven poems by Ginsberg.WITHOUT the ten etchings created by Lichtenstein especially for this publication. One Ginsberg poem De Denver au Montana Départ 27 Mai 1972 is accompanied by two etchings; two poems are unillustrated Graffiti 12e Cabine des Pissotièrres – Aéroport de Syracuse Graffiti 12th Cubicle Men’s Room Syracuse Airport and Vendredi Treize Friday the Thirteenth. The Ginsberg text is given in both English and French translated from the English by Gérard-G. Lemaire Anne-Christine Taylor Robert Cordier Jean-Jacques Lebel and Yves Le Pellec.The unbound book is housed in a red cloth-covered folio cover fitted inside a blue cloth-covered slipcase. A Velin d’Arches paper folder surrounds the folio pages within the red folio. The book consists of 115 pages not all numbered including a title page and colophon page. Lichtenstein’s images were also published separately in an edition of forty-two suites on Japanese nacré paper."OCLC Number / Unique Identifier:29581308.Contents:.Amérique.Auto poésie : en cavale de BloomingtonBayonne en entrant dans NYC.Or automnal : arrière-saison en Nouvelle Angleterre.Une fenêtre ouverte sur Chicago.De nouveau au-dessus de Denver.Passage du Nord-ouest.Graffiti 12e cabine des pissotières-Aéroport de Syracuse.Vendredi treize.Hüm Bom!.De Denver au Montana départ 27 mai 1972.Notes:English and French on opposite pagesTranslations by Gérard-G. Lemaire and Anne-Christine Taylor except "America" Robert Cordier and Jean-Jacques Lebel--and "Hüm Bom" and "Denver to Montana" Yves Le PellecConsists of 25 bifolia and 10 prints. First and last leaf blank not counted in collation; p. 3-4 blank.Issued in white paper covers in burgundy linen portfolio and royal blue linen slipcase by Atelier Duval Paris. Paris: Editions du Solstice, 1992 hardcover
rif. 747651 Cent Life. One Cent Life 1964 Written by Walasse Ting Edited by Sam Francis Published by E.W. Kornfeld Bern Bern Switzerland Publisher's pictorial cloth chemise laminated dust jacket in the blue cloth-covered slipcase. Comprising 62 34 double-page 59 in colour original lithographs by 28 artists on loose sheets. Lithographs by Pierre Alechinsky 5 Karel Appel 5 Enrico Baj 2 Alan Davie 3 Jim Dine 2 Sam Francis 6 Robert Indiana 2 Alfred Jensen 3 Asger Jorn 2 Allan Kaprow Alfred Leslie 2 Roy Lichtenstein 2 cover Joan Mitchell Claes Oldenburg 3 Mel Ramos 2 Robert Rauschenberg 2 James Rosenquist Bram Van Velde Andy Warhol and Tom Wesselman 2. With an extra folded sheet repeating pages 52 Indiana 61 Alechinsky and 68/69 van Velde. Copy number 717 from the unsigned edition of 2000 All offers are welcomed. hardcover
rif. 1106481980 . Etching aquatint and engraving in colours 1980 on mould-made Lana paper signed and dated in pencil numbered 16th from edition of 32 there were also 12 artist's proofs published by Tyler Graphics Ltd. New Yorkwith their blindstamp 53 x 54.1 cm. 20 x 21 1/4 in. 'Night Scene' is one of six intaglio prints Roy Lichtenstein produced in 1980 during the same period as his 'American Indian Theme' series. This piece was hand drawn onto a copperplate by the artist using etching aquatint soft-ground and engraving. Within the 'American Indian Theme' series Lichtenstein combined one of his previously explored subjects the American Indian together with surrealist overtones as seen in the present work. A broad variety of influencing source materials can be identified in this series such as totems textiles beadwork quiltwork ceramics and baskets. Corlett 170; Tyler 1987 cat no. 354:RL22 1980 unknown
rif. 1106761976 . Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil 1976 on Rives BFK paper signed and dated in pencil numbered from edition of 30 there were also 9 artist's proofs published by Tyler Graphics Ltd. Bedford Village New York with their blindstamp 74 x 114 cm 29 1/8 x 44 7/8 in. 'The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.' Christoph Grunenberg July 2000 Tate Between 1971 and 1976 Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and specifically in the vicinity of Wall Street and 28th Street. During this period in May 1974 he began to also discuss the creation of the 'Entablature' print series with Master Printmaker Ken Tyler of Tyler Graphics Ltd. who Lichtenstein collaborated with closely to make many of his original prints over the years. Together Lichtenstein and Tyler produced eleven 'Entablature' prints each one taking an epic two months to complete before they would move on to the next composition. This series Tyler explains would push him and Lichtenstein far beyond the known limits of printmaking. At the beginning of each print's creation a great deal of trial and error would ensue before they could perfect the complex foil layering and embossing/debossing of patterns. On the occasion of their exhibition 'Roy Lichtenstein: Pop Remix' 2014 the National Gallery of Australia described this series of prints as 'the pinnacle of technical complexity in Lichtenstein's collaboration with Tyler and the staff at Tyler Graphics'. Knowing this it is easy to understand why 'Entablature III' is seen as a ground-breaking artwork and with only 16 prints issued in the standard edition it makes this example all the rarer. Corlett 139; T.335. 1976 unknown
1967rif. 87711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
1989rif. 153840Vermont: Roy Lichtenstein/Gemini G.E.L. 1989. Six porcelain plates signed by Lichtenstein Edition of 50. Each plate signed titled and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition. Corlett 116-121. unknown
rif. 1119731997 . Screenprint in colours 1997 on 300 gram Somerset textured paper signed and dated in pencil numbered from the edition of 75 there were also 15 artist's proofs printed by Noblet Serigraphie Inc. published by The Estate Project for Artists with AIDS New York 75 x 56.2 cm. 30 x 22 in. Corlett 310 1997 unknown
1992rif. 153831Paris: Les Éditions du Solstice 1992. Ten etchings signed by Lichtenstein First edition first printing number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein numbered lower left. In 1991 Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose for instance was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" Morgan Library and Museum. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth spine lettered in white Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase. Corlett 267-276. hardcover
