98 résultats
1874réf. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown books
1874réf. 214672London: Macmillan 1874. Second. hardcover. very good. Numerous steel engravings and lithographs several fold out facsimlies. 2 volumes tall 8vo ornately gilt blue cloth top of spines repaired. London: Macmillan 1874. Second Edition. Very Good . Macmillan unknown books
2000réf. 49478NY: Worth 2000. First printing. 8vo pp. xxiii 786 A22 I28. Appendix index. Copiously illustrated. Paper wraps. American social history project City University of NY. Cover little curled o/w a VG tight copy. Worth unknown books
1974réf. 20828NY: Morrow 1974. First Edition. 8vo pp. 239. VG in little chpped dj. A narrative about the 1973 women's tennis circuit as seen through selected tournaments minor as well as major. Photographs of some of the players including Billie Jean King and Chris Evert. Morrow unknown books
1875réf. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown books
1959réf. 43280Cleveland OH: Case Western University 1959. Very Good/Very Good. Cleveland OH: Polemic Society of Western Reserve University Case Western Reserve University 1959. Magazine 25cm; 135pp. Lichtenstein’s woodcut dust jacket with wine text to front panel; stiff staple-bound wrappers. All ten woodcuts and relief etchings present. Jacket predictably bumped and toned especially along spine with surface-level scratches to front panel. Wrappers bumped at spine ends and lightly toned; otherwise clean. Binding sound. Textblock clean. Toning due to ink transfer on pp84; interior pages otherwise clean. A Very Good copy. A typed signed note from Lichtenstein is laid-in in its original envelope. Lichtenstein’s brief note dated 1990 confirms that the woodcut cover is the only piece he contributed to Polemic during the magazine’s run. Case Western University unknown books
1965réf. 610029Paris: Ileana Sonnabend 1965. Softcover. Near Fine. First edition. Quarto. 14pp. Text in French. Stapled wrappers. Light age-toning to wrappers near fine. Ileana Sonnabend unknown books
1977réf. 580157New York / London: Leo Castelli Inc. / The Mayor Gallery 1977. Softcover. Fine. Exhibition catalog. Small quarto. 27pp. Illustrated with a few black and white photographs and 14 color plates. Stapled glossy wrappers. Wraps very lightly rubbed else fine. Leo Castelli Inc. / The Mayor Gallery unknown books
1984réf. 562231New York: Marisa Del Re Gallery 1984. Softcover. Near Fine. Exhibition catalog. Text by Sam Hunter. Small quarto. 45 9 pp. Illustrated. Pictorial wrappers. Faint wear on the wraps near fine. Published on the occasion of the exhibition held in New York at the Marisa Del Re Gallery from November to December 1984 featuring work by Roy Lichtenstein Andy Warhol Jasper Johns Robert indiana Ed Ruscha and others. Marisa Del Re Gallery unknown books
1989réf. 560489New York: Susan Sheehan Gallery 1989. Softcover. Near Fine. First edition. Small quarto. Illustrated in both color and black and white recreations of fifty-nine works. Pictorial wrappers. The wraps with light wear near fine. Published on occasion of the exhibition held at the Susan Sheehan Gallery New York November - December 1989. Susan Sheehan Gallery unknown books
1936réf. 35537New York: Jewish Science Publishing 1936. Hardcover. g. 8vo. 345pp. Blue cloth with gold lettering on spine in original printed dust jacket. This book mixes Judaism with psychoanalysis as a means of curing nervous ailments. R. Morris Lichtenstein was an early 20th century European born American Reform rabbi who served in Georgia and New York. Along with his wife Tehilla he helped found the Society of Jewish Science. He exemplifies one of the major strains within Reform Judaism of the time period that sought to reach out to the more traditional Eastern European immigrants by offering many of the same practical healing services performed by shtetal rabbis while offering it with the veneer of modern science. Dj sunned and creased. Some pages slightly torn. Overall in good condition. Jewish Science Publishing hardcover books
1946réf. 35768New York: Machmadim Art 1946. Hardcover. g. Signed. 4to. vii unpaginated. Original red cloth with gold lettering on cover. A collection of 39 charming charcoal and pen drawings depicting Jewish life in the early 20th century by the famous Russian-American Jewish artist Abraham Walkowitz. Includes an English pamphlet by Isaac Lichtenstein which discusses Walkowitz's style and places him within the context of early modernist art. A powerful look into a now lost world that ranges from market place dealings to rabbis with Torah scrolls. This book was printed what after the Holocaust and can thus be seen as part of the beginning of the process of memorializing European Jewry. Text in Yiddish. Inscribed by author on front free endpaper. Some wear to spine and edges. Binding loose but still intact. Overall in good condition. Machmadim Art hardcover books
1993réf. 321085Urbana: University of Illinois Press 1993. Paperback. xxi 468p. wraps pen mark on bottom edge of textblock else very good condition. University of Illinois Press paperback books
1996réf. 321283Washington & New York: Woodrow Wilson Center Press and Cambridge University Press 1996. ix 293p. wraps very good condition. Woodrow Wilson center series. Woodrow Wilson Center Press and Cambridge University Press unknown books
1986réf. 318335Königstein: Athenäum Verlag 1986. Paperback. 254p. in edgeworn wraps previous owner's inscription on free front endpaper else very good condition. Text in German. Media statements from the antisemitism controversy around Rainer Werner Fassbinder's play "Die Stadt der Müll und der Tod. Athenäum Verlag paperback books
2006réf. 62845Katonah: Katonah Art Museum 2006. Paperback. Very good. Paperback. 40pp. Lightly rubbed else very good in publisher's wraps. Katonah Art Museum paperback books
réf. B268388-1New York Todtri 1997. 143 1pp. Prof. illus. Sm. folio. Cloth. D.j. New York (Todtri), 1997. hardcover books
réf. B197979-1Oberhuber 1978. 12pp. Prof. illus. Tall 4to. Wraps. Signed by the author with a small sketch on the front flyleaf. Oberhuber, 1978. paperback books
réf. B204656-1Vaduz Richter Verlag 2010. 143 1pp. 121 color plates. Lrg. 4to. Cloth. D.j. Vaduz (Richter Verlag), 2010. hardcover books
réf. B197705-1Vaduz 2003. 65 1pp. 33 plates. Wraps. Vaduz, 2003. paperback books
réf. B92766-1Oberlin Polemic Society of Western Reserve University 1959. 252 x 523 mm. 10 x 20 5/8 inches. The woodcut is the dust jacket for the issue printed in black on heavy uncut wove stock and continuing onto flaps under both covers; within the composition the title of the journal is printed in dark red. The issue itself is 134 2pp. with 10 original prints hors texte mostly in color or on colored stocks. 4to. Wraps. In her catalogue raisonné of Lichtensteins prints Mary Lee Corlett discusses the two woodcuts Lichtenstein made for Polemic in 1957 and 1959 hand-printed by a commercial printer on a letterpress. For a brief time in the late 1950s Lichtenstein was a latecomer to the abstract expressionist style. This is visible in his last two prints of that decade. Both were made for Polemic a literary-art journal published by the student council at Adelbert College Western Reserve University now part of Case Western Reserve in Cleveland Ohio. No edition size is stated but it is known that 2000 copies were printed of the 1958 issue. Woodcut slightly darkened at the spine of the dust jacket with small clean tear at foot; a fine copy quite superior to that illustrated in Corlett. Oberlin (Polemic Society of Western Reserve University), 1959. paperback books
1999réf. 99292London:: Granta Books. Near Fine. 1999. Hardcover. Limited edition: this copy is number 218 of 250 copies. SIGNED by both authors on the limitation page. Near fine in a near fine slipcase. ; 338 pages . Granta Books, hardcover books
1981réf. 98299NY:: Hudson Hills Press Saint Louis Art Museum. Fine in Fine dust jacket. 1981. Hardcover. 0933920148 . Illustrated with 67 color plates including 5 gatefolds and 100 black and white illustrations. Stated first edition. INSCRIBED to a previous owner and dated 1981 by Roy Lichtenstein on the title page. Fine in a fine dust jacket. ; 176 pages . Hudson Hills Press (Saint Louis Art Museum), hardcover books