2 632 résultats
Broché. Bon. Grand In-8 carré. 62 p., 40 Pl. N.B. et coul. Catalogue d'exposition, Paris, Petit Palais, novembre 1977-février 1978. In. 16010.
233 p., 118 fig. n/b commentées. Petite arrache au plastifiage. Inv. 16045.
réf. 39448Ensemble complet des trois parties, relié en quatre volumes in-4 (222 x 160 mm), veau brun granité, dos à 5 nerfs, pièces de titre et de tomaison de maroquin rouge, armes dorées au centre des plats (La Rochefoucauld), tranches mouchetées de rouge (reliure de lépoque).
1974réf. 84597Couverture souple. Broché. 346 pages. Couverture légèrement défraîchie.
1974réf. 18504Hamburg, Institut für Iberoamerika-Kunde im Verbund der Stiftung Deutsches Übersee-Institut (Hg), 1974. 4°, 208 S., 125 S., + 8 S., Forschungsarbeit im Auftrag des Bundesministeriums für wirtschaftl. Zusammenarbeit, mit zahlreichen Tab. u. Schaubildern, Bibl. Ex., Bezahlung per PayPal möglich, we accept PayPal, Einband gering beschabt & gering bestoßen, Stempel u.Nr.a. Titel., Nr.a.Rücken, altersbedingte Bräunungen, sonst min. Gebr.sp., kartoniert
21x27 cm, 40 righe dattiloscritte in cui il musicista peruviano chiede notizie ad un amico della sua famiglia, di amici comuni e: "qui nel Perù, la vita è molto tranquilla, tranne qualche rivoluzione o minacciate guerre". Firma autografa alla fine della lettera
1984réf. LFA-126743104Un ouvrage de 134 pages, format 210 x 270 mm, illustré, broché couverture couleurs, publié en 1984, Editions Patrice Goudier, collection "30 Jours", bon état
2013réf. 102796Lima: Instituto Cultural Peruano Norteamericano ICPNA Mayo - Agosto 2013. 25 cm. Juan Peralta Daniel Contreras Curadores 244 pages b/w and color plates bios. cat. color pict. wrps. OCLC: 879506276 This 4th edition of the Bienal Internacional de Grabado ICPNA welcomes those exponents and projects whom one way or another are establishing a presence in the contemporary graphic work and have become continuous platforms of transmission training research and orientation towards the enrichment of the languages and visual discourses. This new edition of the main event for the promotion exchange and debate of contemporary graphic art held in Peru has managed to summon artists groups and workshops national and foreign under the curatorial theme "Transfer: Departures and Returns from the Graphic Arts". Spanning from the more traditional forms of engraving to the more contemporary digital expressions the Biennale featured twenty exhibitions in 17 art galleries and parallel activities such as interventions conferences and workshops. Participating institutions included Municipalidad Metropolitana de Lima Municipalidad de Miraflores Caja Metropolitana de Lima Escuela Nacional Superior Autónoma de Bellas Artes Ministerio de Relaciones Exteriores Universidad Ricardo Palma Alianza Francesa and the Centro Cultural de España. "We start with a very specific objective for this version of the biennial space not only promotion exchange and debate from the contemporary graphics highlighting their creative validity its contribution to history art criticism and education. Moreover even more in an environment like ours the Peruvian where engraving culture in many cases excluded. Therefore this needs to establish a multiple route linked with memory and is part of the essence of the engraving. Therefore the intent fits the subject of transference in which concept we discover the departures and returns the movement that generates a change good or bad but never the same. In this amount of trajectories routes and paths in our history as a country or as individuals we always collect something and leave something else. And in such situations the inherent creativity of expressing it into our worlds and languages. William M. Ivins Jr. curator of MOMA in his early years argued in his text "Printed Image and Knowledge: Analysis of Pre-Photographic Image" that the maturity of a society can be expressed in terms of graphical development as means of communication and social information." LIMITED EDITION OF 1000 COPIES. List of exhibitions workshop and interventions/exhibition: 1 Más allá - Otredad en el grabado contemporáneo. Curaduría Daniel Contreras y Juan Peralta. Galería Germán Krüger Espantoso - ICPNA. 2 Un arcabucero en Tenochtitlan de José Bayro Bolivia-México. Curaduría Nanda Leonardini. Galería Germán Krüger Espantoso - ICPNA. 3 No hay futuro por delante solo hay tiempo de Raimond Chaves y Gilda Mantilla Galería Limaginaire - Alianza Francesa. 4 La Praxis Taller de Artes Visuales TAV-Chile / La olla común Chile / Taller Kimkilen Perú. Curaduría Marco Durand y Carolina Salinas. Centro Cultural Ricardo Palma 5 34 Salón Nacional de Grabado ICPNA 2013 Galería Juan Pardo Heeren - ICPNA. 6 La Colmena de Toño Núñez Galería Juan Pardo Heeren - ICPNA 7 Hybridaciones de Marco Alburqueque y Israel Tolentino. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú-Sótano 8 Sé feliz no pensando de Herbert Rodríguez. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú. 9 A Contrafibra de Alberto Ramos grabados 2005-2012. Curaduría Daniel Contreras y Juan Peralta. Casa de las Trece Puertas 10 ADN Pétreo del Colectivo CEQUE Cusco. Casa de las Trece Puertas 11 Re-generación Grabadores de Iquitos. Curaduría Yuri Castañeda. Casa OHiggins 2do. Piso 12 Todos los perros van al cielo de Claudia Martínez Garay. Centro Cultural Inca Garcilaso 13 Quilombo gráfico de Fernando Bedoya SUM Librería Arcadia/Mediática. 14 Incisiones Xilografía peruana contemporánea. Curaduría Manuel Munive. Galería Municipal de Arte Pancho Fierro. 15 Inscripciones urbanas de Adolfo Bernal Colombia. Curaduría Víctor Manuel Manrique y Augusto del Valle. Centro Cultural Ccori Wasi avenida Arequipa 5198 Miraflores. 16 La llave en el ojo: Serigrafías ocultas y otros impresos de Carlos Troncoso y el taller Llavenelojo. Curaduría Martín Ugaz y Carlos Troncoso Galería ICPNA - San Miguel 17 Pruebas de Estado: Situaciones Alteradas de Elio Martuccelli Marcel Velaochaga y Alex Ángeles. Sala Luis Miró Quesada Garland. 18 Crónicas en la colección de grabado del ICPNA. Curaduría Roger Cáceres. Galería ICPNA La Molina. 19 Despliegue de José Ignacio Iturburu y Augusto Bayardo. Galería Le carré dart de la Alianza Francesa. 20 Noticias en blanco y negro de Luis Torres Villar. Galería ICPNA Lima. WORSHOP: 1 El Taller Exposición antológica de grabado. Curaduría Manuel Munive Galería Juan Pardo Heeren - ICPNA. INTERVENTIONS AND EXHIBITIONS: 1 Intervención pública de Mónica Miros y Los marginales. Estación Grau Línea 1 del Metro de Lima 2 Lima Marka COLECTIVO C.H.O.L.O Intervención Edificio Milenia / Popular y Porvenir 3 Fachadismo de Daniel Cortez Decertor / Elliot Túpac Urcuhuaranga Edificio Milenia / Popular y Porvenir. 4 La línea de la costa José Ignacio Iturburu Edificio Milenia / Popular y Porvenir. Instituto Cultural Peruano Norteamericano, ICPNA unknown books
In 8. Dim. 19x12 cm. Pp. 281+(3). Interessante opera di viaggi del 1886 di Albert David che descrive il suo viaggio lungo l'Oceano Pacifico. All'interno sono presenti dieci incisioni fuori testo che mostrano vedute: Baie Borja, Lima, Indiani peruviani, Tahiti ecc... Tra i luoghi descritti: Distretto di Magellano e Canali laterali della Patagonia, Lima durante vl'occupazione cilena, Valparaiso e i Cileni dopo la Guerra del Pacifico, Peru e Cile, Callao, Pisco, Pisagua, Arica e Tacna, Iquique, Lota, Una necropoli degli Incas, Honolulu, Un mese a Noukahiva, Tahiti ecc... In buone condizioni e completo Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con fioriture. Interesting work of travel of 1886 written by Albert David describing his travel in the Pacific Ocean. Inside there are ten out of text planches showing different views: Baie Borja, Lima, Peruvian Indians, Tahiti ecc... Between the places described: District of Magellano and channels of Patagonia, Lima during Chile occupation, Valparaiso and Cileni after Pacific war, Peru and Cile, Callao, Pisco, Pisagua, Arica e Tacna, Iquique, Lota, a city of Incas, Honolulu, a month in Noukahiva, Tahiti ecc... In good conditions and complete. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in good conditions with foxings.
1821réf. LBW-37141821. 846 x 562 mm.
1824réf. LBW-37071824. 471 x 578 mm.
1824réf. LBW-37081824. 440 x 589 mm.
1820réf. LBW-3709[circa 1820]. 592 x 426 mm.
réf. 13978515Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1987 in-4, nombreuses illustrations. Broché, très bon état, cachet. Sommaire: Michel-Alain GARCIA, Les chalcolithiques de la grotte de Foissac en Aveyron. - Jean-Pierre WIECZOREK, Les manawaï, jardins protégés de l'île de Pâques. - Yvonne de SIKE, Entre deux continents, Malte et ses îles. - Alicia A. FERNANDEZ DISTEL, Une nouvelle plaque décorée en bronze du Nord-Ouest argentin. - Roseline GOIN-LANGEVIN, Les Français et l'étude du Mexique pré-cortésien du XVIe au XIXe siècle. - Jean-Luc BRUGUIERE, Quelques techniques cynégétiques chez les Temiar de Malaisie. - Lidia Claria GARCIA, Le feu dans la préhistoire du Nord-Ouest argentin. - Geneviève DOURNON, Le salon de Musique. - Marie-France FAUVEL-BERTHELOT et Danielle LAVALLEE, Ancien Pérou, vie, pouvoir et mort.
réf. 13978980Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1962 in-4, nombreuses illustrations. Broché, très bon état. Sommaire: Jacques MILLOT, La collection Léonce-Pierre Guerre. - Henry REICHLEN, Un bijou d'or de Lambayeque, Pérou. - Solange THIERRY, Objets votifs vietnamiens en papier. - Jacques MILLOT, L'exposition Ténéré-Tchad (Mission Berliet 1958-1960) - Corneille JEST, Mission au Népal.
réf. 13978919Paris: Musée de l'Homme, Museum National d'Histoire Naturelle, 1967 in-4, illustrations. Broché, très bon état, cachet. Sommaire: Joseph CHELHOD, Problèmes d'ethnologie jordanienne. Nomadisme et sédentarisation. - Danièle LAVALLEE, La poterie de Aco. - Solange THIERRY, Un jeu de carte indien. - Robert GESSAIN, Angmassalik, trente ans après. Evolution d'une tribu eskimo dans le monde moderne. - Marie-Jean BERAUD-VILLARS, Exposition "Arts primitifs dans les ateliers d'artistes". - Ethnomusicologie.
Incisione in rame su doppio foglio (cm.50x57 circa) con bellissima colorazione coeva, verso velato da finissimo foglio di carta Giappone. Bella e rara carta nautica, tratta dal celebre atlante di De Witt ''Orbis Maritimus ofte Zee Atlas", che copre le coste dell'America Centrale, Perù, Cile, Jamaica e parte di Cuba e Porto Rico. . Le indicazioni toponimiche e le caratteristiche geografiche sono strettamente limitate alle coste. Rosa dei venti, linee lossodromiche e splendido cartiglio, in basso a destra, con titolo in latino, con ricche decorazioni colorate raffiguranti varie figure, anche allegoriche. "Frederick de Wit deve essere considerato uno dei più importanti editori di mappe della seconda metà del XVII secolo. La maggior parte delle sue mappe sono di ottima qualità, sono caratterizzate da un'incisione chiara e bella, dall'attualità e ricchezza dell'immagine cartografica nonché dall'equilibrio delle decorazioni cartografiche". (Lexikon der Kartographie II, p. 899), Koeman M. Wit 1, 27. Koeman, Atlantes Neerlandici, IV, pp.191 e 518-519. Shirley 444. Putnam, Early sea charts, 75.. .
réf. 10642Paris, Hachette, "Bibliothèque rose illustrée", 1924, 1 pleine percaline, plat sup., orné d'un décor doré, tête dorée. in-8, f.t., frontispice, titre, 364 pp., illustré de 12 grandes vignettes ;
In-8 p. (211x128), pieno vitellino coevo, decorazione con titolo oro su tassello al dorso, pp. VII,512, con 1 carta geografica. Viaggi di: Hernando Cortes, Francisco Pizarro. Con lievi fioriture, peraltro ben conservato (slightly foxed, otherwise good condition).
8vo [23.5 16 cm]; 311 pp, 28 plates from photos including frontis, foldout map, index. original orange cloth, black decoration, gilt title lettering on front cover and spine, slight fading of the spine, signature on endpaper, else near fine solid and clean copy. A picture of this book is available upon request by email. The author travelled extensively in Peru to research her novel and provided a detailed picture of Peru at the time with references to its history.
réf. 65338Bruxelles, Bee-House - chez l'auteur, 2002, in-8, br., dos toilé bleu foncé éd., couv. photo en noir éd., 216 pp., carte et photos en noir, Un voyage en camion à travers les Andes de Quito à Santiago de Chili. Pas courant. Très bon état
1978réf. RO20016883Géocolor. 1978. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94p, légères rousseurs sur la dernière page, illustré de 194 photos couleurs.. Avec Jaquette. . . Classification Dewey : 985-Pérou
1984réf. 65663Lima Peru: Secretaría del Ministro de Marina 1984. 3a ed. numerada corr. y ampliada. Hardcover. Very good in very good dust jacket. Slight bowing at rear board oversize book. Text in Spanish. 441 p. : ill. some col. ; 29 cm. This work also commemorated the Sesquicentenario de su natalicio 1834/1984. Section entitled Grau el Marino Eponimo del Pery pro Fernando Romero starts at page 29 and goes to page 68. From Wikipedia: Miguel María Grau Seminario was a renowned Peruvian naval officer and hero of the Naval Battle of Angamos during the War of the Pacific 1879-1884. He was known as the el Caballero de los Mares Spanish for "Gentleman of the Seas" for his chivalry and is esteemed by both Peruvians and Chileans. He is an iconic figure for the Peruvian Navy and one of the most famous merchant marine and naval military leaders of America. His mother Luisa Seminario y del Castillo motivated Grau to love the sea from his youth. He entered the Paita Nautical School. He first went to sea when he was nine years old going to Fortune Colombia aboard a merchant schooner. Grau later went on various merchant ships to ports in Oceania Asia America and Europe. In 1853 at the age of 19 he left the merchant marine and became an officer candidate of the Peruvian Navy where he developed an outstanding professional reputation. In 1854 he was Military officer of the steamer Rimac. His career was rapid and brilliant. In 1863 he was promoted a year later. In 1864 he was sent to Europe to oversee the construction of ships for the Peruvian fleet. Upon his return Chile and Peru joined together in a bi-national fleet against Spanish attempts to reclaim their American colonies. In 1868 he was recalled to the Navy and was named commander of the Huáscar with the rank of Lieutenant Commander. By June 1 1874 he became the commanding officer of the Peruvian Navy's fleet and later became a member of the Congress of the Republic of Peru as an elected congressman in 1876 representing Paita. the War of the Pacific against Chile began on 5 April 1879 Miguel Grau was aboard the Huáscar as its captain and the Commander of the Navy. Capitán Grau played an important role by interdicting Chilean lines of communication and supply damaging capturing or destroying several enemy vessels and bombarding port installations. Grau's Huáscar became famed for moving stealthily striking by surprise and then disappearing. These actions put off a Chilean invasion by sea for six months. At the Battle of Iquique after Huáscar sank the Chilean corvette Esmeralda by ramming her Grau ordered the rescue of the surviving crew from the waters. Grau also wrote condolences to the widow of his opponent Arturo Prat returning his sword and personal effects. At the port of Antofagasta after sneaking up on an enemy ship he courteously asked the crew to abandon ship before opening fire. These and other gestures earned him the nickname of el Caballero de los Mares "Gentleman of the Seas" from his Chilean opponents acknowledging an extraordinary sense of chivalry and his gentlemanly behavior combined with his highly-efficient and brave combat career. Almirante Grau was killed by an armor-piercing shell during the Naval Battle of Angamos on 8 October 1879. Huáscar was captured by the Chileans after incurring severe casualties in the close-range artillery duel. Although most of Grau's body was not recovered his remains were buried with military honours in Chile which were returned to Peru in 1958. For many years after his death his name was called in a ceremonial roll-call of the Peruvian Navy. His final resting place lies at the Escuela Militar Naval del Peru in El Callao in an underground mausoleum. He posthumously received the rank of Gran Almirante del Perú Grand Admiral of Peru in 1967 by order of the Peruvian Congress. A portrait of Almirante Grau is on display in the museum ship Huáscar. In the year 2000 Miguel Grau was recognized as the "Peruvian of the Millennium" by popular vote. Secretaría del Ministro de Marina hardcover
Roma, 1955 agosto 21, copertina illustrata a colori in fascicolo originale completo di pp. 24 de "La Tribuna illustrata" .
1967réf. R105807Goes, Oosterbaan & Le Cointre 1967 xii + 369pp. + 2pp. with theses, Doctoral dissertation (at the Rijksuniversiteit te Utrecht, Netherlands, 1967), 24cm., softcover, good condition, R105807