1875Best.-Nr. 62282Bogotá Imprenta de Medardo Rivas 1875. Hardcover. Good. vp. half-calf worn. From 1864 to 1869. Bogotá, Imprenta de Medardo Rivas hardcover
1892Best.-Nr. 108140Bogotá Imprenta de Antonio María Silvestre c. 1892. Hardcover. Good. xx 347p. tables boards. Bogotá, Imprenta de Antonio María Silvestre, c. hardcover
Best.-Nr. 55-3035Mexico: Rafael Cohen Films 1974. 94 cm. x 69 cm. Actual display poster for the movie. Folded with signs of use mainly on the edges. Se trata de un cartel de mostrar real de la película. Se doble con signos de uso principalmente en los bordes. Mexico: Rafael Cohen Films, 1974. unknown
Best.-Nr. 3752484497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017Best.-Nr. 115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras. Printed outside of commerce. 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown books
1854viii + 520pp.+ frontispice, reliure cart.avec dos en cuir rouge (titre et faux-nerfs dorés), 23cm., qqs.rousseurs, bel état
1854Best.-Nr. H47213Lyon-Paris, Pélagaud et cie. 1854 viii + 520pp.+ frontispice, reliure cart.avec dos en cuir rouge (titre et faux-nerfs dorés), 23cm., qqs.rousseurs, bel état
1839Best.-Nr. 95286Paris, Fimin Didot Frères, coll. « L'univers : histoire et description de tous les peuples » 1839 In-8 20,5 x 13,5 cm. Reliure demi-basane havane, dos lisse orné de filets dorés, 384-32 pp., 92-8 pl. Manque pl. n 66 et les 2 cartes repliées.
Best.-Nr. 63643aafParis, Firmin Didot, 1837, gr. in-8vo, 2 ff. 420 p. + 57 planches gravées. Cachet de biblioth. sur page de titre, reliure en demi-cuir.
Best.-Nr. DADAX1463432445New unknown
1989Best.-Nr. SDR141FBAMM06242018241989-01-01. New. In shrink wrap. unknown
1926In 8, pp. 350 + (1b). Br. rifatta con carta d'epoca.
Best.-Nr. 9263LA REVUE PETROLIFERE. Revue générale du pétrole, n° 385, 16 août 1930. In-4, agrafé.
1986Best.-Nr. 022472Bogota LITOGRAFIA ARCO 1986 un volume in plano (330mm x 450mm), 187 pp. Reliure éditeur à la Bradel, plats illustrés en couleurs. (petit accroc aux plats, deux coins pincés). Atlas de la Colombie composé de 60 cartes anciennes, commentées, reproduites en noir et en couleurs dont plusieurs à double page et une sur triple page. Belle publication. Intérieur frais. Ouvrage lourd (2,6kg) et volumineux (prévoir des frais de port supplémentaires.
Bogotá, Imprenta del Banco de la República, 1961. Nueve volúmenes en folio, con un total de 2825 pp. Cubiertas originales.
1915In 4 (cm 20 x 28), pp. 62 + (6). Brossura editoriale co riproduzione fotografica in bianco/nero applicata al piatto anteriore. Molte belle foto nel testo, 1 cartina in fine. Interessante pubblicazione relativa alla presenza degli Italiani in Colombia con notizie sul territorio, la popolazione, le attivita' economiche, ecc... Interessante apparato iconografico. Notizie relative alla ditta Pacini & Puccini (con foto degli uffici, dei magazzini di Baranquilla), originaria di Ghivizzano, specializzata in allevamento del bestiame e vendita merce importata (con riferimenti ai principali prodotti di importazione: marmo di Carrara, Vermouth e Chianti, olio d'oliva, automobili Fiat, gomme Pirelli, ecc...).
Best.-Nr. NAV1Neuilly, 1929. In-4, 20pp., une carte, caractéristiques et plan de l'hydroglisseur de LAMBERT Type XVIIbis.
Best.-Nr. 99021929 J. Peyronnet et Cie éditeurs broché, 218p. très bon état
1866Best.-Nr. 105336P., Ve Jules Renouard, 1866, in-8°, xii-476 pp, une grande carte dépliante hors texte, broché, dos cassé, qqs rares rousseurs, état correct (Sabin, 57352). Rare
Best.-Nr. 13979602Paris: Maisonneuve, 1877 in-8, xxiv-123 pages, broché, couv. défraichie avec rousseurs, cachet et étiquettes de bibliothèque, non coupé, bon état intérieur, envoi de l'auteur.
1987Best.-Nr. 119050Academia Nacional de la Historia, coll. « Biblioteca de la Academia nacional de la historia. Fuentes para la historia colonial de Venezuela », n° 62-63 1987 2 volumes. In-8 23 x 15,5 cm. Brochés, couvertures beiges, titre en rouge sur les dos et les premiers plats, LXXX-603-646 pp., notes bibliographiques, index, tables des matières. Exemplaires en bon état.
1994Best.-Nr. R100076693Editions de la Différence. 1994. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 262 pages - quelques planches de photos en noir et blanc - bandeau d'éditeur conservé - traces de moisissures sur les tranches et sur les pages du livre ne gênant pas la lecture.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
1966Best.-Nr. ZB146746Bogota: 1966-71. Price HAS BEEN REDUCED by 10% until Monday Nov. 2 weekend sale item volumes 39#1 thru 44#6 bnd. quarto ex library. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Bogota: unknown
1994Best.-Nr. 47290Villegas Editores 1994. 175 S. : zahlr. Ill. (z.T. farb.) /// 175 S. : zahlr. Ill. (z.T. farb.) gebundene Ausgabe, Leinenbände im Schuber, Leinenrücken etwas aufgehellt, sonst Exemplar in gutem Erhaltungszustand
1888In 4? (cm 32), senza rilegatura, pagg.1-(3) lettera originale manoscritta in bella e chiara grafia su carta intestata del Consolado de la Republica de Colombia, bello stemma della repubblica colombiana (cm 3,5x5,5 ca), firma autografa del console Gioacchino Ragnini, timbro circolare ad inchiostro nero "Consulado de la Republica de Colombia en Ancona", all'ultima pagina nota su tre righe manoscritta coeva, carta vergellata con filigrana "De la Rue & C?. Extrasuperfine", lievissime e rare fioriture al margine bianco superiore, ottimo es. Interessante documento per l'avvio di relazioni commerciali tra la Colombia e l'Italia.
