Auguste ColombiéLivre Rare Book
1295 risultati
rif. 28352Paris chez l'auteur 1894, in/8 reliure en demi basane bleu, 362 pages. Dédicace pour "Antoine Jacquet professeur d'art culinaire" par l'auteur. Ouvrage orné de charmantes vignettes sur bois et culs-de-lampe.
1997rif. 24021997 Paris, Stock / Unesco / ALLCA XX, 1997. Grand et fort in-8, 522 (4) pp., broché, couverture illustrée.
1926Milano, 1926, stralcio con copertina posticcia muta, pp. 513/527 con una cartina ed 11 fotografie. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
rif. 4064Grenoble, Arthaud, 1955 ; in-4. 178pp. - 1 carte hors-texte. Plus de cents photographies en noir in-texte, reproduites en héliogravure. Cartonnage d'éditeur, pleine toile écrue, jaquette couleurs. Très bon état.
1960rif. 22928Arthaud, 1960, pt in-4° carré, 295 pp, 181 photographies tirées en héliogravure, 21 illustrations dans le texte et 4 planches en couleurs hors texte, 4 cartes en 2 couleurs, glossaire, biblio, reliure pleine toile éditeur (défraîchie), jaquette illustrée (défraîchie avec pt manques), intérieur propre, état moyen
1960rif. 31333Arthaud, 1960, pt in-4° carré, 295 pp, 181 photographies tirées en héliogravure, 21 illustrations dans le texte et 4 planches en couleurs hors texte, 4 cartes en 2 couleurs, glossaire, biblio, reliure pleine toile éditeur, jaquette illustrée, bon état
1969rif. 179851969. Paris Galerie Claude Bernard 1969 - Broché bien complet de la jaquette 18 cm x 20 5 cm 7 pages de papier rouge+ 18 pages (non paginé ills noir première exposition personnelle de l'artiste en France
2010Un libro sulla dimensione spirituale del perdono.
1997Octavo in plale green-white paper wraps; 55 p. : illus (maps. photos in b/w) ; 21 cm. Includes bibliographical references (p. 51-52). In Spanish. Uncommon. // Festivals -- Bolivia -- PotosÌ (Dept.) Indians of South America -- Bolivia -- Social life and customs. Indians of South America -- Bolivia -- Rites and ceremonies. Violence -- Bolivia. // Community fist fight therapy! The original Fight Club.
1972rif. R100075023Calmann-Lévy. 1972. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 286 pages - 2 cartes en noir et blanc hors texte en début d'ouvrage.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
197117x11. 229p. Col. Piragua, N. 151. Serie ensayos.
1966Mm 110x180 Collana "I Record". Brossura editoriale, 464 pagine, traduzione di Giuseppe Cintioli. Libro in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Rio de Janeiro, Irmãos di Giorgio & Cia. Ltda, 1959, in-8, brossura editoriale, pp. 74. Pubblicazione per il “Centro Latino-Americano de Pesquisas em Ciências Sociais”. In parte ancora intonso.
199023x15. 410p. 443p. 2 Vols. Láminas.
1977Tela con sovraccoperta, cm 35x25, pp 284 (6), fotografie a colori, cartine in nero e a colori. In spagnolo. Sulla prima bianca, dedica manoscritta.
1954rif. 2310270179xbvkQuito - Oruru - Santiago - Lima - Nueva York - Londres, Sociedades Biblicas Unidas, not dated (1954). 773 pages. - Publisher's gilt-titled black cloth-binding, all edges red; 8vo.(ca. 24 x 18 x 4 cm; ca. 1,2 kg.).
197919x12. 366p. Firma anterior poseedor.
1971rif. R160187761SEUIL. 1971. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 Pages - Nombreuses photos et dessins en noir et blanc dans et hors texte. . . . Classification Dewey : 986-Colombie, Panama, Equateur
rif. 28490aafNew York, Abrams, n.d. (ca. 1970), gr. in-8°, 264 p., richly illustrated, clothbound, jackett.
1975Octavo in pale blue printed wraps; iii, 88 p. : music ; 22 cm. In Quechua with introd. in Spanish. Quite uncommon.
196820x14. 124p. Pref. A. Gatti.
rif. 10751In-8 - 3 ème année N° 4- Oct / Dec 1948
2011rif. LFA-126731979Un ouvrage de 318 pages, format 140 x 225 mm, illustré, broché, publié en 2011, Le Livre Ouvert, bon état
2017rif. 115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras. Printed outside of commerce. 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown books
