[ARGENTINE] ATTALI (Jean)Livre Rare Book
3609 risultati
rif. 2626Gravure originale. Eau forte. 1978. Affiche de contestation. Dim : 560 x 760 mm. En parfait état.
rif. 2626Gravure originale. Eau forte. 1978. Affiche de contestation. Dim : 560 x 760 mm. En parfait état.
1826rif. 6783Buenos Aires: Imprenta del Estado 1826. First Edition Primera edición. Softcover Tapa blanda. 190x135mm. 7½x5¼". Buenos Aires Imprenta del Estado 24 de Diciembre de 1826. En 4º 190 x 135mm. 2 55 pp. Guardas de papel. Primera edición. Comienza con un Manifiesto del Congreso General Constituyente a los pueblos de la República Argentina. La Constitución de la República Argentina de 1826 estableció una forma de gobierno "representativa republicana consolidada en unidad de régimen adoptando oficialmente la religión Católica Apostólica Romana". Para la sanción de aquella constitución fueron consultadas las Provincias acerca de la forma de Estado: Salta y La Rioja se pronunciaron por el régimen unitario al igual que Tucumán pero curiosamente aclaró que quería conservar sus instituciones. Mendoza San Juan Santiago del Estero Tarija Entre Ríos Santa Fe y Córdoba se manifestaron por el sistema federal. San Luis Catamarca Corrientes y la Banda Oriental por lo que resolviese el Congreso en tanto que Buenos Aires y Misiones no opinaron. Primeras hojas ligeramente amarronadas. Imprenta del Estado paperback
1964rif. 13911ABBuenos Aires, Emecé Editores, 1964. 45 : 34 cm. 2 volumenes.
1815rif. 32987Buenos Aires. March 30 1815. News of the Independence Fight A lengthy broadsheet description of the activities of Banda Oriental liberator Don José Artigas and the tenuous hold of the independence fighters over the province of Buenos Aires. Such Argentine imprints are extremely rare. Not in OCLC. Broadsheet 12 x 7½ inches. Trimmed close occasionally affecting text. Old library stamp on recto and verso. Overall quite clean. Very good. unknown
1815rif. 32987Buenos Aires. March 30 1815. News of the Independence Fight A lengthy broadsheet description of the activities of Banda Oriental liberator Don José Artigas and the tenuous hold of the independence fighters over the province of Buenos Aires. Such Argentine imprints are extremely rare. Not in OCLC. Broadsheet 12 x 7½ inches. Trimmed close occasionally affecting text. Old library stamp on recto and verso. Overall quite clean. Very good. unknown books
1971rif. 34701971 aucune reliure Feuille : 40,5 x 30,5 cm, image : 33,5 x 22,5 cm. Tirage gélatino-argentique postérieur (tireur : Daniel Jeandet), numéroté 1/9, légendé et signé par Colette Portal au recto, avec son tampon, sa signature et des annotations de sa main (en partie erronées, celle-ci se trompant sur le nom du tireur) au verso.
1757rif. PHO-1258Paris , Chez Didot, Giffard , Nyon ,1757, In-12 (9,5x17cm), (6) 390pp. (2) et (4) 476pp. et (4) 407pp. (1) et (4) 414pp. (1) et (4) 461pp. (2) et (4) 460pp., 6 volumes reliés, plein veau époque , dos à nerfs orné avec pièce de titre et tomaison ,tranches rouges , ex-libris sur la page de garde, défauts de reliures et dos cassé au tome 2 , quelques brunissures ,Illustré de 7 cartes et plans dépliants sur papier fort (Amérique méridionale, plan de La Plata, Paraguay, Rivière Plate, Port Désiré, port Julien, découvertes des Espagnols).
1855rif. 22646Buenos Aires: R. Kratzenstein 1855. Lithographs measuring on average 3 1/2 x 6 1/2 inches on slips of blue or white paper likely clipped from the top of pictorial letter sheets. Light edge wear. Very good. Matted. An attractive group of lithographic vignettes of scenes in and around Buenos Aires. These images were published by Rodolfo Kratzenstein who was one of the leading lithographers in Buenos Aires from the mid-1850s and are probably from pictorial letter sheets issued by his firm in that period. One illustration shows a long stretch of the cityscape of Buenos Aires from the harbour and several ships are shown in the choppy waters of the port. Other images show the "Casa de Justicia" the courts and the "Palermo"neighborhood. Two other images one of them here in two examples show scenes in the countryside outside Buenos Aires both of them depicting men on horseback dealing with wagons in difficult terrain. Pictorial letter sheets from Argentina are uncommon and these are attractive images. R. Kratzenstein unknown
1911rif. 79458Buenos Aires: Imprenta y Casa Editora Juan A. Alsina 1911. Hardcover. Good. 11 vols. vp leather and boards moderate shelfwear. Griffin 6756. "An indispensable source for the history of Argentina's international relations including those with other Latin nations Imprenta y Casa Editora Juan A. Alsina hardcover
1855rif. 22646Buenos Aires: R. Kratzenstein 1855. Lithographs measuring on average 3 1/2 x 6 1/2 inches on slips of blue or white paper likely clipped from the top of pictorial letter sheets. Light edge wear. Very good. Matted. An attractive group of lithographic vignettes of scenes in and around Buenos Aires. These images were published by Rodolfo Kratzenstein who was one of the leading lithographers in Buenos Aires from the mid-1850s and are probably from pictorial letter sheets issued by his firm in that period. One illustration shows a long stretch of the cityscape of Buenos Aires from the harbour and several ships are shown in the choppy waters of the port. Other images show the "Casa de Justicia" the courts and the "Palermo"neighborhood. Two other images one of them here in two examples show scenes in the countryside outside Buenos Aires both of them depicting men on horseback dealing with wagons in difficult terrain. Pictorial letter sheets from Argentina are uncommon and these are attractive images. R. Kratzenstein unknown books
rif. 59100c.1880. Oblong 8vo. 13 x 18 cm. 18 albumen prints mounted recto-verso onto cloth folding concertina-style 177 cm when unfolded between original red cloth covers stamped in blind and lettered in gilt. Each photo captioned and ruled in red. Occasional light spotting generally an excellent copy. [c.1880]. hardcover
1756rif. PHO-1915Paris, Didot, Giffart et Nyon, 1756. 3 vol. in-4 (260x200) de (5) ff., 489, xxxiii, (4) pp. ; (2) ff., 356, clviii, (2) pp. , 285pp ,cccxv,2ff., illustré de 6 carte et plan (sur 7 manque la carte du Paraguay) et 3 vignettes gravées. Veau marbré, dos à nerfs ornés, pièces de titre et de tomaison, tranches rouges (reliure de l'époque avec différences), Tome 1 ; frottements, pièce de tomaison absente, fentes aux charnières, coins usés, coiffe sup. arasée, petite épidermure, Tome 2 ; 1 coin usé, Tome 3 ; coiffes sup. absente avec petit manque, début de fente, supra libris gratté, coins et coupes usés, cachet retiré au titre
1837In 4, pp. III + 45. Gora alle prime 4 cc. Esemplare privo di legatura con fogli sciolti. Piega nel mezzo. Relazione del frate francescano Francisco Morillo, che nel 1780 intraprese, in qualita' di cappellano, un viaggio lungo le rive del Bermejo, affluente del fiume Paraguay, nella zona del Gran Chaco. Morillo era al seguito del colonnello Adrián Fernández Cornejo, che sperava di inaugurare una rotta fluviale con le citta' del litorale per i traffici commerciali del Governo del Tucumán. Nel suo diario di viaggio, Morillo registro' il suo incontro con le tribu' mataguayas, matacas, chunupíes, malbaláes, sinipíes, atalaláes, tpbas e mocovíes che abitavano lungo le rive del fiume.
1853In 16, pp. XLVI + 384. Br. ed. con restauri. Edizione originale della traduzione francese di quelllo che viene considerato uno dei piu' importanti libri per la storia argentina mai pubblicati. L'edizione originale spagnola risale al 1845 ed e' strutturata attraverso un insieme di storia sociale, finzione, biografia attraverso il quale Sarmiento cerca di spiegare il trionfo della barbarie sulla civilta' in Argentina. L'autore fu presidente dell'Argentina dal 1868 al 1874. Precedentemente aveva viaggiato molto in Europa e Stati Uniti.
rif. 238070Paris, Pougin, an III (1795) in-8, XII-206-[2]-256-[4] pp., demi-basane fauve à coins de vélin, dos lisse orné (reliure de l'époque). Dos un peu frotté, infimes trous de ver sans atteinte au texte à la fin de l'ouvrage.
1807rif. 58063Bath: William Meyler 1807. An anonymous straight-forward account of the British attack on Buenos Aires in 1807 written "without any flourishing or prolix declamation on the calamities of war the effects of courage or the pursuit of wealth and fame." The unidentified author includes extensive details on the final engagements leading to the defeat of the British troops under Lieut. Gen. John Whitelocke by the Spanish citizen army of Creoles and peasants under the command of Santiago de Liniers. Forced to withdraw from Buenos Aires after this defeat Whitelocke was court-martialed and cashiered. An intriguing record of the British engagement in Buenos Aires with an unusual Bath imprint for such a work. OCLC records only five copies. 238pp. Lacks engraved plan. Modern red cloth spine gilt. Minor foxing to titlepage else quite clean. Very good. SABIN 51805. ALBERICH 1247. hardcover
1807rif. 58063Bath: William Meyler 1807. An anonymous straight-forward account of the British attack on Buenos Aires in 1807 written "without any flourishing or prolix declamation on the calamities of war the effects of courage or the pursuit of wealth and fame." The unidentified author includes extensive details on the final engagements leading to the defeat of the British troops under Lieut. Gen. John Whitelocke by the Spanish citizen army of Creoles and peasants under the command of Santiago de Liniers. Forced to withdraw from Buenos Aires after this defeat Whitelocke was court-martialed and cashiered. An intriguing record of the British engagement in Buenos Aires with an unusual Bath imprint for such a work. OCLC records only five copies. 238pp. Lacks engraved plan. Modern red cloth spine gilt. Minor foxing to titlepage else quite clean. Very good. SABIN 51805. ALBERICH 1247. hardcover books
19618vo., First Edition, with frontispiece, title-vignette and numerous illustrations (a number full-page) in the text; terracotta cloth, backstrip lettered in silver, a near fine copy in unclipped dustwrapper. SIGNED BY THE AUTHOR ON TITLE. Bright copy of Durrell's account of his animal-collecting expedition to the Argentine during the late 1950s, travelling from Buenos Aires to Patagonia and up to Jujuy. It is another of his collaborations with his finest illustrator Ralph Thompson; the two were brought together in 1954 by Rupert Hart-Davis, who had lured Durrell away from Faber after the success of his first book 'The Overloaded Ark' three years before. The partnership was an extraordinarily fruitful one, lasting a full decade and resulting in Durrell's most attractive books, including, of course, 'My Family and other Animals'. SIGNED COPIES OF DURRELL'S EARLIER WORKS ARE VERY SCARCE.
1852rif. 217621London: John Murray Albemarle Street 1852. Second edition enlarged with a new map and illustrations. Lacking the engraved portrait frontispiece of Sebastian Cabot. With 5 lithograph plates one tinted p. 97; folding map colored in outline mended several drawings in text. xlii 434 pp. 32 pp. of publisher's ads at rear. 1 vols. 8vo. Three quarter brown morocco. Brazilian bookseller ticket at back. Lacking frontispiece as noted. Some rubbing to binding browning to text block. Second edition enlarged with a new map and illustrations. Lacking the engraved portrait frontispiece of Sebastian Cabot. With 5 lithograph plates one tinted p. 97; folding map colored in outline mended several drawings in text. xlii 434 pp. 32 pp. of publisher's ads at rear. 1 vols. 8vo. Sabin 58613 John Murray, Albemarle Street unknown
1852rif. 217621London: John Murray Albemarle Street 1852. Second edition enlarged with a new map and illustrations. Lacking the engraved portrait frontispiece of Sebastian Cabot. With 5 lithograph plates one tinted p. 97; folding map colored in outline mended several drawings in text. xlii 434 pp. 32 pp. of publisher's ads at rear. 1 vols. 8vo. Three quarter brown morocco. Brazilian bookseller ticket at back. Lacking frontispiece as noted. Some rubbing to binding browning to text block. Second edition enlarged with a new map and illustrations. Lacking the engraved portrait frontispiece of Sebastian Cabot. With 5 lithograph plates one tinted p. 97; folding map colored in outline mended several drawings in text. xlii 434 pp. 32 pp. of publisher's ads at rear. 1 vols. 8vo. Sabin 58613 John Murray, Albemarle Street unknown books
1940rif. 41816Buenos Aires: n.p. 1940. First edition. Patterned maroon leather album two holes with string ties and tassels gilt titles and illustrations on front board. A very good copy with wear to spine ends and corners of boards writing on front pastedown and on a few leaves edgeworn first leaf. Unpaged 20 leaves. Illus. with 19 mounted silver-gelatin photographs with spider-web tissue guards 29 b/w photo-reproductions on 7 plates and two small portraits. Obl. 4to. 12 x 8.5 inches. Over forty original signatures and inscriptions some a paragraph long on the front pastedown and verso of first leaf plus one or two later on all presumably members of the regiment. Includes a short history of the Regiment. A group photo of 28 officers has a separate bound-in key identifying them by name and rank. Created on May 29 1810 and immediately sent as part of the relief expedition to the interior provinces Regimiento no. 3 de Infanteria "General Belgrano" is the most prestigious brigade in the Argentinean army. This 1940 album produced on the 140th anniversary of the regiment was a crucial time for the military in Argentina with the country officially neutral but much influenced by the German military. The Regiment was led by General Ambrosio Vago first photograph a supporter of the Allies who had refused to take part in the coup of 1930 though at this time was urging a new coup along with a number of Axis-leaning officers to oust President Ramón Castillo with the goal of holding non-fraudulent elections. But it would be Peron who would lead the coup in 1943 with Vago though ostensibly a Peronist not participating and exiled to Bahia Blanca. A rare photographic record of the Argentinean military before Peron's ascendancy. We could locate no copies of this nor any similar items in OCLC or other Latin American or European library databases. n.p. hardcover
1940rif. 41816Buenos Aires: n.p. 1940. First edition. Patterned maroon leather album two holes with string ties and tassels gilt titles and illustrations on front board. A very good copy with wear to spine ends and corners of boards writing on front pastedown and on a few leaves edgeworn first leaf. Unpaged 20 leaves. Illus. with 19 mounted silver-gelatin photographs with spider-web tissue guards 29 b/w photo-reproductions on 7 plates and two small portraits. Obl. 4to. 12 x 8.5 inches. Over forty original signatures and inscriptions some a paragraph long on the front pastedown and verso of first leaf plus one or two later on all presumably members of the regiment. Includes a short history of the Regiment. A group photo of 28 officers has a separate bound-in key identifying them by name and rank. Created on May 29 1810 and immediately sent as part of the relief expedition to the interior provinces Regimiento no. 3 de Infanteria "General Belgrano" is the most prestigious brigade in the Argentinean army. This 1940 album produced on the 140th anniversary of the regiment was a crucial time for the military in Argentina with the country officially neutral but much influenced by the German military. The Regiment was led by General Ambrosio Vago first photograph a supporter of the Allies who had refused to take part in the coup of 1930 though at this time was urging a new coup along with a number of Axis-leaning officers to oust President Ramón Castillo with the goal of holding non-fraudulent elections. But it would be Peron who would lead the coup in 1943 with Vago though ostensibly a Peronist not participating and exiled to Bahia Blanca. A rare photographic record of the Argentinean military before Peron's ascendancy. We could locate no copies of this nor any similar items in OCLC or other Latin American or European library databases. n.p. hardcover books
1965rif. 63434Buenos Aires Argentina: Asociacion Esquelas Lincoln American International School 1965. Thick folio. 12.5 x 13.75 in. 76 pp unpaginated. on thick paper stock. With 145 original silver gelatin photographs mounted enhanced with printed captions occasional annotations and numerous pieces of ephemera including ALS mimeographed material laid-in card as well as 2 silver print architectural elevations laid-in nearly all decorative tissue guards retained. Padded brown calf post-binder manuscript label on front cover ownership of Whinery on first leaf occasional scuffing minor tears to a couple of the leaves gutter margins creasing to some of the tissue guards minor chipping head & foot of spine still a VG exemplar. The souvenir/memory album opens with photos of Whinery and the early images of the Lincoln American International School in Buenos Aires the ground breaking at La Lucila the massive school addition designed by architects Alberto E. Dodds and Mario E. Cattaneo and completion November 30 1963.Two silver print photos laid-in depict the proposed new building elevation drawings from the architect and convey the full size and impact of the building when later completed. The vaulted new Mid-Century Modern auditorium with Argentine & U.S. Flag prominent on the stage also used as gymnasium with the compiler wondering how they ever survived without the new structure. Also depicted are school pageants greeting other international students the new school library along with a myriad of student events. Of additional interest are the photographs capturing the new science labs vocational training for aircraft and automobiles and finally the sports events of the “Condors.” Also featured are the school choirs bands architectural features such as the striking Mid-Century Modern atrium and finally the staff and support staff of the school. The final group of pages include photographs and tipped-in mounted letters addressed to Mr. Whinery declaring “We are very sorry that you are leaving” and “You have been a very good director” and song addressed to him from the students and staff. The closing pages include photos of the Director’s houses in Buenos Aires Commencement in 1960 several farewell parties and a laid-in card. Whinery 1918-2009 was a Kansas educator recruited after World War II for international schools for the American Embassy in Buenos Aires and he would remain the director of the Lincoln school from about 1952 through his retirement from there in 1964 and was still attending American International School reunions as late as 1995. Lincoln based in La Lucila Vicente Lopez is still considered the best English-language prep school in Buenos Aires and routinely sends graduates to the most elite universities and participates in the International Baccalaureate IB program. See: Jacob Meschke Lincoln: International Schooling in Argentina Asociacion Escuelas Lincoln Buenos Aires Times April 7 2018. Asociacion Esquelas Lincoln, American International School, unknown
1910rif. 230061910. Indigenous Peoples of Argentina's Chaco and Northern Regions early 20th century. This photo archive consists of 10 black and white photographs comprising three real photo postcards and four original silver gelatin photographs documenting Indigenous peoples of Argentina in rural and semi-rural settings. The materials date to the early 20th century and originate primarily from northern Argentina with several images clearly associated with Indigenous communities of the Chaco. The postcards carry printed captions in Spanish identifying subjects by regional or ethnic designation. The post cards are from the 1910s-20s while the photographs are probably from 1930s-40s demonstrating the eras between Native expulsion at the turn of the century to colonial era labor workers. Historically these images must be understood within the violent context of Indigenous dispossession and assimilation policies in early twentieth-century Argentina. Following campaigns such as the Conquest of the Desert and subsequent northern military actions Indigenous peoples were subjected to land seizure population displacement forced labor on plantations and ranches and confinement within missions or state-controlled settlements. In regions like the Chaco Indigenous communities were frequently exploited for agricultural and industrial labor under coercive conditions while their cultures were documented by missionaries anthropologists and photographers who framed them as vanishing or pre-modern. The collection depicts Indigenous men women and children engaged in daily life and posed portraiture. Group scenes show families gathered outdoors domestic labor such as food preparation and carrying water and communal resting or work areas constructed from organic materials. Several photographs emphasize mobility and subsistence including figures carrying bundles tools or containers across arid terrain while others present seated family groups framed in front of shelters or temporary dwellings. Individual and small-group portraits highlight clothing that blends Indigenous traditions with elements of imposed or adopted settler attire revealing the uneven process of cultural disruption and adaptation underway at the time. Light handling and edgewear throughout photos remain crisp and clear. Overall very good condition. This archive provides an important primary visual source for understanding Indigenous life in Argentina during a critical era of colonial consolidation offering insight into everyday practices family structures and the visual strategies through which Indigenous peoples were represented and controlled. unknown
