67,557 results
1984ref. 419693Boston: South End Press 1984. Softcover. Very Good. First edition. Thick octavo. 604pp. Wrappers. Page number in table of contents circled and underlining on page 68 with red ink owner's name on front fly a few dog-eared page corners very good in edgeworn wrappers. A collection of essays on the politics of Nuclear disarmament written during the Cold War but unfortunately still relevant. South End Press unknown books
2006ref. 572664New York: DK 2006. Hardcover. Fine. First American edition. 12mo. Illustrated in color. Fine in glossy pictorial boards. DK hardcover books
1979ref. 617843New York: Harper & Row 1979. Hardcover. Near Fine/Fine. First edition. 346pp. Slight fading on the board edges else near fine with errata slip laid in in a fine price-clipped dust jacket. Harper & Row hardcover books
1933ref. 224021Amsterdam: Wereldbibliotheek 1933. Hardcover. Very Good. Hardcover in very good Condition cloth panels and spine shelf rubbed small scuff mark on to of spine small tear in cloth on bottom inner corner of front panel edges of end papers and pages lightly browned. Wereldbibliotheek hardcover books
2015ref. 160698Milan: 5 Continents 2015. Hardcover. New; in shrink wrap. Illustrated boards with salmon/white lettering. No dust jacket as issued. 110 pp. 62 color illustrations. Catalogue from the exhibition organized by the National Gallery of Canada and presented in Ottawa from 30 October 2015 to 15 February 2016. English and French text. "French painter Claude Monet 1840-1926 is one of the most popular artists of all time. His series of water lilies hay fields cathedrals and many other masterpieces are loved and admired by everyone. For the first time this volume explores a new aspect of Monet's paintings: his fascination with bridges in the 1870s. After settling in Argenteuil a small town on the Paris outskirts Monet became interested in a bridge over the Seine not far from his home The Pont de bois of 1872. The book begins with this picture and examines how Monet was able to exploit the theme of the bridge between 1872 and 1877 after the Franco-Prussian War and beyond. Magnificently illustrated the volume examines both how Monet set himself to be the leader of the avant-garde and the prime role that bridges represented in this context. Focused on Monet's main works the catalog also examines Impressionists in a changing environment and the transformation of Paris and its periphery at the end of the nineteenth century." - from the publisher's web site. 5 Continents hardcover books
2007ref. 80191Dover: Bottle of Smoke Press 2007. First edition. 8 pp. Fine in stapled wrappers. One of 104 copies printed on the occasion of Valga Krusa Day in Northampton MA. Dover: Bottle of Smoke Press unknown books
2004ref. 44030Princeton:: Princeton University Press. Near Fine in Fine dust jacket. 2004. Hardcover. 0691115966 . First Printing. Very near fine in a fine dust jacket. . Princeton University Press, hardcover books
1998ref. 166179Bridgehampton New York: Bridge Works 1998. Softcover. Near Fine. Uncorrected Proof. Wrappers. Near fine with minor soiling on the rear wrap. Bridge Works unknown books
1971ref. 448636Fredericton New Brunswick: Fiddlehead Poerty Books 1971. Softcover. Very Good. First edition. Octavo. Perfectbound in wrappers. Very good with moderate rubbing and bumping at the spine ends. One of 500 copies. Fiddlehead Poerty Books unknown books
1995ref. 70624Cambridge:: MIT Press. Near Fine in Near Fine dust jacket. 1995. Hardcover. 0262121948 . First edition. SIGNED by Simon LeVay on the title page. Near fine in a near fine dust jacket. . MIT Press, hardcover books
1999ref. 202398Mexico City: Fraternidad Universal de los Poetas 1999. Paperback. 147p. texts in Spanish illustrations very good trade paperback poetry journal in gray pictorial wraps. Only 1000 copies printed. Fraternidad Universal de los Poetas paperback books
2008ref. 354088New York: St. Martin's Press 2008. Hardcover. Near Fine/Near Fine. First American edition. Slightly cocked else near fine in a near fine dust jacket with a tiny tear to the rear flap fold. St. Martin's Press hardcover books
2005ref. 580797London: Faber and Faber 2005. Softcover. Very Good. First edition thus. Trade paperback. 352pp. Book very slightly warped very good. A biography of the silent comedy star. Faber and Faber unknown books
1999ref. 50662San Diego:: Laurel Glen Publishing. Fine in Fine dust jacket. 1999. Hardcover. 1571456465 . Color photographs throughout. First edition. Fine in a fine dust jacket. . Laurel Glen Publishing, hardcover books
2004ref. 104318Athens GA: Georgia Museum of Art 2004. Softbound. As New. Color illustrated wraps. 124 pp. profusely illustrated in color. This illustrated book accompanies a small scholarly exhibition that includes paintings culled from the permanent collection at the Georgia Museum of Art and borrowed from institutions and galleries across the country created by American artists as a result of their mid-19th-century Italian travels within a "Grand Tour." Thomas Cole Martin Johnson Heade Albert Bierstadt Jasper Francis Cropsey and other American painters created a body of work featuring Italian landscapes people buildings and life. Classic Ground situates American paintings with Italian subject matter in the context of antebellum and Reconstruction era politics gender ideology religion and popular culture. Georgia Museum of Art paperback books
1998ref. 706345NY: Harmony Books. 1998. Advance Reading Copy. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Harmony Books paperback books
2001ref. 629078Williamsburg Virginia: William and Mary Quarterly 2001. Hardcover. Near Fine/Near Fine. Offprint. Corner-stapled octavo sheets. 1 348-372pp. Fine. First published in William and Mary Quarterly 3d Series Vol. LVIIII No. 2 April 2001. William and Mary Quarterly hardcover books
2000ref. 629077Cooperstown New York: The New York State Historical Association 2000. Softcover. Fine. Offprint. Unbound octavo sheets and card covers. 381-416pp. A trifle worn still fine. First published in New York History Volume LXXXI Number 4 October 2000. The New York State Historical Association unknown books
2003ref. UMORWRI00acmfUniversity of California 2003. Very Good. Morley Simon. Writing on the Wall. Berkeley California: University of California 2003. 224pp. Indexed. Illustrated. 4to. Hardcover. Book condition: Very good with bumped edges. Dust Jacket Condition: Good with bumped and yellowed edges mainly top edge. University of California hardcover books
2022ref. 107430Berkeley:: University of California Press. Fine in Fine dust jacket. 2022. Hardcover. 0520304438 . Black and white photographs. Third printing. Fine in a fine dust jacket. . University of California Press, hardcover books
1981ref. 332245Neptune City: Paganiniana Publications 1981. Hardcover. Near Fine. First American edition. Spine ends and corners a bit bumped else very near fine in pictorial boards. Paganiniana Publications hardcover books
1979ref. 708473NY: Harper & Row. 1979. Very Good in Very Good spine-faded DJ. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Very Good. Harper & Row hardcover books
2022ref. 628109London: Institute of Historical Research / University of London Press 2022. Softcover. Fine. First edition. Octavo. xxix 229pp. Illustrated. Fine with a tiny bit of wear. Institute of Historical Research / University of London Press unknown books
1965ref. 348057Clinton Massachusetts: B'nai B'rith Department of Adult Jewish Education 1965. Hardcover. Very Good/Very Good. Later printing. 351pp. Very good with with bowing to the front board and staining to the endpapers in a very good spine darkened dust jacket with rubbing chips and tears. B'nai B'rith Great Book Series: Volume I. B'nai B'rith Department of Adult Jewish Education hardcover books
1947ref. 207926London: Constable 1947. Hardcover. Very Good/Good. First edition. 176pp. Illustrated with photographic plates. Endpapers with foxing and offsetting boards slightly bowed covers lightly soiled about very good in a spine-sunned good only dust jacket with a long tear on the rear panel moderate chipping and wear along the edges and internal foxing. Pen-portraits and anecdotes of James from more than 150 of his contemporaries. Constable hardcover books
