68,686 results
2020ref. x-1913441326Zed Books 2020. Hardcover. New. 221 pages. 9.25x6.25x0.75 inches. Zed Books hardcover
2025ref. __3111349292De Gruyter 2025. Hardcover. New. 418 pages. 9.44x6.69x9.61 inches. De Gruyter hardcover
2008ref. SONG1848000162Springer 2008-06-26. 2008. hardcover. Used: Good. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1991ref. Q-0333548590Palgrave Macmillan 1991-08-05. Paperback. New. New. In shrink wrap. Looks like an interesting title! Palgrave Macmillan paperback
2004ref. x-0739107305Lexington Books 2004. Hardcover. New. 199 pages. 9.25x6.25x0.75 inches. Lexington Books hardcover
ref. 61445London: John and Josiah Boydell 1791. 1803. Original copper engraving 44 x 60 cm overall sheet 54 x 66 cm. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1791. [1803]. unknown
ref. 61417London: John and Josiah Boydell 1795 1803. Original copper engraving 60 x 44 cm overall sheet 69 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown
ref. 61483London: John and Josiah Boydell 1790. 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68.5 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1790. [1803]. unknown
ref. 61451London: John and Josiah Boydell 1795. 1803. Original copper engraving 60 x 44 cm overall sheet 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
ref. 61487London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
ref. 61489London: John and Josiah Boydell 1793. 1803. Original copper engraving c. 60 x 44 cm overall sheet c. 68.5 x 55 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1793. [1803]. unknown
ref. 61444London: John and Josiah Boydell 1794. 1803. Original copper engraving 44 x 60 cm overall sheet 53 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1794. [1803]. unknown
ref. 61443London: John and Josiah Boydell 1795. 1803. Original copper engraving 44 x 60 cm overall sheet 53.5 x 66 cm. Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795. [1803]. unknown
ref. 61430London: John and Josiah Boydell 1795 1803. Original copper engraving 44 x 60 cm overall sheet 55 x 68 cm. Tissue guard to verso. Foxing to outer margins small 3m tear to lower margin neither affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell London 1803. In 1789 the publisher John Boydell opened the Shakespeare Gallery an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' the practice of depicting scenes from the Bible mythology or the classics in contemporary British art a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare which had become so popular and so integral to British identity by the mid-18th century The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84 along with dozens of 'Small Pictures'. Once the exhibition was mounted reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. The British Library London: John and Josiah Boydell, 1795 [1803]. unknown
1933ref. 983H51London: Constable & Co. Ltd. 1933. First edition. Cloth. Very Good Indeed/Good. 7.5" by 5". None. A smart first edition of this volume from Constable"s Wine Library combining André L. Simon"s authoritative study of Madeira with Elizabeth Craig"s recipes complete with the original unclipped dust wrapper. In the publisher's original cloth binding. Complete with the original unclipped dust wrapper.First edition.part of Constable"s Wine Library a refined series on the culture and enjoyment of wine. This volume combines André L. Simon"s expert study of Madeira"s history production and tasting notes with Elizabeth Craig"s practical recipes featuring the wine in cookery and desserts.André L. Simon 18771970 was one of the twentieth century"s foremost wine historians and connoisseurs founder of the Wine and Food Society and author of over a hundred works on wine gastronomy and the art of good living. Elizabeth Craig 18831980 was a celebrated Scottish journalist and cookery writer the author of more than sixty books that helped define twentieth-century British home cooking. In the publisher's original cloth binding. Externally very smart. Slight fading to extremities. Very slight shelf wear to extremities. Slight offsetting to endpapers. Dust wrapper smart. Unclipped. Slight loss to upper perimeter of front wrap. The odd small chip closed tear and crease to extremities. Wraps slightly age toned with the odd light spot and slight soiling. Internally firmly bound. Pages bright and clean with the odd spot heavier to fore edge and first and last few leaves. Very Good Indeed Constable & Co. Ltd. hardcover
2002ref. 039353London UK: The Folio Society 2002. Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. None. Complete in four volumes. Section of photographic plates. Umber cloth-covered boards; black and white design on front boards white titles on spine; orange endpapers. 4to. Volume neat clean bright and tight. Brown paper-covered slipcase has light shelf wear. The Folio Society hardcover
2011ref. 623746London: Quercus Publishing 2011. Larger sized hardcover with decorated boards no dust jacket in very good condition. A few light marks to the boards. Upper corners are a little bumped. Binding is sound and pages are clear. LW. Hardcover. Very Good/No Dust Jacket. Used. Quercus Publishing Hardcover
ref. 30196Waltham Abbey: The Promotional Reprint Company / Fraser Stewart. 1992. Reprint. Handsome craft binding of black morocco with titles in gilt a Great Britain motif in green leather to the upper board three raised bands and titles in gilt to the spine. Housed in a heavy card slipcase. Illustrated throughout with colour photographs by Simon McBride. A near fine copy the binding square and firm the leather bright and fresh. There is occasionally an odd spot internally the contents are otherwise clean throughout and without stamps or inscriptions. Complete with the near fine structurally sound slipcase that has a few light marks at the edges. Daniel Defoe's classic piece of travel writing that documents various 'tours' of Great Britain is here presented as an abridged text with modernised spelling in order to offer an accessible flavour of Defoe's work to modern audiences. Supported by beautiful photographs by Simon McBride showing locations mentioned by Defoe. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Waltham Abbey: The Promotional Reprint Company / Fraser Stewart. 1992 hardcover
2004ref. 616317New York: Kluwer Academic Publishers & Plenum Publishers 2004. Hard cover no jacket intended in very good condition from the collection of a London Professor of Mathematics ret'd. General shelf and handling wear including minor tanning to spine and light pitting to front board coating. Within pages are tightly bound content unmarked. CN. Hardcover. Very Good/No Dust Jacket. Kluwer Academic Publishers & Plenum Publishers Hardcover
1998ref. 6668Denby Dale: Fleece Press 1998. One of 280 copies. Set in Modern 7 and printed on Zerkall paper. 33 illustrations 4 colour two photographs and the rest being wood engravings. Several loose engravings and Royal Flush illustrations housed in seperate folders. Sq. 4to. original gold cloth backed patterned paper covered boards printed paper spine label in a clamshell cloth covered box together with 3 large wood engravings in wrappers a loose broadsheet and reproductions of 9 full colour illustrations by Harris for Royal Flush all in grey wrapper portfolio. A fine copy.Derrick Harris sustained the medium of wood engraving through the 1950s when it was struggling admired by fellow artists his suicide at the age of 40 affected many of them deeply including Edward Ardizzone who wrote “First he made a niche for himself as a good artist in an exacting craft then as a dear friend whom we loved”. Fleece Press hardcover
1958ref. 76258Paris the Author 1958. PREFACE DE MARCEL ORBEC. 8vo. 487pp. Illustrated. 48 plates. Gilt decoration and lettering on spine. unknown
2014ref. 018650Savile Row is the world's iconic address for the best in bespoke tailoring and home to legendary Gieves & Hawkes suppliers to the British military for more than two centuries and furnishers to elegant gentlemen today. This volume traces the rich history of tailoring drawing from Gieves & Hawkes vast unpublished archives of client ledgers garments and accessories and photographs. 239 pages : illustrations ; 36 cm. First English edition first printing. Grey boards unclipped dust jacket now in a removable protective sleeve. Slight shelf wear to edges no inscriptions tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Flammarion hardcover
ref. 29609Alconbury Weston: NewCon Press. 2016 2017. First edition. First edition. Limited edition. Four volumes. Signed by the author. Publisher's original black cloth with gilt titles to the spine in the Chris Moore illustrated dustwrappers and slipcase. A fine set the bindings square and firm with just a touch of rubbing to the spine tips bright and fresh. The contents are clean throughout and without previous owners' inscriptions or stamps. Complete with the very near fine dustwrappers which have the occasional touch of rubbing to the extremities. Not price-clipped £14.99 to the lower rear panel. Housed in the near fine structurally sound slipcase which has a small bump to the backstrip and a few marks to the top and bottom edges. A collection of four science fiction novellas including 'The Enclave' which won the British SF Association Award in 2017. The first set in the NewCon Press novella series. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Alconbury Weston: NewCon Press. 2016, 2017 hardcover
1946ref. 355490717134London 1946. The Wine and Food Society and The Empire Tea Bureau 1946. Second Edition 1946. A softcover production issued without a D/W. Publisher's original wrappers. A VG copy with superb Bawden illustration to the front cover. Numerous Black & White illustrations in the text also by Bawden. A scarce history of tea and tea-making complete with biscuit recipes. Illustrated throughout with vignette engravings. Including chapters on how tea came to the UK the varieties of tea leaves and recipes for scones walnut cake tea cakes and more. "Originally published as a souvenir of the exhibition "The English tea table" held at the Tea Centre Regent Street in July-August 1946". Rare. paperback
2016ref. C103203Rochdale: Andrew J Moorhouse. 2016. First Edition. Hardback. Hardcover Hardcover. Fine. First Edition. Hardback. Tall 8vo. 168 mms by 275. pp 46 unnumbered 8 attractive wood engravings. Publisher's original quarter darkgreen leather and tan cloth with black titles with printed white label on front. Illustrated with eight black and white wood engravings by Hilary Paynter. Designed and printed by John Grice of the Evergreen Press printed using Centaur type on Zerkall paper and bound at the Fine Book Bindery. Issued in a limited edition of 100 copies of which this is numbered 6 and signed by the author Simon Armitage in blue ink and illustrator Hilary Paynter in black ink on the colophon. Eight poems written about Simon Armitage's walks along the Pennine Way 2010 and the South West Coast Path 2013. He originally wrote the novels 'Walking Home' 2012 and 'Walking Away' 2015 to document these journeys. Merest hint of fading to leather spine but fine. Fine. Rochdale: Andrew J Moorhouse., hardcover
