Claude SimonLivre Rare Book
6,217 results
1989ref. 1099Les Editions de Minuit 1989 379 pages in8. 1989. broché. 379 pages.
2008ref. 097088Kwan, Simon: Chinese Porcelain of the Republic Period. Hong Kong: 2008. Series: The Muwen Tang Collection Series 6. 379 pages, numerous colour plates. Hardback. 30.5 x 23cms. A detailed catalogue of the 167 ceramics of Republican Era (1912-1949). An introduction discusses the phenomena of literati painting on porcelain, 33 notable porcelain painters, imitations of the work of Giuseppe Castiglione and porcelain marks. Text in English and Chinese.
2008ref. 097088Kwan, Simon: Chinese Porcelain of the Republic Period. Hong Kong: 2008. Series: The Muwen Tang Collection Series 6. 379 pages, numerous colour plates. Hardback. 30.5 x 23cms. A detailed catalogue of the 167 ceramics of Republican Era (1912-1949). An introduction discusses the phenomena of literati painting on porcelain, 33 notable porcelain painters, imitations of the work of Giuseppe Castiglione and porcelain marks. Text in English and Chinese.
2019ref. 120255zu Racknitz, Joseph Friedrich, and Simon Swynfen Jervis: A Rare Treatise on Interior Decoration and Architecture - Joseph Friedrich zu Racknitz's Presentation and History of the Taste of the Leading Nations. 2019. 368 pages, profusely illustrated in colour. Hardback. 27 x 25cms. Full translation of Joseph Friedrich zu Racknitz's four volumes on the global history of design and ornament, published between 1796 and 1799. With reproductions of the original color plates and essays on Racknitz's biography, his publications and the larger German Enlightenment context that influenced it. The treatsie includes chapters on ancient and modern European taste as well as on Persian, Chinese, Mexican, Indian and Tahitian amongst others.
2019ref. 120255zu Racknitz, Joseph Friedrich, and Simon Swynfen Jervis: A Rare Treatise on Interior Decoration and Architecture - Joseph Friedrich zu Racknitz's Presentation and History of the Taste of the Leading Nations. 2019. 368 pages, profusely illustrated in colour. Hardback. 27 x 25cms. Full translation of Joseph Friedrich zu Racknitz's four volumes on the global history of design and ornament, published between 1796 and 1799. With reproductions of the original color plates and essays on Racknitz's biography, his publications and the larger German Enlightenment context that influenced it. The treatsie includes chapters on ancient and modern European taste as well as on Persian, Chinese, Mexican, Indian and Tahitian amongst others.
2021ref. 121029Kelly, Simon: ThÃodore Rousseau and the Rise of the Modern Art Market: An Avant-Garde Landscape Painter in Nineteenth-Century France. Contextualizing Art Markets. Bloomsbury, 2021. 256 pages, fully illustrated in colour. Hardback. 25 x 16cms. Examining the relationship between the avant-garde Barbizon landscape painter Theodore Rousseau and the art market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist. Including essays on Rousseau at the Salon, artists' societies and the Cercle de l'Union Artistique, art dealers (from Adolphe Beugniet to Paul Durand-Ruel), the auction sale and the reproduction industry (from etchings to photography).
2021ref. 121029Kelly, Simon: ThÃodore Rousseau and the Rise of the Modern Art Market: An Avant-Garde Landscape Painter in Nineteenth-Century France. Contextualizing Art Markets. Bloomsbury, 2021. 256 pages, fully illustrated in colour. Hardback. 25 x 16cms. Examining the relationship between the avant-garde Barbizon landscape painter Theodore Rousseau and the art market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist. Including essays on Rousseau at the Salon, artists' societies and the Cercle de l'Union Artistique, art dealers (from Adolphe Beugniet to Paul Durand-Ruel), the auction sale and the reproduction industry (from etchings to photography).
2019ref. 121638Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VI. Pieter de Jode I. 2019. 263 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This catalogue presents 310 works after designs by Pieter de Jode I (1573-1634).
2019ref. 121638Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VI. Pieter de Jode I. 2019. 263 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This catalogue presents 310 works after designs by Pieter de Jode I (1573-1634).
2020ref. 121639Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VII. Pieter de Jode I. 2020. 325 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This volume is a continuation of the catalogue of works after designs by Pieter de Jode I, with 373 prints illustrated and discussed in detail.
2020ref. 121639Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VII. Pieter de Jode I. 2020. 325 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This volume is a continuation of the catalogue of works after designs by Pieter de Jode I, with 373 prints illustrated and discussed in detail.
2020ref. 121640Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VIII. Pieter de Jode I and Pieter de Jode II. 2020. 302 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This volume continues the compete catalogue of Pieter de Jode I's works, with 47 prints published by the artist and a list of attributions and rejected works. With a biography and a list of 97 works by his successor, Pieter de Jode II (1606-1670/74).
2020ref. 121640Leesberg, Marjolein, and Simon Turner: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450 - 1700. The De Jode Dynasty, part VIII. Pieter de Jode I and Pieter de Jode II. 2020. 302 pages, fully illustrated in black & white. Hardback. 27 x 20cms. The Antwerp De Jode family consists of four generations of publishers, designers and engravers, working between c.1550 and 1670, throughout the golden age of Flemish printÂmaking. This volume continues the compete catalogue of Pieter de Jode I's works, with 47 prints published by the artist and a list of attributions and rejected works. With a biography and a list of 97 works by his successor, Pieter de Jode II (1606-1670/74).
2009ref. 123714Castets, Simon, Jill Gasparina, Emmanuel Hermange et al.: Louis Vuitton. Art, Fashion and Architecture. New York: Rizzoli, 2009. 404 pages, copiously illustrated. Hardback in a slipcase. 32x25cms. Deluxe limited edition designed by Takashi Murakami. Published on the occasion of the 'Louis Vuitton: A Passion for Creation' exhibition, held at the Hong Kong Museum of Art from 22 May to 9 August 2009. It records Louis Vuitton's collaborations with different artists, architects and designers, and includes essays which examine and position Louis Vuitton's patronage.
2009ref. 123714Castets, Simon, Jill Gasparina, Emmanuel Hermange et al.: Louis Vuitton. Art, Fashion and Architecture. New York: Rizzoli, 2009. 404 pages, copiously illustrated. Hardback in a slipcase. 32x25cms. Deluxe limited edition designed by Takashi Murakami. Published on the occasion of the 'Louis Vuitton: A Passion for Creation' exhibition, held at the Hong Kong Museum of Art from 22 May to 9 August 2009. It records Louis Vuitton's collaborations with different artists, architects and designers, and includes essays which examine and position Louis Vuitton's patronage.
1993ref. 047365Thurley, Simon: The Royal Palaces of Tudor England.: Architecture and Court Life, 1460-1547. New Haven and London: Yale University Press, 1993. Cloth. 28.5 x 25cms.
1993ref. 047365Thurley, Simon: The Royal Palaces of Tudor England.: Architecture and Court Life, 1460-1547. New Haven and London: Yale University Press, 1993. Cloth. 28.5 x 25cms.
2006ref. 108610Baker, Simon: 'Corpus'. Damien Hirst Drawings 1981-2006. Exhibition: New York, Gagosian Gallery, 2006. 412 pages, illustrated throughout in colour. Hardback. 29 x 20cms.
2006ref. 108610Baker, Simon: 'Corpus'. Damien Hirst Drawings 1981-2006. Exhibition: New York, Gagosian Gallery, 2006. 412 pages, illustrated throughout in colour. Hardback. 29 x 20cms.
2014ref. 121313Martin, Simon: Conscience and Conflict. British Artists and the Spanish Civil War. Exhibition: Chichester, Pallant House, 2014. 160 pages with 144 colour illustrations. Paperback. 26 x 21cms.
2014ref. 121313Martin, Simon: Conscience and Conflict. British Artists and the Spanish Civil War. Exhibition: Chichester, Pallant House, 2014. 160 pages with 144 colour illustrations. Paperback. 26 x 21cms.
2022ref. 122918Laraz, Camille: Simon De Chalons. Milan: 2022. 224 pages, 16 colour plates with black and white illustrations throughout. Paperback. 28x23cms. An exploration of Simon de Chalons' oeuvre. Three chapters trace Chalons' career. The first chapter considers the years 1535-1540, focusing on his collaborations with Henri Goigues and Piere Malet and the painting, 'Couronnement de la Vierge'; then 1540-1550 with discussions on artistic production in Avignon, the 1547 contest between Chalons and Camille Tresontin; and finally the years 1550-1557 looking at Challons' last works including 'Mise au tombeau' and 'Christ en croix entre Saint Roch et Saint Sebastien' as well as the contributions of his workshop. Followed by a catalogue of twenty works by Chalons and two paintings attributed to Leon Guigues and three to Elezar de Mailley. Each work is illustrated and described in detail with a bibliography. Text in French.
2022ref. 122918Laraz, Camille: Simon De Chalons. Milan: 2022. 224 pages, 16 colour plates with black and white illustrations throughout. Paperback. 28x23cms. An exploration of Simon de Chalons' oeuvre. Three chapters trace Chalons' career. The first chapter considers the years 1535-1540, focusing on his collaborations with Henri Goigues and Piere Malet and the painting, 'Couronnement de la Vierge'; then 1540-1550 with discussions on artistic production in Avignon, the 1547 contest between Chalons and Camille Tresontin; and finally the years 1550-1557 looking at Challons' last works including 'Mise au tombeau' and 'Christ en croix entre Saint Roch et Saint Sebastien' as well as the contributions of his workshop. Followed by a catalogue of twenty works by Chalons and two paintings attributed to Leon Guigues and three to Elezar de Mailley. Each work is illustrated and described in detail with a bibliography. Text in French.
2009ref. 125435Simon, Erika: AusgewÀhlte Schriften. Band I: Grechische Kunst. Band II: Romische Kunst. 2 volumes. Rutzen, 2009. 271 and 266 pages, illustrated throughout. Hardback.
2009ref. 125435Simon, Erika: AusgewÀhlte Schriften. Band I: Grechische Kunst. Band II: Romische Kunst. 2 volumes. Rutzen, 2009. 271 and 266 pages, illustrated throughout. Hardback.