Moyen orient

Moyen orient — marelibri

Text vol. in 8vo and atlas in folio (670 x 503 mm). (4), 460 pp. (4), 65 pp. Half-titles in both vols.; 80 lithographed, sepia aquatint or engraved plates and plans, the 8 fine aquatints by Debucourt after Forbin, the lithographed subjects for G. Engelmann after Lecomte, Deseynes, Castellan, Carle, and Horace Vernet, Fragonard, Thiénon, Legros, Isabey and others, large folding engraved plan at the end of text vol. 19th century marbled half calf with giltstamped title to gilt spine. First edition. Only 325 copies of this work were produced. "Forbin's was one of the first important French books to use lithography on a grand scale, and the standard of production is equal to that of Napoléon's 'Description de l'Egypte' or Denon's 'Voyage'" (Navari, Blackmer). Forbin succeeded Denon as director of museums in 1816 and was authorised to purchase antiquities for the Louvre (his son-in-law, Marcellus, expedited the acquisition of the recently discovered Venus de Milo). In August 1817 he began a year-long journey to the Levant accompanied by the artist Pierre Prévost and the engineer de Bellefonds. His journey took him to Melos, Athens, Constantinople, Smyrna, Ephesus, Acre, Jaffa, Jerusalem, Cairo, Luxor, and Thebes. - This set includes the frequently lacking 8vo text volume: this has the plan of the Church of the Holy Sepulchre bound at the end with a list of plates which were sold separately. The atlas volume repeats the text (entirely reset in-folio, sometimes found in a separate folio volume) and includes the magnificent, highly desirable plates (after Carle Vernet, Fragonard, Isabey, and Forbin himself, as well as Prevost), which show fine views of Greece, the Dead Sea, Jerusalem, Ramla, Gaza, and Egypt. - Occasional slight foxing, still a splendid copy from the library of the ducs de Luynes at the Château de Dampierre: their bookplate reproducing the arms of Charles Marie d'Albert de Luynes (1783-1839), 7th Duc de Luynes, on pastedown. The Aboussouan copy (comprising both the folio and the octavo volume) commanded £20,000 at Sotheby's in 1993, while in 2002 the Atabey copy of the folio volume alone fetched £22,000. Atabey 447f. Blackmer 614. Aboussouan 338. Weber I, 68-70. Röhricht 1660. Tobler 144f. Colas 1089. Hiler 321. Ibrahim-Hilmy I, 163. Brunet II, 1337. Graesse II, 614. Cf. Lipperheide Ma 16 (2nd ed.).

Ibn al-Banna' al-Marrakushi.MareMagnum

Kitab Minhaj al-talib li-ta'dil al-kawakib. Northern Africa, [ca. 1490 / 15th century CE].

4to (160 x 202 mm). Arabic manuscript on watermarked paper, 27 pp. plus 57 pp. of tables, 22 lines per extensum, written in black Maghribi script, emphases and section titles in red; extensive tables at the end. - (Bound with) II: Nour al-Din 'Ali bin Abd al-Qadir al-Fardi al-Hasani. Kitab al-Fawa'id al-jalilah fi fi hall majhulat al-wasila. Near East, 18th century CE. Arabic manuscript on watermarked paper, 98 pp., 19 lines per extensum, black naskh with emphases in red. - (Bound with) III: Brain manuscript. Near East, 18th century CE. Arabic manuscript on watermarked paper, 25 pp., 19 lines per extensum, written in black naskh with emphases in red. - All bound together in oriental brown leather with fore-edge flap, a central oval medallion and stamped borders. A collection of three different Arabic treatises bound in one volume, dealing with astronomy, keeping time and mathematics, as well as psychology, written in Northern Africa and Near East. - Bound first is the "Kitab Minhaj al-talib li-ta'dil al-kawakib" by the Marrakesh-born mathematician, astronomer, and Sufi scholar Ibn al-Banna' (also known as Abu'l-Abbas Ahmad ibn Muhammad ibn Uthman al-Azdi, 1251-1321). A long treatise about astronomy, the movements of the planets, and calculating the times of prayer according to location, it was published by Juan Vernet Ginés in 1952. - The "Kitab al-Fawa'id" by the mathematician Nouraddin ‘Ali al-Faradi (d. 870 H / 1465/66 CE) is a commentary on the "Kitab al-wasila fi 'ilm al-hisab" by the Egyptian mathematician Ibn al-Ha'im al-Misri (d. 1412). A copy is stored in the Al-Azhar Library, Cairo (shelfmark 4374). - At the end is a shorter text containing two sections (fasl 4 and fasl 5) excerpted from a treatise on the power of the human brain and how to exercise it. - The treatise of Ibn al-Banna' shows some edge damage from worming and old repairs, otherwise internally quite sound. Binding professionally restored; modern spine and flap hinge. Provenance: from the private collection of the English art dealer Oliver Hoare (1945-2018), who launched the Islamic Art Department at Christie's. I: GAL II, 331, 5. - II: Cf. GAL S II, 1024, 77.

Inlibris · Autriche35 000,00 €

Ibn al-Nafis al-Qarashi, Ala'addin Abu 'l Hasan Ali / Ibn Sina (Avicenna).MareMagnum

Sharh Qurashi. Tashrih al-ad'a al-murakkabbah min kitab al-Qanun [The Commentary of Qurashi. Anatomy of the Compound Organs from The Canon of Medicine]. Central Asia, [12 Nov. 1674 CE =] 13 Sha'ban 1085 H.

8vo (127 x 214 mm). Arabic manuscript on polished paper. 80 ff. Part 2 (of 2). Black and occasional red ink, with catchwords and a few marginal notes in a contemporary hand. 19th century limp red morocco. Rare and important 17th century manuscript of the most famous work of Ibn al-Nafis (1210-88), written at only twenty-nine years of age. Unlike the author's two other commentaries on Ibn Sina's Canon of Medicine, the "Sharh Qurashi" is extremely uncommon. The present part includes his most important contributions to medicine and anatomy: in describing the pulmonary blood circulation, he anticipated by many centuries the works of the 17th century scientists Marcello Malpighi and William Harvey. - Ibn al-Nafis "was the first person to challenge the long-held contention of the Galen School that blood could pass through the cardiac interventricular septum, and in keeping with this he believed that all the blood that reached the left ventricle passed through the lung. He also stated that there must be small communications or pores ('manafidh' in Arabic) between the pulmonary artery and vein" (West, 1877). In his commentary, "pulmonary circulation was described, for the first time, in much detail [...] this circulation was not described by Galen, and only Al-Akhawayni had provided some accurate details about it. He contradicted Galen's reports on the presence of a pathway of 'invisible pores' or a visible hole between the right and left cavities, and stated that blood moves to the lung through vena arteriosa (pulmonary arteries). There, it mixes with air and is filtered, then it moves back to the left cavity via the arteria venosa (pulmonary vein)" (Alghamdi, 1001). Many of al-Nafis's statements remain accurate to medical science today, making this work one of the most groundbreaking of its era. - Morocco binding somewhat rubbed and lightly soiled, with a few small closed tears to extremities. A tiny paper flaw in margin of f. 19 and old paper repair to edge of f. 53. Exterior leaves slightly browned and brittle, with some wear and soiling to edges. A well-preserved and highly unusual survival of a major text in the history of medicine during the Islamic Golden Age. GAL I 493, 37, 7. M. Alghamdi et al., "An Untold Story: The Important Contributions of Muslim Scholars for the Understanding of Human Anatomy", The Anatomical Record 300 (2017), pp. 986-1008. J. B. West, "Ibn al-Nafis, the Pulmonary Circulation, and the Islamic Golden Age", in: Journal of Applied Physiology 105 (2008), pp. 1877-1880.

Inlibris · Autriche35 000,00 €

Ibrâhim Haqqi, Erzurumlu.MareMagnum

Marifetname [The Book of Knowledge and Skills]. [Ottoman Empire, ca. 1760].

Folio (209 x 318 mm). 459, (2), 14 (but: 13) ff. of index, numerous errors in Arabic pagination, but complete according to catchwords, numbered throughout by a later owner in pencil from left to right, 1-474 ff. Ottoman Turkish manuscript on thin, polished, cream-coloured laid paper. Text is in fine naskh script with black and red ink within a red double-lined border, 31 lines of text within a written area of 232 x 112 mm. Occasional red underlining, sections usually demarcated by a single word of red text on a line with a red border on either side. With 11 full-page colour illustrations of scientific diagrams, 2 full-page coloured world maps, 8 full-page coloured tables, 2 full-page illustrations of Mekka and Jerusalem, 4 coloured half-page diagrams and 1 coloured half-page table, as well as a round, black and red ink diagram on leaf 448v. Contemporary full calf, expertly rebacked with six compartments of raised bands and gilt motifs, gilt red title label, all edges speckled red. A fine 18th century manuscript copy of the famous scholarly encyclopedia, not printed until 1835 (in Bulaq). The "Marifetname", or "Book of Gnosis" is a compilation of astronomical, astrological, mathematical, anatomical, psychological, philosophical as well as mystical religious texts. It is famous for containing the first treatment of post-Copernican astronomy by a Muslim scholar. - Ibrahim Haqqi Erzurumi (1703-80) is considered an outstanding figure of 18th century Ottoman Turkey. Based on an immense knowledge of the Sufi branch of Islam as well as his studies in Western science, he devoted himself to the domains of both religion and science, considering both a means of approaching God. - Occasional smudging of ink; minor offsetting on pages facing illustrations, leaves 7-11 with minor waterstains in the upper corner margins, leaves 12-18 expertly reinforced in the upper margin, with rather severe loss to text in upper half of leaves 14v and 15. Text appears to be lost on 378r (faint traces of text still remain). Leaves 343v-350v have dark pink stain in centre of text toward gutter (no loss), likewise on 443v-463v. Leaves 448-454 have had their margins reinforced. Leaves numbered 449 and 450 must be switched, as well as 453 and 454. Altogether a very appealing copy with the numerous illustrations showing fine detail. Cf. Zenker I, 1709. F. Gülen, "Key Concepts in the Practice of Sufism," p. 106, n. 69. Z. Virk, "Science and Technology in Ottoman Sultanate".

Inlibris · Autriche35 000,00 €

La Chappelle, George de.MareMagnum

Recuel [!] de divers portraits des principales dames de la Porte du Grand Turc. Tirée au naturel sur les lieux. Paris, Antoine Estienne / chez le Blond, 1648.

Folio (235 x 335 mm). Engraved title, 3 pp. of dedication, 1 leaf (Privilege du Roy), 12 leaves of text interleaved with 12 engraved plates, woodcut headpieces and initials. The plates, probably by Noel (not Nicolas) Cochin after La Chapelle, show costumes against a scenic background. Contemporary full vellum. First edition, very rare. Georges de la Chappelle, a native of Caen, accompanied the French envoy Le Haye to the Porte and spent several years in the Levant. His work is known to us almost exclusively through these engravings, showing what Thieme/Becker described as "the prettiest ladies in the Imperial Seraglio". In the introductory text included in this first edition, La Chappelle explains that the series was occasioned by a recent French edition of Chalcocondyles, in which (as he complains) the women's costumes were very poorly drawn. La Chappelle clearly had a special interest in female costume: "his own representations are highly detailed, with special attention paid to the fabulous jewels and fine needlework that adorn the garments of Levantine costume. (According to the preface, the accuracy of his drawings could be attested by Le Haye [...], in whose presence the drawings were executed.) To add verisimilitude to the plates, examples of Turkish, Persian, Tartar, Armenian and Greek costume are depicted against topographical backgrounds showing the areas in and around Constantinople in which the models were most likely to reside" (Atabey). Curiously, several of these backgrounds, when placed side by side, form a near-consecutive panorama of Constantinople and its environs. - Occasional light brownstains; wants front flyleaf. Vellum slightly stained and wrinkled; lower cover shows traces of old calculations. An attractive copy in a strictly contemporary binding. Atabey 648. Colas 1697. Thieme/Becker VI, 378f. Cf. Blackmer 935 (2nd edition). Not in Lipperheide or Cohen/de Ricci.

Inlibris · Autriche35 000,00 €

Laiglesia y Darrac, Francisco.MareMagnum

Memoria sobre la cría caballar de España: causas del aniquilamiento de nuestros caballos, verdadero modo de entenderse y verificarse en nuestro clima la cruza con los de países estrangeros y mejora para su regeneracion y engrandecimiento [...]. [Madrid], 1830.

Folio (30 cm). Double-page ink wash drawing of the idealized (Arabian-bred) Spanish horse, [8], 198, [4 blank], [2], 25 pp; with separate 13 pp. of addenda. Bound in contemporary half black calf over marbled boards, gilt titles and ornaments on spine. Binding a little rubbed, contents very good. Manuscript on Spanish watermarked paper "Manuel Serra 1829", written in neat cursive throughout with occasional flourishes. Signed twice by the author, "Francisco De Laiglesia Y Darrac", dated "Madrid 24 Mayo de 1830". Bookplate on pastedown of the noted Spanish collector José Gallart Folch. Highly important manuscript, being the author's autograph copy - possibly for presentation to the dedicatee (the King of Spain). Darrac's groundbreaking treatise on the admixture of Arabian bloodlines to the Spanish horse was subsequently accepted by the King and printed 'by Royal decree' in the following year, 1831. "To assure that Spain would have ready supply of quality horses and mules, the recommendations first purposed by Francisco Laiglesia Y Darrac in his brilliant 1831 book Memoria sobre la cria caballar en Espana - causas del aniquilamiento de nuestros caballos (Thesis on Horse Breading in Spain- Causes of the Annihilation of Our Horses) were finally adopted. Laiglesia might well be called the father of the Arabian horse of Spain, because he was the first to advocate the importation of a large group of desert-bred stallions and mares as the only means of recuperating the lost qualities in Spain's horses. In the same work he also articulated the first detailed plan for the creation of the Cria Caballar, the Stud Book Español, the National Stud" (Steen). - A horse expert with the Royal Army, Laiglesia's treatise is wonderfully detailed and shows a thorough knowledge of Arabians and their bloodlines. His main thesis argues that with the introduction of as few as 20 of the best pure-bred Arabians, the entire country's stock of horses can be 'regenerated' in a few generations. To this end he launches into an in-depth discussion of the logistics of this plan, ranging from discussions of the desert Bedouin origin of the purest Arabians, from the regions surrounding Sanaa and Nedjed-el-Areb in the Arabian Gulf (Section 65) to an intimate familiarity with the different classes of Arabians from these bloodlines (Hatiks or Kadischi & Kochlani). Laiglesia notes with admiration that the practice of recording the bloodlines of these Arabians is extremely meticulous at the court of the Emir. - Laiglesia also addresses the problems of how to select the best pure-bred Arabians based on proportion, etc., as well as the difficulties in procuring them. He insists that they must be purchased 'on-site' in Arabia Felix and then brought to a station in Aleppo for inspection, en route to Spain. Laiglesia even suggests the most comfortable means of transporting the precious horses (by warship, rather than a smaller merchant vessel which doesn't have enough space). Interestingly, one measure for Laiglesia of the superiority of Arabians is their excellence in horse-races: he points out that all the greatest English champions (Flying Childers, High Flyer, Eclipse, etc.) have all been bred from Arabian stock. - The present author's manuscript and its illustration in fact show significant differences compared to the printed book, which is itself extremely rare (just 3 copies worldwide, according to OCLC). For the printed book, cf OCLC 63603570 (U Barcelona, British Library, U Penn); Palau 130186; Fairman Rogers Collection on the Horse, 453. Cf also Andrew K. Steen, El Caballo Arabe en España, 1831 a 1934 (2007).

Inlibris · Autriche35 000,00 €

Luynes, Honoré d'Albert de.MareMagnum

Voyage d'exploration à la mer Morte, à Petra et sur la rive gauche du Jourdain. Oeuvre posthume. Paris, Arthus Bertrand, [1874].

3 vols. and 1 vol of plates. (2), II ff., 388 pp. (6), 222, (6) pp. (4), VI, 326 pp. With 14 lithogr. plates (4 in colour). Printed original wrappers. Folio (390 x 295 mm). Atlas: (4) pp., 85 plates (some double-page-sized), including 65 photogravures by Charles Nègre after Louis Vignes. Original half cloth portfolio. Ties. Rare travel report describing the scientific expedition to Palestine undertaken by the French archaeologist de Luynes (1802-67) in 1864. First edition, very rarely encountered complete: only two copies sold at international auctions during the past decades (both incomplete; the last set wanting plate 44: Sotheby's, 15 Oct. 2003, lot 676, GBP 8500; only 40 plates from the set, including glass and collodium negatives, fetched 21,450 EUR at Sotheby's Paris, 22 March 2003, lot 583). - The work is sought for its splendid illustrations based on photos by Henri Sauvaire and the Naval Lieutenant Louis Vignes. Vol. 1 contains the Duke's travel diary; vol. 2 contains the reports "De Petra à Palmyre" by L. Vignes and "Voyage de Jérusalem, à Karak et à Chaubak" by Mauss and Sauvaire; vol. 3 contains the "Géologie" by L. Lartet (with its own set of plates at the end). The atlas is divided into two parts with a total of 85 plates (thus complete): 67 plates pertain to the Duke's report (3 unnumbered and 64 numbered: 1 map and 1 itinerary in colours, 1 engr. double plate, and 64 photogravures by Charles Nègre after photos by Vignes (views of sites, towns, ruins, etc.); Mauss's report is illustrated by 18 numbered plates: 1 double-page-sized itinerary, 3 plans (2 in colour), and 14 lithogr. plates by Cicéri after photos by Vignes and Sauvaire (views of Karak, Zat-Raz, etc.). - Occasional slight foxing (esp. in vol. 3); plates clean and spotless throughout. A fine, complete set in the original printed wrappers as issued; text vols. are uncut and wide-margined. Röhricht (Bibl. Pal.) 515f., no. 2824. Röhricht (Pilgerreisen) 637, no. 872. Henze III, 312. Parr/Badger, The Photobook I, 33.

Inlibris · Autriche35 000,00 €

Mariette-Bey, Auguste.MareMagnum

Album du musée du Boulaq comprenant quarante planches photographiées par MM. Delié et Béchard, avec un texte explicatif rédigé par Auguste Mariette-Bey. Cairo, Mourès & Cie, 1872.

Folio. 3 unnum. leaves, 40 original photographs on albumenized paper (approx. 245 x 180 mm) on stiff cardboard mounted on hinges, and 42 unnum. leaves of explanations. Publisher's half brown hard-grained morocco, blind stamped calico boards, with gilt title and figures, raised bands. Edges gilt. Beautiful photographic album made in Cairo, the first illustrated catalogue of the first Egyptian Museum. While copies dated 1871 exist, both copies preserved in the French National Library bear the date 1872. The photographs by Hippolyte Délié and Émile Béchard show the halls and antiques of the Bulaq Museum, founded in Cairo in 1863 by the great Egyptologist Auguste Mariette (1821-81). The Museum was created by Auguste Mariette, who in 1858, following his appointment as head of the Antiquities Service, moved the banks of the Nile, in Bulaq, where he assigned four rooms in his residence for exhibitions. Mariette obtained permission to settle in Bulaq in the abandoned offices of the River Company. On these dilapidated premises, where he lived with his family, the "Director of the Historical Monuments of Egypt and the Cairo Museum" converted the first four exhibition halls with the assistance of his faithful assistants Bonnefoy and Floris. The period photographs, published in this 'Album du musée de Boulaq', show the low buildings by the river, almost completely devastated during the flood of 1878. In the preface dated November 1, 1871, Mariette explains the origins of this monumental album: "Mr. Hippolyte Délié and Mr. Béchard requested permission from the Directorate of the Bulaq Museum to reproduce by photography some of the monuments on display in our galleries. Not only the application [...] was explicitly welcomed, but the Director of the Museum feels he must promote the work of the great photographers from Cairo, opening up for them the cabinets of the Museum and choosing among the objects it contains those that appeared to him most worthy of inclusion in the proposed Album. Mr. Délié and Mr. Béchard have followed, for the classification and arrangement of their proofs, the order adopted in the Notice sommaire, which is for sale at the entrance of the Museum. The three plates showing the interior and exterior of the Museum serve as an introduction to the Album. The monuments are then classified into religious, funerary, civilians, historical, Greek and Roman sections. The photographic Album [...] is thus an illustrated catalogue of the Museum. The remarkable execution of the plates allows us also to recommend to everyone this album by Mr. Délié and Mr. Béchard. Travelers will indeed use it as a souvenir of their visit to the Bulaq Museum. Scholars will find the hieroglyphic texts reproduced with such clarity as if they were in direct presence of the monuments. Finally artists will not study from any other work on Egyptology as well as from the beautiful proofs delivered from the apparatus used by Mr. Délié and Mr. Béchard, the difficult problems that relate to the history of art in Egypt". The French photographer Émile Béchard was active during the years 1869-90: "Béchard arrived in Egypt probably together with his partner Délié. He collaborated with him in the production of the Album du Musée Boulaq and in the carte de visite photographs of native types and costumes. There is little information on the life of Béchard. It is known that he was awarded a first class gold medal at the Exposition Universelle of 1878 in Paris, and his images appear in many of the travel and topographic albums until almost the end of the century. His major achievement was no doubt his monumental album of photographs of the most important archaeological sites and antiquities of Egypt […]. It is worthy to note that Béchard did have a great deal of talent in picturing architecture. The neatness of the execution and printing of the final image adds tremendously to the monumentality he was able to reflect in them" (cf. Perez, p. 123). "Délié arrived in Egypt the year the Suez Canal was opened and settled in Cairo. Until the mid-1870s he was in partnership with Émile Béchard. The two collaborated on a major photography album on the Boulaq Museum that was very highly praised as one of the most luxurious and finely printed books of the period. […] Délié's photographs were known already in 1869, and some of them were used that early for woodcuts illustrating articles in Le Tour du Monde. In 1876, he became a member of the Société Française de Photographie, and in 1878 he was awarded a bronze medal at the Exposition Universelle in Paris. For some reason, Délié's images, although equal in quality, are much rarer than those by Béchard, even though both continued to work after they dissolved their partnership. His photographs are exclusively of Egypt, mainly ruins, antiquities, and cityscapes, with a few genre studies" (p. 153f.). Perez also devotes a long notice to the archaeological activity of Mariette, a familiar to photography: "Best known as Mariette Bey, this famous Egyptologist became an archaeologist almost by chance. He was a young schoolteacher in the provincial town of Boulogne-sur-Mer, writing bad novels and chairing the local fishing-club, when he happened across the papers of a relative, Nestor L'Hote. L'Hote's writings of Egypt aroused Mariette's interest, and he turned to the study of Coptic writings and hieroglyphs. He published a number of papers that attracted the attention of Charles Lenormant, who sent him to Egypt in 1850 to hunt down Coptic manuscripts, which were at the time actively collected by British scholars. He remained in Egypt four years, during which time he realized the importance of finding and saving the archaeological treasures still buried in Egypt. Mariette shared his conviction with Ferdinand de Lesseps, whom he met in 1857. The latter appealed to the Viceroy of Egypt, and Mariette was appointed head of the department of Antiquities, a post he created and held until his death in Cairo in 1881. During his years there he displayed an unusual instinct in finding excavation sites; his contribution to Egyptology is invaluable. He was also founder of the Boulaq museum. Photography became an inseparable part of his activity. He mainly employed professional photographers such as Délié, Béchard, and Brugsch, but he himself also photographed, using an 8x10'' camera, newly found artefacts and ancient structures in remote parts of the Egyptian desert. It is interesting to note that, although technically not perfect, Mariette's photographs have a certain precision of angle and composition that makes the image 'right' and authentic. This is no doubt the result of his love and understanding of the objects he was photographing" (p. 194). - Spine scuffed, some foxing. Cf. Nissan N. Perez, Focus East, 1988. On Mariette cf. also J.-M. Carré, "Voyageurs et écrivains français en Égypte", p. 223-249.

Inlibris · Autriche35 000,00 €

Markham, Gervase.MareMagnum

Cavalarice, or The English Horseman. [...] Newly imprinted, corrected & augmented, with many worthy secrects not before knowne. (London, Edward Allde for Edward White, 1616-)1617.

8 parts in one vol. Titles within wide woodcut borders and numerous woodcut illustrations throughout. Contemporary speckled calf, rebacked preserving original label on spine, 8vo. Second edition of this important manual of riding, breeding, hunting, farriery and veterinary matters (following the first of 1607), by one of the earliest western owners of and dealers in Arabian horses. Markham praises the virtues of Turkish and Barb horses, which are said to be "beyond all horses whatsoever for delicacie of shape and proportion, insomuch that the most curious painter cannot with all his Art amend their naturall lineaments. They are to be knowne before all horses by the finenesse of their proportions, especially their heades and necks, which Nature hath so well shap'd, and plac'd, that they commonly save Art his greatest labour: they are swift beyond other forraigne horses, and to that use in England we only imploy them [...]". With notes on saddles and bits (several illustrated), as well as numerous cures for horse ailments. - "Divided into eight books with separate titles. The 2nd and 3rd books bear the date of 1616" (Huth). The title page itself bears no imprint, but rather has the word "Cavalarice" sandwiched between the dates "16" and "17". - Occasional slight browning or marginal waterstaining; several small wormholes to margins near end. Title with dated 1745 inscription, 17th century ink annotation to title verso (traced by a later hand), 20th century ink annotation and tipped-in auction catalogue description to front free endpaper. From the library of Francis McIlhenny Stifler with his bookplate to front pastedown. Scarce; only three copies of this edition sold at auction in the last 30 years. BM-STC 17335. Poynter 19.2. OCLC 18813278. Cf. Huth 15. Podeschi/Mellon 18. Graesse IV, 403. Mennessier de la Lance II, 156. Not in Wellcome.

Inlibris · Autriche35 000,00 €

Mayr, Heinrich von.MareMagnum

Malerische Ansichten aus dem Orient, gesammelt auf der Reise Sr. Hoheit des Herrn Herzogs Maximilian in Bayern nach Nubien, Aegypten, Palaestina, Syrien und Malta im Jahre 1838 [...]. Vues pittoresques de l'Orient [...]. Munich/Paris/Leipzig, Kaiser & Lacroix; Rittner & Goupil; Weigel, [1839-1840].

Folio (422 x 528 cm). Lithographed title-page and 60 lithographed plates, all in original hand colour, captions often raised in gilt. With 10 leaves of letterpress text. Half calf with giltstamped spine. (Includes): Die Uebergangsländer von Asien und Afrika, begreifend: Arabien nebst Mesopotamien und Syrien und das Nilgebiet. Munich, C. Wenng, 1845. Engraved map with contemporary border colour. 640 x 544 mm. Scale 1:7,000,000. Only edition of the rare variant with all the plates and in their splendid original colour: "Published in ten parts. The plates show costume of the period and also that of earlier times, taken from paintings" (Hiler). The picturesque views, which include Cairo, Alexandria, Jerusalem, La Valletta, Luxor, and Thebes, genre scenes and landscapes, are all framed within a decorative border and arranged as a small painting. The Nuremberg artist Mayr, known especially for his depictions of battle scenes and horses, was personal painter to Duke Maximilian, whom he accompanied on his 1838 journey of the Orient. The group had departed from Munich on January 20 with a small entourage, travelling via Venice, Korfu, Patras, Athens, Alexandria, and Cairo to the Holy Land. They returned to Munich after eight months on 17 September 1838; the following year, Maximilian was made honorary member of the Bavarian Academy of Sciences. - Some foxing, otherwise splendidly preserved. Includes the extremely rare map of the Arabian Peninsula and the Middle East which was published only in 1845, at the instigation of the naturalist Gotthilf Heinrich von Schubert (1780-1860) and the geologist Joseph von Russegger (1802-63), to satisfy this frequently noted lack in Mayr's production (some foxing, but also finely preserved). Ibrahim-Hilmy II, 26. Gay 90 (only 36 plates). Lipperheide Ma 22 (= 1589). Hiler 578. Tobler 161. Graesse IV, 457. Engelmann 124. Kainbacher 265 ("a rarity"). Thieme/Becker XXIV, 477. Nagler VIII, 498f. ("highly memorable drawings"). ADB XXI, 139ff. Not in Blackmer or Abbey (Travel). Not in Colas.

Inlibris · Autriche35 000,00 €

Morse, Edward George.MareMagnum

"A Journal of Remarks and Observations as Kept by E[dward] G[eorge M[orse]. Remarks on board the Sarah Barque of London" [Journal of a Voyage to Seychelles, Madagascar, Mauritius, St Helena and Ascension Island on board the Barque "Sarah" out of London]. Mostly at sea, on board the barque "Sarah" of London, April 1831-14 March 1833 (with additions to 1835).

4to (195 x 165 mm). (191) ff., including paste-downs and about 55 blanks. The journal with an engraved view as frontispiece, 15 full-page, 1 nearly full-page and 1 smaller manuscript maps and coastal profiles, plus a small engraved view mounted on 1 page. The lecture notes with a matching pair of engravings of a scull on and facing the title-page, and 27 pencil and/or ink anatomical drawings (including 2 full-page), some also with red. - Including: [Anatomical manuscript]. Morse, Edward George. Lecture Book [notes on anatomical lectures by Joseph Constantine Carpue]. [London], November-December 1828. Contemp, sheepskin parchment. A manuscript ship's journal kept by Edward George Morse (Bromyard 1805?-Deal post 1850?), who no doubt served, among other functions, as the ship's surgeon. Morse reflects on Arabian navigation and Arabian explorers, including the deservedly famous Ibn Battuta. "The Arabians like the Chinese are said to have employed the compass to guide them through the trackless sands of the desert or to enable them at the hours of prayer to direct their faces with precision towards the city of Mecca and tomb of the prophet. In the sixteenth century moreover when the Portuguese first visited the Indian seas they found that the Arabians are the chief navigators of those seas [...]". - Morse made his earliest dated entries in April 1831 at the island Mauritius in the Indian Ocean and others at Madagascar and its surrounding islands from May to August 1831. Those around Madagascar indicate he was on the barque Manchester, but from at least 11 December 1831 to his arrival back in England on 14 March 1833 he was on the barque Sarah, a 600 ton ship sailing out of London. In it he spent a year in the Seychelles 11 December 1831-15 December 1832, including Make Island, Bird Island, Praslin Island and La Digue. - In very good condition. The binding is soiled and rubbed, and the boards slightly warped, but it remains structurally sound. A fascinating and unusual ship's journal with numerous maps, kept in the unused leaves of the author's illustrated anatomical lecture notes of a few years earlier.

Inlibris · Autriche35 000,00 €

Sadiq Bey, Muhammad / Snouck Hurgronje, Christian / Al-Sayyid 'Abd al-Ghaffar.MareMagnum

[5 photographic lantern slides of Mecca and Medina (silver gelatin glass positives), taken in the years 1880 to 1889]. Stuttgart, Lichtbilderverlag Theodor Benzinger, [ca. 1910].

5 glass positive lantern slides (85 × 100 mm), each with a black paper mask, paper tape around the edges, a letterpress slip at the foot giving the publisher's name and city, and a slip at the head with the manuscript title. Stored in a contemporary purpose-made wooden box with brass fittings, with the word "Mekka" on the top of the hinged lid. Five of the earliest and best photographs of Mecca and Medina, beautifully preserved as silver gelatin glass plates, including the first photograph of the Ka'ba in Mecca's Masjid al-Haram (Great Mosque). Two of the photographs were taken by the first person to photograph Mecca and Medina, the Egyptian Colonel Muhammad Sadiq Bey (1832-1902), who made them in 1880 for the Ottoman Sultan Abdülhamid II. The others were taken by the first European to photograph Mecca, Christiaan Snouck Hurgronje, and Al-Sayyid 'Abd al-Ghaffâr, who worked closely with him. Snouck Hurgronje (1857-1936), one of the greatest pioneering Dutch Arabists, converted to Islam and lived in Mecca from January to about July 1885. The photographs by these three men are best known and most frequently reproduced from the published collotype facsimiles, while the rare surviving early albumen prints are usually faded or otherwise in bad condition. The present five plates, sold as lantern slides for magic lantern presentations, are therefore of the greatest importance as well-preserved high quality specimens of these famous photographs, providing the best early images of the mosques of Mecca and Medina. - All five slides are in very good condition, with only a bit of dust and the occasional smudge on the glass. They show: 1) The Masjid al-Haram in Mecca (the Great Mosque); 2) a closer view of the Ka'ba in Mecca; 3) the portrait of an unidentified Mu'ezzin in Mecca; 4) a portrait of an unidentified East Indian pilgrim; 5) the al-Masjid an-Nabawi in Medina (the Prophet's Mosque). Cf. D. v.d. Wal, Christiaan Snouck Hurgronje (2011); J. J. Witkam, new introduction to the 2007 reprint of the 1931 English translation of Hurgronje, Mekka.

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Sani-zade Mehmed Ataullah.MareMagnum

[Hamse-i Sânizade]. Kostantiniye (Istanbul), Tabhane-yi Sahane / Dar üt-Tibaat ül-Amire (Imperial School of Medicine), [1820 CE] = 1235 H.

Folio (208 x 289 mm). 3 parts in 1 volume: 4 (instead of 8?) pp. of preliminaries (blank, alif, ba, gim); 131, (1 blank) pp. and 80 pp. (bound alternatingly), with 56 etched plates; 39, (1 blank) pp.; 283, (1 blank) pp. Contemporary half calf with gilt-stamped spine and marbled covers. The first edition of the first illustrated medical book ever printed in the Muslim world: the pioneering Ottoman physician Sanizade's (1771-1826) medical compendium, the first three books (on anatomy, physiology, and internal medicine) of what would later be known as "Sani-zade's Canon of Five", "Kitâb ül-evvel fi t-tesrihât" ("Mir'âtül-ebdân fî tesrih-i a'zâil-insân"), "Kitab üs-sânî fi 't-tabîyat", and "Kitâb üs-sâlis Miyâr ül-etibbâ". This was one of the earliest Turkish medical works to draw thoroughly on western, Paracelsian and Vesalian science: indeed, it is modelled on and partly translated from Italian and German sources, such as Anton Störck, Bartolomeo Eustachi, Gabriele Fallopio, and Costanzo Varolio, reproducing anatomical illustrations from a variety of sources including Vesalius. - "[B]y and large Ottoman medicine remained [...] attached to its Galenic roots. [...] Real paradigmatic change began to appear only with the upheavals of 19th-century reforms, when translations and adaptations of new European knowledge made their way to the core of the medical profession. One of the first books to spark this revolution was Ataullah Sanizade's compendium 'Hamse-i sanizade', a series of five books published in Ottoman Turkish from 1820 onward, incorporating new medical knowledge from Europe. Sanizade was a brilliant and innovative physician and theorist (as well as musician, astronomer, and historian) who did much to integrate new medical knowledge with the old. His views on medicine encountered much opposition, mainly because of his support for surgery-based study of anatomy. As a result his request to dedicate his chef d'oeuvre to Sultan Mahmud II was denied. In time, however, the compendium came to replace the earlier canonic texts, and was fondly named 'kanun-i sanizade' (Sanizade's canon), referring, of course, to the old master's 'Qanun'. Although the compendium formally adhered to the humoral system and other concepts of ancient medicine, it was here that blood circulation was mentioned for the first time as a scientific concept and as part of a different medical theory. Some of the terminology included in this book formed the basis for a new medical profession that was beginning to take shape" (D. Ze'evi, Producing Desire [2006], p. 20f.). A five-volume Arabic edition appeared at Bulaq in 1828 by direct order of Mehmet Ali. - Part 1 bound as follows (agreeing with the copy in the BSB Munich): 4 pp. of prelims (blank, alif, ba, gim); 3, (1) pp., (2 plates), 2 pp. [index], 5-34 pp., (17 plates), 3-22 pp. [index], 35-68 pp., (9 plates), 23-35 pp. [index; pp. 25-28 numbered 3-6 in error], 1 bl. p., 69-94 pp., (12 plates), 37-48 pp. [index], 95-100 pp., (6 plates), 49-55 pp. [index], 1 bl. p., 101-106 pp., (3 plates), 57-60 pp. [index], 107-120 pp., (5 plates), 61-70 pp. [index], 121-128 pp., (2 plates), 71-80 pp. [index], 129-131 pp., 1 bl. p. Some dampstaining throughout, more prominently so in several plates. In all, a good copy of this rare work, the only edition published during the author's lifetime. OCLC 608102180.

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Sibt al-Maridini (Badr al-Din Abu 'Abdallah Muhammad ibn Muhammad ibn Ahmad al-Misri al-Dimashqi).MareMagnum

A manuscript collection of three treatises on astronomy and mathematics. Safavid Persia; copied in al-Jauhariyya School, Isfahan, each treatise dated [1619/20 CE =] 1029 H.

8vo (194 x 130 mm). Arabic manuscript on paper. 90 leaves, 15 lines per page written in more than one hand in cursive script with several words in red; numerous diagrams and tables. Contemporary limp red morocco. The three works comprise: - 1. "Al-Durr al-manthur fi'l-'amal bi-rub' al-dustur". A treatise on calculating time with the aid of the sine quadrant, for any region (GAL II, p. 218, 1, attributed by Brockelmann to Sibt al-Maridini's grandfather, the astronomer Abdallah ibn Khalil ibn Yusuf Jamaladdin al-Maridini al-Qahiri, d. 1406). - 2. "Raqa'iq al-haqa'iq fi hisab al-daraj wa'l daq'iq" ("Subtleties of Truths on Arithmetic of Degrees and Minutes"). Instructions for the calculation of celestial motions with the aid of minute proportions (GAL II, p. 217, 11). A commentary on a work by his teacher, the Egyptian mathematician and astronomer Shihab al-din Abu'l-'Abbas Ahmad ibn Rajab ibn Tibugha 'Ibn al-Majdi' (1365-1447), entitled "Kashf al-haqa'iq fi hisab al-daraj wa'l-daq'iq" ("Opening Truths on Arithmetic of Degrees and Minutes"). - 3. A commentary, "Risalah [al-Fathiyya (al-Shihabiyya)] fi'l-'amal al-jaybiyya" ("Treatise on [Fath al-Din (Shihab al-Din)]". Operations with the sine quadrant (GAL II, p. 216f., 7). - Sibt (Ibn Bint) al-Maridini (the Elder, 1423-1506) lived in Cairo and Damascus. He served as the muwaqqit (time-keeper) of the al-Azhar mosque in Cairo, and was a pupil of Ibn al-Majdi. His works are often conflated with those of his grandfather, and with those of his like-named son, who died in 1527 (GAL II, p. 468). - A few old repairs occasionally affecting letters; altogether very well preserved. Provenance: from the property of Dr. Eugene L. Vigil (b. 1941), of Lynden, Washington, USA. For Sibt al-Maridini see B. A. Rosenfeld & E. Ihsanoglu, Mathematicians, Astronomers & Other Scholars of Islamic Civilisation and their Works, Istanbul 2003, pp. 276f., no. 815, and pp. 293-298, no. 873.

Inlibris · Autriche35 000,00 €

Urreta, Louis.MareMagnum

Historia de la Sagrada Orden de Predicadores en los remotos Reynos de la Etiopia. Valencia, Juan Chrysostomo Garriz, 1611.

Small 4to (21 x 15 cm). (16), 410, (6) pp. With woodcut arms of the Dominican order (with the IHS and cross covering the centre) on title-page, and a variant version on the last page, and 3 woodcuts in text (2 saints and the Cross). Further with 24 decorated woodcut initials in two series, including 11 repeats. Contemporary gold-tooled mottled calf, each board with the coat of arms of the French Seguier family and with the monogram PSMF (Pierre Seguier and his wife Madeleine Fabry) repeated 6 times on the spine, rebacked (on recessed cords) with original gold-tooled backstrip laid-down, a later spine label (between the 1st and 2nd monogram), the year of publication 1611 at the foot of the spine, later endpapers. First and only edition, in Spanish, of an early work on Ethiopia by the Spanish Dominican monk Luis de Urreta (ca. 1570-1636), who wrote two volumes glorifying his own order's accomplishments in Ethiopia while diminishing those of the Jesuits (his Dominican coat of arms incorporates the IHS with cross, often used by the Jesuits). In the present work, the second of the two, he deals specifically with the Dominican presence in Ethiopia and the history of the Ethiopian saints. Like the first work, the "Historia ecclesiastica" published in 1610, it is a late example of a stream of geographical fantasies where Ethiopia was presented as the wondrous utopian kingdom of Prester John, and Urreta makes the case for an ancient Dominican presence in the country, arguing that they should thus be given precedence over the Jesuits as Catholic missionaries in that country. On pp. 88-90 it gives the information from a report to Pope Gregory XIII (1502-85) on two Dominican monks (Blackfriars) from the Alleluya monastery, who entered Mecca around 1580 and had contact with a Faqih and a Marabout. Everyone who travelled from Africa to Mecca supposedly had to travel by way of the Alleluya monastery as the rest of the region was considered uninhabitable (p. 61). - From the library of Pierre Seguier, Lord Chancellor of France from 1635 to 1672, best known for his appearance in The three musketeers, with his arms and monogram stamped in gold on the binding. And with an owner's inscription of the 17th-century French scholar Etienne Baluze ("Stephanus Baluzius Tutelensis") on title-page. With a faint water stain in the lower margin of four leaves in the introduction, a tiny corner torn from the title-page and two tiny tears in the margins of the main text, otherwise in very good condition. Binding heavily restored, but with the gold-tooled coat of arms still very clear. Olivier, 271(4). Finger & Piccolino, The shocking history of electric fishes, p. 117; Palau 345993; Salva 3417; cf. Gay, Bibl. de l'Afrique et l'Arabe 2690.

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