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rif. 061595748X-11-1LexNoir Foundation. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. LexNoir Foundation unknown
2021rif. x-0367427036Routledge 2021. Hardcover. New. 245 pages. 9.50x6.50x0.75 inches. Routledge hardcover
2021rif. x-0367427028Routledge 2021. Paperback. New. 240 pages. 9.02x5.98x0.55 inches. Routledge paperback
2006rif. x-0812239148Univ of Pennsylvania Pr 2006. Hardcover. New. 128 pages. 8.50x5.75x0.75 inches. Univ of Pennsylvania Pr hardcover
2017rif. x-1501713906Cornell Univ Pr 2017. Hardcover. New. critical edition. 216 pages. 8.50x5.75x0.75 inches. Cornell Univ Pr hardcover
rif. SONG0190202394Used: Good unknown
2017rif. x-1501709267Cornell Univ Pr 2017. Paperback. New. critical edition. 216 pages. 8.50x5.50x0.50 inches. Cornell Univ Pr paperback
1844rif. 40661Le Mans and Paris: Adolphe Lanier and Techener & Derache 1844. 8vo 215x14 cm. Nice 19th century red morocco binding: spine gilt in compartments gilt borders on sides edges gilt. a few very sl. rubbings. Gold-printing on frontcover "Prix d'Excellence". xxxii446 pp.brown spots in places; different convent-stamps on title and on half-title. "Polyptiques de l'Eglise Du Mans. Confesseurs Pontifes 1" - Over all a good copy of a schoolprize prize pulled out. - Rare first edition Adolphe Lanier and Techener & Derache unknown
rif. SONG0521407281Used: Good unknown
rif. X06F-02547Michelin Tyre Tourism Dept. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Michelin Tyre Tourism Dept. unknown
rif. 13004856-nnew. unknown
rif. 13004856like new. unknown
rif. 20844095-nnew. unknown
rif. 21484541-nnew. unknown
rif. 20928770-nnew. unknown
1893rif. 178340Hammersmith: The Kelmscott Press 1893. Presentation copy to Georgiana Burne-Jones First Kelmscott edition presentation copy inscribed by Morris on the second blank nine days after publication "To Georgie from W.M. June 2nd". Georgiana Burne-Jones met Morris decades earlier through her future husband Edward Burne-Jones sparking a creative collaboration and close personal friendship that lasted for the rest of Morris's life. Georgiana 1840-1920 "was the woman to whom Morris addressed himself most openly and fully on all occasions with whom he shared his interests and concerns and not least his political ones. She was the woman that is whom he trusted as a friend before all others" Kelvin p. xxxix. In the early years of their marriage Georgiana and Edward Burne-Jones spent summer holidays with William and Jane Morris at Red House. When Jane Morris turned her affections towards Rossetti William Morris increasingly relied on his friendship with Georgiana and for a time spent every Sunday breakfast in the Burne-Jones household The Grange in Fulham. Morris frequently sought Georgiana's opinions on his books. "If you only knew what I expect of my friends. Such close attention such anxiety on their parts such sincerity withal - O the cross-questioning of them after a reading! Only ask Georgie" Letters I p. 150. As an artist Georgiana was employed in painting tiles at the decorative firm Morris Marshall Faulkner & Co. est. 1861 and she was a trustee of the South London Gallery. Following Morris's death in 1896 Georgiana encouraged her son-in-law J. W. Mackail to publish the first biography of Morris in 1899. This history of the First Crusade and the victorious first ruler of the Kingdom of Jerusalem is here based on William Caxton's translation of 1481 its text newly revised by Henry Halliday Sparling. Morris stated of the work "This book must from a literary point of view be considered one of Caxton's most important works. It is not a 'romance'. but a very serious piece of history the original of which is William of Tyre's Historia Rerum in partibus transmarinis Gestarum; from the French translation of which Caxton made his English version bringing it to an end just after the death of Godfrey. The style of Caxton's book is vigourous and agreeable and often reads like the most dramatic of all historic works Lord Berner's translation of Froissart and altogether it is a delightful book to read" cited in Peterson p. 43. One of 306 copies this Kelmscott production used the printer's larger device for the first time. Quarto. Elaborate woodcut border to title page and facing first page of contents ornamental initials and borders throughout. Chapter titles printed in red contents in Troy type table of contents and glossary in Chaucer type. Printed on handmade paper. Original limp vellum with yapp edges spine lettered in gilt top edge untrimmed fore and bottom edges uncut four of six brown silk ties a fifth detached and loosely inserted. Housed in a black quarter morocco solander box by the Chelsea Bindery. Ticket of bookseller Maruzen tipped to rear pastedown. Front cover bowed a couple of spots to vellum foxing to edges and outer leaves contents otherwise clean. A near-fine copy. Franklin p. 202; Peterson A15 this copy listed as copy "r"; Ransom 15; Tomkinson 15. Norman Kelvin ed. The Collected Letters of William Morris 2014. hardcover
rif. DADAX0190202394New unknown
rif. DADAX0521109833New unknown
1972rif. SBBI-mon0000121294Michelin Tyre CoFrance 1972. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Michelin Tyre Co,France paperback
2015rif. 1-0399168389Nancy Paulsen Books 2015. Hardcover. New. 278 pages. 8.50x5.75x1.00 inches. Nancy Paulsen Books hardcover
1995rif. 1-1886947007John Wiley & Sons Inc 1995. Hardcover. New. illustrated edition. 288 pages. 9.50x6.50x1.00 inches. John Wiley & Sons Inc hardcover
rif. 25792884like new. unknown
rif. SONG1942044208Used: Good unknown
1954rif. 1000471954. Attractive signed large color portrait of golfer Bobby Jones swinging his driver. Boldly inscribed by Bobby Jones "For Will Grimsley with best regards Bob Jones." Annotated below the portrait "Reproduced from a painting by Thomas E. Stephens and presented by ninety-nine members of the Augusta National Golf Club Augusta Georgia. Number 282 of a limited edition." In fine condition. Matted and framed the entire piece measures 33.5 inches by 29.5 inches. Robert T. Jones was an American golfer who was one of the most influential figures in the history of the sport. Jones founded and helped design the Augusta National Golf Club and co-founded the Masters Tournament. The innovations that he introduced at the Masters have been copied by virtually every professional golf tournament in the world. Jones was the most successful amateur golfer ever to compete at a national and international level. During his peak from 1923 to 1930 he dominated top-level amateur competition and competed very successfully against the world's best professional golfers. Jones often beat stars such as Walter Hagen and Gene Sarazen the era's top pros. Jones earned his living mainly as a lawyer and competed in golf only as an amateur primarily on a part-time basis and chose to retire from competition at age 28 though he earned significant money from golf after that as an instructor and equipment designer. Explaining his decision to retire Jones said "It championship golf is something like a cage. First you are expected to get into it and then you are expected to stay there. But of course nobody can stay there." Jones is most famous for his unique "Grand Slam" consisting of his victory in all four major golf tournaments of his era the open and amateur championships in both the U.S. & the U.K. in a single calendar year 1930. In all Jones played in 31 majors winning 13 and placing among the top ten finishers 27 times. After retiring from competitive golf in 1930 Jones founded and helped design the Augusta National Golf Club soon afterwards in 1933. He also co-founded the Masters Tournament which has been annually staged by the club since 1934 except for 1943–45 when it was canceled due to World War II. The Masters evolved into one of golf's four major championships. Jones came out of retirement in 1934 to play in the Masters on an exhibition basis through 1948. Jones played his last round of golf at East Lake Golf Club his home course in Atlanta on August 18 1948. A picture commemorating the event now sits in the clubhouse at East Lake. Citing health reasons he quit golf permanently thereafter. unknown
rif. 92769Photograph of Bobby Jones boldly inscribed by him "For Dave Christensen with warmest regards Bob Jones." The photograph measures 7 inches by 9 inches. Double matted and framed. The entire piece measures 15.5 inches by 18 inches. Robert T. Jones was an American golfer who was one of the most influential figures in the history of the sport. Jones founded and helped design the Augusta National Golf Club and co-founded the Masters Tournament. The innovations that he introduced at the Masters have been copied by virtually every professional golf tournament in the world. Jones was the most successful amateur golfer ever to compete at a national and international level. During his peak from 1923 to 1930 he dominated top-level amateur competition and competed very successfully against the world's best professional golfers. Jones often beat stars such as Walter Hagen and Gene Sarazen the era's top pros. Jones earned his living mainly as a lawyer and competed in golf only as an amateur primarily on a part-time basis and chose to retire from competition at age 28 though he earned significant money from golf after that as an instructor and equipment designer. Explaining his decision to retire Jones said "It championship golf is something like a cage. First you are expected to get into it and then you are expected to stay there. But of course nobody can stay there." Jones is most famous for his unique "Grand Slam" consisting of his victory in all four major golf tournaments of his era the open and amateur championships in both the U.S. & the U.K. in a single calendar year 1930. In all Jones played in 31 majors winning 13 and placing among the top ten finishers 27 times. After retiring from competitive golf in 1930 Jones founded and helped design the Augusta National Golf Club soon afterwards in 1933. He also co-founded the Masters Tournament which has been annually staged by the club since 1934 except for 1943–45 when it was canceled due to World War II. The Masters evolved into one of golf's four major championships. Jones came out of retirement in 1934 to play in the Masters on an exhibition basis through 1948. Jones played his last round of golf at East Lake Golf Club his home course in Atlanta on August 18 1948. A picture commemorating the event now sits in the clubhouse at East Lake. Citing health reasons he quit golf permanently thereafter. unknown
