Hiroshige

Hiroshige — marelibri

Utagawa Hiroshige; Katsushika HokusaiBiblio.com

2 Vols Masterpieces by Hiroshige and Selections from Hokusai"s Views of Mount Fuji

1905Best.-Nr. 1033H30Tokyo: T. Hasegawa c1905-1914. Paperback. Very Good Indeed. 6" by 8". Utagawa Hiroshige; Katsushika Hokusai. Two very scarce early Hasegawa woodblock albums comprising twenty-four beautifully printed reproductions after Hiroshige and Hokusai in the striking original pictorial wrappers. In the publisher"s original dark grey pictorial paper wrappers bound in the Japanese manner with orange silk ties. Masterpieces by Hiroshige Collection II forms the second part of Hasegawa"s three-volume series devoted to Hiroshige. The complete Hiroshige series comprised three such albums the first appearing in 1904 the present second collection around 1905 and the third in 1914. The second volume Selections from Hokusai"s Views of Mount Fuji is undated and without a colophon as issued. Dated here using Jisc from a copy held at the University of Oxford Libraries. Masterpieces by Hiroshige contains twelve colour woodblock reproductions including The View from the Tea-house at Yoshida Hodogaya Tamagawa Fukagawa Yedo Kajikazawa The Foot of Fuji Tago-no-ura Noborito Ejiri Mishima-goye Lake Kawaguchi and Koishikawa Yedo. Selections from Hokusai"s Views of Mount Fuji comrpomises twelve colour woodblock reproductions selected from Hokusai"s celebrated Fuji landscapes. The contents comprise Mishima in the Morning Fog; Tsukuda The White-bait Fishing; Asuka-yama under the Snow; and Yokkaichi in a Violent Wind among others. Utagawa Hiroshige 1797-1858 was one of the great masters of nineteenth-century ukiyo-e landscape printing. Katsushika Hokusai 1760-1849 was among the most influential Japanese artists of the Edo period his Thirty-six Views of Mount Fuji becoming one of the defining achievements of ukiyo-e. In the publisher"s original pictorial paper wrappers bound in the Japanese manner with orange silk ties. Externally smart. Wraps age toned with light rubbing. Slight edge wear to extremities resulting in minor creasing and loss. Loss to head and tail of backstrips exposing binding. Internally firmly bound. Retaining the delicate tissue guards with slight creasing to one or two guards. Leaves age toned more so to perimeters. Very Good Indeed T. Hasegawa paperback

Rooke Books · Vereinigtes Königreich850,00 £≈ 1.011,57 €

Smith, Henry D II; Hiroshige, Ando ; Amy G PosterBiblio.com

Hiroshige: One Hundred Famous Views of Edo

1986Best.-Nr. 67827Museum / Braziller. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Originally published 1986. 256 pages ; 4.3 pounds; 119 full color plates. -- This final series of woodblock prints by the celebrated 19th century Japanese artist Utagawa Ando Hiroshige is considered to be the finest example of his masterwork. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. The brilliant ukiyo-e printmaker revealed the panorama of his city’s Edo which is now named Tokyo activities with subtle and vivid visual anecdotes. The 100 scenes are really vignettes of life in all seasons from many points of view. --Hiroshige's One Hundred Famous Views of Edo actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo is one of the greatest achievements of Japanese art. The series contains many of Hiroshige's best-loved and most extraordinary prints. Like Venice and Florence in the 14th and 15th centuries or Paris in the age of the Impressionists the city of Edo with its superb landmarks and its festive display of elegant urban life exerts a special and compelling fascination. Hiroshige revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river fashionable geishas on parade the kabuki district at night intimate moments in the gardens and teahouses. It is a tour de force of artistic vision and printmaking craftsmanship. This edition has been reproduced from an exceptionally fine first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. Henry Smith ex-plains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modern urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies imaginable. -- with a bonus offer--; 520-Smithh; Smith Henry D. II; Hiroshige Ando ; Amy G. Poster Hiroshige: One Hundred Famous Views of Edo ART JAPANESE HISTORY ASIAN This final series of woodblock prints by the celebrated 19th century Japanese artist Utagawa Ando Hiroshige is considered to be th . 1986. 0807611433 . Museum / Braziller hardcover

AB Books · Vereinigte Staaten1.976,00 $≈ 1.761,93 €

UTAGAWA, Hiroshige IIIBiblio.com

Dai Nihon bussan zue "Products of Greater Japan".

1877Best.-Nr. 186040Tokyo: Okura Magobee 10 August 1877. Vivid scenes of industry from across Japan A striking set of prints produced at the time of the First National Industrial Exhibition 1877 an event designed to promote Japanese local craftmanship and encourage a growing export industry. This example shows tatami mat production in Bingo Hiroshima indigo farming in Awa Tokushima camphor logging in Hyuga Miyazaki and whaling in Iki Nagasaki. The First National Industrial Exhibition was held from 21 August to 30 November 1877 with a total of 16172 exhibitors showing 84353 items. "In anticipation of the event the government clearly stated its interest in encouraging the growth of export industries and requested that every prefecture in Japan participate in the exhibition suggesting that the domestic fairs were intended to provide a survey of the products and industries of the entire country and to offer a venue for assessing which of those products might be suitable for export" Lavenberg. At the same time Utagawa Hiroshige III 1842-1894 released approximately 120 prints showing local industries across Japan. He was known for his representations of Meiji period society and was one of the most popular artists of his age. Only 118 of the Dai nihon bussan zue prints survive representing 58 provinces. These were sold as individual sheets that could be bound into books with each book containing a different number and configuration of prints. The 30 prints in this example cover 14 provinces stretching from Hokkaido in the north to Hyuga in the south. The construction of the books mean that splits are often found along the central joints such as in the copy held by the British Museum 197307230.116. Octavo concertina-style. With 30 double-page colour woodblock prints; text in Japanese. Original patterned paper boards decorated with scenes of Japanese cranes red printed paper label on front board. Housed in grey archival box. Contemporary price sticker on one print. Boards a little creased and abraded prints bright with some light foxing in margins some split along central fold as usual: a very good example. "Dai Nippon Bussan Zue Products of Greater Japan 1877" The Lavenberg Collection of Japanese Prints 2018. hardcover

Peter Harrington · Vereinigtes Königreich1.750,00 £≈ 2.082,64 €

HIROSHIGE, Ichiryusai II [Kisai Ryuushoh/Risshou]Biblio.com

DAI NIHON MEISHO ICHI RAN: A BIRD'S EYE PANORAMIC VIEW MAP OF GREATER JAPAN

Best.-Nr. 27050601Edo 1865 Kinrin Do. Blue stiff covers accordion folded very clean bright example without flaw folds down to 12.2 x 18.3 cm. opens to a large 120.8 x 37.7 cm. published Keio 1st year = 1865. RARE FIRST & ONLY EDITION BRILLIANT EXAMPLE . . . HIROSHIGE'S STAR PUPIL AND SON-IN-LAW'S SUPERBLY . . . IMAGINATIVE BIRD'S EYE VIEW MAP OF JAPAN . . . WITH NAMES OF CITIES & VILLAGES CITED . . . A MARVELOUS COLOR WOODBLOCK PRINTED MAP UTAGAWA Hiroshige II aka. Kisai Rissoh 1826-1869: He was Ni-daime 2nd generation Japanese designer of Ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige I whose daughter he married. . In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho alternate pronunciation Ryusho. His work so resembles that of his master that scholars have often been confused. . Ryusai used many Go studio names but after taking over from his master he favored Ichiryusai Kisai Yusho Rissho and the bewildering Shigenobu his first Go. He most likely assisted his master in the last few years of his life. Roberts devotes a long entry to him see below. He is well collected by world museums. . THE MAP: The map is signed Kisai Ryuushoh/Risshou. . The map is bound in its original reverse embossed swastika designs on blue paper. It is according folded in half then in 9 folded parts as issued. The map is undated but has a Kiwame censor's seal indicating a date range of on the right edge of the first page. Places of interest and milage distances are cited at the top of the map similar information is at the bottom on the first & last pages. On the last page far left is a red cartouche with the name and address of the publisher. . CONTENTS OF THE MAP: . The map is executed in pastels for the ost part except for the bright red boxed indicating larger more important places and smaller yellow boxes for villages. Even smaller places are simply noted by written names. . The work covers all of the major Japanese islands Kyushu in the south Sado to the west Hokkaido to the north. . The area around each ocean is a atender blue fading to the background paper color. Dark blue indicates deep ocean dark green indicates trees pale green mountains brown and gray for baron lands. Small pagodas with blue roofs are shrines castles indicated by name in yellow boxes other shrines and holy sites again in blue. Rivers in blue small ships ply the waterways . The work has an overall charm with a pleasant view with a command of all areas from far above in the uniquely Japanese period "Bird's Eye View." . DATE: The map was printed in Keio 1st year=1865. . CONDITION: The map is in its original front & back paper covers with a later brushed title slip. . The map is beautifully printed with fine registry and excellent impression soft tender pastels. . The hinges are firm with a couple of tiny Washi paper mends to double-folded areas else back is clean overall very soild and firm. . There are no marks stains or worm holes. By and large an excellent example in the best of condition. . REFERENCE: . KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSU KAN.: AKIOKA KO CHIZU KOLEKUSHYON MEI HIN TEN: EXHIBITION OF THE AKIOKA COLLECTION OF FAMOUS OLD MAPS see p.66 plate #79 for this exact map & p.102 #79 for description & notes. ROBERTS Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER. Listed on p.45. Lane Richard.: IMAGES FROM THE FLOATING WORLD The Japanese Print. D IN: KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSUKAN: EZU TO FUKEI E NO YONA CHIZU CHIZU NO YONA E: BETWEEN LANDSCAPE PAINTING AND PANORAMIC MAPS. . . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · Vereinigte Staaten2.550,00 $≈ 2.273,74 €

Hiroshige

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