Hiroshige

Hiroshige — marelibri

Smith, Henry D II; Hiroshige, Ando ; Amy G PosterBiblio.com

Hiroshige: One Hundred Famous Views of Edo

1986réf. 67827Museum / Braziller. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Originally published 1986. 256 pages ; 4.3 pounds; 119 full color plates. -- This final series of woodblock prints by the celebrated 19th century Japanese artist Utagawa Ando Hiroshige is considered to be the finest example of his masterwork. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. The brilliant ukiyo-e printmaker revealed the panorama of his city’s Edo which is now named Tokyo activities with subtle and vivid visual anecdotes. The 100 scenes are really vignettes of life in all seasons from many points of view. --Hiroshige's One Hundred Famous Views of Edo actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo is one of the greatest achievements of Japanese art. The series contains many of Hiroshige's best-loved and most extraordinary prints. Like Venice and Florence in the 14th and 15th centuries or Paris in the age of the Impressionists the city of Edo with its superb landmarks and its festive display of elegant urban life exerts a special and compelling fascination. Hiroshige revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river fashionable geishas on parade the kabuki district at night intimate moments in the gardens and teahouses. It is a tour de force of artistic vision and printmaking craftsmanship. This edition has been reproduced from an exceptionally fine first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. Henry Smith ex-plains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modern urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies imaginable. -- with a bonus offer--; 520-Smithh; Smith Henry D. II; Hiroshige Ando ; Amy G. Poster Hiroshige: One Hundred Famous Views of Edo ART JAPANESE HISTORY ASIAN This final series of woodblock prints by the celebrated 19th century Japanese artist Utagawa Ando Hiroshige is considered to be th . 1986. 0807611433 . Museum / Braziller hardcover

AB Books · États-Unis1 976,00 $US≈ 1 765,39 €

UTAGAWA, Hiroshige IIIBiblio.com

Dai Nihon bussan zue "Products of Greater Japan".

1877réf. 186040Tokyo: Okura Magobee 10 August 1877. Vivid scenes of industry from across Japan A striking set of prints produced at the time of the First National Industrial Exhibition 1877 an event designed to promote Japanese local craftmanship and encourage a growing export industry. This example shows tatami mat production in Bingo Hiroshima indigo farming in Awa Tokushima camphor logging in Hyuga Miyazaki and whaling in Iki Nagasaki. The First National Industrial Exhibition was held from 21 August to 30 November 1877 with a total of 16172 exhibitors showing 84353 items. "In anticipation of the event the government clearly stated its interest in encouraging the growth of export industries and requested that every prefecture in Japan participate in the exhibition suggesting that the domestic fairs were intended to provide a survey of the products and industries of the entire country and to offer a venue for assessing which of those products might be suitable for export" Lavenberg. At the same time Utagawa Hiroshige III 1842-1894 released approximately 120 prints showing local industries across Japan. He was known for his representations of Meiji period society and was one of the most popular artists of his age. Only 118 of the Dai nihon bussan zue prints survive representing 58 provinces. These were sold as individual sheets that could be bound into books with each book containing a different number and configuration of prints. The 30 prints in this example cover 14 provinces stretching from Hokkaido in the north to Hyuga in the south. The construction of the books mean that splits are often found along the central joints such as in the copy held by the British Museum 197307230.116. Octavo concertina-style. With 30 double-page colour woodblock prints; text in Japanese. Original patterned paper boards decorated with scenes of Japanese cranes red printed paper label on front board. Housed in grey archival box. Contemporary price sticker on one print. Boards a little creased and abraded prints bright with some light foxing in margins some split along central fold as usual: a very good example. "Dai Nippon Bussan Zue Products of Greater Japan 1877" The Lavenberg Collection of Japanese Prints 2018. hardcover

Peter Harrington · Royaume-Uni1 750,00 £GB≈ 2 090,10 €

HIROSHIGE, Ichiryusai II [Kisai Ryuushoh/Risshou]Biblio.com

DAI NIHON MEISHO ICHI RAN: A BIRD'S EYE PANORAMIC VIEW MAP OF GREATER JAPAN

réf. 27050601Edo 1865 Kinrin Do. Blue stiff covers accordion folded very clean bright example without flaw folds down to 12.2 x 18.3 cm. opens to a large 120.8 x 37.7 cm. published Keio 1st year = 1865. RARE FIRST & ONLY EDITION BRILLIANT EXAMPLE . . . HIROSHIGE'S STAR PUPIL AND SON-IN-LAW'S SUPERBLY . . . IMAGINATIVE BIRD'S EYE VIEW MAP OF JAPAN . . . WITH NAMES OF CITIES & VILLAGES CITED . . . A MARVELOUS COLOR WOODBLOCK PRINTED MAP UTAGAWA Hiroshige II aka. Kisai Rissoh 1826-1869: He was Ni-daime 2nd generation Japanese designer of Ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige I whose daughter he married. . In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho alternate pronunciation Ryusho. His work so resembles that of his master that scholars have often been confused. . Ryusai used many Go studio names but after taking over from his master he favored Ichiryusai Kisai Yusho Rissho and the bewildering Shigenobu his first Go. He most likely assisted his master in the last few years of his life. Roberts devotes a long entry to him see below. He is well collected by world museums. . THE MAP: The map is signed Kisai Ryuushoh/Risshou. . The map is bound in its original reverse embossed swastika designs on blue paper. It is according folded in half then in 9 folded parts as issued. The map is undated but has a Kiwame censor's seal indicating a date range of on the right edge of the first page. Places of interest and milage distances are cited at the top of the map similar information is at the bottom on the first & last pages. On the last page far left is a red cartouche with the name and address of the publisher. . CONTENTS OF THE MAP: . The map is executed in pastels for the ost part except for the bright red boxed indicating larger more important places and smaller yellow boxes for villages. Even smaller places are simply noted by written names. . The work covers all of the major Japanese islands Kyushu in the south Sado to the west Hokkaido to the north. . The area around each ocean is a atender blue fading to the background paper color. Dark blue indicates deep ocean dark green indicates trees pale green mountains brown and gray for baron lands. Small pagodas with blue roofs are shrines castles indicated by name in yellow boxes other shrines and holy sites again in blue. Rivers in blue small ships ply the waterways . The work has an overall charm with a pleasant view with a command of all areas from far above in the uniquely Japanese period "Bird's Eye View." . DATE: The map was printed in Keio 1st year=1865. . CONDITION: The map is in its original front & back paper covers with a later brushed title slip. . The map is beautifully printed with fine registry and excellent impression soft tender pastels. . The hinges are firm with a couple of tiny Washi paper mends to double-folded areas else back is clean overall very soild and firm. . There are no marks stains or worm holes. By and large an excellent example in the best of condition. . REFERENCE: . KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSU KAN.: AKIOKA KO CHIZU KOLEKUSHYON MEI HIN TEN: EXHIBITION OF THE AKIOKA COLLECTION OF FAMOUS OLD MAPS see p.66 plate #79 for this exact map & p.102 #79 for description & notes. ROBERTS Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER. Listed on p.45. Lane Richard.: IMAGES FROM THE FLOATING WORLD The Japanese Print. D IN: KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSUKAN: EZU TO FUKEI E NO YONA CHIZU CHIZU NO YONA E: BETWEEN LANDSCAPE PAINTING AND PANORAMIC MAPS. . . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · États-Unis2 550,00 $US≈ 2 278,21 €

Hiroshige, UtagawaBiblio.com

Uozukushi

1911réf. 10476Tokyo: Daikokuya 1911. Second-hand hardcover. Hiroshige Utagawa artist Uozukushi Every Variety of Fish. Reprint Daikokuya: Tokyo Meji 44 1911. 240x175mm cloth bds lepperollo oblong colour wood block prints 240x350mm In Japanese. Near Fine æŒå·åºƒé‡ HIROSHIGE Utagawa born AndÅ TokutarÅ 安藤徳太郎 1797-1858 ã•ã‹ãªã¤ãã— Uo Zukushi Shoal of Fishes Tokyo : 大黒屋 Daikokuya Meji 44 1911. First and only edition thus; illustrations first published TenpÅ 3-4 1832-3 and TenpÅ 11-13 1840-42 240x175mm tatami mat style boards illustrated colour title label accordion or lepperello folding horizontal chūban album cream handmade paper seven nishiki-e woodblock engraved illustrations with kirazuri silver mica decoration. Boards faintly soiled edges lightly frayed; hinges fragile first fold neatly split; remnants of bookseller ticket to front paste-down; faint age toning and soiling not affecting the illustrations. ¶ Hiroshige is widely considered the last of the grand master printers of the Ukiyo-e tradition. In 1832-4 TenpÅ 3-4 he produced a series of ten illustrations of fish with accompanying culinary herbs and vegetables together with poems published by Eijudo. A decade later a series of a further ten illustrations were produced by Yamasho. The illustrations were then reproduced commercially bearing publisher and censor stamps. Together the two untitled series are known as "Large Fish" or "Shoal of Fishes" or "Every Variety of Fish". The illustrations here are a selection from both series: Carp Koi swimming amongst reeds circa 1840-42 TenpÅ 11-13 poem by Makuzu; Abalone Awabi or Tokobushi Needlefish Sayori and Peach Blossoms circa 1832-3 TenpÅ 3-4 poems by Kumogaki Fujimi and Miwagaki Mimiki; Black Sea Bream Kurodai Small Sea Bream Kodai Asparagus shoots and Japanese Peppercorns Sansho circa 1832-33 TenpÅ 3-4 poems by Tomigaki Uchiyasu and Echigo Kawabukuro Kaôan hôshi Kaôan hôshi from Kawabukuro in Echigo Province; Lobster Ise ebi and Prawn Ama ebi circa 1832-33 TenpÅ 3-4 poems by Shimotsuke Edozaki Ryokujuen Motoari Ryokujuen Motoari from Edozaki in Shimotsuke Province and Nen'an Machikado; Flying fish Tobiuo White Croaker Ishimochi Guchi or Shiroguchi and a lily circa 1840-42 TenpÅ 11-13 poem by Toshigaki Maharu; Gurnard Kanagashira Right-Eye Flounder Konoa-garei and Bamboo Grass Sasa circa 1832-33 TenpÅ 3-4 poems by Shimotsuke Edozaki Ryokujuen Motoari Ryokujuen Motoari from Edozaki in Shimotsuke Province and Jakuyakutei Chikuson; and Japanese Sea Perch Suzuki and Red Bream Kaneme-tai and shiso leaves circa 1840-42 TenpÅ 11-13 poem by Atsugaki. To the front paste down is a calligraphic inscription å¾¡ã†ã¤ãã—ã¿ã®æ³¢ Waves of Imperial Beauty by Maresuke Nogi 1859-1912 a Meiji era career military man in the Japanese Imperial Army. A general in the first Sino-Japanese War 1894-5 the invasion of Taiwan and the Russo-Japanese War 1904-5 he was feted as a national hero for his role in the capture of Port Arthur. He was also a man of letters and a renowned Kanshi poet a form of Han Chinese poetry popular amongst the Japanese elite during his life. Several of his poems were very popular during the early decades of the Twentieth century. In 1912 Nogi and his wife committed ritual suicide by seppuku shortly after the death of Emperor Meiji in accordance with the samurai practice of following one's master into death. At the time Nogi became a public symbol of loyalty and sacrifice and there are several Shinto shrines to his memory in Tokyo and Kyoto. Daikokuya was a multi-generational publisher of ukiyo-e prints illustrations and later illustrated books from 1764-1931 in Edo/Tokyo. Artists published during the nineteenth century include Utagawa Hiroshige. Daikokuya were quite successful during the late Meji era publishing many illustrated works relating to the Russo-Japanese War; perhaps explaining the inscription by Nogi. Rare. A lovely copy. § OCLC records no holdings. NIJL holds one copy. Daikokuya unknown

Books for Cooks · Australie4 320,00 $AU≈ 2 710,33 €

Hiroshige

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