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Best.-Nr. 9782889756162Nuinui
Best.-Nr. SLIVCN-9782380360158RELIEFS EDITIONS
Best.-Nr. SLIVCN-9782380361735RELIEFS EDITIONS
Best.-Nr. SLIVCN-9782380361766RELIEFS EDITIONS
Best.-Nr. SLIVCN-9782380361933RELIEFS EDITIONS
Best.-Nr. 6721Librairie nationale d'Art et d'Histoire, G. Van Oest, Editeur, Paris et Bruxelles, 1926. In-4, broché sous couverture illustrée, 43 pp.
Best.-Nr. 6784Ader Picard Tajan, Paris, novembre 1979. In-8, broché sous couverture illustrée en couleurs, 75 pp. Avant-propos, par Guy Portier - Catalogue : Estampes japonaises : Primitifs. - Shumaman. - Sharaku. - Utamaro - Hokusai - Surimono - Documentation.
1955Best.-Nr. ABE-90951536428 PAGES FORMAT 40X60-LES CHEVALIERS DE L'AVENTURE: PAUL CODOS/PHOTO-RENCONTRE AVEC ROBERT KEMP/PAR GABRIEL D'AUBAREDE/PHOTO/SUITE P4/DESSIN DE ROGER WILD-LE LIVRE DE LA SEMAINE PAR RENE LALOU: "LE GRAND SOUFFLE" PAR ROBERT PEN WARREN/PHOTO-ARTS: LA PATE ET LE LEVAIN/HIROSHIGE-DESSIN PLEINE LARGEUR DE BEN: "PEINTRES DE PARIS"/HUGO, BALZAC, COLETTE, SARTRE,.-THEATRE: "LA VILLE" DE PAUL CLAUDEL/PHOTO MARIA CASARES ET ALAIN CUNY
Best.-Nr. ART7296M1914, Armand Colin, Paris. In-8, broché, 284pp illustrées de 55 planches hors textes n&b. Couverture et dos restaurés. Intérieur bon. Exemplaire satisfaisant
1987Best.-Nr. RO80171079HAZAN. 1987. In-Folio. Relié. Parfait état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages augmentées de nombreuses illustrations en couleur hors texte.. Avec Jaquette. . . Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
1960Best.-Nr. RO80175662EDITIONS DU CREDIT LYONNAIS. 1960. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 Pages en feuillets + 55 Planches en couleur + Invitations du credit lyonnais. Salissure sur l'emboitâge.. . Sous Emboitage. . Classification Dewey : 895-Littérature d'Asie
1930Best.-Nr. 1417073Japan c.1930s. Hardcover. Disbound Plates fifty-three plates. In Poor condition. Accordion binding with two green cloth boards. Front board has a paper label with black ink titling; has heavy shelfwear and sunning to edges cloth in corner creased and peeling away from board dampstaining to bottom left corner and heavy scuffing throughout; rear board has heavy shelfwear and sunning to edges peeling to cloth at corners scattered holes in cloth and heavy scuffing throughout. Interior has heavy toning to edges of cardstock backing for prints and tearing and separation to edges of cardstock throughout. Prints have light to moderate scuffing but are in good condition. Plates have been numbered in pencil but the numbering starts with the preface plate rather than the station plates. Inside of rear cover has a gift inscription: "To/Mr & Mrs J.E. Knippe/November 18th 1938./From Setsuko Sasaki". Missing colophon and five plates: #1 Nihonbashi 日本橋; #28 Fukuroi 袋井; #47 Kameyama 亀山; #53 Kusatsu è‰æ´¥; #56 KyÅto: The Imperial Palace 京 内è£. Text in Japanese. Shelved in Room A octavo overflow. This 20th-century homage to one of feudal Japan's greatest artistic journeys is an example of the type of facsimile set made for tourists art lovers or collectors that became popular at the time. Though time has softened the outer cover and separated its pages the prints inside retain their vivid inkwork carrying viewers past the iconic pine-lined road of Yoshiwara where Mount Fuji famously appears on the traveler's left. It stands as a remarkable bridge between eras where ShÅwa-period master craftsmen faithfully preserved Hiroshige's immortal vision of Edo-period travel for a whole new generation of art lovers. In his lifetime Hiroshige created up to twenty different editions of his popular Fifty-three Stations of TÅkaidÅ changing each location's art every time. This album's contents are facsimiles of the second version which he made six years after the first Great TÅkaidÅ and are nicknamed the KyÅka TÅkaidÅ for his inclusion of comical poetry kyÅka on each print. 1417073. Special Collections - Upstairs. hardcover books
1980Best.-Nr. 81489NY: Metropolitan Museum of Art/Viking Press 1980. First edition. Fifty-four panels bound between two cloth-covered boards with printed cover label two smalls spots on label. Near fine publisher’s cardstock slipcase with printed spine. Introduction by Bryan Holme. Two b&w promotional photographs laid in. NY: Metropolitan Museum of Art/Viking Press hardcover books
1980Best.-Nr. 38396New York: THe Metropolitan Museum of Art 1980. Hardcover. Very Good. Hardcover. Printed by The Viking Press. Hiroshige was best known for his prints of landscapes. This book reproduces many of his woodblock prints of fish which were quite rare. The prints here may be folded out. Bound in red cloth with a white title label affixed to front cover. Housed in brown paper slipcase with a large white title label on one side. In very good condition. Measures 7.5 x 10.5 inches. Unpaginated. THe Metropolitan Museum of Art hardcover books
1984Best.-Nr. 7050New York: George Braziller Inc 1984. First Edition. Hardcover. Fine in Near Fine Slipcase. First Edition. Hardcover. Text by Lee; foreword by Boorstin. A very handsome set. Tight bright and unmarred. Slipcase shows minor shelf/edge wear else tight and clean. Brown cloth boards color paper onlay accordion bound. 8vo. 62pp. Illus. color and b/w plates. George Braziller, Inc hardcover books
1929Best.-Nr. 1417264London: The Studio Ltd 1929. Hardcover. Quarto 6 pages 5 full color plates. In Good minus condition with a Good dust jacket. Spine tan with black lettering. Dust jacket protected with a mylar covering price uncut: "5s. net". Creasing and tearing along edges of dust jacket. Foxing and heavy scuffing to dust jacket. Rubbing to edges of boards. Age toning and foxing throughout textblock. Missing three plates II IV VI VII and VIII present. Plate IV loose but present. Shelved on the Front Table. II IV VI VII VIII. 1417264. Shelved Dupont Bookstore. The Studio Ltd hardcover books
Best.-Nr. 99001601Edo 1891. A brocade silk covered album Oban size all edge gilt with a total of 65 fine color prints including 2 title pages one dedication printbook size 24.5 x 35.5 cm. 4.15 cm. thick. A stunning group famous sights. R A R E ! . . . A STUNNING EXAMPLE WITH A SIXTY-FIVE . . . COLOR WOODBLOCK BLOCK PRINTS . . . BY THE MASTER OF JAPANESE LANDSCAPE . . Hiroshige II 1826-1869 and III 1843-1894: Were one in the same a pupil of the most famous and great master of landscape & composition Ando Hiroshige I. . Using his master's name plus his old name Ichiryusai he was the adopted son of Hiroshige I and was a very skilled painter who actually painted alongside & with the master until his master's death in 1858. . After that Ichiryusai specialized in Japan's modernization railroad prints depicting these new innovations recently imported from the West around Yokohama as well as issuing many series of beautiful landscape views and scenery. . In his later years he executed a most beautiful and exquisite set of his own interpretation of his master's most well-known series of prints showing Mt. Fuji and the celebrated places around Edo. This was not done to merely copy the master's works but rather as a sincere Confucian tribute to his adopted father & now father-in-law and master. He married his master's daughter. . He took each of the master's views & repainted them in pastel colors with great control & precision. Some of the more delicate places such as rainbows and clouds behind a flock of birds were actually brushed on by hand a technique rarely ever done. The woodblocks used were of the highest quality a majority of which were center cuts & these have left a most beautiful wood-pattern in the print. This example shows 28 prints from the Fuji Sanju Rokkei and 35 from the Edo Yonju Hakkei series with the title page from each present. . There is a dedication & memorial print to Hiroshige I from his faithful son and pupil. This print is most similar to one found as the frontispiece to the book by E. F. Strange: THE COLOR PRINTS OF HIROSHIGE London 1925. . It's clear that this print by Kunisada who is Toyokuni I was used as a model by Ichiryusai as it differs in what the master is holding. Kunisada shows him holding his rosary beads while Ichiryusai shows the master with his Fude brush pen and paper in hand. Ichiryusai and Kunisada had collaborated to issue a series of 36 prints: EDO JIMAN or THIRTY-SIX PLACES OF WHICH YEDO IS PROUD. . Ichiryusai has taken much care to represent the most wonderful views of Mt. Fuji & Edo with great skill. A majority of these prints are certainly well-known to the art world at large as well as by Japanese print collectors. . Many of these prints show up in the usual reference books. Some of the more famous Edo views are showing a falcon in winter rain on the river bridge storks cat view in Asakusa busy street scenes Asakusa temple & lantern in snow river scenes &c. . Some Mt. Fuji views show many snow scenes seasonal views cherry blossoms a majority show water and mountains a very charming set of prints. . Alternate title is MEISHO EDO HYAKKEI. . THE BINDING: This stunning album is beautifully bound in traditional silk-gilt brocade with prints on both sides of an accordion folded album. . Color photos are posted to our website. . REFERENCES: . L. Roberts: A DICTIONARY OF JAPANESE PRINTS ARTISTS p.44-45 for background on Hiroshige III & III. E. F. Strange: THE COLOR PRINTS OF HIROSHIGE R. Lane: IMAGES FROM THE FLOATING WORLD p.232-254 most all of the prints in this album are listed under Hiroshige I's series: MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. . . unknown books
1980Best.-Nr. 89043Tokyo: Hakuhodo Inc 1980. Paperback. Near Fine. illustrations several color 36 unnumbered pages. Softcover in original wrapper. Oblong 21 x 30 cm. Original somewhat worn white protective envelope present. Sponsored by the Department of Culture and History of the State of West Virginia and presumably exhibited somewhere in West Virginia. Hakuhodo, Inc paperback books
1834Best.-Nr. 55363Edo 1834. Hoeido edition. A matted printed in a cloth and wooden frame. Ukiyo-e woodblock print. Oban Yoko-e. Approx 13 3/4 x 8 3/4" visible inside the mat. Print no. 10 from Hiroshige's acclaimed series The Fifty-Three Stations of the TÅkaidÅ. In possibly it's first state. This image depicts the 9th station of the Tokaido crossing the Sakawa River at the town of Odawara. Absent the presence of a bridge the image shows travelers being carried across the river by porters in the traditional manner. Hanging wire printed material and description attached to the back of the frame. Light stains to the print with a vertical folding crease visible. unknown books
1857Best.-Nr. 552841857. Framed. Color woodblock print oban tate-e format. 14.5 x 9.5" in a wooden frame with a white mat. No. 73 from the series "One Hundred Famous Views of Edo unknown books
1850Best.-Nr. 552891850. Broadside. Color woodblock print oban tate-e format. Measuring 14 1/4x 9 1/2" and mounted to white cardboard backing with plastic mounting tabs at the corners. Protected in plastic sleeve. This work is No. 1 from the acclaimed series "One Hundred Famous Views of Edo". Aratame seal in the top margin of the print. Print is very clean vibrant and sharp. 8 small holes along the very right edge of the print resulting in minor loss of the image. unknown books
1833Best.-Nr. 448681833. First edition HÅeidÅ edition aka "Great Tokaido". Oblong oban yoko-e format. Color woodblock print. 10x15". Loose in plastic sleeve. 48th station of the Tokaido. From the first edition of "The Fifty-three Stations of the Tokaido Road" series by Utagawa Hiroshige. unknown books
1833Best.-Nr. 448661833. First edition HÅeidÅ edition aka "Great Tokaido". Oblong oban yoko-e format. Color woodblock print. 10x15". Loose in plastic sleeve.23rd station of the Tokaido. From the first edition of "The Fifty-three Stations of the Tokaido Road" series by Utagawa Hiroshige. unknown books
1833Best.-Nr. 448651833. First edition HÅeidÅ edition aka "Great Tokaido". Oblong oban yoko-e format. Color woodblock print. 10x15". White heavy-stock mat. 12th station of the Tokaido. From the first edition of "The Fifty-three Stations of the Tokaido Road" series by Utagawa Hiroshige. Some foxing to the image. unknown books
1845Best.-Nr. 448631845. Loose leaf. vg. Color woodblock print. Oban tate-e format. 14.5 x 9.5". This print represents Kameyama the 49th station of the Tokaido taken from the series known as "Fifty-three Pairings for the Tokaido Road" or 53 Parallels for the Tokaido Road. This set paired historical characters associated with the Tokaido to a respective station and was composed of work from Hiroshige Kunisada and Kuniyoshi. In this print by Hiroshige a woman dreams of three characters from the kabuki play Reigen Kameyamahoko The Kameyama Revenge. Text in Japanese. unknown books