6 134 résultats
1990réf. 2092902139203178Nan'un do 1990. Soft Cover. Fine. The book is in fine condition. Nan'un do paperback
1978réf. 2090502128300811circle meeting 1978. Soft Cover. Fine. The book is in fine condition. circle meeting paperback
1978réf. 2091502135703245circle meeting 1978. Soft Cover. Fine. The book is in fine condition. circle meeting paperback
réf. 2090502128704420Asunaro-sha N.A. Soft Cover. Fine. Size: 46 size Number of books: 1 Asunaro-sha paperback
1973réf. 2092902137503061Kenkyu-sha 1973. Soft Cover. Fine. Size: A5 size Number of books: 1 book Kenkyu-sha paperback
1968réf. 2092902140302767Tokyo tosho 1968. Soft Cover. Fine. Number of books: 1 Tokyo tosho paperback
1960réf. 2092902140301316Chijinshokan 1960. Soft Cover. Fine. Number of books: 1 Chijinshokan paperback
1932réf. 2091502135708443Yushima Photo Studio 1932. Soft Cover. Fine. The book is in fine condition. Yushima Photo Studio paperback
1986réf. 2090202123200346Tokyo tosho 1986. Soft Cover. Fine. Size: 19cm Number of books: 1 Tokyo tosho paperback
1986réf. 2091502133538602Tokyo tosho 1986. Soft Cover. Fine. Number of books: 1 Tokyo tosho paperback
1980réf. 2090502125600624circle meeting 1980. Soft Cover. Fine. Number of pages: 77p Size: 190x178 circle meeting paperback
2012réf. 2083002115708883Misuzushobo 2012. Soft Cover. Fine. Number of pages: 138p Size: 22cm Number of books: 1 Misuzushobo paperback
1977réf. 2080302106803393Chuokoronsha 1977. Soft Cover. Fine. The book is in fine condition. Chuokoronsha paperback
2012réf. 2090202120412279Hiraki Ukiyoe Museum 2012. Soft Cover. Fine. Number of books: 1 Hiraki Ukiyoe Museum paperback
réf. 44873ca. 19th century. Later printing. Color woodblock print O-tanzaku format. 15 x 6 3/4" in a wooden frame with a white mat. This is one of only two known prints from a series titled "Twenty-Eight Moonlight Views." It is thought that the series was never completed and these are the only two that exist. Scarce. unknown
1877réf. 186040Tokyo: Okura Magobee 10 August 1877. Vivid scenes of industry from across Japan A striking set of prints produced at the time of the First National Industrial Exhibition 1877 an event designed to promote Japanese local craftmanship and encourage a growing export industry. This example shows tatami mat production in Bingo Hiroshima indigo farming in Awa Tokushima camphor logging in Hyuga Miyazaki and whaling in Iki Nagasaki. The First National Industrial Exhibition was held from 21 August to 30 November 1877 with a total of 16172 exhibitors showing 84353 items. "In anticipation of the event the government clearly stated its interest in encouraging the growth of export industries and requested that every prefecture in Japan participate in the exhibition suggesting that the domestic fairs were intended to provide a survey of the products and industries of the entire country and to offer a venue for assessing which of those products might be suitable for export" Lavenberg. At the same time Utagawa Hiroshige III 1842-1894 released approximately 120 prints showing local industries across Japan. He was known for his representations of Meiji period society and was one of the most popular artists of his age. Only 118 of the Dai nihon bussan zue prints survive representing 58 provinces. These were sold as individual sheets that could be bound into books with each book containing a different number and configuration of prints. The 30 prints in this example cover 14 provinces stretching from Hokkaido in the north to Hyuga in the south. The construction of the books mean that splits are often found along the central joints such as in the copy held by the British Museum 197307230.116. Octavo concertina-style. With 30 double-page colour woodblock prints; text in Japanese. Original patterned paper boards decorated with scenes of Japanese cranes red printed paper label on front board. Housed in grey archival box. Contemporary price sticker on one print. Boards a little creased and abraded prints bright with some light foxing in margins some split along central fold as usual: a very good example. "Dai Nippon Bussan Zue Products of Greater Japan 1877" The Lavenberg Collection of Japanese Prints 2018. hardcover
réf. 1107625 finely color-printed double-page woodcuts. 25.5; 15; 21.5 folding leaves. Three vols. 8vo orig. semi-stiff wrappers orig. block-printed title-slips on upper covers new stitching. Edo: 1853-54. First edition of this finely illustrated book which rarely appears complete in all three volumes. The “KyÅka Edo Hanabi SenryÅ has sub-titles that show the sort of specialization that was associated with the three leading Utagawa artists. Volume One by Hiroshige entitled ‘Nihonbashi Section’ consists mainly of views of central Edo figures in some prints threading their way through the hanging curtains of calligraphy showing the second floor of a brothel; Volume Two by Kuniyoshi related to the ‘licensed quarter’; and Volume Three by Kunisada = Toyokuni san sei to ‘theatre-land’.”–Hillier The Art of the Japanese Book p. 848 & image 559. At the time of publication these three members of the Utagawa school were at the pinnacles of their careers. The color-printed illustrations depict the fish markets of Nihonbashi the pleasure quarter of Yoshiwara and the backstage preparations in a kabuki theater. The witty and humorous kyÅka poetry appears with the images. Fine and fresh set preserved in an attractive modern chitsu. In the first volume the first 13 leaves have a wormhole maximum 50 mm. in length and becoming shorter as one progresses. This wormhole expertly repaired throughout is present in the woodcuts. unknown
2008réf. __0807615935George Braziller 2008. Hardcover. New. illustrated edition. 160 pages. 13.80x10.30x1.00 inches. George Braziller hardcover
1857réf. 552841857. Framed. Color woodblock print oban tate-e format. 14.5 x 9.5" in a wooden frame with a white mat. No. 73 from the series "One Hundred Famous Views of Edo unknown
1834réf. 55363Edo 1834. Hoeido edition. A matted printed in a cloth and wooden frame. Ukiyo-e woodblock print. Oban Yoko-e. Approx 13 3/4 x 8 3/4" visible inside the mat. Print no. 10 from Hiroshige's acclaimed series The Fifty-Three Stations of the TÅkaidÅ. In possibly it's first state. This image depicts the 9th station of the Tokaido crossing the Sakawa River at the town of Odawara. Absent the presence of a bridge the image shows travelers being carried across the river by porters in the traditional manner. Hanging wire printed material and description attached to the back of the frame. Light stains to the print with a vertical folding crease visible. unknown
1930réf. 1417073Japan c.1930s. Hardcover. Disbound Plates fifty-three plates. In Poor condition. Accordion binding with two green cloth boards. Front board has a paper label with black ink titling; has heavy shelfwear and sunning to edges cloth in corner creased and peeling away from board dampstaining to bottom left corner and heavy scuffing throughout; rear board has heavy shelfwear and sunning to edges peeling to cloth at corners scattered holes in cloth and heavy scuffing throughout. Interior has heavy toning to edges of cardstock backing for prints and tearing and separation to edges of cardstock throughout. Prints have light to moderate scuffing but are in good condition. Plates have been numbered in pencil but the numbering starts with the preface plate rather than the station plates. Inside of rear cover has a gift inscription: "To/Mr & Mrs J.E. Knippe/November 18th 1938./From Setsuko Sasaki". Missing colophon and five plates: #1 Nihonbashi 日本橋; #28 Fukuroi 袋井; #47 Kameyama 亀山; #53 Kusatsu è‰æ´¥; #56 KyÅto: The Imperial Palace 京　内è£. Text in Japanese. Shelved in Room A octavo overflow. This 20th-century homage to one of feudal Japan's greatest artistic journeys is an example of the type of facsimile set made for tourists art lovers or collectors that became popular at the time. Though time has softened the outer cover and separated its pages the prints inside retain their vivid inkwork carrying viewers past the iconic pine-lined road of Yoshiwara where Mount Fuji famously appears on the traveler's left. It stands as a remarkable bridge between eras where ShÅwa-period master craftsmen faithfully preserved Hiroshige's immortal vision of Edo-period travel for a whole new generation of art lovers. In his lifetime Hiroshige created up to twenty different editions of his popular Fifty-three Stations of TÅkaidÅ changing each location's art every time. This album's contents are facsimiles of the second version which he made six years after the first Great TÅkaidÅ and are nicknamed the KyÅka TÅkaidÅ for his inclusion of comical poetry kyÅka on each print. 1417073. Special Collections - Upstairs. hardcover
1850réf. 552891850. Broadside. Color woodblock print oban tate-e format. Measuring 14 1/4x 9 1/2" and mounted to white cardboard backing with plastic mounting tabs at the corners. Protected in plastic sleeve. This work is No. 1 from the acclaimed series "One Hundred Famous Views of Edo". Aratame seal in the top margin of the print. Print is very clean vibrant and sharp. 8 small holes along the very right edge of the print resulting in minor loss of the image. unknown
réf. 362833Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1859. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 362834Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1859. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 362835Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1859. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
