661 Ergebnisse
1988Best.-Nr. 2082702114610955JICC Publishing Bureau 1988. Soft Cover. Fine. Number of books: 1 JICC Publishing Bureau paperback
1975Best.-Nr. 2082702114605540Princess Road SL Club 1975. Soft Cover. Fine. Number of books: 1 Princess Road SL Club paperback
1976Best.-Nr. 2110502150415400Hanashinotokushu 1976. Soft Cover. Fine. Volume: 1 Hanashinotokushu paperback
Best.-Nr. ST20972dParis: Nicolas Vivien early 16th century. 197 x 130 mm. 7 3/4 x 5 1/8". Single column 28 lines gothic typeface. Ruled in red each leaf with several one- to three-line initials painted gold on red or blue ground and A LOVELY ANIMATED FULL BORDER DONE IN MANUSCRIPT with trompe-l'oeil flowers a moth a fly and a bird on painted gold ground. Light soiling and a couple small stains to vellum one initial a bit smudged but in excellent condition overall. This beautifully embellished leaf from a printed Book of Hours demonstrates the enduring demand for manuscript illumination in the incunabular period and beyond. While the text here was completed on a printing press the initials and border were done entirely by hand adding luxury and luster to an otherwise unadorned page. Although this leaf likely belonged to a Book of Hours printed in Paris possibly an edition printed for Nicolas Vivien in or around 1503 the trompe-l'oeil style seen in the border was particularly popular among Flemish and Netherlandish illuminators of the period. The large blossoms and acanthus here seem to pop off the page because of the artist's use of subtle shading to indicate shadows and there is additional pleasure to be found in the small creatures--a bird carrying a small flower a moth and a housefly--that share the space. Nicolas Vivien(?) unknown books
Best.-Nr. ST20972dParis: Nicolas Vivien early 16th century. 197 x 130 mm. 7 3/4 x 5 1/8". Single column 28 lines gothic typeface. Ruled in red each leaf with several one- to three-line initials painted gold on red or blue ground and A LOVELY ANIMATED FULL BORDER DONE IN MANUSCRIPT with trompe-l'oeil flowers a moth a fly and a bird on painted gold ground. Light soiling and a couple small stains to vellum one initial a bit smudged but in excellent condition overall. This beautifully embellished leaf from a printed Book of Hours demonstrates the enduring demand for manuscript illumination in the incunabular period and beyond. While the text here was completed on a printing press the initials and border were done entirely by hand adding luxury and luster to an otherwise unadorned page. Although this leaf likely belonged to a Book of Hours printed in Paris possibly an edition printed for Nicolas Vivien in or around 1503 the trompe-l'oeil style seen in the border was particularly popular among Flemish and Netherlandish illuminators of the period. The large blossoms and acanthus here seem to pop off the page because of the artist's use of subtle shading to indicate shadows and there is additional pleasure to be found in the small creatures--a bird carrying a small flower a moth and a housefly--that share the space. Nicolas Vivien(?) unknown
1850Best.-Nr. 26013MADRID: Por Aguado Impresor de Cámara 1850. 4º.- Cartoné de época.- 101 páginas. El texto es de Felice Romani y la música del mallorquín Francisco Frontera de Valldemosa. Por Aguado, Impresor de Cámara unknown
1600Best.-Nr. 17001Venedig, Valegio, um 1600. Ca. 8,5 cm x 13 cm.
2001Ilustraciones "Faros y Costas" de Eduardo Sanz. Del índice: "DOS FRAGMENTOS DE LA COSTUMBRE DE VIVIR", por J.M. Caballero Bonald. "LA LUCIDEZ Y EL ÓXIDO", por Luis García Montero. "UN POEMA", por Francisco Brines. "ENTREVISTA: ABDELKRIM TABBAL, EL POETA DE XAUEN". "JEAN COCTEAU: LA AVENTURA ESPAÑOLA", por Juan Lamillar.
1985Sin lugar a dudas es este un nuevo acto de aproximación entre dos sectores, el científico y el industrial.
S.l., s.n.t., s.d. (anni '10 del sec. XX), in-16, cartoncino edit. con dorso e cop. post. fittizi, pp. 15, (1).
2007lettere senza frontieremedici senza frontiere testimonianze operatori umanitari