17.688 risultati
8 volumes: viii,367 + viii,517 + viii,496 + viii,507 + viii,495 + 454 + viii,552 pp. & "Receuil" (Paris, Garnery, 1819): 19pp.texte + 32 planches (cartes et gravures, dont la plupart dépliantes), 4e éd., reliures plein-cuir avec titres et fleurons dorés aux dos (sauf tome 8: reliure cart.avec dos en toile), tranches et feuilles de garde marbrés, qqs.petites cachets aux pages de titre, bel état, G43465
1840rif. 12435Berlin, Reimer, 1840/51. XX, 792; VIII, 764; XX, 579 ((82) S. für die Textbände, 26 doppelseitige Tafeln, Format des Bandes 44x31 cm. Bd 1, 2 und Tafelband Halbleder der Zeit, Band 3 mit Nachträgen, moderner Pappband (Stempel auf Titelblatt).
1799rif. 32969Paris Tavernier an VII [1799] 2 vol. in-8 basane fauve racinée, dos lisses ornés de guirlandes, hachurés et urnes dorés, tranches citron [Rel. de l'époque]
1809Due parti in un volume (21x27 cm), volumen prius: Pars prima, e Pars altera. Il secondo volume non venne mai pubblicato. Paginazione: (12)-14-(2)-96-(2)-97-173-(2)-176-308-(4) pagine. VI carte di tavole incise, sciolte. Per errore il legatore ha sistemato all'inizio tutte le pagine di titolo, sia quelle della Pars prima che della Pars altera. Ma il volume è completo, in barbe e quindi a larghi margini, e con rare fioriture. In lingua latina. Legatura moderna in stile antico, in mezza pergamena muta con carta marmorizzata ai piatti.
1783rif. GR049Paris, V. Duchesne, 1783, in-8o, 3 vol.,VII+527 +III+382 +IV+373+IV p. Sans le 4e volume qui ne contient que les elegies de Tibulle. Tranches coloriees, coiffe du 1r vol. abimee. Bel exempaire sans rousseurs. Reliure plein veau., triple roulette sur les plats, dos decore a faux nerfs, p. des titres maroquin. Cox I, 231, Blackmer 769.
1570La carta della Grecia del Theatrum Orbis Terrarum di Ortelius è basata sulle carte della regione edite a Venezia da Giacomo Gastaldi. La mappa raffigura con accurata precisione le isole dell’arcipelago ed è arricchita da un meraviglioso cartiglio. Tratta dalla rara edizione spagnola del 1612. Carta tratta dal Theatrum Orbis Terrarum e che è considerato il primo vero “atlante” moderno. L’opera fu pubblicata in 7 lingue e 36 edizioni, per il quale – nel 1570 - Ortelius ottenne il privilegio, ovvero una sorta di diritto d'autore che impediva ad altri cartografi di pubblicare i propri lavori. Il Theatrum rappresentava il lavoro più avanzato del lavoro della descrizione cartografica. L’Ortelius vi raccolse il sapere geografico e cartografico del suo tempo, proponendo in 147 spettacolari tavole incise l’immagine più fedele del mondo allora conosciuto e, in alcune straordinarie “carte storiche”, regioni e itinerari tratti dalla letteratura, dalla mitologia, dalla tradizione. Ortelius fu anche il primo a citare le fonti, menzionando i nomi dei cartografi nel “catalogus auctorum”. Dal 1598 al 1612 le edizioni postume del Theatrum furono realizzate dal suo collaboratore Johannes Baptiste Vrients. Incisione in rame, eccellente coloritura coeva, in ottimo stato di conservazione. Decorative map of Greece and surrounding Islands and contiguous regions, from the 1612 Spanish edition of Ortelius' Theatrum, based upon the work of Giacomo Gastaldi. The map is embellished by a sailing ship and a large ornate cartouche an shows cities, rivers, mountains, lakes, islands, ports, forests, etc. Map taken from the Theatrum Orbis Terrarum, which is considered the first true modern "Atlas". The work was published in 7 languages and 36 editions, for which - in 1570 - Ortelius obtained the privilege, a kind of copyright that prevented other cartographers from publishing his works. The Theatrum represented the most advanced work of cartographic description. Ortelius collected in it the geographical and cartographic knowledge of his time, proposing in 147 spectacular engraved plates the most faithful image of the world then known and, in some extraordinary "historical maps", regions and routes taken from literature, mythology, tradition. Ortelius was also the first to cite sources, mentioning the names of cartographers in the "catalogus auctorum". From 1598 to 1612 the posthumous editions of the Theatrum were made by his collaborator Johannes Baptiste Vrients. Copper engraving, contemporary coloring, in good condition. Zacharakis C. G. - A Catalogue of Printed Maps of Greece 1477 - 1800 (2009), n. 2484; M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 146.
1795rif. PHO-1044Paris : Bastien, An III. (1795) 7 volumes in-8 ; AVEC , PAUW recherches philosophiques sur les Américains , An III , 3 volumes in-8 , XIV-421pp, 475pp,482pp. AVEC : PAUW : Recherches philosophiques sur les Égyptiens et les Chinois. Paris : Bastien, An III, 2 volumes in-8, carte dépliante (déchurure sans manque), XVIff,472pp , 466pp; AVEC : PAUW : Recherches philosophiques sur les Grecs. Paris : Bastien, An III, 2 volumes in-8 , XVI-400pp,366pp . Reliure d’époque en basane marbrée, dos lisse orné avec titre et tomaison , quelques manques de cuir , petit travail de ver sur 10ff ,Tome 1.
1682In -4°, pp. (14), 4 tavv., 483, b, cb., numerose illustrazioni nel testo e 1 tav. ripiegata ft che raduna tre illustrazioni da separare e inserire (a cura del legatore) nelle pagine di riferimento. Manca la carta del viaggio ripiegata. Mezza pelle e carta marmorizzata. Nel testo le incisioni sono di carattere botanico, storico, artistico, zoologico e topografico. Il libro di Wheler, per molti anni, rimase l’opera inglese di riferimento per i viaggi in Grecia, sebbene curiosamente non sia mai stato ristampato. The folding map is missing, for the rest a nice copy of this book that was for years the english reference guide for travellers to Greece.
1953rif. 039720Princeton NJ: American School of Classical Studies / Princeton U.P. 1953 Book. Fine. Hardcover. First Edition. Gennadeion Monographs IV ". it is a description of sixteen of the larger medieval fortresses of the Peloponnese occupied by the Venetians during the period 1685-1715 and drawn by their engineers around the year 1700." Based on the discovery of a portfolio of the plans discovered in Venice in 1938. "This book is an attempt to gather together the historical resources relative to the castles figuring in the collection and to present the results of my archaeological investigation illustrated by early traveller's descriptions by photographs of my own . I have arranged the fortresses in the order as they fell to the armies of the Holy League in the campaigns of 1685-1792 . In each chapter the fortress' history is recapitulated from its earliest known beginnings to its last military engagement followed by an analysis of its architecture." Masterly mammoth and not yet superseded this is a rare and classic work covering aspects of Greek history little studied or appreciated. 274p. XXXXII plates. Illus maps chronology bibliography index Condition : Fine NOTE : VERY heavy 2.3 KG and oversized volume 32 x 24 x2.5 cm . American School of Classical Studies / Princeton U.P. hardcover
1949rif. 014186Paris 1949 Librairies Ve Le Normant Hardcover
2009rif. 10136Adolf M. Hakkert. Near Fine. Paperback. Vol. 1: fine Vol. 2: light bumping to upper corners. Vol 3: very light soiling to spine. Light wear to one corner; vol. 4: light chip to top of spine else fine. Vol. 5: small chip to base of spine. Else fine. Set appears unread. Volumes range from VG to Fine.; Publishing years 2008-2009. Isbns: 9025612359 9025612369 9025612423 9025612474 & 9789025612528; 5 Volume Set COMPLETE. Supplementi Di Lexis; 2439 pages . 2009. Adolf M. Hakkert paperback
18412 Voll. in un tomo In-4°, legatura coeva in piena pelle, pp. 76-(2bb.) e (2)89(3)-(2bb.). Due antiporte incise con vignette e titoli diversi: (I) The Rhine Illustrated e (II) Italy Illustrated; completo delle bellissime incisioni in acciaio su tavole fuori testo protette fa fogli di carta leggera: 32 al primo volume e 39 al secondo. Magnifica legatura coeva in piena pelle con dorso a cinque nervi; titoli in oro nel secondo comparto e fregi floreali negli altri; ai piatti decorazioni neoclassiche con filetti, cornice a greca e anfora centrale; unghiature con triplo filetto; tagli dorati a specchio. Piccole mancanze alla cuffia superiore, e altre minime abrasioni ai margini della legatura; all'interno solo rare e leggere bruniture. Ottimo esemplare di questo classico dell'illustrazione di viaggio ottocentesca.
1843rif. 1854Paris Librairie de Charles Gosselin 1843 in-12 de 2 ff.n.ch., pp. [v] à vii et 567 pp br., couv. jaune impr., non rogné, conservé dans une boîte moderne de papier brun
1771rif. 34633Paris Veuve Duchesne 1771 2 vol. in-12 veau fauve marbré, dos lisses cloisonnés et fleuronnés, pièces de titre cerise, tranches rouges [Rel. de l'époque], deux coins abîmés
rif. 238-Eo.J. Feder und Pinsel in Grau, grau laviert, über Bleistift, auf Bütten mit angeschnittenem Wasserzeichen. 17,2:25,1 cm. - Verso:Skizzen von Pferdköpfen und Reitern sowie Notizen in italien. Sprache. Provenienz: Sammlung K.H.S. mit rotem Wappenschild, nicht bei Lugt.
rif. 875565Librairie Renouard Paris 1911 Fort in-8 ( 260 X 165 mm ) de CXX-430 pages, plein vélin ivoire verni, dos lisse avec titre en long, plats richement décorés de petits sujets aquarellés. ( Reliure signée de R. SALLE ). Ouvrage imprimé sur beau papier, non rogné ( témoins conservés ). Carte dépliante hors-texte. Très bel exemplaire de ce livre rare.
1837rif. 19829Paris Masson et Duprey 1837 2 vol. in-8 demi-basane verte, dos lisses ornés de filets et fleurons doré, couronne surmontée d'une sirène dorée, tranches marbrées [Rel. de l'époque], rest., petite mouillure marginale au début du second volume
1835rif. 8788Paris Audot 1835 in-12 br., couv. verte impr., lég. us., qq. piqûres
17862 vol. in-12 reliure début XIXe demi-basane marbrée, Chez Delalain, Paris, 1786, XV-580 pp. ; 2 ff., 632 pp. Bon exemplaire (infimes frott. en reliure, très bon état par ailleurs). Pernety estimait que derrière les fables se dissimulait le savoir des prêtres sur le "Grand Oeuvre" alchimique. Caillet,, 8524 : "Ce précieux ouvrage est d'un importance trop considérable pour que nous n'en fassions connaître le contenu" ; Ferguson, II, 182 : "In this work, he tries to prove that the whole ancient mythology is merely a long sustained allegory of the preparation of the philosopher's stone". Français
1861rif. 23567Paris Michel Lévy 1861 in-12 demi chagrin bleu nuit, dos à nerfs orné [Rel. de l'époque],
1718rif. PHO-1706Amsterdam, la Compagnie, 1718. 2 tomes en un volume in-4, relié plein veau (19eme), dos à nerfs orné, pièce de titre rouge, de la bibliothèque du Comte de Glendall avec son ex-libris en page de garde, armes en tête, tranches cailloutées, 15ff.-188pp., 1f.-208pp.-8ff., illustré de 89 planches h.t. et 46 gravures dans le texte, manque 1 plat, coiffes usées, mouillure par intermittence, frottement au dos, fente au mors,
1862Very Good Greek, Modern (post 1453) Original half morocco with four raised bands to gilt spine. Second compartment has title 'Ali Pasha' in Greek. All edges marbled. Text block slightly stained. A clean copy, with minimal wear on extremities of boards and spine, with no restorations of any kind. Marbled end-papers. Demy 8vo. (21 x 14 cm). In Greek (Modern). 272 p., engraved portrait of Ali Pasha on frontispiece. This historical novel is written by Konstantinos Ramfos (1776-1871) and published in 1862, "accompanied by a new articulation of the enunciative and denotative position", is one of the most interesting cases of intertextuality in MG prose-fiction. Constantinos Ramphos was originally from Chios, he devoted himself to trade, was a member of the Hétairie, and took part in the fights of the Greek war of independence before participating in the politics of his country. He was a diplomat, and then a journalist, from 1860 he began to publish stories devoted to the heroes of the insurrection, Katsandonis, "Despot l'Epirote", Ali Pasha for example, and the most famous Halet Efendi. He mixed in his novels realism, dreams, patriotism against a historical background. Ali Pasha of Ioannina [or, Tepedelenli Ali Pasa, Tepelena or of Janina, the Lion of Yannina], (1740-1822), was an Ottoman Albanian ruler who served as pasha of a large part of western Rumelia, the Ottoman Empire's European territories, which was referred to as the Pashalik of Yanina. His court was in Ioannina, and the territory he governed incorporated most of Epirus and the western parts of Thessaly and Greek Macedonia. Ali had three sons: Muhtar Pasha, who served in the 1809 war against the Russians, Veli Pasha, who became Pasha of the Morea Eyalet and Salih Pasha, governor of Vlore. Ali first appears in historical accounts as the leader of a band of brigands who became involved in many confrontations with Ottoman state officials in Albania and Epirus. He joined the administrative-military apparatus of the Ottoman Empire, holding various posts until 1788 when he was appointed Pasha, ruler of the sanjak of Ioannina. His diplomatic and administrative skills, his interest in modernist ideas and concepts, his popular piety, his religious neutrality, his suppression of banditry, his vengefulness and harshness [.] Western writers and poets such as Alexander Dumas, Lord Byron were inspired and influenced by Ali Pasha in their works. Only two copies located in OCLC 835283685 (Institut français d'études Byzantines and Sorbonne Université). A fine printing and a very early "historical novel" example in the Greek literature. First Edition. Very scarce.
rif. 115701aafAmsterdam, ex officina P. Mortier, um 1700, 50x61 cm (Bild) / 63x62 cm (Blattgr.), auf Lwd aufgezogen. / Doublée sur toile.
1948Manifesto originale raffigurante l'Isola di Poros. Leggero segno del tempo
1572rif. LBW-1439[Venise, 1572]. 216 x 165 mm.