Michelle SuttonBiblio.com
6 374 résultats
réf. 0982587074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9780983802495Paperback / softback. New. paperback
réf. B9780993177071Hardback. New. hardcover
réf. B9780957246287Hardback. New. hardcover
réf. B9781013439834Hardback. New. hardcover
réf. 1780175728.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0567031977.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1902405099.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. A9780813315768Paperback / softback. New. A re-examination of the social cultural and intellectual context of the origins of modern science. The setting is not the laboratory but the literary salons of 17th- and 18th-century France and the action takes place between Europe's last great witch-hunts and the emergence of the modern world. paperback
réf. A9781138245952Paperback / softback. New. Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea 1602 as her main source material author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition intellectual inquiry and Dutch mercantilism. At the same time by analyzing the marketing tactics of the publisher Cornelis Claesz this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography trade and travel. Exploring how the images and text function together Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise. paperback
réf. 74-0282New York: McGraw-Hill Book Co. 1949. 8vo. Signs of shelf wear. Some Creasing. Small tear in front cover. Clipped price corners. Good. Original Price on Dust Jacket: $4.00 New York: McGraw-Hill Book Co., 1949. unknown
réf. 71-0084New York NY: Marlborough Gallery 1971. 4to. 36 pp. Softcover. Color image on cover.Tipped in color and black and white images. Very good.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. New York, NY: Marlborough Gallery, 1971 paperback
réf. B9780897892780Paperback / softback. New. A vivid rendering of the educational social and physical environment of two elementary schools in contrasting socioeconomic settings this book calls attention to the importance of place in human lives and learning. paperback
réf. B9780986373923Paperback / softback. New. paperback
réf. B9780996818612Paperback / softback. New. paperback
réf. B9780996818636Paperback / softback. New. paperback
réf. B9780993177019Hardback. New. hardcover
réf. 17-6083New York NY: Otto Naumann 1999. fo. 113pp. Softcover. Exhibition Catalogue. Illustrated color cover. Very Good. Color and black and white plates. New York, NY: Otto Naumann, 1999 paperback
réf. 17-2835London : New Vision Centre Gallery 1963. Single sheet 23 x 8.5 inches folded into 8 panels. Very Good. Some shelf wear. B&W plate. Scarce.From the Collection of the Art Historian Peter Selz 1919-2019. London : New Vision Centre Gallery, 1963. unknown
réf. 17-0949London UK: Financial Times 1974; Paris FR: L’object D’art 1988. Folio. 70 pp. Soft cover magazine. Very Good. Black & white plates throughout. Folio. 114 pp. Soft cover magazine. Very Good. Color and black & white plates throughout. Text in French. From the Collection of the Art Historian Peter Selz 1919-2019. London, UK: Financial Times, 1974; Paris, FR: L’object D’art, 1988. paperback
réf. 17-1976London: Wildenstein 1972. 8vo. 23 pp. Soft Cover. Very Good. Illustrated paper wraps. B&W plates throughout. Minor toning and shelf wear to wraps else fine. English text with an introduction by the artist in French. Extremely Scarce.Collection from San Francisco Museum of Modern Art. London: Wildenstein, 1972. paperback
réf. 18-5635London England: Pleiades Books 1949. . 8vo. 62 pp. Brown cloth-covered boards with gilt titling and spine. Very good with marginal toning. Black and white plates. except for paste-in color frontis. Includes works by Fragonard Dugourc Antoine Watteau Charles Nicolas Cochin Gabriel de Saint-Aubin Francois Casanova Moreau Le Jeune Elisabeth-Louise Viger-Lebrun Charles Natoire Deshays de Colleville Pierre-Alexandre Wille et al. Text by Denys Sutton. First edition. London, England: Pleiades Books, 1949. hardcover
réf. A9781119180906Paperback / softback. New. Second edition of an established text on common procedures for the identification and processing of evidence at scenes of crime Includes chapters on quality assurance and credibility of practices and processes issues surrounding major and complex crime Forensic handling of mass fatalities Crime scene reconstruction and impact on evidence recovery processes paperback
réf. 63-4935Syracuse NY: Walter Sutton 1972. Typed Letter signed with MS notes 9" x 6" Single Page on Syracuse University letterhead Very Good. Sutton was an expert in the field of American literature during the Romantic period & modern critical theory.Provenance: Peter Howard Serendipity Books Berkeley Thomas Parkinson archive. Syracuse, NY: Walter Sutton, 1972. unknown
réf. 63-3980Dallas TX: Carl Sutton International Hopkins Association 1984. Autographed Hand-written Letter Signed on International Gerard Manley Hopkins Association letterhead. Very Good. Dallas, TX: Carl Sutton, International Hopkins Association, 1984. unknown
