1 693 résultats
18571 vol. in-12 reliure demi-basane rouge, Michel Lévy Frères, Paris, 1857, II-310 pp. et 1 f. Edition originale de ce roman rédigé par la danseuse Céleste Mogador, comtesse de Chabrillan (1824-1909). Elle invente le quadrille au bal Mabille en 1850 ; mariée au Comte Lionel de Moreton Chabrillan en 1854, elle le suit lorsqu'il est nommé consul de France à Melbourne. Rejetée par la bonne société, elle en profite pour se cultiver et écrire, notamment, "Les voleurs d'Or" : "ce livre, j'ai commencé à l'écrire pour me distraire. Ce qui n'était qu'un caprice, est devenu une passion. Je ne l'ai pas brûlé, parce que je l'aime ; il a été mon compagnon d'exil, le confident de mes peines, l'ami de mes pensées." L'ouvrage évoque l'aventure de pionniers australiens. Rare exemplaire en état satisfaisant (très fortes rouss., essais de plume en page 1, rel. frottée en coupes). Married to Count Lionel de Moreton Chabrillan in 1854, she followed him when he was appointed French Consul in Melbourne. Rejected by the good society, she took the opportunity to cultivate and write, including "The Golden Thieves": "this book, I began to write to distract me.What was just a whim became a passion, I did not burn him, because I love him, he was my companion in exile, the confidant of my troubles, the friend of my thoughts. " Français
1976Reli?. 303 pages.
français Tahiti, Scoop, 1993. In-8 de 64 pp.; broché, couverture souple illustrée. Collection Survol illustrée de reproductions et photographies en couleurs. En parfait état.
4°, mz. pelle coeva con angoli, tit. e fregi in oro al d. (spellature e lievi mende d’uso), pp. (IV) - 284, con illustrazioni n.t. Es. parzialmente allentato, ma buono. Ediz. su carta patinata.
1887In 8,pp.504. Con 4 carte geografiche a colori. Qualche brunitura. Br. ed. ill. con danni al d. Indice: Premiere partie - L'archpel indien - Seconde partie - Les iles du pacifique Troisieme partie - L'Australie. Appendice
Hachette. 1969. In-4 Carré. Relié. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur frais. 186 pages. Photo en couleur lanc en frontispice. Illustré de nombreuses photos en couleur et en noir et blanc, dans et hors texte. Texte sur 2 colonnes. Photographies de l'auteur. Préface de Paul-Emile VICTOR.
Zürich, Atlantis Verlag AG & Mulhouse Braun, 1970, 225pp.+ 150 ills., couv.toile avec jaquette (qqs.déchirures), intérieur en bel état
1907- s.d. (1907), sujet : 12,4x18,9cm, planche : 18,5x26,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 18,5 x 26,9 cm | one sheet Woodcut drawn and engraved by George-Daniel de Monfreid, in black on onion skin paper. Original proof, likely unique. Handwritten Annotation by the artist ("state 5") in bottom margin, in pencil. Original print run of a woodcut in black inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. Only two other original color proofs (the second one is preserved at the Musée Maurice Denis in Saint-Germain-en-Laye), are known to date. [FRENCH VERSION FOLLOWS] Bois dessiné et gravé par Georges-Daniel de Monfreid, en noir et blanc sur papier pelure. Épreuve probablement unique. Annotation manuscrite de l'artiste ("éta
1907- s.d. (1907), sujet : 12,4x18,9cm, planche : 15,1x20,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 15,1 x 20,9 cm | one sheet Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. Only one other original color proof and one print run, in black and white (see below), are known to date. Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. The artist had likely printed one for himself and offered the other to Segalen who dreamed of owning etching of the one he called his "Boss" and to whom he would dedicate his collection of poems, Peintures. [FRENCH VERSION FOLLOWS] Epreuve originale en couleur d'un bois inspiré de l'uvre de Gauguin et grav
19775 vol. in-4 br.,, texte dactylographié et reprographié, s.n., 1977, LI-1709 pp. et 18 ff. avec très nombreuses photos (tirages argentiques) contrecollées Rare exemplaire de cet impressionnant travail, thèse d'état du professeur Christian Huetz de Lemps (1938-2017). Brillant élève (mention très bien au baccalauréat, lauréat au concours général de philosophie...), une bourse d'étude lui offrit l'opportunité de cette étude. Un ouvrage monumental et proposant une documentation iconographique unique et exceptionnelle par sa richesse et son originalité iconographique, qui est devenu un témoignage historique remarquable sur Hawaï dans les années 1970. Bon exemplaire (qq. frott. d'usage). Français
1971in 16°, bross. edit. ill., timbro d'appartenenza, dorso muto - volume in lingua francese
1861- Extrait de la Revue des deux mondes, s.l. (Paris) 1861, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1971in quarta di cop.: Exposé des thèses et positions de la RDVN et du GRP du Sud Viet Nam; Les documents essentiels sur la question - in 16°, opuscolo graffettato di 48 pp., cop. edit. con titoli, bruniture in cop. - volume in lingua francese
1930réf. 127950Éditions Albert Morancé, Paris, 1930. 50 Taf., 14 S. ; 41 x 31 cm ; Halbleinen.
1864- Extrait de la Revue des deux mondes, s.l. (Paris) 1864, 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
1981réf. 113774Chêne, Hachette 1981 In-folio reliure éd. sous jaquette 36,5 cm sur 29,5. Jaquette en état satisfaisant. Bon état d’occasion.
réf. 201011344Paris, Hachette, 1965 ; grand in-4, 300 pp., cartonnage d'éditeur avec jaquette. BON ÉTAT - texte français d'Anne Rousseau.
1902réf. 755131902 Paris, Armand Colin, 1902, grand in 8° relié demi-chagrin à coins, dos à nerfs orné, tête dorée, couvetrure conservée ; 284 pages.
1861réf. 15539Extrait de La Revue des deux mondes | s. l. [Paris] 1861 | 15.50 x 25 cm | agrafé
réf. 054590Paris P.-C Lehuby, Libraire-Editeur, sans date (vers 1840) 0 in 12 (18x11) 1 volume reliure plein cuir violine de l'époque, dos lisse orné caissons dorés, plats ornés d'un important décor estampé à froid encadré d'un filet doré, plat supérieur orné au centre du fer doré du Lycée Impérial Napoléon, tranches teintées, frontispice gravé, 286 pages, et 2 gravures hors-texte, page de titre légèrement et uniformément jaunie. Ex-dono manuscrit signé par le proviseur du Lycée Impérial Napoléon. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1971réf. se129Hachette La vie privée des animaux Cartonné 1971 In-4 (24,3 x 31 cm), cartonné, 61 pages, illustrations en couleurs ; couverture uniformément jaunie, quelques traces et marques d'usage au quatrième plat, angles des coiffes frottés, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1945réf. 021803Montréal L'ARBRE / France forever 1945 un volume in-8°, 252 (1) pp. Reliure toilée moderne à la Bradel, étiquette au dos, couverture conservée. Photographies et dessins de l'auteur : 24 planches en noir et 5 illustrations dans le texte.
1964réf. R160187962SEUIL. 1964. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 186 Pages - Nombreuses photos et dessins en noir et blanc dans et hors texte - Contreplats illustrés en noir et blanc - Dos insolé. . . . Classification Dewey : 995-Océanie
réf. 562152Université de Paris X, 1986. 2 vol. in-4, brochés, dos collé carré en toile noire, étiquette manuscrite sur le dos, plats en papier fort fauve, polycopié de 243, 244-501pp, illustrations, cartes, graphiques, annexes, bibliographie.
