Livre Rare Book
4 602 résultats
1772réf. 3364In Torino, nella Stamperia Reale, 1772. 2 parties en 1 vol. in-4 de VIII-142 pp. ; (4)-239 pp., cartonnage de l'époque, entièrement non rogné.
1830réf. 3049Chambéry, chez Routin, Bottero et Alessio, Imprimeurs du Roi, 1830-1832. Recueil de 58 pièces en 1 vol. in-4 broché.
réf. 214700Grenoble, Lithographie de l'Ecole du Génie, s.d. (1890) in-4 oblong, titre lithographié, [4] ff. n. ch., texte autographié sur deux colonnes, avec une carte en couleurs et 18 vues lithographiées chiffrées I-XVI (il y a des planches bis), en feuilles, agrafées. Couverture détachée comportant qqs manques de papier et déchirures.
1795réf. 127581795 cartonnage bradel. in-4, (2ff.), 156pp., 18 planches sur cuivre, Paris Du Pont An III de la République (1795)
1922réf. 89837Imprimerie Nationale | Nouméa 1922 | 15 x 23.5 cm | Relié
1661réf. 16537Lyon, Claude Prost, 1661. 2 parties en 1 vol. in-8 de (22)-246 pp. 1 f.bl. 240-(8) pp. titre-frontispice, vélin remplié, titre manuscrit sur le dos (reliure de l'époque).
1741Due grandi stampe (76 x 54 e 74 x 54 cm.) incise da Belmond su disegno di Francesco Martinez nell’occasione dei funerali di Maria Teresa di Lorena: le stampe rappresentano il duomo di Torino (pianta, spaccato e soffitto la prima, prospettive la seconda). La firma interna alle prospettive è Alfieri, del quale Martinez (che figura invece al margine, in entrambe le stampe) era collaboratore.
1824réf. 16510Turin, Imprimerie Royale, 1824. In-4 de 57 pp., cartonnage Bradel jaspé, non rogné (reliure de l'époque).
1922réf. 89837Nouméa: Imprimerie Nationale 1922. Fine. Imprimerie Nationale Nouméa 1922 15 x 23.5 cm Relié First edition cf. O'Reilly 2192. Modern Bradel binding in brown half-cloth forest-green morocco lettering-piece marbled paper boards beige endpapers and pastedowns original wrappers retained albeit lightly soiled; binding signed by Boichot. Illustrated with 49 photographic plates hors texte. ""Minutieuse histoire analytico-chronologique des trente premières années de la Calédonie européenne. Il annonçait une suite qui n'a jamais vu le jour"" O'Reilly. Imprimerie Nationale hardcover
réf. 51454Torino.1729.2 vols.in-8 en vélin d'époque.480 et 505 p.Quelques écritures à l'encre sur les 1ers.plats.Bon état malgré en fin du volume II.En italien et français.Lois promulguées par Charles Emmanuel II de Sardaigne pour les Comtés de Nice et Savoie.
1668réf. 41968Annessy, Jacques Clerc, 1668. In-12 de (22) pp. 1 f.bl. 343 pp.ARENTHON D'ALEX (Jean). Additions des principales Constitutions et Exhortations. Annecy, Jacques Le Cler, 1683. 48 pp.ARENTHON D'ALEX (Jean). Règlement des Missions pastorales établies dans le Diocèse de Genève, par Monseigneur Jean d'Aranthon d'Alex. [suivi de :] La Société des bons et véritables amys. Annecy, Jacques Le Cler, 1683. 44-11-(1)-14 pp. 3 pièces en 1 vol. in-12, veau brun, dos muet à nerfs (reliure de l'époque).
1823réf. 99089Madrid: Imprenta de D. Miguel de Burgos 1823. 1823. Very good. - Small folio 11-3/4 inches high by 8-1/4 inches wide. Softcover bound in plain brown wrappers. There is a short tear to the tail of the spine and the corners of the covers are creased. 6 unnumbered pages followed by a blank leaf. There are a couple of light spots to the front margin of the first leaf. A clean & bright pamphlet. RARE First only edition. When King Ferdinand VII of Spain returned to power in 1814 he repealed the liberal constitution of 1812 the Constitution of Cadiz. In 1820 soldiers preparing for an expedition to reclaim Spanish colonies in South America pledged loyalty to the 1812 Constitution and led by Rafael del Riego revolted against the King's absolute rule. On March 9 1820 Ferdinand accepted the constitution and gave power to the liberal ministers. The 3-year period that followed is known as the "Trienio Liberal". This period of liberal rule in Spain was marked by instability and a faltering Spanish economy. In January of 1823 a secret treaty was signed at the Congress of Verona by the United Kingdom France Russia Prussia and Austria. The treaty gave authority to France to invade Spain and restore Ferdinand VII as the absolute monarch. The King of France Louis XVIII put the Duke of Angouleme in charge of the Army of the Pyrenees also known as the "Hundred Thousand Sons of Saint Louis". It was his mission to overthrow the Constitutional government of Spain and restore Ferdinand VII to his full powers as was agreed to at the Congress of Verona. Angouleme and his army entered the capital of Spain on May 23 1823. There he formed a royalist regency presided over by Carlos Maria Isidro de Borbon the Infante of Spain. The pamphlet at hand is an exposition addressed to the Duke of Angouleme by the Grandee of Spain represented by 36 members of the Spanish nobility who have signed at the end. It is worthy of note that the Grandee's statement is dated May 27 the day after the regency was installed. The statement praises Angouleme and calls for him to quickly unite the King with the nations of Europe. "Ahora la oportunidad de desahogar nuestros pechos oprimidos y de reunir nuestros deseos y nuestras fuerzas para lograr la suspirada restauracion era el dia venturoso en que un hijo por el amor y heredero por la sangre del poderoso rey cristianisimo de Francia ha aparecido en esta capital misma rodeado de tantos miles de valientes anunciando el grandioso designio de poner en libertad a nuestro Rey y de hacer que reine de nuevo entre nosotros el orden la paz y la justicia.Acabad senor pronta y felizmente el desempeno de vuestro noble encargo; juntad la libertad de un Rey de vuestra sangre a las justas esperanzas de una nacion amiga de la Francia; que de los esfuerzos reunidos de estos dos pueblos generosos resulte el bien Comun y un nuevo y duradero lazo de amistad y de alianza; que ahuyentadas las mezquinas y funestas pasiones para hacer lugar a la benefica concordia formada una sola familia con un solo espiritu en rededor del regio trono; puestos enfin los Espanoles en honrosa y sabia armonia con las naciones cultas de la Europa tan lejos de las intrigas de la arbitrariedad precursora siempre de desastres como de la inquieta y destructora anarquia podamos un dia mas dichoso y puedan nuestros hijos decir con inefable y permanente jubilo." Madrid: Imprenta de D. Miguel de Burgos, 1823. paperback
réf. 135658aafà Paris chez Engelmann & Cie, 1827, in-folio, Feuille de titre ill. d’une vignette + 49 ff. de texte avec 6 lithogr + 24 planches, reliure en demi-cuir rouge de l’époque.
1729réf. 4179Torino, nell'Accademia Reale, 1729. 2 parties in un vol. in-4 de 92-(4) pp. et 193-(7) pp., vélin rigide de l'époque.
réf. 226504Turin, Imprimerie royale, s.d. (1759) in-8, XXXX pp., 372 pp., [2] ff. n. ch. (imprimatur et errata), avec un portrait gravé de Charles-Emmanuel III en médaillon en haut de la dédicace, basane fauve marbrée, dos lisse cloisonné et fleuronné, armes sur les plats, pièce de titre, tranches rouges Armes un peu usées au premier plat.
1606réf. 44817S. Gervais [Chambéry, Geoffroy Dufour], 1606. In-12 de (20)-322 pp., veau marbré, dos orné à nerfs, pièce de titre en maroquin rouge (reliure de l'époque).
1659réf. 16486A Annessy, par Jacques Clerc, 1659. In-4 de (12)-436-(12) pp. 1 feuillet blanc, 1 planche hors-texte, demi-chagrin rouge à coins, dos orné à nerfs (reliure du XIXe siècle).
1821réf. 21635Paris, Librairie Grecque, Latine et Française, Imprimerie de Cosson, 1821 ; 2 tomes in-8 (208 mm), demi-veau bleu marine, dos plat à deux nerfs encadrant l’auteur et le titre dorés, grande composition romantique dorée, tomaison en queue, non rogné (reliure de l’époque) ; [2 ff.], XXVI, 456 pp., [1 f.] ; [2 ff.], 474 pp., [1 f. n.ch.], portrait du comte Joseph de Maistre en frontispice lithographié par Bouillon et dessiné par Villain.
réf. 15217Chambéry, Geoffroy Dufour, 1643.
réf. 16352Genève, Rey et Malavallon, imprimeurs [puis] Eggimann & Cie [puis] Société générale d'imprimerie, 1896 - 1914. 9 tomes reliés en 8 volumes, demi-chagrin rouge, dos (passés) à nerfs, pièce de titre beige, couvertures conservées.
2013réf. 106586De Gruyter. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; Contact Zones . 2013. 3110298805 . De Gruyter hardcover
2010réf. 94906Prestel-Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 384 pages; 411 illustrations including 378 in color. -- with a bonus offer-- . 2010. 3791350889 . Prestel-Verlag hardcover
2012réf. 100141Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 152 pp. ; 203 illus. 152 in color. -- with a bonus offer--; The floating city of Venice has enchanted visitors for centuries with its maze of scenic canals. For this pioneering book Daniel Savoy set out by boat to explore the built environment of these waterways gaining new insights into the architectural history of this major early modern Italian center. By viewing the architecture and experience of the canals in relation to the production of Venetian civic mythology the author found that the waterways of Venice and its lagoon were integral areas of the city's pre-modern urban space and that their flanking buildings were constructed in an intimate dialogue with the water's visual spatial and metaphorical properties. Enhancing the natural wonder of their aquatic setting the builders of Venice used illusory aesthetic and scenographic practices to create waterfront buildings that appear to float blend into the water and glide into view around bends in the canals—transporting visitors into a seemingly otherworldly realm. This book's striking photographs of Venice as seen from its waterways will likewise transport readers with breathtaking views of this captivating city. . 2012. 0300167970 . Yale University Press hardcover
1930réf. 190332New York: The Savoy Ballroom 1930s. Chic memento of Harlem's greatest nightspot From the collection of Rolling Stones drummer and jazz aficionado Charlie Watts with his posthumous bookplate: a striking souvenir of the fabled Savoy "the World's Greatest Ballroom" situated on Lenox Avenue. Langston Hughes surely had it in mind when in "Juke Box Love Song" he referred to "Harlem's heartbeat". Entirely unsegregated from the beginning this was a ballroom not a night club - they came to dance. The long narrow dance floor known to the regulars as the "Track" was not a place for the faint-hearted it was every bit as competitive as the Savoy's dual bandstands where the Battles of the Bands or Cutting Contests took place and for which the venue became famous. Through the 1930s until his unfortunately premature demise in 1939 the great Chick Webb the original King of Swing held sway with his hard-driving band defeating all comers of the stature of Benny Goodman and Count Basie the winners chosen by the dancers of course. The folder contains the original table photograph which shows a booth with four African-American couples in their thirties and a couple of hangers-on outside the booth all of them sharply turned out and ready for a good time. And - if the debris on the table is anything to go by with at least one champagne bottle in evidence - on their way to having one. This is a wonderfully evocative piece of jazz ephemera from the Charlie Parker and Night Club Memorabilia collection of Norman R. Saks. Pink card photo-folder 238 x 278 mm superb graphic of a dancing couple to front panel. Original silver gelatin table photograph in the window mount. A little rubbed and soiled some minor stripping at the spine and lower edge of the front panel short split to the window-mount the photograph slightly mottled. Ken Vail The Norman R. Saks Collection 292 unknown
1685réf. 44814À la Cité d'Aôte(Aoste), Étienne Riondet, 1685. Petit in-4 à pagination multiple, large cul-de-lampe gravé sur bois répété à chaque sermon, basane brune granitée, dos à nerfs muet, tranches mouchetées (reliure de l'époque).
