Anais NinBiblio.com
6 444 résultats
1991réf. SBBI-mon0000110512Penguin Classics 1991. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Penguin Classics paperback
2008réf. SBBI-mon0000137477Penguin 2008. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Penguin paperback
1974réf. SBBI-mon0000153425Quartet Books 1974. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Quartet Books paperback
réf. 303279Hollywood Oaxaca Los Angeles etc. 1979. 15 pages with mailing envelopes two post cards. 8vo. Fine. 15 pages with mailing envelopes two post cards. 8vo. American author and playwright James Leo Herlihy 1927-1993 author of All Fall Down and Midnight Cowboy here writes to John Ferrone a New York based friend and editor at Harcourt Brace and elsewhere on a variety of topics concerning his journals books and frequently his friend Anaïs Nin whose journals Ferrone edited. Autograph Note signed "Jamie Herlihy" dated 22 February 1974 in part: "I'm very happy that we've me: Anais's trust in you and her devotion to you are deep and the reasons were immediately apparent" Autograph Note signed "Jamie" dated 3 April 1974 2 pp. opening "I have begun this answer to your note of March 13 at least 3 times. Moving. Incredible confusion. ." Autograph Letter signed 8 May 1974 2 pp. 38 lines concerning permission to use photographs not present Herlihy's ambivalence about the journals Ferrone is reading noting in part: " The journals I'm doing now will perhaps one day be more interesting to readers. As for photo identification: these photos the two I'm sending were made the year I wrote All Fall Down. But I am much better known of course as the author of Midnight Cowboy. . I enjoyed hearing from you." Autograph Letter signed 17 June 1974 2 pp. "I liked your letter. Yes I'm afraid the - - relationship would have to stay in the background of any memoir I might ever publish. . He asked for instance to be omitted from Anaïs's dairy." Autograph Note signed 22 October 1974 postcard from Oaxaca thanking Ferrone for "the fine Nin album. Very happy to be part of it." A photographic supplement to the diaries published that year. Autograph Note signed 15 March 1976 postcard with Nin's address and device requesting paperback copies of the diaries. Autograph Note signed 14 March 1977 thanking Ferrone for "these Mumford volumes". Autograph Letter signed 30 October 1978 2 pp. letter of introduction for Alicia Bay Laurel author/illustrator of Living on the Earth 1971. Typed Note signed 15 February 1979 conveying a 2 pp. typescript transcription of a journal entry from Black Mountain College days describing a 1947 meeting with Anaïs Nin. unknown
réf. 303279Hollywood Oaxaca Los Angeles etc. 1979. 15 pages with mailing envelopes two post cards. 8vo. Fine. 15 pages with mailing envelopes two post cards. 8vo. American author and playwright James Leo Herlihy 1927-1993 author of All Fall Down and Midnight Cowboy here writes to John Ferrone a New York based friend and editor at Harcourt Brace and elsewhere on a variety of topics concerning his journals books and frequently his friend Anaïs Nin whose journals Ferrone edited. Autograph Note signed "Jamie Herlihy" dated 22 February 1974 in part: "I'm very happy that we've me: Anais's trust in you and her devotion to you are deep and the reasons were immediately apparent" Autograph Note signed "Jamie" dated 3 April 1974 2 pp. opening "I have begun this answer to your note of March 13 at least 3 times. Moving. Incredible confusion. ." Autograph Letter signed 8 May 1974 2 pp. 38 lines concerning permission to use photographs not present Herlihy's ambivalence about the journals Ferrone is reading noting in part: " The journals I'm doing now will perhaps one day be more interesting to readers. As for photo identification: these photos the two I'm sending were made the year I wrote All Fall Down. But I am much better known of course as the author of Midnight Cowboy. . I enjoyed hearing from you." Autograph Letter signed 17 June 1974 2 pp. "I liked your letter. Yes I'm afraid the - - relationship would have to stay in the background of any memoir I might ever publish. . He asked for instance to be omitted from Anaïs's dairy." Autograph Note signed 22 October 1974 postcard from Oaxaca thanking Ferrone for "the fine Nin album. Very happy to be part of it." A photographic supplement to the diaries published that year. Autograph Note signed 15 March 1976 postcard with Nin's address and device requesting paperback copies of the diaries. Autograph Note signed 14 March 1977 thanking Ferrone for "these Mumford volumes". Autograph Letter signed 30 October 1978 2 pp. letter of introduction for Alicia Bay Laurel author/illustrator of Living on the Earth 1971. Typed Note signed 15 February 1979 conveying a 2 pp. typescript transcription of a journal entry from Black Mountain College days describing a 1947 meeting with Anaïs Nin. unknown books
réf. DOY 3Book. Fine. Hardcover. Signed by Authors. 1st Edition. A FINE FIRST IN NEAR FINE DJ. SIGNED LIMITED FIRST EDITION of the author's first book number 491 of 500 copies numbered on the colophon and with publisher's stamped slip with number from an edition of 550 of which 50 were for the press. Hardcover
1945réf. 32968New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 50 de luxe copies on Etruria paper this unsigned copy presumably hors série. Octavo 24.5cm; publisher's pink pictorial paper-covered boards; 183pp.; hand-colored woodcut frontispiece four leaves of color plates. Light wear to spine ends margins toned brief ink spotting to top edge of rear cover else a Very Good internally clean and sound copy. Exceptional example of this de luxe edition of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. A trade edition limited to 1000 copies with uncolored illustrations appeared simultaneously though this limitation has two extra plates. Franklin A6b. Gemor Press unknown
1945réf. 32968New York: Gemor Press 1945. Very Good . New York: Gemor Press 1945. First Edition Limited to 50 de luxe copies on Etruria paper this unsigned copy presumably hors série. Octavo 24.5cm; publisher's pink pictorial paper-covered boards; 183pp.; hand-colored woodcut frontispiece four leaves of color plates. Light wear to spine ends margins toned brief ink spotting to top edge of rear cover else a Very Good internally clean and sound copy. Exceptional example of this de luxe edition of one of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. A trade edition limited to 1000 copies with uncolored illustrations appeared simultaneously though this limitation has two extra plates. Franklin A6b. Gemor Press unknown books
réf. pb33TITUS Book. Very Good. Hardcover. FIRST. A FINE FIRST IN NEAR FINE DJ. SIGNED LIMITED FIRST EDITION of the author's first book number 46 of 500 copies numbered on the colophon and with publisher's stamped slip with number from an edition of 550 of which 50 were for the press. TITUS Hardcover
réf. 112217Harcourt. First Edition. Hard Bound Volume. Very Good/Very Good. 7 vols. Published 1966-1980. The first five vols. contain autograph postcards signed by Nin. They are to one Robert Altman who published an item of Nin's. Harcourt unknown
1945réf. 140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown
1945réf. 140947165New York: Gemor Press 1945. First Edition. Near Fine. First edition first printing. Signed by Anais Nin on the front free endpaper. Publisher's cream paper covered boards printed in maroon with woodcuts by Ian Hugo. Near Fine with very light wear and soiling to covers small stain to rear cover offsetting to end sheets from binder's glue and light even toning to pages. One of 1000 copies of 1050 total. A lovely copy with firm binding. Anais Nin's novel handles the travails of existing as a woman in a male-dominated world. Gemor Press unknown books
1950réf. 0013271950. Soft cover. Near Fine. Anais Nin folding woodblock print social note card probably circa 1950s. Unopened size is 4 1/4" x 2 3/4". Opened size 8 1/2" x 2 3/4". Softly erotic woodblock print of the female form on the cover closed format. Signature and handwriting certified by an FHE and the physical form of that certification will accompany this piece. Also some provenance in the form of the business card of the previous owner himself a rare manuscripts dealer. A flirtatious note from Ms.Nin to a gentleman who had previously wanted to write a story about her telling him that now the time may be right for that - and including her phone number. Date of this piece not known but might be deduced from her phone number by a Nin authority. Such an expert may also know who the gentleman in question is. And for that matter it may not even be a gentleman. Near fine condition just a bit toned from the years not much and no other flaws. See scans. A neat and very "that's-so-HER" little piece of manuscript ephemera from the world of and history of literature - from a time when there were such things. Today she would have just texted the guy. You can't collect that. L52 paperback
1991réf. 40229KNAUR THEODOR 04/1991. 1. softcover. KNAUR, THEODOR paperback
réf. 003046Paris, Louis Janet, libraire-éditeur (ca 1825)
1945réf. 33870New York: Gemor Press 1945. Very Good -. New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Boards rubbed and worn at corners and spine ends general dust-soiling and brief damp stain at bottom margin of rear cover internally clean and sound. A Good to Very Good copy. Inscribed and signed on front free endpaper "For George Davis avec amitié / Anaïs." One of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Excellent association copy inscribed and signed on front free endpaper to Harper's Bazaar and Mademoiselle editor George Davis 1906-1957. Davis and a collection of like-minded friends had founded a bohemian artist's commune in Brooklyn Heights in 1940 to which Nin was a regular guest. It was Nin who gave the commune its name February House after noticing that most of its residents had been born in that month. Franklin A6a. Gemor Press unknown
1945réf. 33870New York: Gemor Press 1945. Very Good -. New York: Gemor Press 1945. First Edition Limited to 1000 copies. Octavo 21cm; publisher's cream pictorial paper-covered boards printed in magenta; 183pp.; woodblock prints by Hugo throughout. Boards rubbed and worn at corners and spine ends general dust-soiling and brief damp stain at bottom margin of rear cover internally clean and sound. A Good to Very Good copy. Inscribed and signed on front free endpaper "For George Davis avec amitié / Anaïs." One of the few works to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942. Though named after Gonzalo Nin raised the money taught herself to set type and did the lion's share of the physical work for the press. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. Many of the works as is the case here were illustrated by Nin's husband Hugh Parker Guiler. Excellent association copy inscribed and signed on front free endpaper to Harper's Bazaar and Mademoiselle editor George Davis 1906-1957. Davis and a collection of like-minded friends had founded a bohemian artist's commune in Brooklyn Heights in 1940 to which Nin was a regular guest. It was Nin who gave the commune its name February House after noticing that most of its residents had been born in that month. Franklin A6a. Gemor Press unknown books
1946réf. 80234New York: E.P. Dutton 1946. First Edition. Hardcover. Near fine/Near fine. Signed by Anaïs Nin and inscribed by her husband engraver and filmmaker Ian Hugo born Hugh Parker Guiler 1898-1985 to attorney Ferdinand J. Wolf with a handwritten thank you card from Nin signed "Anaïs Guiler" laid in. Octavo. Original black cloth binding with gilt-stamped titling and decoration. A near fine copy in a near fine dust jacket with some light toning and wear along the extremities. The first novel in Nin's celebrated Cities of the Interior series interweaving the stories of several women each emotionally inhibited in her own way: through self-doubt fear guilt moral drift and distrust. The author's own experiences as recorded in her famous diaries supplied the raw material for her fiction. It was her intuitive experimental and always original style that transformed one into the other. E.P. Dutton hardcover
1612réf. ALDR0373Leipzig, Abraham Lamberg 1612. 4°. Titelbl., S. 957-1794 (Ss. 1717/1718 unbedruckt, S. 1795 fehlt), mit gerahmten Textseiten, breiten Kopfleisten, Zierleisten, Initialen und Schlussvignetten, sowie zahlreichen Wappendarstellungen in Holzschnitt (ab S. 1736 ausschließlich Wappendarstellungen). Pergamentband d. Zeit, Kanten etwas bestoßen, fleckig und beschabt, mit wenigen Wurmgängen, ehemalige Metallschließen fehlen, Rücken restauriert, Vorsatz erneuert. Seiten recht gut erhalten, meist nur gering vergilbt und kaum fleckig, Schlussblätter fachgerecht restauriert. Mit e. Wappen-Exlibris am vorderen Innendeckel. VD17 14:073992R. Vgl. NDB 3,219 (Christalnik) u. 16,619f. ADB 21,183ff. - zweiter Teil dieser bedeutenden Kärntner Chronik, deren Drucklegung unter Verwendung der von M. G. Christalnick (1530?-1595) verfassten 'Historia Carinthiaca', einer ersten eingehenden Geschichte Kärntens, von H. Megiser (1554-1619), der das Werk überarbeitete und bis 1611 fortführte, veranlasst wurde. Der protestantische Prediger und Kärntner Landeshistoriker Christalnick hatte die Chronik 1588 im Auftrag der Kärntner Stände geschrieben. Der Sprachgelehrte und Historiker H. Megiser (1554-1619) war um 1590 in Graz zum Landschaftlichen Geschichtsschreiber, 1603 zum churfürstlich bestellten Historiographen in Leipzig ernannt worden und schließlich 1612 von Erzherzog Karl von Österreich als Geschichtsschreiber nach Linz berufen und 1615 zum 'Historicus' der Landschaft erwählt worden. Die fehlende Seite 1795 und deren Rückseite mit Impressum und großer Druckermarke in Holzschnitt liegen in Kopie bei, das unbedruckte Blatt 1717/1718 bedingt keinen Textverlust. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG
1974réf. 1343253London: Peter Owen 1974. First Edition First Printing. Hardcover. Octavo 275 pages. In Very Good condition with a Very Good minus dust jacket. Dust jacket spine black with white and green titling. Dust jacket protected with a mylar covering. Price uncut: "£4.50 net." Mild shelfwear and rubbing overall with light bumping to lower corners. Stamp on front free endpaper reads "From the Library of Anais Nin and Ian Hugo." There are no markings or marginalia. Shelved in Case 12. 1343253. Shelved Dupont Bookstore. Peter Owen hardcover
1974réf. 1343253London: Peter Owen 1974. First Edition First Printing. Hardcover. Octavo 275 pages. In Very Good condition with a Very Good minus dust jacket. Dust jacket spine black with white and green titling. Dust jacket protected with a mylar covering. Price uncut: "£4.50 net." Mild shelfwear and rubbing overall with light bumping to lower corners. Stamp on front free endpaper reads "From the Library of Anais Nin and Ian Hugo." There are no markings or marginalia. Shelved in Case 12. 1343253. Shelved Dupont Bookstore. Peter Owen hardcover books
1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown
1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown books
1818réf. ZB445242Paris 1818-1851. Series I: volumes 3-6 8 10 12-13; Series II: volumes 1-8; Series III: volumes 1-20; Series IV: volumes 1-6; 8; 9 13-20 1818-1851 complete volumes bound some bindings require repairs or replacement ex library however textually clean. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris unknown
2004réf. 84362powerHouse Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages 20 illustrations; 8 vo. -- with a bonus offer--; Iconic erotic writer Anais Nin wrote of feminist artist Judy Chicago in the seventh volume of her Diaries "Our first meeting was very interesting. I was intimidated by Judy's powerful personality. She was intimidated by the lady of the Diaries.But what happened is that we immediately felt a tenderness and recognized that we needed each other." From this encounter a personal friendship and professional alliance flowered and continued to bloom until Nin's death in 1977. Nin a feminist of the first wave considered Chicago her "radical daughter." Where Nin was graceful Chicago was confrontational. Where Nin was evocative Chicago was provocative. Yet both sought the same goal: freedom for female self-expression unfettered by the constraints of patriarchal posturing. Their relationship - a dialogue between the early and latter halves of the twentieth century - helped Chicago transcend her internalized taboos and fully express her creative power. As a tribute to the legacy of her mentor Chicago shares some of her memories of their encounters in her introduction to Fragments From The Delta Of Venus a collection of twenty artworks pairing Chicago's sensuous watercolor images with extremely evocative phrases from Nin's famed collection of stories. The book promises to be a breakthrough in the history of erotic art which - for centuries - has belonged almost exclusively to male artists and a male audience. Fragments From The Delta Of Venus might be said to be a continuation of Chicago and Nin's earlier dialogue illuminating in both images and words the powerful fantasies and desires of the female mind. Fragments From The Delta Of Venus will be released on Valentine's Day 2004 perfectly timed to warm your lover's heart - and more. . 2004. 1576871827 . powerHouse Books hardcover
