Nin, AnaisBiblio.com
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1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown
1932réf. 368277Paris: Edawrd W. Titus 1932. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Blue cloth gilt lettered on front cover and spine. Unopened fine in dust jacket that is lightly toned with some modest chipping at extremitites light soiling to rear panel. First edition of the author's first book number 491 of 500 copies. 10 146 2 pages. 1 vols. 8vo. Presentation copy inscribed on the ffep: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and and championed her work internationally. Franklin A1 Edawrd W. Titus unknown books
1818réf. ZB445242Paris 1818-1851. Series I: volumes 3-6 8 10 12-13; Series II: volumes 1-8; Series III: volumes 1-20; Series IV: volumes 1-6; 8; 9 13-20 1818-1851 complete volumes bound some bindings require repairs or replacement ex library however textually clean. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris unknown
2004réf. 84362powerHouse Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages 20 illustrations; 8 vo. -- with a bonus offer--; Iconic erotic writer Anais Nin wrote of feminist artist Judy Chicago in the seventh volume of her Diaries "Our first meeting was very interesting. I was intimidated by Judy's powerful personality. She was intimidated by the lady of the Diaries.But what happened is that we immediately felt a tenderness and recognized that we needed each other." From this encounter a personal friendship and professional alliance flowered and continued to bloom until Nin's death in 1977. Nin a feminist of the first wave considered Chicago her "radical daughter." Where Nin was graceful Chicago was confrontational. Where Nin was evocative Chicago was provocative. Yet both sought the same goal: freedom for female self-expression unfettered by the constraints of patriarchal posturing. Their relationship - a dialogue between the early and latter halves of the twentieth century - helped Chicago transcend her internalized taboos and fully express her creative power. As a tribute to the legacy of her mentor Chicago shares some of her memories of their encounters in her introduction to Fragments From The Delta Of Venus a collection of twenty artworks pairing Chicago's sensuous watercolor images with extremely evocative phrases from Nin's famed collection of stories. The book promises to be a breakthrough in the history of erotic art which - for centuries - has belonged almost exclusively to male artists and a male audience. Fragments From The Delta Of Venus might be said to be a continuation of Chicago and Nin's earlier dialogue illuminating in both images and words the powerful fantasies and desires of the female mind. Fragments From The Delta Of Venus will be released on Valentine's Day 2004 perfectly timed to warm your lover's heart - and more. . 2004. 1576871827 . powerHouse Books hardcover
2014réf. 112239Silvana. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Italian. -- with a bonus offer-- . 2014. 8836628486 . Silvana paperback
1942réf. 32954New York: Gemor Press 1942. Very Good . New York: Gemor Press n.d. ca. 1942 First American Edition Limited to 500 copies. Octavo 21.5cm; publisher's black pictorial paper-covered boards; 4155pp.; copper engravings throughout. Brief rubbing to spine ends and corners white spine titling browned textblock lightly toned else a Very Good or better example. Inscribed and signed by the author on front free endpaper: "Dorothy Perera - one of the new women! this decadent world we are transcending / Anaïs Nin / New York 1943." The first work to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942 naming it the Gemor Press after Gonzalo though Nin raised the money taught herself to set type and did the lion's share of the physical work. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. The works Gemor published--eight titles all together six of them by Nin herself--were frequently illustrated by Nin's husband Hugh Parker Guiler who went under the pseudonym Ian Hugo. The colophon in this work notes that Hugo "used the tecnique sic which William Blake called 'revealed' because it was revealed to him by his brother in a dream. This is the first time this technique as developed by S.W. Hayter has been employed since Blake invented it." Winter of Artifice was first published by the Obelisk Press in 1939 but the contents were revised for this edition which Nin's bibliographer Benjamin Franklin yes that's right claims is one of the hardest to date. Nin's diary usefully notes that the work was delivered fully bound on May 15 1942. Franklin A3b. Gemor Press unknown
1942réf. 32954New York: Gemor Press 1942. Very Good . New York: Gemor Press n.d. ca. 1942 First American Edition Limited to 500 copies. Octavo 21.5cm; publisher's black pictorial paper-covered boards; 4155pp.; copper engravings throughout. Brief rubbing to spine ends and corners white spine titling browned textblock lightly toned else a Very Good or better example. Inscribed and signed by the author on front free endpaper: "Dorothy Perera - one of the new women! this decadent world we are transcending / Anaïs Nin / New York 1943." The first work to come out of the Gemor Press which Anaïs Nin and her lover Gonzalo More established in Greenwich Village in 1942 naming it the Gemor Press after Gonzalo though Nin raised the money taught herself to set type and did the lion's share of the physical work. Distribution in turn was aided by Frances Steloff at the Gotham Book Mart. The works Gemor published--eight titles all together six of them by Nin herself--were frequently illustrated by Nin's husband Hugh Parker Guiler who went under the pseudonym Ian Hugo. The colophon in this work notes that Hugo "used the tecnique sic which William Blake called 'revealed' because it was revealed to him by his brother in a dream. This is the first time this technique as developed by S.W. Hayter has been employed since Blake invented it." Winter of Artifice was first published by the Obelisk Press in 1939 but the contents were revised for this edition which Nin's bibliographer Benjamin Franklin yes that's right claims is one of the hardest to date. Nin's diary usefully notes that the work was delivered fully bound on May 15 1942. Franklin A3b. Gemor Press unknown books
1948réf. 144891New York: E.P. Dutton & Company 1948. First edition of this landmark novel from the library of Anais Nin. Octavo original black cloth. Near fine in a very good dust jacket. Accompanied by a clipped dedication page that reads "For Anais Nin" boldly signed by Vidal laid in. Gore Vidal and Anais Nin's friendship emerged from their shared commitment to challenging the literary and cultural orthodoxies of mid-twentieth-century America. While Vidal’s incisive social satire and Nin’s lyrical explorations of erotic subjectivity differed in style both writers pursued themes of identity and transgression which created a foundation of mutual admiration. In fine condition. From the library of Anais Nin. An exceptional association linking these two great writers. Stylistically influenced by Hemingway this work "is distinguished by its honesty and lack of self-pity; the central figure is unexceptional in every respect but his sexual choices" Stringer 690. "One of the best novels of its kind. . . . It isnt sentimental and it is frank without trying to be sensational and shocking" Christopher Isherwood. E.P. Dutton & Company hardcover
1936réf. 191871Paris: Siana Editions 1936. First edition 34 of 249 printed. This copy is inscribed by the author on the front free endpaper "To John Goodwin in answer to 'There is no warmth / Here in the woods / Only the tremendous fire / Only the frustrating fever / The scattered tombs of thought / Presaging the will to die.' / Anaïs Nin." The House of Incest is a prose poem "a book of dreams fantasies half-realities visions interior monologues and journeys; an esoteric description of a progress through experiences and relationships that actually represent the unnamed narrator dealing with her own multifaceted self". Franklin and Schneider p. 4. Tall octavo. Original cream wrappers lettered in black edges untrimmed. With remnants of original glassine. Spine creased from reading ends slightly chipped wrappers a little damp stained edges toned: a very good copy. Wendy M. DuBow Conversations with Anaïs Nin 1994; Benjamin Franklin & Duane Schneider Anaïs Nin: An Introduction 1979; Carl Rollyson Rebecca West and the God That Failed 2005. unknown
1740réf. 48618Nürnberg, (Lorenz Bieling für) Johann Adam Schmidt, 1740. Fol. Titel in Rot u. Schwarz m. gest. Vignette. Mit 51 Wappenkupfern u. zahlr. tlw. doppelblattgr. Stammtafeln im Text. 10 Bll., 505 (1) S., 17 Bll., HLdr. d. Zt. a. 5 Bünden m. Rückenverg., goldgepr. Rückenschild u. dreiseitigem Rotschnitt.
réf. 24841BERTELSMANN CARL. 1. hardcover. Nur für Mitglieder! BERTELSMANN, CARL hardcover
1989réf. 48259DEUTSCHER TASCHENBUCH VERLAG 1989. 2. softcover. DEUTSCHER TASCHENBUCH VERLAG paperback
1855réf. 66671855 "Historica Monumenta Lugduni Lugdunensis historiae monumenta, sive Diplomata, chartae, leges, epistolae, testamenta aliaque instrumenta ad res lugdunenses spectantia. - Lugdunensis historiae monumenta, inde a colonia condita usque ad saeculum quartum decimum"Lyon imprimerie d'Aimé Vingtrimier . 1855. Suivi (dans le même ouvrage du même auteur) : Musée lapidaire de la ville de Lyon Paris chez Durand Libraire1859 Tres important volume in folio Monfalcon ,Jean-Baptiste , 482 pages plus table ( 14 pp)En fin de volume un plan depliant de la ville de Lyon Interressante reliure signée Quire, dos à 5 nerfs decor doré, plats avec filets, aux armes de la ville, toutes tranches dorées. Parfait état . Photos supplémentaires sur demande .Trés rare dans cette édition originale : 1855, 100 exemplaires : l'auteur explique dans un préambule l'épopée vecue, pour decider ce projet ...
réf. ag354Ducher & Cie, Librairie générale de l'architecture et des travaux publics Relié "Ensemble de 28 volumes in-4 (env. 22,5 x 31 cm) et de 14 volumes in-folio (env. 33 x 43 cm) d'environ 104 planches chaque, reliure demi-peau, années 1881 à 1894-95 des ""Annales industrielles"", publiées par Frédureau & Cie, ingénieurs civils, traitant notamment de travaux publics, architecture, génie mécanique, etc. Deux tomes par année, chacune accompagnée d'un grand volume d'une centaine de planches ; quelques marques d'usage aux coiffes, coins et mors selon le volume, bel ensemble. (Note : notre photo de reflète qu'une année sur les 14 présentes dans ce lot) Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
réf. 43797Amsterdam. Joannis Blaeu.1657. Grotius. Gd.in-4 en vélin d'époque.569 p.+ Index. Portrait gravé.Edition originale. Bel exemplaire .Rosace et fleurons estampés à froid.Dos à 6 nerfs,nom de l'Auteur et titre manuscrits.Hugo Grotius ou Huig de Groot ou Hugo de Groot.
1936réf. 163655Paris: Siana Editions 1936. Inscribed to a "hell-cat with a tongue made of broken bottles and dipped in acid" First edition first printing presentation copy inscribed by the author on the front free endpaper "To Rebecca and Henry with affection Anaïs Paris 1936". This edition comprised 249 copies all numbered and signed by the author: this is number 67. It was Nin's "first best and most challenging volume of prose fiction" Franklin and Schneider. The recipient was Nin's friend Rebecca West the author and critic hailed as "indisputably the world's number one woman writer" by Time in 1947 and her husband the banker Henry Maxwell Andrews. West's literary opinions were strongly held and sharply worded. She called Tolstoy the "most bogus great writer of all time" declared "I am dead to Dante" and dismissed H. G. Wells the father of her child as "the old maid among novelists" Rollyson p. 10 Her friend and colleague at the Evening Standard once told her that she had the reputation of a "hell-cat with a tongue made of broken bottles and dipped in acid" ibid. Nin's diaries often refer to West including a recollection of their first encounter. West had written to Nin praising her first published work D. H. Lawrence: An Unprofessional Study 1932 and invited her to visit London. Nin accepted and an intense friendship blossomed. "I liked her immediately" recalled Nin "her warmth her brilliant dark eyes her wit. She visited me in Louveciennes. We talked so much together we lost our way in the forest and had to telephone to a friend to come and pick us up in a car. In Louveciennes she commented that she had never seen a house where deep talks could be treated so lightly." vol. 2 1966 p. 31ff. Despite their mutual admiration their friendship cooled in large part because of Nin's long-term relationship with Henry Miller. West despised Miller as both a writer and a person. "She first met him in Paris in Anaïs Nin's apartment. Rebecca happened to be passing the bathroom and heard a gurgling sound. She opened the door and there was Henry Miller committing suicide by drowning himself in the bathtub. 'So I pulled the plug and walked out' Rebecca confided to a friend. 'You know he never thanked me'" Rollyson ibid. The House of Incest is a prose poem "a book of dreams fantasies half-realities visions interior monologues and journeys; an esoteric description of a progress through experiences and relationships that actually represent the unnamed narrator dealing with her own multifaceted self" Franklin and Schneider p. 4. Tall octavo. Original cream wrappers lettered in black edges untrimmed. With original glassine. Spine ends slightly bumped and chipped short closed tear at head of front joint; glassine a little chipped with a few faint marks: a near-fine copy in like glassine. Wendy M. DuBow Conversations with Anaïs Nin 1994; Benjamin Franklin & Duane Schneider Anaïs Nin: An Introduction 1979; Carl Rollyson Rebecca West and the God That Failed 2005. unknown
réf. 9380New York: Crown Publishers 1976. Full Leather. Fine binding. Octavo. 160 pp. illus. First edition first printing thus. Full bound in burgundy morocco with blind-tooling sanding and dyed and acrylic-toned goat onlays. Top edge gilt with sgraffito designed. Hand-woven silk endbands. Housed in clamshell box. In this binding Brenda Gallagher has drawn from Boyce's erotic illustrations to render a beautifully blind-tooled drawing spanning both covers. Stamped onlays and sanded details bring the binding into perfect union with the text. Gallagher has subtly titled the cover by embedding both the author's name and title within the blind tooling. A remarkably designed and excellently executed binding capturing the spirit of Nin's prose and quite directly the character of Boyce's drawings. Gallagher is a design bookbinder and a graduate of the American Academy of Bookbinding. Crown Publishers unknown
1612réf. 64838Leipzig, Abraham Lamberg, 1612. Fol. Titel in Rot u. Schwarz m. gest. Wappen verso. Mit einer gefalt. Stammtafel u. zahlr. Textholzschnitten (meist Wappen oder Münzen). 19 Bll., 955 S.; 1 Bl., S. 957-1795 (recte 1793). - Angeb. - [Ders., Hg.]. Lands Handvest des löblichen Ertzhertzogthumbs Kharndten. Darinnen Kayserliche, Königliche und Landsfürstliche Freyhaiten, Statuta, Landsgebräuch [...] begriffen. Von newem getruckt. [Ebda.,] 1610. Titel in Rot u. Schwarz m. Holzschn.-Vignette. Mit einem ganzs. Wappenkupfer. 6 Bll., 293 S., Pgmt. d. Zt. m. durchzogenen Bünden, goldgepr. Rückentitel u. dreiseitigem Rotschnitt.
1988réf. 48260DEUTSCHER TASCHENBUCH VERLAG 1988. 1. softcover. DEUTSCHER TASCHENBUCH VERLAG paperback
1934réf. 63142Paris:: The Obelisk Press 1934. publisher's wrappers illustrated by Maurice J. Kahane rear wrapper detached. A dark brown stain affects the bottom 1-1/4 inch of the spine extending to a larger unprinted area on the back panel; small chips at the edges of the spine affecting the lettering at the bottom of the front panel. Old pencil ownership signature; contents otherwise clean and fine. 8vo. Preface by Anais Nin. The Obelisk Press, unknown
1934réf. 140946393Paris: The Obelisk Press 1934. First Edition. Near Fine. First edition first printing of this literary high spot. One of 1000 copies in publisher's original printed wrappers with price of 50 fr. intact Front wrapper printed with Maurice J. Kahane's striking crab and globe design. Near Fine with browning and light soiling to wraps light edge wear top corner lightly bumped and light creasing to wraps. Contents tanned. Housed in a custom chemise slipcase. The scarce first appearance of Miller's scandalously erotic novel which would eventually test the boundaries of free speech in America and become a landmark of 20th century literature rare in the original wrappers. Since so many copies of the first edition were seized by authorities in England and the U.S. The Obelisk Press discarded the printed wrappers in favor of less conspicuous plain ones for the second and subsequent editions. Shifreen & Jackson A9a. The Obelisk Press unknown
1934réf. 140946393Paris: The Obelisk Press 1934. First Edition. Near Fine. First edition first printing of this literary high spot. One of 1000 copies in publisher's original printed wrappers with price of 50 fr. intact Front wrapper printed with Maurice J. Kahane's striking crab and globe design. Near Fine with browning and light soiling to wraps light edge wear top corner lightly bumped and light creasing to wraps. Contents tanned. Housed in a custom chemise slipcase. The scarce first appearance of Miller's scandalously erotic novel which would eventually test the boundaries of free speech in America and become a landmark of 20th century literature rare in the original wrappers. Since so many copies of the first edition were seized by authorities in England and the U.S. The Obelisk Press discarded the printed wrappers in favor of less conspicuous plain ones for the second and subsequent editions. Shifreen & Jackson A9a. The Obelisk Press unknown books
