4 786 résultats
réf. DADAX0198224540New unknown
1966réf. 70-791BSeeley Service 1966. 1966. NAP. 539p. Photos. Folding Line drawings. Very Oversize. Fine/Near Fine copy. Hardcover. Fine/Near Fine. Book. Seeley Service, 1966. Hardcover
1735réf. 37921735. Hardback. Very Good. Original 1735 Entschuldigungen ""Excuses"" in Old German language and font. Early Protestant writings. Authors: Christian Gottfried Marche Johann Jakob Rambach Condition: Good Has been re-covered in maybe the 1950's or 1960's with a woodgrain vinyl sheeting 560 pages 4"" X 6.5"" Tall. What follows is the beginning of the book proper after the Forward/Dedication. -- To the dear reader Light and Grace are wished to you from the first source of salvation by yours Johann Jacob Hambach. Dear reader The sin of excuses is one of the first fruits of the Fall. For just as soon as a human was unfaithful to his Creator and He called him the person back to Himself stood him before His judgment and asked: Did you not eat from the tree about which I commanded you you should not eat from it Then Adam answered: That woman you presented me with gave me to eat from that tree and I ate. And when god thereafter also called the woman to account and asked her: Why did you do this so this one also answered: the snake betrayed me so I ate. 1 Book Mos. III 11 12 13. Thus they began to excuse themselves by or according to on the basis of or after each other. etc. Some interesting things from a gifted reader friend R. Harris about this book the 1735 Entschuldigungen. I like that the author writes this as a kind of letter from himself to his reader I like that it flat-out calls excuses sin. Not ""the making of excuses"" but excuses. In this writer's mind there is no excuse that is valid for anything. Not the lack of quotation marks. Instead when there is a colon :it's an indication that what follow is a quote. Note that Genesis is called 1 Book Mos. or first book of Moses which is what it is still normally called in German. Shorthand in German is ""erste Mose"" written 1. Mose for 1st Moses and Exodus is 2. Mose zweite Mose 2nd Moses. I just think it's interesting the way the scripture reference is notated which is so different from modern German and even more different from the English/American way of doing it. We'd say Genesis 3:11-13. Much easier! The other thing I thought was interesting was that the entire beginning chapter or what looks like a chapter is essentially a long flowery dedication to the Holy Roman Emperor. I do like this beginning Kind of makes the point all at once. Peace and no stinkin' excuses! hardcover
1973réf. BN471935New York London Sydney Toronto: John Wiley & Sons 1973. 1973. Theoretical Solid State Physics. Volume 2: Non-equilibrium and Disorder Theoretical Solid State Physics. Volume 2: Non-equilibrium and Disorder Jones William and Norman Henry March New York, London, Sydney, Toronto: John Wiley & Sons unknown
réf. 4084Without date or place. English Camden Town Group Painter 1878-1914. Dimensions seven inches by ten inches. Grubby but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore Freddy' with an arrow pointing to impressionistic representation of figure nine inches high of the artist in a suit with high-collared shirt holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR. THEO RAMOS rang a propos Spenser-Gore. sic Freddie Gore's no. is 352 . 4940 Also - Bernard Dunstan 10% is on. or off'. See Image. Without date or place. unknown
2009réf. x-0415370094Taylor & Francis 2009. Hardcover. New. 1st edition. 224 pages. 9.45x6.42x0.63 inches. Taylor & Francis hardcover
réf. DADAX0802800416New unknown
2009réf. x-0415371120Taylor & Francis 2009. Hardcover. New. 1st edition. 224 pages. 9.45x6.42x0.63 inches. Taylor & Francis hardcover
2009réf. x-0415371147Taylor & Francis 2009. Hardcover. New. 1st edition. 256 pages. 9.45x6.42x0.75 inches. Taylor & Francis hardcover
2013réf. Adhya-9781455722846ELSEVIER MEDICAL 2013. HB. New. ELSEVIER MEDICAL hardcover
2013réf. Adhya-9781455722846ELSEVIER MEDICAL 2013. HB. New. ELSEVIER MEDICAL hardcover
2005réf. BN512847New York / Assouline 2005. 2005. Racing Style. Racing Style. Automobil - Koto Bolofo Photogr. and Lord March Introduction New York / Assouline unknown
1969réf. 222141969. Student Mobilization Committee to End the War in Vietnam Fall Offensive Against the War in Vietnam handbill archive 1969 documents grassroots antiwar mobilization in the weeks surrounding the November 15 March on Washington and supports research into student organizing Vietnam War dissent protest communications and the relationship between antiwar activism and civil rights language. The material documents the system of mass antiwar protest coordination through locally distributed leaflets public calls for disciplined nonviolence strike-and-march scheduling and visual appeals to interracial and cross-movement solidarity revealing how organizers sought to convert dispersed campus opposition into a visible national demonstration. The Student Mobilization Committee was a national coalition active from 1966 to 1973 and the November 1969 Washington action drew more than 500000 demonstrators after the October Moratorium and alongside New Mobilization Committee activity making these handbills useful evidence of how antiwar organizations framed participation legality and public legitimacy during one of the largest Vietnam War protests in the United States. Two original handbills issued in connection with the November 14 and 15 1969 antiwar actions in Washington D.C. comprising one mimeographed leaflet distributed by the CWRU Student Mobilization Committee and one offset-printed graphic leaflet headed "FALL OFFENSIVE AGAINST THE WAR IN VIETNAM" each approximately 8½ x 11 inches. The mimeographed leaflet opens with a quoted November 9 1969 New York Times editorial warning that "The Administration has been following a course calculated to increase the danger that the protest march will turn into a violent confrontation" and answers with the committee's insistence that "Nov. 14-15 will be the most massive legal peaceful and non-violent demonstrations ever held in the U.S." Its text explains the functional logic of the protest effort arguing that "Only a massive peaceful demonstration of the American people can require the government to end the conflict and bring the troops home now" while also identifying government rhetoric as a threat to the movement's legitimacy: "The source of rumors about violence. is the government itself." The second leaflet uses bold graphic design and a black-and-white protest photograph showing demonstrators one raising a peace sign with placards reading "End the War Now!" and "Bring the Troops Home Now!" and a background banner declaring "End Racial Oppression!" Beneath the image the leaflet gives the coordinated schedule: "FRIDAY NOV. 14 / STRIKE AGAINST THE WAR" and "SATURDAY NOV. 15 / MARCH ON WASHINGTON" linking workplace and campus strike tactics to the mass Washington demonstration. Student Mobilization Committee to End the War in Vietnam. Nov. 14-15 peaceful and non-violent demonstrations leaflet. Cleveland: CWRU Student Mobilization Committee 1969. Mimeographed organizing handbill using press quotation rebuttal and direct appeal to defend the planned Washington demonstrations against anticipated claims of violence. The leaflet shows the mechanisms of antiwar communication in practice: organizers framed participation as peaceful legal and morally necessary urging readers that "Marching on Washington November 15 in the peaceful and non-violent demonstration is the best way to build that movement to end the war immediately. JOIN US!" 2 Student Mobilization Committee to End the War in Vietnam. Fall Offensive Against the War in Vietnam. Washington D.C.: Student Mobilization Committee to End the War in Vietnam 1969. Offset-printed handbill combining protest imagery antiwar slogans and a two-day action calendar for the November 14 strike and November 15 March on Washington. The inclusion of the banner "End Racial Oppression!" places the antiwar action within a broader field of late-1960s radical politics where opposition to U.S. military policy intersected visually and rhetorically with civil rights and racial justice claims. Light toning minor edge wear and small creases very good. Compact evidence of the messaging infrastructure behind the November 1969 antiwar mobilization preserving both the defensive language of nonviolence and the public visual vocabulary used to recruit participants for national protest. unknown
1923réf. 32654New York: Smart Set Company Inc. 1923. Text paper white ragged wear along right front cover and lower right paper edge small chip to lower right front corner reading crease and corner creases a good to very good copy. 32654. Octavo single issue pictorial wrappers. Magazine. Article "From the Memoirs of a Private Detective" by Dashiell Hammett. Reference: Laymen Dashiell Hammett: A Descriptive Bibliography C8. Smart Set Company, Inc. unknown
1943réf. 35077New York: Street and Smith Publications Inc. 1943. Tanning to text paper slight wear at the head of the spine a nearly fine copy. 35077. Octavo single issue cover by Timmins pictorial wrappers. Pulp magazine. Includes an Avenger story by Kenneth Robeson. Other fiction by Dale Clark Fredric Brown Norman A. Daniels Stephen Gould Steve Fisher and others. Reference: Cook Mystery Detective and Espionage Magazine pp. 96-100. Street and Smith Publications, Inc. unknown
1930réf. 148911Beverly Hills CA: United Artists 1930. 16 page vintage program for the 1930 film announcing its showing at Broadway theaters in New York with abundant black and white photographs of actors aerial stunts and Howard Hughes throughout. Hughes' most expensive and ambitious production a story about World War I combat pilots today still a dazzling work of blockbuster action and actual aerial biplane footage. Originally conceived as a silent film and then retooled as a talkie in the wake of "The Jazz Singer." Most of the film is shot in black and white but one sequence is in color-the only color footage ever released of actress Jean Harlow before her untimely death. James Whale was hired by Hughes to direct the talking sequences Whale's first major effort in Hollywood but the overall production took so long that Whale's subsequent directorial effort "Journey's End" was released first. Nominated for an Academy Award for Best Cinematography. Card wrappers saddle stapled 5 x 6.5 inches. 16 pages. Near Fine. United Artists unknown
1928réf. 012420New York: Covici Friede 1928. 1st Edition. Hardcover. Near Fine/Very Good. Tall 8vo. 184pp Sharp First Trade Edition of this classic poem about an African American boxer made into the 1949 Film Noir of the same title starring Robert Ryan. Also published in a signed limited edition. Square tight and clean throughout with some fairly mild page edge toning. A touch of softness at the spine ends but quite minor. Solid unclipped dust-jacket $2.00 has a few chips to top edges and toning to edges and spine. Still solid and complete with no tears or creases. An attractive collectable copy at a great price. Covici Friede hardcover
1931réf. 159965N.p.: N.p. 1931. Collection of nine vintage negatives from the 1931 pre-Code horror film. Based on the classic 1886 novella and considered by many to be the definitive adaptation. Nominated for three Academy Awards winning one for Best Actor for Fredric March. 6 x 4 inches. Fine. Housed in a paper envelope with annotations in manuscript pencil and ink. N.p. unknown
1987réf. 2693011th Airborne Division Association 1987-01-01. First Edition; First Printing. softcover. Collectible; Like New. 0x0x0. As New. Tight clean and crisp. A gently read book in excellent condition. Illustrated with photograps and a diagram. No inscriptions. No remainder mark. Not ex-library. Very Scarce. As New. 11th Airborne Division Association paperback
1929réf. 27669Indianapolis IN: Popular Fiction Publishing Company 1929. Text paper tanned but supple closed tears and creases to yapp edges a very good to nearly fine copy. 27669. Octavo single issue cover art by C. C. Senf. pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn Donald Wandrei Frank Belknap Long "The Hounds of Tindalos" August Derleth Edmond Hamilton S. Fowler Wright Eli Colter and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1937réf. 27887Indianapolis IN: Popular Fiction Publishing Company 1937. Text paper tanned but supple a fine copy. 27887. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Dorothy Quick Robert Bloch G. G. Pendarves Edmond Hamilton Manly Wade Wellman and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1996réf. DBS-9780306448447Plenum 1996. 1st. Hardcover. New. Plenum hardcover
1996réf. DBS-9780306448447Plenum 1996. 1st. Hardcover. New. Plenum hardcover
2006réf. 2111902152907768Chusekisha 2006. Soft Cover. Fine. Size: 179x120mm Number of books: 18 books in total Chusekisha paperback
1419réf. 143209Washington: the Smithsonian Institution September 14 1928. 4175-368 pp. Octavo. Original printed wrappers. Minor wear to the wrapper edges. All edges untrimmed. 82 black and white plates from photographs including many folding. Small tear on front wrapper otherwise a very nice attractive copy. Smithsonian Miscellaneous Collections Volume 75 Number 5. Publication 2965. Walcott was an American paleontologist/geologist and was the administrator of the Smithsonian Institution from 1907 to his death in 1927. He is most famous for his discovery in 1909 of well-preserved fossils in the Middle Cambrian of the Burgess Shale of British Columbia near the town of Field. In 1914 Walcott married his third wife Mary Morris Vaux an amateur artist and avid naturalist who traveled with him on horseback for most of his expeditions in the Canadian Rockies. She was a gifted artist and made watercolor illustrations of wildflowers as she traveled with him. A selection of her work was published by the Smithsonian in 1925 in a spectacular edition of 5 volumes all done with a special colour printing process. We have in stock both the limited edition and trade edition of this publication. Charles was also a very gifted photographer and I believe most of the images published in the above title were taken by him. We have an original of his also for sale in the shop. Many of the images were taken with a panoramic camera and the results are spectacular. The images are so well done we prefer to think of this as a mountaineering title rather than a geology title. Still both reasons are compelling to own this very scarce title. 1928 the Smithsonian Institution unknown