13.403 risultati
2000rif. 163306N.p.: N.p. 2000. Fifth Revised Shooting Draft script and two xerographically duplicated production documents for Season 1 Episode 7 of the 2000 television series here under the working title "The Bees". Originally aired in the summer of 2000 on USA Network. A police procedural in which a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a mysterious swarm of bees seem to be linked to nearby Area 61. Set in Manhattan Arizona. Goldenrod titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated July 12 2000 with credits for screenwriters Michael Lisbe and Nate Reger. Title page integral with front self wrapper. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only with green and goldenrod revision pages throughout dated variously between 7/5/00 and 7/12/00. Pages Near Fine wrapper Near Fine bound with two gold brads. Production documents Near Fine. One with manuscript ink annotations. N.p. unknown books
2000rif. 163289N.p.: N.p. 2000. Final Draft script for Season 1 Episode 5 of the 2000 television series. Originally aired August 20 2000 on USA Network. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode cows are shot during a cattle drive and the sheriff investigates leading to him discovering drug smugglers. Set in Manhattan Arizona. White titled self-wrappers noted as Final Draft on the front wrapper dated June 3 2000 with credits for screenwriters Joe Port and Joe Wiseman. Title page integral with front wrapper. 30 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
2000rif. 163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. Set in Manhattan Arizona. White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown books
2000rif. 163304N.p.: N.p. 2000. Seventh Revised Shooting Draft script for Season 1 Episode 10 of the 2000 television series. Originally aired in the summer of 2000 on USA Network. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode the Mayor sells the local zoo to a woman who wants to turn it into a hunting range. Set in Manhattan Arizona. Pink titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated July 25 2000 with credits for screenwriters Joe Port and Joe Wiseman. Title page integral with front wrapper. 31 leaves with last page of text numbered 31. Xerographic duplication rectos only with cherry and buff colored revision pages throughout dated variously between 7/14/00 and 7/25/00. Pages Near wrapper Near Fine bound with two gold brads. N.p. unknown books
2000rif. 163309N.p.: N.p. 2000. Fourth Revised Shooting Draft script and shooting schedule for Season 1 Episode 5 of the 2000 television series. Originally aired August 20 2000 on USA Network. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode cows are shot during a cattle drive and the sheriff investigates leading to him discovering drug smugglers. Set in Manhattan Arizona. Fourth Revised Shooting Draft: Green titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated June 29 2000 with credits for screenwriters Joe Port and Joe Wiseman. Title page integral with front self-wrapper. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 6/21/00 and 6/29/00. Pages Near Fine wrapper Near Fine bound with two gold brads. Shooting schedule: Lacking wrappers. Dated June 28 2000. With a post-it note with manuscript ink annotation on the front page regarding schedule changes. 14 leaves. Bound with a staple at the top left corner. Near Fine. N.p. unknown books
2000rif. 163311N.p.: N.p. 2000. Two Treatment scripts for an unproduced episode of the 2000 television series. One script with manuscript ink annotations throughout. One script here under working title "Floating Bodies". In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode the Sheriff finds dead bodies with gunshot wounds associated with guns from the 1800s. Set in Manhattan Arizona. Treatment script 1: Lacking wrappers. Title page integral with first page of narrative text dated 6/22/00. 7 leaves with last page of text numbered 7. Xerographic duplication rectos only. Near Fine bound with a staple at the top left corner. Treatment script 2: Lacking wrappers. Title page integral with first page of narrative text. 2 leaves with last page of text numbered 2. Xerographic duplication rectos only. Very Good plus bound with a staple at the top left corner. N.p. unknown books
2000rif. 163310N.p.: N.p. 2000. Fifth Revised Collated Shooting Draft and one post-production document for Season 1 Episode 3 of the 2000 television series. Originally aired July 3 2000 on USA Network. In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a local Native American tribe declares war on the town of Manhattan. Set in Manhattan Arizona. White titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated June 19 2000 with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front self-wrapper. 34 leaves with last page of text numbered 31. Xerographic duplication rectos only with revision pages throughout dated variously between 6/12/00 and 6/19/00. Pages Near Fine wrapper Near Fine bound with two gold brads. Post-production document 2 leaves bound with a staple at the top left corner. Very Good plus. N.p. unknown books
1971rif. 162501N.p.: Futurama International 1971. Vintage studio still photograph from the 1971 film here under the working title "The Touch of Melissa." Photograph with provenance stamps on the verso. On the road from San Francisco to Austin Jodie makes a brief stop at a farm where he meets and falls in love with Melissa the lovely farmer's daughter. Unfortunately Melissa's insane great-grandmother is in the mix unaware Melissa is in fact a 127-year old witch and that Melissa is actually her sister. Shot on location in Santa Ynez California. 8 x 10 inches. Near Fine. Nightmare USA. Code Red. Futurama International unknown books
1982rif. 214637San Francisco CA: North Point Press 1982. First edition. Small softcover. 60 pages. A slim collection of poems. A clean very near fine copy in wrappers and in a very near fine dust jacket. A lovely copy. North Point Press unknown books
1967rif. 161836N.p.: Trans Continental Artists 1967. Vintage studio still photograph of Rita Alexander from the 1967 film. Three women who are old friends reunite to plan a heist of the King of Sex's crown during the Mardi Gras carnival. Shot on location in New Orleans. 8 x 10 inches. Near Fine. Trans Continental Artists unknown books
1965rif. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown books
1966rif. 161823N.p.: Astro Films 1966. Vintage compilation photograph of Lorna Maitland from the 1966 film. Country girl Diane is sold by her hillbilly step-dad for $50 to hick stud Rick who takes off the next day leaving the note "I got my $50 worth" leaving Diane to fend for herself against various junkies predatory lesbians go-go dancers evil bartenders and mysterious gangsters. Set in and shot on location in Mesquite and Dallas Texas. 8 x 10 inches. Light edgewear else Near Fine. Astro Films unknown books
1965rif. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown books
1963rif. 836771963. Auction Catalogue. Auction Catalogue. Parke-Bernet Galleries. Berry Maja Leon. English and American Law and Legal History: Bracton Britton Glanville Saint-German Bacon Coke Hale Blackstone Many S.T.C. and Wing Period Titles Early New Jersey and other American Imprints: the Collection of the Late The Vice-Chancellor Maja Leon Berry Toms River New Jersey Sold by Order of the Present Owner: Public Auction: Tuesday January 29 at 1:45 P.M. New York Parke-Bernet Galleries 1963. 50 pp. Printed wraps. Light wear to edges of wraps. Interior clean and bright. $65. unknown books
1999rif. 164193N.p.: N.p. 1999. Revised Production Draft script for the pilot episode of the 2000 series which aired on July 23 2000 on the USA Network. Brian McNamara stars as an ex-Los Angeles Vice Cop who moves to Manhattan Arizona and becomes the sheriff after his wife is canned in spring light water when attempting to cut dolphins out of tuna nets for Greenpeace. In this episode McNamara takes the job of Manhattan's sheriff and begins to realize just how strange the residents are. Front wrapper integral with title page dated September 13 1999 noted as Production Draft and listing revisions from 9/14-17/99 with credits for screenwriter David Richardson. 38 leaves with last page of text numbered 36. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1999rif. 9033058Seattle: Seattle Art Museum/University of Washington 1999. 1st. Hardcover. Fine/Fine. Nihonga from the Griffith and Patricia Way Collection." Bound in green-gray cloth with spine and cover stamped in gilt. Beautifully illustrated throughout with photographic reproductions in full color. With contributions from Uchiyama Takeo Griffith Way and Imai Jun. 9 x 12 inches. 333 pages. Seattle Art Museum/University of Washington hardcover books
1950rif. 848881950. Keenan Joseph Berry 1888-1954. Brendan Francis Brown. Crimes Against International Law. Washington: Public Affairs Press 1950. x 226 pp. Original publisher's cloth bound hardcover some shelfwear fading to boards and spine in worn dust jacket. Internally clean. A good copy. $125. This work explains the legal basis and consequences of the post-World War II war crimes trials particularly focusing on the Tokyo War Crimes Trial. Keenan served as Chief Counsel for the United States at the Tokyo trial and Brown was a Juridical Consultant. They provide an historical analysis and recount the arguments used by both the prosecution and the defense. This work centers on the fundamental legal cleavage between the prosecution's contention for a moral notion of law and the defense's position that law is solely the command of a political sovereign. The authors argue that the Nuremberg and Tokyo trials established a body of rules that could serve as precedents for future crimes against international law. The book discusses the "rules of international law" as defined by these trials the reasons supporting them and the arguments presented in opposition offering an appraisal of the development and application of international law at that time. The book includes a bibliography on pages 216-222. "This volume by the Chief of Counsel of the Prosecution in the Tokyo Trial and a judicial consultant at the trial constitutes a philosophical and historical examination of the law and procedure of the war crimes trials in general and the Tokyo trial in particular. . The volume deserves particular study by those interested in the development of international criminal law and will take its place as an important contribution to the growth of international law in general.": Quincy Wright Journal of Criminal Law 41:803-805 806 cited in Marke A Catalogue of the Law Collection at New York University 1953 653. unknown books
1975rif. 88706Santa Cruz California: Kayak Books Inc 1975-1977. First Edition. Seven Issues including two issues of no.37 all stapled softcovers. Seven Octavo issues 22cm; pictorial paper wrappers; 67pp; 67pp; 68pp; 67pp; 68pp; 68pp; 68pp; black-and-white illustrations throughout. One of the two no.37 issues has been inscribed by John Digby at his contribution. All issues lightly tanned with modest shelf-wear and -soil; overall Very Good. Collection of verse published 'more or less' quarterly with contributions by Albert Goldbarth Richard Grossman Stephen Dobyns and Robert Bly. 88706. Kayak Books Inc unknown books
2004rif. 213656New York: American Folk Art Museum and Rizzoli International Publications 2004. First edition and first printing. Hardcover. 108 pages. Published in conjunction a traveling exhibition. Features a foreword by Gerard C. Wertkin an introduction acknowledgements and an essay by William A. Fagaly with additional texts by Jason Berry and Helen M. Shannon. Includes numerous illustrations a chronology by Fagaly a checklist and a list of previous exhibitions. A clean near fine copy in a near fine dust jacket with some toning to the edges. American Folk Art Museum and Rizzoli International Publications unknown books
1959rif. 170456N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing rock-and-roll icons Ritchie Valens and Jimmy Clanton chatting over a record player. Provenance label on the verso. Valens' only film appearance released months after his death in a plane crash alongside Buddy Holly and The Big Bopper and the final film of American disc jockey Alan Freed. Freed would later become embroiled in a "payola" controversy that would end his career. 10 x 8 inches. Very Good plus. N.p. unknown books
2004rif. 207057New York: Ballantine Books 2004. First edition. Softcover. Advance Reading Copy. The second book from the author of the "The Amber Room." A clean very near fine copy in wrappers. A fresh unread copy. Ballantine Books unknown books
1965rif. 161629N.p.: Barry Mahon Production 1965. Two vintage studio still photographs from the 1965 film. A fake documentary of clips reputedly censored from various films all shot by director and producer Barry Mahon pictured in the second photo here. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear. Barry Mahon Production unknown books
1973rif. 164905Garden City: Anchor Press / Doubleday 1973. First Edition. First Edition. INSCRIBED on the title page by editor Ed McClanahan: "Ed McClanahan / for Jeff Rogers / Lex / 5/9/87." A collection of articles poetry and fiction. Very Good plus in perfect-bound wrappers. Anchor Press / Doubleday unknown books
2005rif. 205658Washington DC: Shoemaker Hoard 2005. First edition. Softcover. 152 pages. The second issue bound gallery of this collection of poems by Berry. A fine unread copy in wrappers. Shoemaker Hoard unknown books
1975rif. 85005London: Limestone Publications / The City Literary Institute 1975. First Edition. Slim octavo 21.75cm; mimeographed sheets stapled into pink card wrappers printed in black; 23-32pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez inscribed to him by the author on the title page: "Roberto Marquez / with best wishes / July 27 1976 / James Berry / 108 Stanford Avenue / Brighton / Sussex England." Early collection of verse by the Jamaican poet who migrated to the UK in 1948. He was known for being one of the earliest writers to integrate Jamaican vernacular in his poetry. The title poem is written in the voice of Lucy a Jamaican woman newly arrived in London and missing Jamaica and many of the poems represented here share the perspective of Jamaican migrants in English society. A nice inscription to Marquez who at the time was founder and editor of the journal Caliban: A Journal of New World Thought and Writing. Uncommon; OCLC notes a single holding at Cambridge. 85005. Limestone Publications / The City Literary Institute unknown books
