13.248 risultati
2000rif. 163292N.p.: N.p. 2000. Three scripts for the television series that aired on the USA Network during the summer of 2000 constituting a three-part story constituting the "finale" of the series' only season. - Eighth Revised Shooting Draft script of Season 1 Episode 11 - Second Revised Revised Shooting Draft script for Season 1 Episode 12 and Second - Revised Shooting Draft script for Season 1 Episode 13 A procedural in which a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In the first installment the Mayor suspects his father is trying to kill him and the sheriff's son runs away. In the second installment the sheriff's son starts illegally smuggling drugs back home in LA sending the sheriff and Mayor after him. In the third and final installment the sheriff's son runs away again and people are out to kill the Mayor. Set in Manhattan Arizona. Eighth Revised Shooting Draft "What Makes Atticus Run": Salmon titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated August 7 2000 with credits for screenwriters Joe Port and Joe Wiseman. Title page integral with front self-wrapper. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 7/27/00 and 8/7/00. Pages Near Fine wrapper Near Fine bound with two gold brads. Second Revised Shooting Draft "Atticus Doesn't Live Here Anymore": Pink titled self-wrappers noted as REVISED SHOOTING DRAFT on the front wrapperdated August 8 2000 with credits for screenwriters Michael Lisbe and Nate Reger. Title page integral with front self-wrapper. 31 leaves with last page of text numbered 30. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between 8/4/00 and 8/8/00. Pages Near Fine wrapper Near Fine bound with two gold brads. Second Revised Shooting Draft script "The Voyage Home" Pink titled self-wrappers noted as SHOOTING DRAFT on the front wrapper dated August 9 2000 with credits for screenwriters Joe Port and Joe Wiseman. Title page integral with front self-wrapper. 33 leaves with last page of text numbered 30. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Treatment script 1: Lacking wrappers. Title page integral with first page of narrative text dated 6/26/00. 6 leaves with last page of text numbered 6. Xerographic duplication rectos only. Near Fine bound with a staple at the top left corner. Treatment script 2: Lacking wrappers. Title page integral with first page of narrative text dated 6/27/00. 10 leaves with last page of text numbered 9. Xerographic duplication rectos only. Near Fine bound with a staple at the top left corner. Treatment script 3: Lacking wrappers. Title page integral with first page of narrative text dated 6/29/00. 9 leaves with last page of text numbered 9. Xerographic duplication rectos only. Near Fine with manuscript ink annotations throughout. Bound with a staple at the top left corner. Treatment script 4: Lacking wrappers. Title page integral with first page of narrative text dated 6/30/00. 2 leaves with last page of text numbered 2. Xerographic duplication rectos only. Very Good with manuscript ink annotations. Bound with a staple at the top left corner. N.p. unknown
1971rif. 162501N.p.: Futurama International 1971. Vintage studio still photograph from the 1971 film here under the working title "The Touch of Melissa." Photograph with provenance stamps on the verso. On the road from San Francisco to Austin Jodie makes a brief stop at a farm where he meets and falls in love with Melissa the lovely farmer's daughter. Unfortunately Melissa's insane great-grandmother is in the mix unaware Melissa is in fact a 127-year old witch and that Melissa is actually her sister. Shot on location in Santa Ynez California. 8 x 10 inches. Near Fine. Nightmare USA. Code Red. Futurama International unknown
1965rif. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown
1966rif. 161823N.p.: Astro Films 1966. Vintage compilation photograph of Lorna Maitland from the 1966 film. Country girl Diane is sold by her hillbilly step-dad for $50 to hick stud Rick who takes off the next day leaving the note "I got my $50 worth" leaving Diane to fend for herself against various junkies predatory lesbians go-go dancers evil bartenders and mysterious gangsters. Set in and shot on location in Mesquite and Dallas Texas. 8 x 10 inches. Light edgewear else Near Fine. Astro Films unknown
1965rif. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown
2003rif. 103116Cambridge MA: The MIT Press. Qto. 208 pages colour and other illustrations. There is a small art gallery label on the front free end paper else is a clean bright copy. . Very Good. Hardcover. 2003. The MIT Press hardcover
1965rif. 161629N.p.: Barry Mahon Production 1965. Two vintage studio still photographs from the 1965 film. A fake documentary of clips reputedly censored from various films all shot by director and producer Barry Mahon pictured in the second photo here. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear. Barry Mahon Production unknown
1968rif. 161186N.p.: N.p. 1968. Draft script for the 1970 film seen here under the working title "The Scene." Copy belonging to director William Rowland with his name in manuscript ink on the front wrapper and two revision pages and his annotations in manuscript ink throughout noting deletions scene locations and revisions to dialogue. A psychiatrist details her most outlandish cases largely involving her teenage patients and their experiences with drugs sex and politics culminating in her attempt to help her own daughter. Rowland's final directorial effort. Set and shot on location in Los Angeles. Yellow titled wrappers. 120 leaves with last page of text numbered 117. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 6/26/68 and 7/3/68. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1975rif. 158810Los Angeles: Motown Productions 1975. Two vintage studio still photographs from the 1975 film. One photograph with a mimeo snipe attached to the verso one photograph with a folded mimeo snipe attached to the verso. A young woman from Chicago dreams of making it big in the fashion industry when she gets discovered and reinvented into fashion model Mahogany. Even with her new found success in Rome she still feels lost without her love she left back home in Chicago. Set in Chicago and Rome shot on location in Chicago and Rome. One photograph 8 x 10 inches one photograph 10 x 8 inches. Near Fine. Motown Productions unknown
1982rif. 151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic. Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith. Set in and shot on location in Nantes France. 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. Criterion Collection 719. Rosenbaum 1000. N.p. unknown
1980rif. 152436N.p.: N.p. 1980. Draft script for an unproduced film. Written by noted African American screenwriter S. Torriano Berry. A rock star dies in a freak accident but is reincarnated to the chagrin of his greedy recording company who have already made plans to replace him in the spotlight. Heavily influenced by earlier films "Heaven Can Wait" Ernst Lubitsch 1943 and "Heaven Can Wait" Warren Beatty and Elaine May 1978 Blue titled front wrapper missing rear wrapper with credits for screenwriter S. Torriano Berry. Missing title page presumably as issued. 75 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1948rif. 149732N.p.: N.p. 1948. Vintage oversize borderless reference photograph from the 1948 film showing actors Gene Tierney and Dana Andrews. Based on the real experiences of Ivor Gouzenko a Communist code-breaker assigned to the Soviet Embassy in wartime Canada who defected from the USSR after the war. Subject to controversy upon release with liberals protesting the film's depiction of the Soviet cause and conservatives protesting the liberal picketers. Set and shot on location in Ottawa Ontario Canada. 10 x 12.75 inches. Very Good lightly creased to the edges. N.p. unknown
1985rif. 144097Philadelphia: N.p. 1985. Second Draft script for an unproduced film. A drama about the members of the fictional Omega Que Rho fraternity likely based on Omega Psi Phi an historically Black fraternity of which screenwriter S. Torriano Berry was a member. Berry would go on to find success in the horror film genre creating an anthology series "The Black Beyond" writing and directing one of the first urban horror films "Embalmer" 1996 and working as the cinematographer on Troma's entry into urban horror "Bugged" 1997. Title page present dated 7/16/85 noted as Second Draft with credits for screenwriter S. Torriano Berry. 123 leaves with last page of text numbered 120. Xerographically reproduced. Pages Near Fine overall rear wrapper Very Good plus bound with two gold brads. N.p. unknown
2004rif. mon0000040699Self Published - Johnstown PA 2004. Paperback. Very Good. in x in x in. Self Published - Johnstown, PA paperback
1974rif. mon0000065474Coronet / Hodder 1974-01-01. Paperback. Acceptable. in x in x in. Slightly worn cover edges. 1975. Coronet / Hodder paperback
1979rif. mon0000036608R. Reginald the Borgo Press 1979. Paperback. Good. in x in x in. R. Reginald, the Borgo Press paperback
1987rif. mon0000107037Word Inc 1987-01-01. Hardcover. Acceptable. 0.3000 in x 9.2000 in x 7.0000 in. 1987. Word Inc. 48 pages. Ex-Library Hardcover with usual markings stamps and stickers. Some minor surface and edge wear to cover. Pages are in good condition! Word, Inc hardcover
1986rif. mon0000029165Christian Light Publications 1986. Paperback. Very Good. in x in x in. Ex-Library. Paperback. Christian Light Publications paperback
2015rif. 31928Atlanta GA: High Museum of Art 2015. 1st. Soft cover. Near Fine. 11.0x8.5x0.3in. two tiny abrasions near bottom edge of front cover. The catalogue of an exhibition at the High Museum of Art Atlanta Georgia February 7 - June 7 2015. Contains two essays: The Craft of Earl Pardon by Sarah Schleuning and Earl Pardon: Student and Teacher by Berry Lowden Perkins. 111 objects are described and illustrated in color. 99pp 1.12lb 11.0x8.5x0.3in High Museum of Art paperback
1963rif. 21083Newark NJ: Newark Museum 1963. 1st. Hardcover. Near Fine. 10.3x8.3x1.0in. 1 of 3000; spine slightly darkened. The catalogue of an exhibition at the Newark Museum Newark New Jersey April 26 - September 2 1963. Decorative Arts organized by genre: Furniture with 87 objects described 78 illustrated; Silver with 39 objects described 34 illustrated; Ceramics with 13 objects described 7 illustrated; Glass with 42 objects described 13 illustrated; Wallpaper & Textiles with 12 objects described 9 illustrated; Lamps Stoves Clocks with 26 objects described 23 illustrated. The Fine Arts with 76 objects described 35 illustrated. 212pp 2.03lb 10.3x8.3x1.0in Newark Museum hardcover
rif. 1852355697.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0666923086.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1258469324.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008rif. 759109Cambridge University Press 2008. Hardcover no dust jacket. Very good. Sound binding clean text light shelf wear. Cambridge University Press hardcover
rif. 0666596131.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
