837 resultados
ref. 1120468876.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 68730Losada 1948 Buenos Aires. 1ª edición. 21x13. Rústica con sobrecubierta tapa blanda. 294 pgs. Portada impresa a dos tintas. Canto oscurecido. Sobrecubierta mareada. Pequeños puntos de óxido en guardas. Sello de librería. B1603 Losada, 1948, Buenos Aires. 1ª edición. paperback
ref. 1453554599.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016ref. 2-8491190880Editorial tirant lo blanch 2016. Paperback. New. 280 pages. Spanish language. 8.46x5.91x0.71 inches. Editorial tirant lo blanch paperback
ref. 52498081Brand New. All orders ship SAME or NEXT business day. Expedited shipments will be received in 1-5 business days within the United States. We proudly ship to APO/FPO addresses. 100% Satisfaction Guaranteed! unknown
ref. 0282769692.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976ref. G0873952855I3N10State University of New York Press 1976. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. State University of New York Press hardcover
ref. 0516083821.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. 1580812252.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2019ref. __8862086806Damiani Editore 2019. Hardcover. New. 01 edition. 72 pages. French language. 12.50x9.75x0.50 inches. Damiani Editore hardcover
ref. 101866842X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2-8491712208Sintesis 1900. Paperback. New. Spanish language. 8.43x5.83x0.63 inches. Sintesis paperback
ref. VOEK0366St. Louis Nixon-Jones 1893. gr.-8° 509 S. mit zahlr. Textabb. u. Taf. OLn. fleckig S. 295 m. Bleistiftkorrektur gestempelt. In Englisch - Ausgabe zur Weltausstellung 1893 in Chicago. St. Louis, Nixon-Jones 1893. unknown
ref. 1166753476.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1477316159.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2005ref. 026490Albuquerque New Mexico - Dallas Texas: Thne Albuquerque Museum - In Collaboration with - The Meadows Museum Southern Methodist University 2005. Trade Paperback. Very Good/No Dust Jacket As Issued. 12" x 12. Dawson Tom - Design and Composition. 361 Pages. Stiff flexible covers. Book has wear to covers and edges that is difficult to see in the scans. Interior text and illustration pages are near flawless. The second book in a series that presents an overview of the history of Spanish culture through major works of art. A study of the cosmopolitan development of Spanish painting in the latter half of the 19th century and beginning of the 20th century covering the time period between the death of Goya in 1828 and the rise of Picasso. Highlighted are the successful careers of artists whose works rival those of their better-known French British Dutch and German contemporaries. Parallel text in English and Spanish. Full page images. Taste is cyclical. According to an old saying taste is generational as well: that which we like is what our grandparents liked not what our parents or our children would prefer. If this is true it provides a reason for nineteenth-century Spanish cosmopolitan painting's great popularity and admiration by its contemporary audience and for its subsequent falling out of favor in the next generation. It is said that the intelligent connoisseur will want to develop his power of discrimination and his sense of values. In the Humanities mere facts remain colorless without a proper evaluation whether it is an intellectual a moral or an aesthetic one. It has often been said that the standard of a civilization depends to a large degree on the power of discrimination by its leading individuals and in a democracy like ours of the average citizen. Happily for today's audience the talents of such artists as Mariano Fortuny y Marsal and Joaquin Sorolla are once again beginning to be appreciated. Value judgments must not be placed arbitrarily on the representations of a lost and perhaps old-fashioned society but must evolve from a simple reading of the works. Contemporary critics use such terms as breakthrough experiments or innovations in a series of new developments new tendencies and new directions frequently separating these trends from the succession of styles as well as the evolution and continuity of the art of earlier times. Nineteenth-century Spanish artists embraced the new cosmopolitanism of Parisian society enabling them to attract a larger more appreciative clientele but they were also greatly influenced by their native traditions and values openly admitting the influence of Spanish Old Masters like El Greco and Diego de Velazquez. Virtually unrecognized in Spain these artists developed a profound ambivalence toward their native country while achieving international acclaim and financial success elsewhere. Large heavy book 1 ½ inches thick that will incur additional shipping charges to some locations. Thne Albuquerque Museum - In Collaboration with - The Meadows Museum, Southern Methodist University paperback
ref. a16877Mexico 1923 Inst. Geologico de Mexico Bol. #44. Tall 4to. 94pp. photos foldout maps. No owner marks. Cover good text VG. . unknown
1938ref. 80333Baltimore Maryland: The Johns Hopkins Press. Very Good. 1938. First Edition. Hardcover. Pedro Salinas 1891-1951 was a Spanish poet and member of the Generation of '27. In 1937 he went to Johns Hopkins University for the Turnbull lectures. This book contains poems previously published in Spain and 1 poem that was not previously published Lost Angel. This book includes the poems in their original Spanish and in their English translation. The format of the book is the original Spanish on the left and the English translation facing it on the right. English translation by Eleanor L. Turnbull. Previous owners bookplate on front pastedown and previous owner name on first free endpaper. Bound in publisher's bright green cloth covered boards with gold cover titles and spine titles. Corners very gently rubbed. Cover edges have minimal shelf wear. Book now protected in mylar. Page edges have minor tanning and soiling. Top page edge has minor foxing. Text clean. Ships same or next business day well protected in a box. ; 8vo 8" - 9" tall; 169 pages . The Johns Hopkins Press hardcover
ref. 0259241687.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1506533612.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1304015815.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 334717108X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. ria9782343161631_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; La mémoire de Vichy se recompose à l'aune de la stratégie de revanche militaire impulsée par Pétain en contrepoint d'une politique de collaboration couplée avec l'instauration d'un Etat policier et antijuif aux prises avec des défis su paperback