164 results
197212 pages. A pleasing arrangement of this timeless song. Average wear. Unmarked. Sheet music
ref. 013486Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Reutlinger, datée 1865 au crayon au dos. Très bel état, un peu éclaircie. [187]
ref. 014772Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S. + enveloppe, 8 juin 1906, 4p in-8. A Marie Simpson, épouse de l'agent publicitaire James R. Simpson à Edimbourg. En anglais. Lettre amicale, remerciant pour un paquet, espérant qu'elle a passé un bon séjour à Paris, etc. [359]
ref. 014773Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S., 26 juin 1919, 4p in-8. A Marie Simpson, épouse de l'agent publicitaire James R. Simpson à Edimbourg. Longue lettre en anglais. [359]
ref. 2582717 January 1968; on letterhead of 3 Langford Close London NW8. 1p 12mo. On blue-grey paper with matching stamped postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry she reports that she has ‘several good pupils who could make satisfactory Sacred Records’ but she would like him to hear them first. In what is possibly a reference to Kiri Te Kanawa she writes: ‘One is a young New Zealand girl with a sweet voice and some experience of sacred work.’ She end by asking whether he will be in London soon ‘and able to spare time to hear her’. 17 January 1968; on letterhead of 3 Langford Close, London, NW8. unknown
ref. 19101213-nnew. unknown
ref. 650524691John Wiley & Sons . Hardback. New. pp. 216 John Wiley & Sons hardcover
ref. 1118413997.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. DADAX1118413997Wiley 2015-05-04. 1. hardcover. New. 6.02x0.84x9.30. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
ref. 0367588110.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 014925Elina Barthélémy dite Mademoiselle Elian (1819-?), soprano, chanteuse, fille du poète Auguste-Marseille Barthélémy, créatrice du rôle d'Inès dans La Favorite de Donizetti. L.A.S., 1er janvier 1836, 1p in-8. A un de ses professeurs. Elle lui envoie ses voeux et un livre de son père pour lui « donner quelques instants de distractions ». Elian eut trois professeurs au Conservatoire : François-Louis Henry, Laurent-Joseph Morin et Adolphe Nourrit. Après des prix en 1837 et 1838, Elian débute à Paris en 1836, créa quelques petites rôles puis, après 1842, se produisit en province (Bordeaux, Rouen). On la retrouve à Bruxelles en 1848 puis on perd sa trace. Félix Deriège nous donne probablement la raison de cette courte carrière parisienne: « Mademoiselle Élian Barthélemy a le malheur de n'être pas jolie, de grimacer quand elle chante, et d'éprouver souvent de ces embarras de larynx que les artistes ont nommés des chats » (Physiologie du lion. Paris, Delahaye, 1842, p.75). Peu commun. [362]
ref. 17921The 9 x 7 inch portrait inscribed "To the dear Cannans in affectionate remembrance Marie Tempest". Tipped on to the photographer's mount. Fine. Inscribed in another hand on verso "Mrs. A. M. Cannan c/o Reiss & Co.". unknown
ref. 41472260-nnew. unknown
ref. ria9780367588113_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; World Trade Organisation WTO trade remedies antidumping anti-subsidy and safeguard agreements are instruments used by WTO members to counter the economic injury caused by dumping subsidies and the sudden and unforeseen increased i paperback
2008380 pages. Features: Rosey Chan and Cassie Yukawa; Elizabeth Peyton's first large-scale retrospective; The tailors and dressmakers behind the Paris haute couture; Full Tweed Ahead; Furry coats and jackets; Rachel Weisz - cover story; Valerie Jarrett; Soprano Renee Fleming; the work of Karl Lagerfeld; Lash mania is gripping the nation; new boots for fall. Unmarked. Average wear. A sound copy. Book
ref. 013487Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Mayer et Pierson, datée 1863 au crayon au dos. Très bel état, bien contrastée, légères rousseurs. [187]
ref. 015464Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., Paris, 19 avril 1881, 3p in-8. Elle ne peut accepter le programme que demande son correspondant en raison de la difficulté des airs qu'il propose. Elle lui propose donc : « 1 Argonnaise 2 Pardon de Ploërmel 3 Les Huguenots ou la folie d'Hamlet (l'un des deux, mais pas les deux) ». Ce programme est pour une soirée à Alençon le 21 mai 1881. Sympathique courrier autour de son activité. [68-2]
ref. 015465Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., 26 avril 1881, 3p 1/2 in-8. Elle se rend compte que la chanteuse Caroline Brun a choisi un duo qui ne lui convient pas et « ce sera horriblement mauvais ». Cela lui cause une grande anxiété. Elle propose éventuellement l'Ave Maria de Gounod en remplacement. Elle devait participer à une soirée à Alençon le 21 mai 1881. Sympathique courrier autour de son activité. [68-2]
ref. 014771Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S., 9 mai 1908, 4p in-8. A James R. Simpson, agent publicitaire à Edimbourg. En anglais. Elle donne les compositeurs qui seront joués lors de la prochaine saison : Claude Debussy, Vincent d'Indy, Jean Sibelius. Elle dit notamment que son mari pourrait avoir plus de succès en tant que pianiste dans un récital que comme chef d'orchestre. On joint deux enveloppe au même datées 1907 et 1908. Belle lettre. [359]
2020ref. x-0367588110Taylor & Francis 2020. Paperback. New. 176 pages. 9.21x6.14x0.39 inches. Taylor & Francis paperback
1935ref. 37052April 20 1935. 1935. Very good. - An original 10 inch high by 8 inch wide matte-finish sienna-toned photograph of the soprano by Melbourne Spurr of Los Angeles. The photograph a head and shoulders portrait of Mary McCormic portrays her in a dark jacket over a matching dark blouse with a brooch in the lapel of the jacket. The singer gently smiles straight at the camera. The photographer's name "Melbourne Spurr Los Angeles" is embossed in blind at the bottom left of the image and his credits are stamped in blue on the verso. The photograph is inscribed diagonally at left to the Nashville Golden Glove Boxing referee Fitz Waldrip and signed and dated by the singer: "To Fitz Waldrip with best wishes / Mary McCormic / April 20 1935". The first 2 letters in "April" are slightly smudged. The top edge of the photograph is roughed possibly from having been removed from an album as would be indicated by rubbing evident along the top edge of the verso. The bottom corners are very lightly bumped. Very good. Said to have been among most famous sopranos in the world during the 1920's and 30's Mary McCormic 1889-1981 was known for her leading roles with the Paris National Opera the Opera Comique the Monte Carlo Opera and the Chicago Civic Opera. Born in Belleville Arkansas McCormic became interested in becoming an opera star at the age of 9 years old. She first studied voice with Emil Frey Myers and her potential became known to others by way of a singing contest sponsored by Mary Garden. She would become a protege of Mary Garden. Following her opera career the dean of the University of North Texas College of Music Wilfred Bain convinced her to create an Opera Workshop at the school in 1944. McCormic founded directed and defended the school's workshop which she built from scratch on a shoestring budget. She went on to mold the school's opera workshop over 16 years. The only opera company in existence in the Southwest the North Texas Opera Workshop was the first collegiate touring opera workshop west of the Mississippi and McCormic pioneered an approach to low-cost opera in an era of dwindling funds. Upon its founding in 1957 the Dallas Opera drew on the North Texas Opera Workshop for a steady supply of gifted singers for its chorus. April 20, 1935. unknown
ref. 2090502113706398Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
ref. 26754No place or date. Attractive Page extracted from autograph album 19.5 x 16cms sl. foxed edge rough where extracted good condition comprising: a. Harry Lauder's signature to which he appends the phrase "The saftest o'the Family" with the signatures of Henry Simson and Lena Ashwell Simson SEE IMAGE. On verso signature after subscription as follows: "With all good wishes Sincerely Yours Amy Evans 1914". No place or date. unknown
ref. boz_003878Mariette SULLY. Lettre autographe signée. État : Très bon état. Dimensions : 13,3 x 20,5 cm. 2 pages.
ref. 986Sans date - reliure - Heugel et Cie, Editeurs - Théâtre National de l'Opéra-Comique, dirigé par Léon Carvalho - Ouvrage non daté (circa 1890) - In-4 (28 x 19,5 cm) reliure demi-basane, filets et titre dorés au dos - 344 pages - Opéra-comique de Henru MEILHAC et Philippe GILLE. Musique de Jules MASSENET - A PROPOS : Opéra présenté pour la première fois le 19 janvier 1884. Partition piano-voix, édition Heugel & Cie, présentant les numéros de planches 7067 et 1386
