Litvinne Félia (1860-1936), soprano russe.Livre Rare Book
142 résultats
réf. 002958L.A.S, sd [3 mai 1924], 1p in-12 (6 lignes). Adresse autographe au dos. Lettre adressée à Roger Lyon pour lui demander une copie d'un contrat pour le Brésil. Peu commun.
réf. 014760Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano ; Angelo Fronani (?-1918), pianiste. L.A.S., sd, 1p in-12. Remerciements pour une tarte, écrits par Lussan et signé par elle et son mari Fronani. La destinataire est Marie Simpson à Edimbourg. [359]
réf. 014763Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., New Brighton, 7 avril [1912], 2p in-8. Elle renvoie deux livres à une amie, Marie Simpson à Edimbourg, et lui demande si elle en possède la fin. Elle chante le soir puis part à Paisley (Ecosse). [359]
réf. 014764Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., sd [1918], 2p in-12. A Marie Simpson et son mari James à Edimbourg. Elle annonce à ses amis la mort de son mari, le pianiste Angelo Fronani, en décrivant la fin de sa vie. [359]
réf. 014765Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., 5 septembre 1927, 3p in-8. Longue lettre à son amie Marie Simpson à Edimbourg après la mort de sa soeur le 28 août. [359]
réf. 014766Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., 20 mai 1920, 2p in-12. A une amie, Marie Simpson à Edimbourg, pour la remercier de l'envoi de plantes. [359]
réf. 014767Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S. + enveloppe, 7 septembre 1916, 3p in-8. A Marie Simpson à Edimbourg. Lettre amicale signalant l'arriver de sa soeur et sa nièce à Edimbourg. [359]
réf. 014768Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., 22 février 1912, 2p in-4. Longue lettre à James R. Simpson, agent publicitaire à Edimbourg. En anglais. [359]
réf. 014769Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S.+enveloppe, 15 juillet 1913, 2p in-4. Longue lettre à James R. Simpson, agent publicitaire à Edimbourg. En anglais. [359]
réf. 014770Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. L.A.S., 22 février 1915, 2p in-4. Longue lettre à James R. Simpson, agent publicitaire à Edimbourg. En anglais. [359]
réf. 1241778655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1397204583.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 5641'Fermo. Marche August 24th. 1863.'. One page octavo. Very good on lightly aged paper with embossed blue ink monogram at head. 'Dear Sir My Sister Isabella just arrived tells me you desire my autograph I have great pleasure in complying with your flattering request. .' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper and has the two newspaper cuttings partially laid down on it. The short Times obituary dated 17 March 1908 states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'. The other obituary equally short is unattributed. 'Fermo. Marche | August 24th. 1863.' unknown
réf. 3042'Monday morning'; on letterhead '15 Marlborough Road St. John's Wood N.W.'. Anglo-German soprano vocalist mother of Richard Mansfield. 2 pages 16mo. Grubby and creased but in good condition overall. Written in purple ink in a small tight hand. She wonders whether the Maitlands have 'set me down by this time as the most illmannered and ungratefull of all beings' or if they know what she has been doing since they sent her 'the information about Liverpool'. After the evening they spent together she 'had the children home your kind information came and I discussed the matter with Harry'. She then had to leave for Germany 'where I had indeed a delightful Time!' She will recount how the Queen and King of Prussia and the Crown princess received her in private audiences when they meet again. 'Then I returned home only to start again for Nottingham and then I wound up by behaving like an idiot; catching cold and havingg such an attack of Influenza as I do not recollect to have had in this state of my existence certainly'. She has only just emerged from the 'strictest privacy of my bedchamber'. 'Monday morning'; on letterhead '15, Marlborough Road, | St. John's Wood, | N.W.' unknown
réf. 2405630 September no year. On letterhead of 8 Longridge Road Earl’s Court S.W. London. 1p 4to. In good condition lightly aged with unobtrusive grease stain stain to one blank corner. Folded twice. Good bold hand with large signature. ‘My dear Miss Atkins - / How very kind of you to return me my old book. It was very valuable to me & I was wondering where it was - so I am very glad to have it back again. / Hoping we shall meet before long / With kindest regards & many thanks / Yours very sincerely / Ethel Henry Bird.’ 30 September [no year]. On letterhead of 8 Longridge Road, Earl’s Court, S.W. [London.] unknown
réf. 268481907 or after. Page of album 20 x 16cm good condition signed as follows: " Luisa Tetrazzini Souvenir de la Saison au Covent Garden - 6.12.1907 London.". On the verso of the album page there are several unconnected signatures dating 1900-1923. which I didn'feel would repay research.See IMAGE. [1907 or after] unknown
réf. 000534P.A.S., 19 septembre 1904, 1p In-12 (8 lignes). Carte postale envoyée à la violoniste Magdeleine Godard (sour de Benjamin) depuis Châtel-Guyon où elle est en cure. Peu commun
réf. 2394324 June 1930. On letterhead of the Clarendon Hotel Oxford. For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p 12mo. In good condition lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ the period of her appearance in a London Palladium production. In a hurried untidy loose hand she writes: ‘Dear Sir / If you like a small Autograph I can give it for You / Yours sincerely / Odali Careno’. See image. [24 June 1930.] On letterhead of the Clarendon Hotel, Oxford. unknown
réf. 19944Place and date not stated. Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition aged and worn with small square of tape staining at head and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely Ben Davies.' and 'In remembrance of Agnes Nicholls'. Place and date not stated. unknown
réf. 26364‘13 Westbourne Park West / Saturday’. no date. See her entry in the Oxford DNB. LETTER: 3pp 12mo. Thirty-one lines. Bifolium. In fair condition with slight staining at foot of first leaf and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’. The conclusion is similarly indecipherable. CALLING CARD: Conventional copperplate calling card with mourning border. Edges and reverse carrying traces of glue from mount. Centred: ‘Mrs. W. Avery Bushnell / née / Catherine Hayes.’ In bottom left-hand corner: 13 Westbourne Park West.’ ‘13 Westbourne Park West / Saturday’. [no date] unknown
réf. 26431No place or date. The two signatures are written one on top of the other close together on a leaf extracted from a printed diary with the bottom of the 'C' of 'Coates' touching the top of the 'e' of 'Tetrazzini'. In good condition on lightly aged and foxed paper. No other manuscript text. The page 163 has printed on it the dates ‘June 29’ and halfway down ‘June 30’ and the signatures are beneath the former. On the reverse is a printed poem by ‘Louise Chandler Moulton’ ‘A maiden sits in her bower and sings’. Image on application. No place or date. unknown
réf. 019940Marie-Stéphanie Meyer (1828-1914) dit Maria Meyer ou Maria Meillet-Meyer, soprano. L.A.S. « Maria Meillet », sd, 1p in-8. « Mon cher Directeur, Pour vous être agréable, j'irai aujourd'hui à la répétition de Norma, mais ne me retenez pas longtemps. Mes amitiés. Maria Meillet ». Norma, de Vincenzo Bellini fut jouée en France en 1864, 1866 et 1883. [476]
réf. 015463Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., Paris, 17 avril 1881, 2p in-8. Elle accepte des conditions pour chanter à Alençon et propose différents titres : « l'éternel Pré aux Clercs [Hérold], le grand air des Huguenots [Meyerbeer], la valse du Pardon de Ploërmel [Meyerbeer], la folie d'Hamlet, Galathée, air de la folie de Lucie [.] ». Par un autre courrier, on apprend que cette représentation aura lieu le 21 mai 1881. Sympathique courrier autour de son activité. [68-2]
réf. 015466Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., Paris, 18 mai 1881, 2p in-8. Derniers détails pour sa venue à Alençon le samedi suivant, 21 mai, pour une soirée musicale : l'hôtel, le train. Sympathique courrier autour de son activité. [68-2]
réf. Juanpebooks113937WE ship worldwide. Brand new 100%guarentee unknown
