Soprano, Pascual PBiblio.com
172 résultats
réf. 18814458like new. unknown
réf. 1241778655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 114197617X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2029PHOTOS SUR DEMANDE
1946réf. 23535Rome: De Carlo 1946. Limited edition. Wraps. Very good. 4to. 2653pp. Printed wraps over flexible card. Untrimmed text block. Paper age-toned else this is a very good copy. The wraps seem to be parchment. One of 323 numbered copies signed y the author. This is number 78. A note on the title page indicates that this work follows the text of Joseph Bédier's transcription Not found in Howey. . De Carlo unknown books
1946réf. 23535Rome: De Carlo 1946. Limited edition. Wraps. Very good. 4to. 2653pp. Printed wraps over flexible card. Untrimmed text block. Paper age-toned else this is a very good copy. The wraps seem to be parchment. One of 323 numbered copies signed y the author. This is number 78. A note on the title page indicates that this work follows the text of Joseph Bédier's transcription Not found in Howey. . De Carlo unknown
2006réf. Q-0446579114Grand Central Publishing 2006-02-13. Hardcover. New. In shrink wrap. Looks like an interesting title! Grand Central Publishing hardcover
réf. 1118413997.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. DADAX1118413997Wiley 2015-05-04. 1. hardcover. New. 6.02x0.84x9.30. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
réf. SONG1118413997Wiley 2015-05-04. 1. hardcover. Used: Good. 6.02x0.84x9.30. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
réf. 2090502113706398Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1896réf. 46401884Buenos Aires, Monkes, 1896 ; in-8, cart. impr. d’éditeur. 429 pp., 1 f. blanc, 1 f. appendice, XIII pp. de table.Histoire des guerres du XVIe siècle pour la conquête du Tucuman, établissement de la colonie espagnole dans la vallée de Catamarca, christianisation. Evolution aux XVIIe, XVIIIe et XIX e siècles ...
réf. 9501260917.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. SLIVCN-9782757852149POINTS
1991réf. 119129Intaglio 1991-01-01. Audio CD. Very Good. Intaglio unknown
réf. 1332937829.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1955réf. 053357Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Original Concert Program Pamphlet with Autograph Signature unknown
1992réf. 053360Istanbul: Akbank 1992. Soft cover. Fine. Paperback. Oblong large 8vo. 23 x 24 cm. In English and Turkish. 36 p. color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Akbank paperback
1980réf. SPN-854Paris : Heugel, 1980. Recueil 27x18,5cm, 55 pages de partitions.
1879réf. 97543Cincinnati 1879. 1879. Good. - A 4-5/8 inch high by 7-1/2 inch wide sheet of creamy white paper removed from an autograph album inscribed & signed "Yours Most Sincerely / Marie Roze-Mapleson / Cincinnati 1879". The left edge of the sheet is rough and there is dampstaining along the top and right side of the page not affecting the inscription or signature. Good. The French Operatic Soprano Marie Roze Mapleson 1846-1926 studied under Mocker and Auber at the Paris Conservatoire. She made her debut at the Opera-Comique in 1865 at the age of 16. She toured Britain and Scotland with the Carl Rosa Opera Company for 10 years singing roles ranging from Carmen and Manon to Marguerite. Engaged by the Max Strakosch Opera Company she performed in Philadelphia as Leonora in Donizetti's "La favorita" in January of 1878. She returned to tour in the U.S. with the Carl Rosa Opera Company from 1883 to 1889. Marie Roze was first married to the operatic bass Jules E. Perkins and subsequently to Henry Mapleson the son of the noted London and New York impressario. Cincinnati, 1879. unknown
réf. 012560Rosine Laborde (1824-1907), soprano, professeur de chant. L.A.S., Paris, 28 avril 1888, 1p in-12. A Madame Michel. Pour donner un rendez-vous. Carte postale cartonnée, anciennement pliée en deux. [250]
réf. 21987542like new. unknown
réf. 41472260-nnew. unknown
