80 résultats
réf. 22266Undated; on letterhead of the Prince of Wales Theatre Coventry Street London. 2pp 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. Hoping you are well – with kind regards. Yours sincerely Decima Moore'. Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London]. unknown
1880réf. H22609St. Petersburg 1880. Very Good. 5 x 4 inches chromolithograph card one of a series of four panels published by Marcus Ward & Co. in 1880 in the style of Kate Greenaway. Inscribed on the verso "To my old friend Mr. Kingsley with kind and affectionate remembrances from Clara Louise Kellogg St. Petersburg 15/27 December 1880." Kellogg was a famous American soprano. unknown
1890réf. 96379circa 1890's. 1890's. Good. - Toedt's autograph on creamy white 1-1/4 inch high by 3-1/4 inch wide paper is mounted on heavier card stock. He has inscribed "Yours truly" and signed his name "Theo. J Toedt". The paper is unevenly darkened along the top and left edges. Good. The American tenor Theodore Toedt 1855-1920 was best known as a boy soprano. He was a boy chorister at Trinity Church in New York City. His principal number was "Robert toi que j'aime" from Meyerbeer's ROBERT LE DIABLE which he sang at age 16 in a concert at The Brooklyn Academy of Music. A contemporary review stated that the piece was given with "the fire and spirit of an accomplished prima donna". A RARE autograph. circa, [1890's]. unknown
réf. 17921The 9 x 7 inch portrait inscribed "To the dear Cannans in affectionate remembrance Marie Tempest". Tipped on to the photographer's mount. Fine. Inscribed in another hand on verso "Mrs. A. M. Cannan c/o Reiss & Co.". unknown
réf. 21987542like new. unknown
réf. 19944Place and date not stated. Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition aged and worn with small square of tape staining at head and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely Ben Davies.' and 'In remembrance of Agnes Nicholls'. Place and date not stated. unknown
1863réf. 100670Boston: Transcript Job Printing Office 1863. 1863. Very good. - An original 10-3/8 inch high by 6-5/8 inch wide broadsheet announcement for the Grau Italian Opera Company's performances of "Norma" "Les Noces de Jeannette" "La Traviata" and "Lucrezia Borgia" with a 2-7/8 inch high by 6-5/8 inch wide tipped-on overlay advertising the following week's performances of "I Puritani" and a performance of "Oratorio and Sacred Concert" several featuring the Opera Soprano Madame Lorini in the title roles. The broadsheet advertises the Friday February 27 performances of "Norma" and "Les Noces de Jeannette" and the following Saturday & Sunday's performances of "La Traviata" and "Lucrezia Borgia" with the Following week's Monday performance of "I Puritani" and the Tuesday performance of "La Juive" printed on the recto of the overlay tipped on over the Saturday program with that Sunday's "Oratorio and Sacred Concert" advertised on the verso of the overlay. The Broadside is dated "Sunday Evening March 1 1863 under the announcements of "La Traviata" and "Lucrezia Borgia". There is some minor foxing and darkening and the broadsheet is mounted from the verso onto slightly larger heavy cream paper. Very good. The Brau Italian Opera Company began a six week engagement at the Boston Academy of Music on February 9th. This was the last time that what became "The Boston Theatre" was called "The Academy of Music". Among the singers were Madame Lorini Mlle Morensi Signor Maccaferri Signor Susini Mademoiselle Cordier Signor Dubreul etc. The November 15 1862 New York Herald review of an earlier performance of "Norma" at the Academy of Music possibly the Brooklyn Academy of Music in that case highly praises the quality of the Soprano's voice "It follows as a matter of course from what we have just stated that Madame Lorini's debut last night was a success. She had sung but a few passages when the audience recognized the beautiful quality of her voice--pure round and fresh--and though not as powerful as one would wish to hear in Norma still with volume sufficient to give a perfect interpretation of the music of the part. Her method is excellent and exhibits evidence of her Italian training." [Boston]: Transcript Job Printing Office, 1863.
réf. 101473Tuesday June 8th. . Very good. - A four-page letter consisting of 240 words penned on 4 sides of 6 inch high by 4 inch wide laid paper with an attached integral leaf. The American operatic soprano Minnie Hauk writes to "Miss Halle" expressing her concerns that she might not be able to sing at a forthcoming charity concert "I can hardly say otherwise but that I write this in a frame of trepidation for fear of disappointing you. My Physician Dr. Mackenzie says that I must not think of singing for over a week at least. For you must know that after the second act of Carmen last evening I was taken with sudden hoarseness that I could hardly get through the remainder of the Opera." Mentioning to her doctor that she's anxious to sing at a Charity Concert the next Tuesday she writes that "the prospect is that I might be able to sing but you would have to take the chance and a decided answer could only be given on the day of the Concert." In case she can sing she lists those arias she'll perform including "Non conosci il bel suol" from "Mignon" an area from "Katherine & Petruchio" by Goetz and "La Serenata" from "Mefistofele". Signed in full "Minnie Hauk". Folded for mailing the letter was apparently once mounted with a strip of clear tape adhering to the right edge of the last page. Very good. The charity concert to which she refers was likely with the Halle Concert Society in Manchester England. The American operatic soprano and subsequently mezzo-soprano Minnie Hauk 1851-1929 began vocal studies with Achille Errani who set her up with the Max Maretzek Italian Opera Company. She made her debut at the age of 14 as Amina in "La sonnambula" performed in Brooklyn. Her Manhattan debut took place as Prascovia in "L'Etoile du Nord" in 1866 and by 1867 sang the role of Juliette in the American premiere of Gounod's "Romeo et Juliette". Her European debut took place at London's Covent Garden in 1868 followed by her Paris debut in 1869 when she was still but 18 years old. She subsequently appeared in Vienna and throughout Europe. Her intense performance of Bizet's "Carmen" brought new life & fame to what was then an unsuccessful opera. Her voice changed to mezzo-soprano which was recognized to be of great strength and depth. The doctor to who Minnie Hauk refers was the British physician Sir Morrell Mackenzie 1837-1892 one of the pioneers of laryngology. Mackenzie studied at the London Hospital becoming a member of the Royal College of Surgeons before undertaking studies in Paris Vienna and Budapest. Returning to London in 1862 he won the Jacksonian prize at the Royal College of Surgeons for his essay on the "Pathology and Treatment of Diseases of the Larynx: The Diagnostic Indications to Include the Appearance as Seen in the Living Person" and he devoted himself to specializing in diseases of the throat. Tuesday June 8th. unknown
1886réf. 34588Philadelphia PA: 19th November 1886. 1886. Very good. - Nine bars of music penned on a six-sided piece of cream paper with the text written in English below the music. Inscribed "in kind remembrance of Pauline l'Allemand / Philadelphia 19th Nov 86." There is a diagonal crease & a light paper-clip mark near the left side of the paper. Its left edge is darkened. There are 3 light glue marks & surface rubbing to the verso where the paper has been removed from an album. Very good. Pauline l'Allemand gave the first American performance of Delibes' opera "Lakme" at the Academy of Music in Philadelphia on November 17 1886. This quotation from the opera which was sung in English was thus penned two days after the opening. Born in Syracuse NY Pauline l'Allemand 1856-1944 made her debut as an operatic soprano in Stratton's "The Fairy Grotto" at Wieting Opera House in her home town. She subsequently studied singing in Dresden Stuttgart and Paris. After successfully touring in Europe she returned to America performing "Lakme" in Philadelphia. After her attempt to create her own opera company failed she retired to a farm in Black River Falls Wisconsin with her grown son. They lived in extreme poverty and both were eventually pronounced insane and in 1920 were remanded to the Mendota State Hospital for the insane in Madison Wisconsin. L'Allemand was memorialized in the cult classic "Wisconsin Death Trip" by Charles Van Schaick and Michael Lesy. Rare. Philadelphia, PA: 19th November, 1886. unknown
1868réf. 96515July 1868. 1868. Very good. - Over 15 words penned on her 6-1/8 inch high by 3-7/8 inch wide "Burnham House Finchley Road" stationery with the address and the motto "Ex Una Omnia" surrounding the image of a bird embossed in red at the top. The soprano expresses her "pleasure in complying" with the recipient's request for an autograph. Signed "H. Lemmens-Sherrington". Once folded the note has been mounted with glue from the verso onto heavier stock which has been clipped from an album. Very good. The English concert and operatic soprano Helen Lemmens-Sherrington 1834-1906 was born in Northern England though she spent much of her early life in Belgium studying at the Brussels Conservatory. Her London debut came in 1856 after having performed throughout Europe. Though she mostly sang roles in concert performances through the earlier part of her career she started appearing in operatic soprano roles in the first half of the 1860's performing at Covent Garden among other leading theaters. She later taught at the Brussels Conservatory as well as London's Royal Academy of Music and the Royal Manchester College of Music. July, 1868. unknown
1886réf. 34662New York: November 19th 1886. 1886. Good. - The singer has penned in black ink "Very truly yours / Geraldine Ulmar / New York / Nov. 19.1886." on a piece of cream-colored card 3-1/2 inches high by 4-1/2 inches wide There are areas of offsetting to the card & its top corners have been unevenly rounded off. Remnants of paper & glue adhere to the verso where the card has been removed from an album. Good. Geraldine Ulmar 1862-1932 was an American singer and actress best known for her performances of soprano roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. She was hired to play Yum-Yum in the company's first American production of The Mikado at the Fifth Avenue Theatre in New York City. The production ran from 1885 to 1886 and she then played the part in a touring company in England and Germany. She later played parts in Ruddigore The Pirates of Penzance. and The Yeomen of the Guard. New York: November 19th, 1886. unknown
1879réf. 97543Cincinnati 1879. 1879. Good. - A 4-5/8 inch high by 7-1/2 inch wide sheet of creamy white paper removed from an autograph album inscribed & signed "Yours Most Sincerely / Marie Roze-Mapleson / Cincinnati 1879". The left edge of the sheet is rough and there is dampstaining along the top and right side of the page not affecting the inscription or signature. Good. The French Operatic Soprano Marie Roze Mapleson 1846-1926 studied under Mocker and Auber at the Paris Conservatoire. She made her debut at the Opera-Comique in 1865 at the age of 16. She toured Britain and Scotland with the Carl Rosa Opera Company for 10 years singing roles ranging from Carmen and Manon to Marguerite. Engaged by the Max Strakosch Opera Company she performed in Philadelphia as Leonora in Donizetti's "La favorita" in January of 1878. She returned to tour in the U.S. with the Carl Rosa Opera Company from 1883 to 1889. Marie Roze was first married to the operatic bass Jules E. Perkins and subsequently to Henry Mapleson the son of the noted London and New York impressario. Cincinnati, 1879. unknown
réf. 26364‘13 Westbourne Park West / Saturday’. no date. See her entry in the Oxford DNB. LETTER: 3pp 12mo. Thirty-one lines. Bifolium. In fair condition with slight staining at foot of first leaf and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’. The conclusion is similarly indecipherable. CALLING CARD: Conventional copperplate calling card with mourning border. Edges and reverse carrying traces of glue from mount. Centred: ‘Mrs. W. Avery Bushnell / née / Catherine Hayes.’ In bottom left-hand corner: 13 Westbourne Park West.’ ‘13 Westbourne Park West / Saturday’. [no date] unknown
2002réf. USD_9780896039308Humana Press 2002. 1st. Hardcover. Used - Like New/Used - Like New. _ Humana Press hardcover
2002réf. AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. _ Humana Press hardcover
réf. 22341'26 April 1854. Porchester Lodge 8A Porchester Terrace Hyde Park London. 4pp 16mo. Bifolium. In good condition lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named and the letter begins: 'Dear Sir I have not heard from Mr. Bussell of your Concert but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st. May.' She continues: 'I purpose singing the following unless you particularly wish any class of music especially.' She lists four pieces by Handel Mozart and Cagnoni explaining that she has 'not named any concerted piece not knowing who may be at the concert with me' and she will be obliged by a 'line to tell me which parts for orchestra you have' intending herself to 'bring those to the Can: of Cagnoni'. '26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London]. unknown
1955réf. 053357Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Original Concert Program Pamphlet with Autograph Signature unknown
réf. 5641'Fermo. Marche August 24th. 1863.'. One page octavo. Very good on lightly aged paper with embossed blue ink monogram at head. 'Dear Sir My Sister Isabella just arrived tells me you desire my autograph I have great pleasure in complying with your flattering request. .' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper and has the two newspaper cuttings partially laid down on it. The short Times obituary dated 17 March 1908 states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'. The other obituary equally short is unattributed. 'Fermo. Marche | August 24th. 1863.' unknown
réf. MLU670936298New. Cómo Evaluar el Lenguaje en Niño Ana María Soprano. Autor: Ana Maria Soprano. Idioma: Spanish. ISBN: 9789501260915. Ejemplar nuevo. Referencia: MLU670936298. Spanish-language edition. Ships from Uruguay with full tracking. Every book is individually wrapped with care and securely packed so it reaches you in excellent condition. Looking for a title you can't find We source books on request. Thank you for letting us serve you. Amado Libros Montevideo. Edición en español. Enviamos desde Uruguay con seguimiento completo. Cada libro va envuelto con cuidado y bien protegido para que llegue a sus manos en excelentes condiciones. ¿Busca un título que no encuentra Conseguimos libros por encargo. Gracias por permitirnos servirle. Amado Libros Montevideo. unknown
réf. 9501260917.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2150526 Palace Court London W2. 6 April 1962. 1p 4to. In fair condition lightly aged and worn with the top part of the blank reverse pasted onto a slip of paper cut from an album. Adressed to 'Miss Constance M. Evans Raventhorpe Carmel Road N. Darlington.' She begins by stating that Evans's letter has been forwarded to her by Julian Herbage. She is 'most interested to know that your birthday coincides with mine and that you claim to be the earliest private accompanist I ever had' and thinks from all that Evans says in her letter that 'that is more than likely and your mention of my great friend Rose Budd and Helen Taylor arouses so many happy memories.' She exclaims 'Alas!' on giving the news that Budd died in April 1949 adding that she still visits her husband occasionally. 'Helen Taylor of course became Helen Cowan but I have not seen her for years. I also knew Mr. McKenzie who played the 'cello.' She ends in the hope that life has treated Evans well 'and that all progresses for you as you desire'. Turner was born in Werneth Oldham and her first formal singing lessons were with Dan Rootham teacher of the contralto Clara Butt. 26 Palace Court, London, W2. 6 April 1962. unknown
réf. 2582717 January 1968; on letterhead of 3 Langford Close London NW8. 1p 12mo. On blue-grey paper with matching stamped postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry she reports that she has ‘several good pupils who could make satisfactory Sacred Records’ but she would like him to hear them first. In what is possibly a reference to Kiri Te Kanawa she writes: ‘One is a young New Zealand girl with a sweet voice and some experience of sacred work.’ She end by asking whether he will be in London soon ‘and able to spare time to hear her’. 17 January 1968; on letterhead of 3 Langford Close, London, NW8. unknown
1991réf. 119129Intaglio 1991-01-01. Audio CD. Very Good. Intaglio unknown
2006réf. 1-0446579114Grand Central Pub 2006. Hardcover. New. 202 pages. 10.25x8.00x1.00 inches. Grand Central Pub hardcover
2006réf. Q-0446579114Grand Central Publishing 2006-02-13. Hardcover. New. In shrink wrap. Looks like an interesting title! Grand Central Publishing hardcover