172 risultati
1984Collana LA SCALA NELL'ETA' NEOCLASSICA ---I PROTAGONISTI, di Giampiero Tintori: Premessa - I musicisti - I librettisti - I cantanti - Il balletto - I ballerini - La scuola di ballo - Gli impresari; L'AMBIENTE, di Guido Bezzola - Note - Bibliografia e Indici: Opere citate in forma abbreviata - Indice dei nomi - Indice delle tavole - Impresso dalla Stamperia Valdonega, Verona MCMLXXXIV - Questo esemplare appartiene alla tiratura speciale di seicentosettantacinque copie su carta appositamente fabbricata dalla cartiera Ventura e in legatura d'amatore 1 35,5x25,5 cm., legatura speciale d'amatore in mezza pelle, piatti cartonati delimitati da filetto in oro, fregi e titolo in oro al dorso (sbiaditi), taglio superiore in oro, gli altri non refilati, cofanetto, in apertura 2 tavole speciali della Scala a colori (esterno disegnato e Veduta interna), pp. 185 (3), 43 Tavole nel testo in bianconero e a colori, con numerose illustrazioni di ogni tipo, di cui 1 su doppia pagina, edizione di pregio, a tiratura limitata, in italiano, in ottimo stato. allegato quartino stesso formato con riassunto del testo in inglese
1946rif. 23535Rome: De Carlo 1946. Limited edition. Wraps. Very good. 4to. 2653pp. Printed wraps over flexible card. Untrimmed text block. Paper age-toned else this is a very good copy. The wraps seem to be parchment. One of 323 numbered copies signed y the author. This is number 78. A note on the title page indicates that this work follows the text of Joseph Bédier's transcription Not found in Howey. . De Carlo unknown
1946rif. 23535Rome: De Carlo 1946. Limited edition. Wraps. Very good. 4to. 2653pp. Printed wraps over flexible card. Untrimmed text block. Paper age-toned else this is a very good copy. The wraps seem to be parchment. One of 323 numbered copies signed y the author. This is number 78. A note on the title page indicates that this work follows the text of Joseph Bédier's transcription Not found in Howey. . De Carlo unknown books
1936rif. 36755J. Miles & Co. Ltd. 1936. 1936. Very good. - A 22 inch high by 15 inch wide promotional poster with a brief biography and press reviews of performances by the American Soprano Ina Souez. Printed in brown on cream paper with a 5-1/4 inch high by 4 inch wide portrait of the singer printed at top left above a brief biography with the banner title to the right of the image. Reviews of Ina Souez' performances are printed in 3 columns with several reviews quoted under each of several headings including "Glyndebourne Opera Festival 1936" "Glyndebourne 1935" "Copenhagen 1936" "International Season Royal Opera House Covent Garden" etc. A 5-1/2 inch high by 3-1/2 inch wide full-length portrait appears at bottom right. The poster is folded vertically and horizontally with a short tear to the top of the vertical fold. It is otherwise slightly soiled with minor creases. The word "DUPL>NYPL" is stamped several times on the verso. Very good. As per the brief biography printed under her portrait "Ina Souez the new star soprano was born in Windsor Colorado America. In 1928 on the advice of Gatti Casazza she went to Italy to study voice production with Signor Rodolfo Mele. She has appeared for several seasons at Covent Garden in principal roles and at the Glyndebourne Mozart Festival where she is permanently engaged. She has also appeared in Denmark Germany and Paris and has been declared by the leading critics of Europe as the greatest Mozart soprano living. Her Bellini and Verdi have been declared unsurpassable. In Puccini she also excels and in Ravel and Bizet is considered unequaled." Ina Souez 1903-1992 was born Ina Rains to a family of Cherokee heritage in Windsor Colorado. Upon embarking on her career she took her grandmother's last name "Souez". Ina Souez 1903-1992 first studied with the Canadian contralto Florence Hinman and made her debut as Mimi in Ivrea in 1928. At Florence Hinman's urging she went to Italy in 1931 to study with Sofia del Campo. She starred in roles in Milan and these were soon followed by appearances in London Paris and Rome. She first sang at Glyndebourne on the second night of the Festival's inauguration in 1934 and went on to become the festival's prima donna. She made her home in London and was the first to commercially record performances of "Don Giovanni" ad "Cosi fan Tutte". Returning to the US at the outbreak of WWII she enlisted in the Women's Army Corps and subsequently signed up with the Spike Jones band often playing the comedian as members of the band would remove pigeons from her hat while she sang. Retiring after 10 years she went on to teach voice in San Francisco and Los Angeles. J. Miles & Co., Ltd., [1936]. unknown
rif. 21272On letterhead of The Old Cottage Egypt Farnham Common Bucks. 15 October 1965. 2pp 12mo. In good condition lightly aged with lightly-rusted indentation from a paperclip. She thanks him for the 'lovely form of intrusion your letter proved to be - as though you could ever intrude!' She wonders whether if she had been 'a more patient patient' the 'second attack' might not have happened' a heart attack had forced her to retire from the stage 'but I was never one for sitting and doing nothing'. She is 'trying very hard now as I have learnt my lesson'. She has 'so many interests that retirement is beginning to become a pleasure thank heavens'. He hopes to see him and 'dear Given' and ends with affectionate sentiments. On letterhead of The Old Cottage, Egypt, Farnham Common, Bucks. 15 October 1965. unknown
rif. 26431No place or date. The two signatures are written one on top of the other close together on a leaf extracted from a printed diary with the bottom of the 'C' of 'Coates' touching the top of the 'e' of 'Tetrazzini'. In good condition on lightly aged and foxed paper. No other manuscript text. The page 163 has printed on it the dates ‘June 29’ and halfway down ‘June 30’ and the signatures are beneath the former. On the reverse is a printed poem by ‘Louise Chandler Moulton’ ‘A maiden sits in her bower and sings’. Image on application. No place or date. unknown
1980rif. SPN-854Paris : Heugel, 1980. Recueil 27x18,5cm, 55 pages de partitions.
rif. 2090502113706398Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
rif. 2029PHOTOS SUR DEMANDE
rif. 0364437340.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0364840927.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1795Elsevier. New/New. El volumen está pensado para constituirse como obra-fuente sobre el estado de la cuestión y como un instrumento útil y de carácter didáctico en el quehacer cotidiano de los profesionales de las disciplinas clínicas y psicopedagógicas. Elsevier unknown
rif. 18814458like new. unknown
rif. 1241778655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0366716204.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0483825484.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0483825999.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 114197617X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006In copertina: Mozart accompagna al pianoforte il soprano Caterina Cavalieri, Vienna Museen der Stadt . Dedica - Presentazione, di Giacomo Fornari - Ringraziamenti - L'aria da concerto nel XVIII secolo - L'intervento mozartiano - Criteri di scelta - Le arie giovanili - Le arie per Josepha Dusek - Le arie per Aloysia Weber - Le composizioni singole per interpreti diversi - Conclusioni - Bibliografia - Indice analitico 1 24x17 cm., in brossura, pp. XVI, 302, pentagrammi nei testi, prima edizione, in italiano, buone condizioni
1983rif. 42L'avant scene Opera 1983 146 pages PARIS. IN4. 1983. broché. 146 pages.
rif. 012538Caroline Carvalho (1827-1895), soprano colorature. L.A.S., 24 mars 1889, 1p in-12. A mademoiselle M Grunebaum, une de ses élèves. Elle est navrée de la savoir enrhumée. Carvalho l'est aussi et ses occupations l'empêcheront de donner un cours à son élève avant le 1er avril. [249]
rif. 018183Caron Rose (1857-1930), soprano. L.A.S., 11 février 1891, 1p in-8. « Voici cher Monsieur la pension du mois de février. À vendredi j'espère et mes meilleures amitiés. Rose Caron ». [420]
rif. 018184Caron Rose (1857-1930), soprano. L.A.S., 11 novembre 1890, 1p in-8. « Voici cher Monsieur les deux cents francs de la pension. Bien amicalement à vous. Rose Caron ». [420]
rif. 012574Dolores Nau (1818-1891), soprano espagnole. L.A.S., sd [1846 selon une note au dos], 3p in-8. A un compositeur. Elle ne chantera que la cavatine de Lucie pour les orphelins et ne peut rien ajouter de plus. Elle promet de chanter des morceaux composés par son correspondant lors d'un concert organisé par [Italo?] Gardoni dans les salons de Hertz et où se produira aussi le baryton Paul Barroilhet. [251]