ANTONIO GIORDANO, KENNETH J SOPRANO,Biblio.com
CELL CYCLE INHIBITORS IN CANCER THERAPY CANCER DRUG DISCOVERY AND DEVELOPMENT
2002réf. AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. Humana Press hardcover
142 résultats
1955réf. 053357Istanbul: Original Concert Program Pamphlet with Autograph Signature 1955. No Binding. Very Good. Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm Folded size. Folded. 8 p. fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. Original Concert Program Pamphlet with Autograph Signature unknown
réf. 22341'26 April 1854. Porchester Lodge 8A Porchester Terrace Hyde Park London. 4pp 16mo. Bifolium. In good condition lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named and the letter begins: 'Dear Sir I have not heard from Mr. Bussell of your Concert but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st. May.' She continues: 'I purpose singing the following unless you particularly wish any class of music especially.' She lists four pieces by Handel Mozart and Cagnoni explaining that she has 'not named any concerted piece not knowing who may be at the concert with me' and she will be obliged by a 'line to tell me which parts for orchestra you have' intending herself to 'bring those to the Can: of Cagnoni'. '26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London]. unknown
2003réf. 83856München, Musikproduktion Höflich, 2003. Original Broschur, gr.8°, 13 Seiten.
2002réf. AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. Humana Press hardcover
réf. 26364‘13 Westbourne Park West / Saturday’. no date. See her entry in the Oxford DNB. LETTER: 3pp 12mo. Thirty-one lines. Bifolium. In fair condition with slight staining at foot of first leaf and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’. The conclusion is similarly indecipherable. CALLING CARD: Conventional copperplate calling card with mourning border. Edges and reverse carrying traces of glue from mount. Centred: ‘Mrs. W. Avery Bushnell / née / Catherine Hayes.’ In bottom left-hand corner: 13 Westbourne Park West.’ ‘13 Westbourne Park West / Saturday’. [no date] unknown
réf. 014761Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. C.A.S., sd, 3 lignes. Voeux à son amie Marie Simpson à Edimbourg. [359]
réf. 014762Zélie de Lussan (1861-1949), chanteuse d'opéra américaine d'origine française, soprano. C.A.S., sd, R°V°, 8 lignes. Elle remercie son amie Marie Simpson, à Edimbourg, pour une tarte qui sera dévorée le lendemain et présente ses voeux. [359]
Mm 135x220 Prima edizione - Volume cartonato con sovraccoperta editoriale, 197 pagine con tavole fotografiche in nero fuori testo. Lievi fioriture ai tagli, peraltro ottima copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Collana Libri Illustrati Rizzoli - Ingeborg Bachmann, Hommage ? Maria Callas - Attila Csampai, Callas: Istanti d'eternit? - L'arte. Il tramite. Il messaggio - Metamorfosi - Tavole -- Appendice: Indice delle parti interpretate - Cronologia delle interpretazioni - Dieter Fuos, Discografia - Bibliografia - Fotografi- Referenze fotografiche - In quarta di copertina: Callas 1 32x23 cm., in brossura, pp. 269, in copertina la Callas in una foto in nero di Cecile Beaton, Londra 1957, in quarta di copertina altra foto a colori e in frontespizio nei panni di Violetta per la Traviata allestita dal Covent Garden di Londra nel 1958. testo su due colonne e ricchissima iconografia in nero e a colori, in scena e fuori, esemplare come nuovo.
New Turkish Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 352 p., color and b/w ills. Ben Leyla Gencer: La Diva Turca. Ünlü keman virtüozu Isaac Stern Ilk 79 Yilim adli kitabinin önsözünde söyle der: "Müzigin hizmetine girmek bir meslek edinmek degil, bir yasam biçimidir. Bunun için iki seye sahip olmalisin: Birincisi, ne olmak istedigin hakkinda küçük yastan itibaren kesin bir fikre; ikincisi, o isteginin gerçeklesmesi için gereken özgüvene, mücadele gücüne ve gurura." Iste Leyla Gencer in müzik serüveni bu düsüncenin hayata yansimasi olmustur adeta. Safranbolulu bir baba ile Polonyali bir annenin kizi olan Leyla Gencer Çubuklu da dünyaya geldi, Fransiz dadisinin çokkültürlülügü ve evde piyano çalan annesinin söyledigi Lehçe sarkilar araciligiyla henüz hayatinin ilk yillarinda müzikle tanisti. Soprano Arangi-Lombardi ile çalismasi hayatinin dönüm noktalarindan biri oldu. Ilk opera temsilini Ankara da verdi. 1953 te Italyan radyosundaki kaydiyla da ilk kez sesini dünyaya duyurdu.Leyla Gencer, küçük yasindan itibaren sahnede olmayi aklina koymustu. Özgüveniyle, çaliskanligiyla, savasçi kisiligiyle hayatini bu fikre göre sekillendirdi. Opera kültürü olmayan bir ülkeden çikip, bu kültürle evrilmis bir ülkenin, Italya nin ortasinda kendini ispat etmek için verdigi mücadelelerle, tam yirmi bes yil boyunca operanin mabedi sayilan La Scala nin prima donna si oldu. Sonraki yirmi bes yil da, ölünceye kadar, egitimci olarak opera dünyasina hizmet etti.Zamaninin büyük sopranolariyla girdigi rekabetle, tarihi sefler ve rejisörlerle birlikte çalismasiyla, büyük bestecilerin gölgede kalmis yapitlarini kesfetmesiyle, repertuvarindaki yetmis üç opera ve canli temsillerden kaydedilen sesiyle yirminci yüzyil opera tarihine geçmeyi basaran La Diva Turca, bugün de Divalarin Divasi olarak anilmaktadir.Ben Leyla Gencer La Diva Turca kitabi, sesiyle ve dramatik gücüyle iz birakan sanatçiyi kisilestirerek kendini var etme yolculugunda yasadigi coskularini, hayal kirikliklarini, sevinçlerini, acilarini kendi agzindan hikâyelestirirken, okuru operanin coskulu yillarina götürüp müzik dünyasinda bir yolculuga çikariyor.
réf. 19944Place and date not stated. Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition aged and worn with small square of tape staining at head and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely Ben Davies.' and 'In remembrance of Agnes Nicholls'. Place and date not stated. unknown
réf. 21987542like new. unknown
réf. 17921The 9 x 7 inch portrait inscribed "To the dear Cannans in affectionate remembrance Marie Tempest". Tipped on to the photographer's mount. Fine. Inscribed in another hand on verso "Mrs. A. M. Cannan c/o Reiss & Co.". unknown
Wien / Leipzig 1902, In-4 broché, 45 pages. Bon état.
1902réf. 99941852Wien / Leipzig 1902, In Wien / Leipzig 1902, In-4 broché, 45 pages. Bon état.
réf. 22266Undated; on letterhead of the Prince of Wales Theatre Coventry Street London. 2pp 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. Hoping you are well – with kind regards. Yours sincerely Decima Moore'. Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London]. unknown
1978réf. 1606090899xbvkSpotswood - New Jersey, Joyce Music, September 1978. (1) 56 singleside-printed sheets of Text. - Publisher's photographically illustrated lightgreen softcover with black cloth spine; 4to.(ca. 28 x 21,5 cm).
