Walz, ChristianAntiquariat.de
306 results
1856ref. 57022Tubingae: typis expressit officina Fuesiana 1856. 19 Seiten, mit 4 Abbildungen auf 2 Tafeln. Gr. 8° (26 x 21,5 cm), Orig.-Broschur.
1856ref. 57021Tubingae: typis expressit officina Fuesiana 1856. 19 Seiten, mit 4 Abbildungen auf 2 Tafeln. Gr. 8° (26 x 21,5 cm). Orig.-Broschur.
ref. 36416Leipzig, C.F. Peters, o.J. 4°, 44 & 48 & 72 S., Bezahlung per PayPal möglich, we accept PayPal, Einb. beschabt u. ger. bestoßen u. angeschmutzt, Schnitte angeschmutzt, altersbed. Bräunungen, ger. Gebr.sp., Leinen
ref. 5O-7CEM-G2VRGood. Good condition. Clean pages intact binding. Light shelf wear. unknown
1959ref. 329992California: Capitol Records 1959. Record. Very Good record and jacket. No sleeve. Capitol Records unknown
1968ref. 330086New York: Columbia Records 1968. Record. Very Good record and jacket. Ringwear on front panel. Crack on jacket top edge. Shelfwear on jacket corners. Columbia Records unknown
1975ref. 330114California: A & M Records 1975. Record. Very Good record and jacket. No sleeve. Shelfwear on jacket corners. A & M Records unknown
1966ref. 331072New York: Atlantic Recording Corporation 1966. Record. Very Good record and jacket. Small stain on front panel. Foxing on rear panel. Atlantic Recording Corporation unknown
ref. 9a638Eutin bei dem Verfasser und Hamburg bei C.E.Bohn 1789. XXIV/327 S./3 Bl. mit einer Kupferstichvignette von Hellwag Halbleder der Zeit berieben und bestossen/etwas fleckig. - Wilpert/Gühring 1131310; Taschengoedeke 688/Erste Auflage - unknown
1926ref. 163712N.p.: N.p. 1926. Vintage double weight photograph of the Mischa Elman String Quartet circa 1926. Annotations in manuscript ink on the verso noting the quartet's performance at the Metropolitan likely the Metropolitan Opera House along with a 1926 date stamp. Russian-American violin virtuoso Mischa Elman was born in Talnoye in the Russian Empire in 1891. Having revealed his perfect pitch and prodigious skill at the violin at a young age Elman studied at the Imperial Academy of Music then the St. Petersburg Conservatory and made his London debut in 1905. He moved to the US upon the outbreak of World War I and became an American citizen in 1923 recording and touring extensively throughout the country over the ensuing six decades. 8 x 10 inches. Very Good plus slightly wavy at the top left and right edges. N.p. unknown
1962ref. 69816Hansen Publications; Derry 1962. First Edition; First Printing. Softcover. Good in wrappers. Some soiling and staining. Rare.; 4to - over 9¾" - 12" tall. Hansen Publications; Derry unknown
1974ref. 66898Kenosha Wisconsin: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America 1974. First Edition; First Printing. Softcover. Very Good in wrappers.; 4to - over 9¾" - 12" tall. Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America unknown
1974ref. 66897Kenosha Wisconsin: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America 1974. First Edition Thus; First Printing. Softcover. Very Good in wrappers.; 4to - over 9¾" - 12" tall. Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America unknown
1986ref. 66896Kenosha Wisconsin: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America 1986. First Edition Thus; First Printing. Softcover. Very Good in wrappers. Three-hole punched.; 4to - over 9¾" - 12" tall. Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America unknown
1973ref. 66895Kenosha Wisconsin: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America 1973. First Edition; First Printing. Softcover. Very Good in wrappers. Three-hole punched.; 4to - over 9¾" - 12" tall. Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America unknown
1936ref. BK0062Rigby Idaho 1936. Illustrated handbill single sheet printed on both sides with three photographic group illustrations on recto and descriptive text verso. 7 ¼ x 5 ¼ inches. Local overprint for a Friday evening performance at the Rigby Stake Tabernacle sponsored by the Rigby Lions Club for the benefit of the drum and bugle corps. Admission fifteen and twenty-five cents. Light toning and scattered spotting with old folds and minor handling wear; very good. An illustrated handbill advertising an appearance by the African American Dixie Jubilee Quartet at the Rigby Stake Tabernacle in Rigby Idaho. The local overprint announces a concert sponsored by the Rigby Lions Club for the benefit of the drum and bugle corps with the quartet appearing at 8 p.m. on Friday November 13 1936. A notice in the Rigby Star of November 5 1936 confirms the engagement at the L.D.S. tabernacle and names the four performers. The reverse identifies James Collins first tenor and soloist; Napoleon Simpson second tenor and soloist; Aramis Fouche baritone and soloist; and Arnett Williams bass and reader. Arthur D. Lawrence is listed as manager with an address on South Figueroa Street in Los Angeles. Fouché's later obituary records his work as a singer and manager of the Dixie Jubilee Quartet and notes the group's western touring activity. Under the heading "An Evening of American Folk Lore And The Old Favorites" the advertising describes a program built around plantation songs popular selections comedy and literary recitation while explicitly using the performers' racial identity as part of the appeal: "The peculiar charm of the plaintive Southern Melodies is imperishable. There is nothing so full of genuine sweetness as these old negro songs with all their simplicity and it takes the real negro to sing them as they should be sung. As rendered by the Dixie Jubilee Quartet these old plantation melodies take on new and more interesting charms." The program also included "humorous readings usually taken from Paul Laurence Dunbar's dialect works" with Arnett Williams specifically identified as the group's reader. The front promotes the quartet as "Humorous-Novel-Artistic" "Kings of Harmony" and "The Sweetest Music in All the World" while the reverse closes with the appeal: "What Would You Rather Hear Than A Real Good Harmonizing Colored Male Quartet" Overall a relatively uncommon piece of Western performance ephemera documenting a Black touring quartet in eastern Idaho and preserving the language through which such groups were marketed to white civic and church-hall audiences during the 1930s. . unknown
ref. SONG0316370525Yen Press 2014-07-08. Illustrated. paperback. Used: Good. 5.00x0.60x7.40. Buy with confidence. Excellent Customer Service & Return policy. Yen Press paperback
ref. SONG0316370533Yen Press 2014-11-11. paperback. Used: Good. 5.00x0.70x7.40. Buy with confidence. Excellent Customer Service & Return policy. Yen Press paperback
2014ref. x-1480371157Boosey and Hawkes 2014. Paperback. New. 1 pages. 12.00x9.00x0.43 inches. Boosey and Hawkes paperback
ref. 1975335937.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. ANAIS-0316254290Yen Press. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Yen Press paperback
2012ref. SONG0316217158Yen Press 2012-08-21. Translation. paperback. Used: Good. 5.13x0.50x7.63. Buy with confidence. Excellent Customer Service & Return policy. Yen Press paperback
ref. 30754422like new. unknown
ref. 30754422-nnew. unknown
1939ref. 500052040Quatuor Coronati Lodge No. 2076 Parrett 1939. 1st Edition . Hardcover. Very Good. Black cloth Ex Library Quatuor Coronati Lodge No. 2076 Parrett hardcover
