409 risultati
1962rif. 158576New York: Renaissance House / The Living Theatre / The Provincetown Review 1962. Vintage flyer for a New Year's Eve event at avant-garde New York performance venue Renaissance House on December 31 1962. A unique confluence of critical moments for performers and arts organizations alike. Only a month earlier on November 23 1962 the Cecil Taylor Unit recorded their landmark 1963 live album "Nefertiti the Beautiful One Has Come" at the Café Montmartre in Copenhagen. Archie Shepp and Bill Dixon released their acclaimed debut album "Archie Shepp-Bill Dixon Quartet" two months earlier in October 1962. The Living Theatre had just premiered their production of Bertold Brecht's 1926 play "Man Is Man" followed by a groundbreaking world tour. Finally a year prior the newly launched literary journal The Provincetown Review had published a chapter from Hubert Selby Jr.'s 1964 novel "Last Exit to Brooklyn" leading to the arrest of editor Bill Ward and a subsequent landmark 1961 obscenity trial. 14 x 8.5 inches. Very Good plus with some small chipping at the mid and lower extremities. Renaissance House / The Living Theatre / The Provincetown Review unknown books
1586rif. 45163Straßburg, Theodosius Rihel, 1586. Fol. (35 x 24,5 cm). Titel m. großer Holzschn.-Druckermarke. Mit zahlr. Holzschn.-Initialen. 6 Bll., 1143 (1) S., 34 Bll., Blindgepr. Schweinsldr.-Bd. d. Zt. a. 5 Bünden (dat. 1591), Deckeln m. blindgepr. Wappen u. den Initialen ?G R V C? sowie dreiseitigem Farbschnitt.
rif. 16704Ashland KY: Banco Unknown. Sleeve-New Generic. Vinyl-Good/Jacket-Near Mint. BLP-53-A / BLP-53-B rimrock 260 The Christianairs Quartet: Troy Bannister Ora Cooksey Mildred Cooksey and Bill Click. No date but guessing @ 1950-1970. Major scratches to side B which has one short skip and some crackling. All in Acapella. Recorded at Banco Records 2820 County Road Ashland KY: 1A I Firmly Promise You 2A My Didn't It Rain 3A Ol Blind Barnabas 4A I'll Regret 5A Swind Down Chariot 1B Family Reunion 2B On the Sunny Banks 3B I Want To Go There 4B The Old Ship of Zion 5B The Little White Church 6B Don't Forget to Decorate. Banco unknown
1961rif. HVD-72919-A-0Memphis TN: Gospel Quartet Music Inc. Very Good-. 1961. No Edition Stated. Stapled wraps. About 200 pages. Yellowing on pages. Very minor stain on the top exterior edge of textblock faint. Light yellowing on pages. Sheet music throughout the book. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . Gospel Quartet Music, Inc. paperback
19664 vols., 8vo., First Edition, smal neat signature on front free endpaper of first two volumes; cloth (brown/brown/black/blue respectively), gilt backs, a very good, bright, clean set in dustwrapper (one wrapper price-clipped), wrapper of first volume rubbed at extemities with small loss at upper edge of front panel, wrapper of second volume chipped at headband with tear on rear panel. Bright, clean set of first editions of a cornerstone of twentieth century literature. The sequence comprises The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), A Division of the Spoils (1975). COMPLETE SETS ARE SCARCE IN THIS CONDITION.
1951rif. 155677N.p.: N.p. 1951. Collection of 35 small format vernacular photographs of members of the Cecil Young Quartet including three of Sarah Vaughan circa 1951. Thirty-one photographs show Young and bandmates Gerald Brashear Jimmie Rodgers and Traff Hubert one photograph shows Young Rodgers and Hubert backstage and three photographs show Vaughan likely backstage at the Birdland Jazz Club where the quartet opened for Vaughan in 1951. "The swingin'est Bop I've ever heard" is how Nat King Cole described the Cecil Young Quartet who exploded onto the Seattle jazz scene in 1950. Young formed the quartet in 1950 alongside tenor saxophonist and bongo player Gerald Brashear drummer Jimmie Rodgers and bassist Traff Hubert. Recordings of the quartet's 1951 gigs at the Metropolitan Theatre and the Ladies Music Club got the attention of King Records' Sid Nathan who quickly signed the act and released their 1951 debut album "A Concert of Cool Jazz." The album did well throughout the Seattle area garnering attention throughout the west coast with San Francisco jazz critic Ralph Gleason declaring Brashear's solo on "Who Parked the Car" the best scat solo ever recorded. 3.5 x 3.5 inches. Near Fine. N.p. unknown
1951rif. 155677N.p.: N.p. 1951. Collection of 35 small format vernacular photographs of members of the Cecil Young Quartet including three of Sarah Vaughan circa 1951. Thirty-one photographs show Young and bandmates Gerald Brashear Jimmie Rodgers and Traff Hubert one photograph shows Young Rodgers and Hubert backstage and three photographs show Vaughan likely backstage at the Birdland Jazz Club where the quartet opened for Vaughan in 1951. "The swingin'est Bop I've ever heard" is how Nat King Cole described the Cecil Young Quartet who exploded onto the Seattle jazz scene in 1950. Young formed the quartet in 1950 alongside tenor saxophonist and bongo player Gerald Brashear drummer Jimmie Rodgers and bassist Traff Hubert. Recordings of the quartet's 1951 gigs at the Metropolitan Theatre and the Ladies Music Club got the attention of King Records' Sid Nathan who quickly signed the act and released their 1951 debut album "A Concert of Cool Jazz." The album did well throughout the Seattle area garnering attention throughout the west coast with San Francisco jazz critic Ralph Gleason declaring Brashear's solo on "Who Parked the Car" the best scat solo ever recorded. 3.5 x 3.5 inches. Near Fine. N.p. unknown books
1595rif. 64558Paris, ex Officina Plantiniana, apud Aegidium Beys, via Iacobaea, 1595. 8°. Mit Holzschn.-Druckermarke a. Titel u. einigen Holzschn.-Vignetten u. -Initialen im Text. 186 num. Bll., Pgmt. d. Zt. m. durchzogenen Bünden u. handschriftl. Rückentitel.
1577rif. 58536Brescia, apud Franciscum, & Pet. Mariam fratres, de Marchettis (Francesco u. Pietro Maria Marchetti), 1577. 4°. Mit 2 Holzschn.-Druckermarken (Aldus-Anker), 2 großen (wiederh.) gest. Vignetten, 4 Textkupfern u. einigen Holzschn.-Vignetten u. -Initialen. 6 Bll., 195 (1) S.; 10 num., 2 nn. Bll. (das letzte weiß), Mod. Ppbd.
