HARRIS PaulLivre Rare Book
Ellroy JamesLivre Rare Book
L.A. Noir. The Lloyd Hopkins Trilogy. -1997
1998réf. 500266262Arrow 1998 848 pages 13 1x19 7x3 8cm. 1998. Broché. 848 pages.
Démons et Merveilles · Joinville, France14,00 €
409 résultats
1974réf. 301381974 in-8 broché - 1974 - 184p - Ed. Presses de la Cité - coll. N'avouez jamais
1998réf. 500266262Arrow 1998 848 pages 13 1x19 7x3 8cm. 1998. Broché. 848 pages.
1958réf. ABE-154802273326932 PAGES-30 CM X 43 CM-EN UNE: "SAKIET 8 FEVRIER 11 H0 03", CARTE AVEC OMBRES D'AVIONS-LA LETTRE DE L'EXPRESS PAR FRANCOISE GIROUD: SAKIET-COMMENT LES MINISTRES ONT APPRIS LA NOUVELLE, 1P, 2 PHOTOS-TUNISIE: SAKIET 8 FEVRIER 11 H 03, 2P PAR JEAN DANIEL, 2 PHOTOS, DESSIN DE JEAN EFFEL "LES VOLONTAIRES DE SAKIET, OU "LE DEPART" (DE LA REPUBLIQUE FRANCAISE PUR CAUSE DE HONTE), DETOURNEMENT SCULPTURE ARC DE TRIOMPHE-TEMOIGNAGE: LA NOUVELLE ORGANISATION FELLAGHA, 1P PAR CHARLES-HENRI FAVROD, CARTE-DANSE: LE PAS DE DEUX DECISIF, PHOTO ROLAND PETIT ET ZIZI JEANMAIRE-JAZZ: QUATRE BARBUS EN MAL DE CONTREPOINT, MODERN JAZZ QUARTET, PHOTO, 1P-"UN PHENOMENE QU'ON APPELLE MUSIQUE" PAR HENRI MICHAUX, 1P, DESSIN STRAVINSKI PAR GIACOMETTI-LES JEUNES AMERICAINS DISENT: "FITZGERALD C'EST MIEUX QUE HEMINGWAY", 2P, 3 PHOTOS-QUE CONSEILLEZ-VOUS A L'AVOCAT DES ENFANTS DE ROUBAIX?, 2P, 2 PHOTOS, DEROCK, PIESSET-LE BLOC NOTES DE FRANCOIS MAURIAC-
1999réf. 1241361999 Editions Fayard - 1999 - Fort In-8, broché, couverture illustrée - 706 pages - Reproductions de partitions in-texte
2014réf. x-1480371157Boosey and Hawkes 2014. Paperback. New. 1 pages. 12.00x9.00x0.43 inches. Boosey and Hawkes paperback
20084 vols., 8vo., First Edition thus, with frontispieces and numerous sepia-toned photographs as plates; pictorial boards, terracotta cloth backs lettered in gilt, brown endpapers, a fine set in publisher's board slip-cases. With uniform personal bookplate on front paste-downs. COMPLETE SETS IN THIS CONDITION ARE VERY SCARCE.
1986réf. 66896Kenosha Wisconsin: Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America 1986. First Edition Thus; First Printing. Softcover. Very Good in wrappers. Three-hole punched.; 4to - over 9¾" - 12" tall. Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America unknown
réf. 200-06445bHugarton. Acceptable. Acceptable.Minor Damage toward bottom of case. Looks like an interesting title! Hugarton unknown
1959réf. 329992California: Capitol Records 1959. Record. Very Good record and jacket. No sleeve. Capitol Records unknown
1990réf. 120665La manufacture, coll. « Qui êtes-vous ? » 1990 In-8 broché 20 cm sur 13. 222 pages. Cahier central d’illustrations en noir et blanc. Bon état d’occasion.
réf. 102DMC6Fantasy
réf. 55DMC3Fantasy Concord
2011réf. 20409Retrospective Revival, 2011. 1 CD CD
2007réf. C2447Sony Legacy 2007-05-17. Audio CD. Like New. Brand New CD FACTORY SEALED. A small hole punched in upc code of liner paper only No hole in case. Case cover has a crack. Sony Legacy unknown
1738réf. 21500Graz, Widmanstetter Erben, (1738). 8°. 4 Bll., 438 S., 1 Bl., Ldr. d. Zt. a. 4 Bünden.
réf. 0365809039.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 10899-0415Harvard University Press Cambridge Mass. & London 2008. Kl.-Quart. Goldgepr. Org.-Halbleinen mit illustr. Org.-SU. xii ii 285 1 S. mit zahlreichen Notenbeispielen und einer beiliegenden CD. Sehr wohlerhaltenes Exemplar. Erste Ausgabe. - ISBN 9780674028098. - ENGLISH: Small quarto. Publisher's gilt half cloth with publisher's illustr. dustjacket. xii ii 285 1 pp. with numerous musical examples and a CD. A fine copy. Erste Ausgabe. - ISBN 9780674028098. - ENGLISH: Small quarto. Publisher's gilt half cloth with publisher's illustr. dustjacket. xii ii 285 1 pp. with numerous musical examples and a CD. A fine copy. Erste Ausgabe. - ISBN 9780674028098. - ENGLISH: Small quarto. Publisher's gilt half cloth with publisher's illustr. dustjacket. xii ii 285 1 pp. with numerous musical examples and a CD. A fine copy. Harvard University Press, Cambridge, Mass., & London, 2008. hardcover
1927réf. 2205361927. unbound. 7 x 9.25 inches no place November 1927. This photo shows the four founding members of the Flonzaley Quartet. The top half of the page bears the inscription: "A Monsieur Howell Davis souvenir de profonde reconnaissance et de vive sympathie 'Le Quatun du Flonzaley' Nov. 1927." Signing directly below their images are Adolfo Betti Alfred Pochon Ivan de Archambeau and Nicolos Moldaro. Evenly toned and in very good condition. Considered one of the most important experiments in all of classical music which according to the experts and critics resulted in the perfect classical ensemble. unknown books
1927réf. 2205361927. unbound. 7 x 9.25 inches no place November 1927. This photo shows the four founding members of the Flonzaley Quartet. The top half of the page bears the inscription: "A Monsieur Howell Davis souvenir de profonde reconnaissance et de vive sympathie 'Le Quatun du Flonzaley' Nov. 1927." Signing directly below their images are Adolfo Betti Alfred Pochon Ivan de Archambeau and Nicolos Moldaro. Evenly toned and in very good condition. Considered one of the most important experiments in all of classical music which according to the experts and critics resulted in the perfect classical ensemble. unknown
réf. 2090502113714709Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1720réf. 39437Neapel (Neapoli), Typis, & expensis Dominici-Antonii, & Nicolai Parrino, 1720. Fol. Titeln in Rot u. Schwarz m. Holzschn.-Vignetten. Mit einer gest. Vignette u. einigen Holzschn.-Vignetten bzw. -Initialen. 10 Bll., 192; 387 S., 11 Bll.; 2 Bll., 151 S.; 1 Bl., 272; 241 (recte 341) S., Pgmt.-Bde. d. Zt. a. 6 Bünden m. handschriftl. Rückentiteln u. dreiseitig gespränkeltem Farbschnitt.
1778réf. 39468Venedig, suptibus Societatis, 1777-1778. 4°. Mit einigen Holzschn.-Vignetten bzw. -Initialen. Zus. ca. 2420 S., Pgmt.-Bde. d. Zt. m. durchzogenen Bünden, handschriftl. Rückentiteln u. dreiseitig marmor. Schnitt.
1586réf. 45163Straßburg, Theodosius Rihel, 1586. Fol. (35 x 24,5 cm). Titel m. großer Holzschn.-Druckermarke. Mit zahlr. Holzschn.-Initialen. 6 Bll., 1143 (1) S., 34 Bll., Blindgepr. Schweinsldr.-Bd. d. Zt. a. 5 Bünden (dat. 1591), Deckeln m. blindgepr. Wappen u. den Initialen ?G R V C? sowie dreiseitigem Farbschnitt.
1990réf. 54638Reference Recordings, 1990. RR-9CD CD CD
1936réf. BK0062Rigby Idaho 1936. Illustrated handbill single sheet printed on both sides with three photographic group illustrations on recto and descriptive text verso. 7 ¼ x 5 ¼ inches. Local overprint for a Friday evening performance at the Rigby Stake Tabernacle sponsored by the Rigby Lions Club for the benefit of the drum and bugle corps. Admission fifteen and twenty-five cents. Light toning and scattered spotting with old folds and minor handling wear; very good. An illustrated handbill advertising an appearance by the African American Dixie Jubilee Quartet at the Rigby Stake Tabernacle in Rigby Idaho. The local overprint announces a concert sponsored by the Rigby Lions Club for the benefit of the drum and bugle corps with the quartet appearing at 8 p.m. on Friday November 13 1936. A notice in the Rigby Star of November 5 1936 confirms the engagement at the L.D.S. tabernacle and names the four performers. The reverse identifies James Collins first tenor and soloist; Napoleon Simpson second tenor and soloist; Aramis Fouche baritone and soloist; and Arnett Williams bass and reader. Arthur D. Lawrence is listed as manager with an address on South Figueroa Street in Los Angeles. Fouché's later obituary records his work as a singer and manager of the Dixie Jubilee Quartet and notes the group's western touring activity. Under the heading "An Evening of American Folk Lore And The Old Favorites" the advertising describes a program built around plantation songs popular selections comedy and literary recitation while explicitly using the performers' racial identity as part of the appeal: "The peculiar charm of the plaintive Southern Melodies is imperishable. There is nothing so full of genuine sweetness as these old negro songs with all their simplicity and it takes the real negro to sing them as they should be sung. As rendered by the Dixie Jubilee Quartet these old plantation melodies take on new and more interesting charms." The program also included "humorous readings usually taken from Paul Laurence Dunbar's dialect works" with Arnett Williams specifically identified as the group's reader. The front promotes the quartet as "Humorous-Novel-Artistic" "Kings of Harmony" and "The Sweetest Music in All the World" while the reverse closes with the appeal: "What Would You Rather Hear Than A Real Good Harmonizing Colored Male Quartet" Overall a relatively uncommon piece of Western performance ephemera documenting a Black touring quartet in eastern Idaho and preserving the language through which such groups were marketed to white civic and church-hall audiences during the 1930s. . unknown books
