350 risultati
rif. 20192651like new. unknown
1967rif. 628119Martinus Nijhoff 1967. Paperback. Very Good. 8vo. - Unread book w/ minor creasing to bottom corner of front cover - Book ow/ solid clean tight and bright - xxxi/756 pages Martinus Nijhoff paperback
rif. 1452630259.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1951rif. mon0000991396Columbia University Press 1951. Hardcover. Very Good. in x in x in. First edition Pages clean and bright Binding firm Light wear to edges Dust jacket unclipped Removable plastic dust jacket to cover. Columbia University Press hardcover
rif. 057526Universal Edition/Boosey & Hawkes Ltd. Book. Near Fine. Hardcover. 12mo - over 6¾" - 7¾" tall. Tan natural linen spine panel label in gilt on red field. ii17712491 pp. Spine panel and joints were clear-coated which is now somewhat toned otherwise only slight wear. Firm binding clean interior. 1st and 2nd titles are in German 3rd in English and shows a former owner's signature. Universal Edition/Boosey & Hawkes Ltd. Hardcover
rif. 0964196131.GGood. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1934rif. 2245Budapest 1934. Bartok thanks to the recipient's earlier letter. He apologizes for the late reply but on the one hand he was very busy and on the other hand he wanted to wait for the publication of a study of folk music a copy of which he would send to Katzarova's boss Vasil Stoin with a German summary. He expresses his gratitude for the kind offering of an early work by Stoin. He mentions at the end of the letter that he also writes about Bulgarian rhythm in his latest essay. unknown
1939rif. 5vAb0014London et al.: Boosey & Hawkes Ltd. 1939. Book. Very Good. Soft Cover . Copyright © 1939. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 64 pp. An excellent study/work/research/reading copy! Solidly and tightly bound copy with moderate external but minimal internal wear and use. Copy with clean text on crisp and bright pages. Smooth covers. Mildly or minimally shellf worn. Boosey & Hawkes Ltd. Paperback
rif. 9401016887.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1913rif. 3391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
1925rif. 3107Szöllőspuszta 1925. Fine condition. 13 x 7 cm. unknown
1927rif. 3108Davos 1927. Very good conditon. On the picture Béla Bartók and her wife Ditta Pásztory. unknown
1937rif. 3111Basel 1937. Fine condition. 2 p. unknown
rif. 2202Undated signed thank-you card to unknown addressee. Undated signed thank-you card to unknown addressee. 90 × 56 mm. Béla Bartók’s signed thank-you card. With the handwritten text “Szerencsekívánatát sokszor köszöni” Many thanks for the good luck wishes on one side and Bartók’s signature on the other. . unknown
1904rif. 2018Budapest 1904. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “Szíves emlékül” “As a pleasant memory”. Folded once. In fine condition. Handwritten note in ink signed in Budapest: 26 January 1904. Text reads “Szíves emlékül” “As a pleasant memory”. Ca. 18.5 × 11.5 mm. A signed autograph score detail from Schumann’s Album für die Jugend Op. 68 No.12 Knecht Ruprecht by Béla Bartók. Around 1903–1904 Bartók gave numerous concerts sometimes at 3–4 different venues and countries per week where he often played Schumann’s compositions. Schumann’s work had a big influence on him in other ways as well: according to Suchoff Bartók found Schumann’s Album für die Jugend one of the few good material available for beginners. “From 1908 to 1909 he Bartók worked on a collection of eighty-five piano pieces titled For Children which were based on Hungarian and Slovakian folk music. In his lecture notes Bartók explains his purpose in composing this work: Already at the very beginning of my carrier as a composer I had the idea to write some easy works for piano students. This idea originated in my experience as a piano teacher; I had always the feeling that the available material especially for beginners has no real musical value with the exception of very few works—for instance Bach’s easiest pieces and Schumann’s Jugendalbum.” Suchoff 2004. Literature: Suchoff B. 2004: Bartók’s Mikrokosmos: Genesis Pedagogy and Style p. 13. Rowman & Littlefield. . unknown
rif. 1025061691.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0691617066.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1908rif. 40603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles. Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown
1976rif. 4141838Princeton University Press 1976. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item650grams ISBN:069109120X Princeton University Press hardcover
rif. 9401016852.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. BBS-2011211Boosey & Hawkes. Paperback. Very Good. Paperback wraps very good with light edgewear prior bookseller's stickers to rear cover. Staplebound; staples secure free of rust. Pages bright and unmarked. Boosey & Hawkes paperback
rif. 9401035040.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1168435293.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 9401035075.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 101469535X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback