Pierre CitronLivre Rare Book
354 résultats
1964réf. 49982Microcosme, serie solfèges n°24, 1963. Format 12X18 cm. Couverture frottée. Bon état.
réf. DADAX0195125622New unknown
réf. DADAX0520245032New unknown
réf. DADAX0520084853New unknown
réf. DADAX041599523XNew unknown
réf. SONG0520084853Used: Good unknown
réf. DADAX0195365828New unknown
réf. DADAX0195103831New unknown
réf. DADAX0198163495New unknown
réf. DADAX0520067479New unknown
réf. SONG0300051115Used: Good unknown
réf. DADAX0520222547New unknown
réf. DADAX0199936188New unknown
1908réf. 40603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles. Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown
1908réf. 40603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles. Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown books
réf. lc_35920Courrier du livre (9 avril 2002)
réf. DADAX080326108XNew unknown
réf. DADAX184511633XNew unknown
197040 S. Kart.
1993A clean, unmarked book with a tight binding. Faded spine. 236 pages.
1918réf. 3908Budapest: Globus 1918. First edition. In original paper. First edition. In original paper. 32 pp. First separate edition. In the publisher's printed blue paper wrappers. A few underlinings and a contemporary pencil note at the end. Corners bumped. Otherwise in very good condition. First separate edition of the libretto of Bartók's only opera apparently printed for its world premiere at the Royal Hungarian Opera House in Budapest on 24 May 1918. Balázs wrote A kékszakállú herceg vára in 1910 as a Symbolist mystery play based on the Bluebeard legend drawing on the tradition of Perrault and Maeterlinck as well as Hungarian folk-ballad forms. Bartók set the text to music in 1911 but the opera remained unperformed for seven years. Following the success of The Wooden Prince it was finally staged at the Royal Hungarian Opera House on 24 May 1918 conducted by Egisto Tango with Oszkár Kálmán as Bluebeard and Olga Haselbeck as Judith. The present edition printed by Globus in 1918 is the first separate edition of Balázs's text. Apparently produced in connection with the premiere it identifies the work explicitly as an opera and significantly names both Balázs and Bartók on the title-page documenting the text in the form in which Bartók's opera first reached the stage. Globus unknown
1913réf. 3391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
1994réf. Q-0793532221G. Schirmer Inc 1994-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
1981réf. 81289Duisburg, Wilhelm-Lehmbruck-Museum 1981. 1981. gr.-8°, 178 S. mit sehr zahlreichen Abbildungen, Illustr. Orig.-Karton.
réf. 0673361802.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
