BARTOK, Bela.-Livre Rare Book
Mari PMareMagnum
Bela Bartòk
1978
Libreria Giorni · Italien11,60 €
350 Ergebnisse
Best.-Nr. 66122aafParis, Richard Masse, 1955, gr. in-8vo, 222 p. + planches photogr., brochure originale.
2000Best.-Nr. 49562JVC, 2000. JMCXR-0007 CD Digipack
1978
Best.-Nr. Q-0673362590Good Year Books. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Good Year Books hardcover
Best.-Nr. 39912The designs represent the characters Bluebeard Judith his current wife 2 and his 3 former wives. Sheet size 456 x 305 mm. Some minor light browning. In very good condition overall. "Bluebeard's Castle Hungarian: A kékszakállú herceg vára literally The Blue-Bearded Duke's Castle is a one-act Symbolist opera . to a Hungarian libretto by his friend and poet Béla Balázs. Based on the French folk legend or conte populaire as told by Charles Perrault it l. deploys just two singing characters: Bluebeard Kékszakállú and his newest wife Judith Judit; the two have just eloped and she is coming home to his castle for the first time." Wikipedia ". the one-act opera A Kékszakállú herceg vára 'Bluebeard's Castle' 1911 is however a masterful Hungarian emulation of the realism of Debussy's Pelléas et Mélisande. Written to an expressionistic libretto by Béla Balázs about the 'mystery of the soul' the action of Bluebeard's Castle is negligible involving just two singing protagonists Bluebeard and his new wife Judith who progress through the opening of the eponymous castle's seven doors drawn by the woman's curiosity. The opera's climactic turning-point comes at the fifth door to Bluebeard's kingdom after which Judith's jealousy becomes obsessive leading to her eventual entombment along with all Bluebeard's previous wives and eternal darkness. Bartók's work changed the course of Hungarian opera by successfully developing a fluid form of Hungarian declamation of Balázs's ballad-like text based largely upon the inflections of parlando rubato folksong." Malcolm Gillies in Grove Music Online Perdziola an internationally-recognized set and costume designer for theater opera and ballet has worked extensively throughout the United States at such venues as the Metropolitan Opera San Francisco Opera Santa Fe Opera Lyric Theatre of Chicago American Ballet Theater Shakespeare Theater in Washington Boston Ballet and Miami Ballet as well as for various Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera the Niedersächsische Staatsorchester in Hannover the Garsington Opera in the United Kingdom the Finnish National Ballet the Saito Kinen Festival in Japan and the Sydney Opera House. The artist has received three Helen Hayes awards and a Helpmann award; he has also been nominated for numerous additional awards. unknown
Best.-Nr. DL-GGZG-N38OThis is the MERCURY SR90311 record from 1978. Other than a tiny breather hole in the bottom corner of the cover corner the record is in excellent condition. There are no scratches under normal light see photo. Check my feedback to see that I sell exactly as I describe. So bid now to own this magnificent impossible-to-find RECORD COLLECTIBLE.Like New unknown
Best.-Nr. 39912The designs represent the characters Bluebeard Judith his current wife 2 and his 3 former wives. Sheet size 456 x 305 mm. Some minor light browning. In very good condition overall. "Bluebeard's Castle Hungarian: A kékszakállú herceg vára literally The Blue-Bearded Duke's Castle is a one-act Symbolist opera . to a Hungarian libretto by his friend and poet Béla Balázs. Based on the French folk legend or conte populaire as told by Charles Perrault it l. deploys just two singing characters: Bluebeard Kékszakállú and his newest wife Judith Judit; the two have just eloped and she is coming home to his castle for the first time." Wikipedia ". the one-act opera A Kékszakállú herceg vára 'Bluebeard's Castle' 1911 is however a masterful Hungarian emulation of the realism of Debussy's Pelléas et Mélisande. Written to an expressionistic libretto by Béla Balázs about the 'mystery of the soul' the action of Bluebeard's Castle is negligible involving just two singing protagonists Bluebeard and his new wife Judith who progress through the opening of the eponymous castle's seven doors drawn by the woman's curiosity. The opera's climactic turning-point comes at the fifth door to Bluebeard's kingdom after which Judith's jealousy becomes obsessive leading to her eventual entombment along with all Bluebeard's previous wives and eternal darkness. Bartók's work changed the course of Hungarian opera by successfully developing a fluid form of Hungarian declamation of Balázs's ballad-like text based largely upon the inflections of parlando rubato folksong." Malcolm Gillies in Grove Music Online Perdziola an internationally-recognized set and costume designer for theater opera and ballet has worked extensively throughout the United States at such venues as the Metropolitan Opera San Francisco Opera Santa Fe Opera Lyric Theatre of Chicago American Ballet Theater Shakespeare Theater in Washington Boston Ballet and Miami Ballet as well as for various Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera the Niedersächsische Staatsorchester in Hannover the Garsington Opera in the United Kingdom the Finnish National Ballet the Saito Kinen Festival in Japan and the Sydney Opera House. The artist has received three Helen Hayes awards and a Helpmann award; he has also been nominated for numerous additional awards. unknown books
1955Best.-Nr. 132989London: Waterlow and Sons / Hammer Film Productions 1955. Vintage hand-tinted still photograph from the 1955 UK film. One of several British films given American distribution by Twentieth Century Fox. Forrest Tucker stars as an American soldier hired by a German millionaire Marius Goring to smuggle a Polish scientist out of East Germany and into England. Shot on location in Germany and England. 8 x 10 inches. Very Good plus with an ink notation on the verso tiny corner creases and a faint pencil notation on the recto. Waterlow and Sons / Hammer Film Productions unknown books
1990Best.-Nr. 37402Louvain-la-Neuve: Institut Supérieur d'Archéologue et d'Histoire de l'Art Collège Érasme 1990. Hardcover. Very Good. Octavo. 448 pp. With illustrative plates. Institut Supérieur d'Archéologue et d'Histoire de l'Art Collège Érasme hardcover books
1982Best.-Nr. 37403Bonn: Boosey & Hawkes 1982. Paperback. Very Good. Octavo. Wrappers. 110 pp. With numerous musical examples. Boosey & Hawkes paperback books
Best.-Nr. FR282414 Partitions annotées.
1976Best.-Nr. 5877Lausanne, Payot, collection Les musiciens, 1976. In-8 broché, couverture à rabats. Nombreux documents et photographies en noir.
1981Best.-Nr. 113449Paris Mazarine 1981 1 vol. broché in-8, broché, couverture illustrée, 253 pp., index. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1981Best.-Nr. 113449Paris Mazarine 1981 1 vol. broché in-8, broché, couverture illustrée, 253 pp., index. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Best.-Nr. 107917Regensburg Gustav Bosse 1956. 8vo. 91 1 pp. Underlinings and marginal notes with black and red pencil. Sewn as issued with somewhat worn wrapper. Forschungbeiträge zur Musikwissenschaft Band III. From the library of the Swedish composer Erland von Koch with his signature dated 1956 and with his comments in the text. Erland von Koch 1910-2009 var kompositör och bl.a. känd för filmmusik till Ingmar Bergmans filmer. Han var även liksom Bartok intresserad av folkmusik och använde detta i orkesterverken Oxbergsvariationer och Lappland-metamorfoser skrivna just 1956 resp. 1957. Boken är ställvis med rikliga annoteringar. unknown
1939Best.-Nr. 5vAb0014London et al.: Boosey & Hawkes Ltd. 1939. Book. Very Good. Soft Cover . Copyright © 1939. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 64 pp. An excellent study/work/research/reading copy! Solidly and tightly bound copy with moderate external but minimal internal wear and use. Copy with clean text on crisp and bright pages. Smooth covers. Mildly or minimally shellf worn. Boosey & Hawkes Ltd. Paperback
15 S. + Abb. auf Tafeln. 8°. OU.
1981Best.-Nr. 6311Mazarine 1981 253 pages in8. 1981. broché. 253 pages.
1972Best.-Nr. 10619dtv, München, 1972. 1. Auflage. 378 Seiten. 8vo. Kartoniert.
Best.-Nr. 111930Boosey & Hawkes Music Publishers, London [a.o.]. 31 x 23,5 cm ; broschiert
Best.-Nr. 111929Boosey & Hawkes Music Publishers, London [a.o.]. 31 x 23,5 cm ; broschiert
Best.-Nr. 111928Boosey & Hawkes Music Publishers, London [a.o.]. 31 x 23,5 cm ; broschiert
1958Best.-Nr. 84174Leipzig: Verlag Enzyklopädie, 1958. 18,5 cm ; Pp.
1972Best.-Nr. 50031Budapest, Corvina Verlag, 1972. 381 Seiten , 18 cm, kartoniert
Best.-Nr. 38Les débuts musicaux de Bartok.« Merci pour votre lettre et l’annonce jointe de la compétition. Il semble que ma sonate a été plus appréciée par le public à Vienne qu’à Pest. Cependant, il y a un grand silence de la part des critiques. Il n’y a eu absolument aucun compte-rendu du concert entier. Comme pianiste, j’ai eu un grand succès ici, et de cette façon je n’ai eu que des réponses positives des critiques. Alors qu’ils trouvent plein de défauts avec Kossuth, ils reconnaissent cependant qu’il s’agit d’une composition spéciale, quelque peu excessive. Je vais partir d’ici pour Londres où ke resterai quelques jours, puis j’irai à Berlin pour deux mois (…) ».
