Murray, Haydn H,Biblio.com
Applied Clay Mineralogy Volume 2
Best.-Nr. 4908475like new. unknown
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Best.-Nr. DADAX0199349673New unknown
Best.-Nr. 4908475like new. unknown
Best.-Nr. BN88135Frölich & Kaufmann. Hardcover. Turquerie. Sehnsucht nach dem Orient Frölich & Kaufmann hardcover
1998Best.-Nr. BN81101Oxford : Voltaire Foundation 1998. 1998. The Darnton debate : books and revolution in the eighteenth century. edited by Haydn T. Mason Teil von: Bibliothek des Börsenvereins des Deutschen Buchhandels e.V. <Frankfurt M.> Oxford : Voltaire Foundation unknown
1980Best.-Nr. __0729402606Voltaire Foundation 1980. Hardcover. New. 2061 pages. Voltaire Foundation hardcover
2008Best.-Nr. BN738158Konemann 2008. 2008. Haydn : Nelsonnmesse Haydn : Nelsonnmesse Joseph Haydn Konemann unknown
2011Best.-Nr. DADAX1849713359Routledge 2011-04-19. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
Best.-Nr. DADAX0521896096New unknown
2024Best.-Nr. Raj-97881212748382024. New. English unknown
2024Best.-Nr. Raj-97881212748382024. New. English unknown
Best.-Nr. 41934989like new. unknown
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Best.-Nr. 44726986like new. unknown
Best.-Nr. 10626-8121274842Paperback. New. Book Condition is in New Paperback Original Edition. Shipped Same Day. We do not ship APO and FPO. Will be dispatched fast. Please send me an email if you have any questions. 100% Satisfaction. paperback
2011Best.-Nr. x-1849713359Earthscan / James & James 2011. Hardcover. New. 1st edition. 192 pages. 9.29x6.14x0.79 inches. Earthscan / James & James hardcover
Best.-Nr. RO50056213E. GERARD & CIE / AUG. MARC & CIE. NON DATE. In-Folio. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos frotté, Mouillures. 200 pages de partitions environ. Portraits de Haydn et J. Moscheles en noir et blanc sur les page de titre. Edition classique allemande Hallberger. Dirigée et doigtée par J. Moscheles. Roulettes et compositeur dorés au dos de l'ouvrage. Déchirures importantes sur les plats. Marques de moisisures. Déchirures altérant la lecture sur les pages 9 à 12 de la 8° sonate. Déchirure importante sur le deuxième plat.. . . . Classification Dewey : 780.26-Partitions
1977[6], 7-656 pages. Index. Index of compositions. Includes 49 illustrations, 5 in colour, and 386 musical examples. "This volume, the fourth of five, begins with Haydn's return to Austria in 1795, following his second visit to England. By then he was 63 and universally respected as the leading composer of his day. He now returned to the Esterhazy Court, as Kapellmeister to Prince Nicolaus II, with his status enhanced but with less onerous duties than during the years before 1790." - dust jacket. "A definitive and analytical work by one of the world's foremost authorities on Haydn. Seems certain to be one of the great documentary biographies of the century." - The Times (London). Gift greetings upon front free endpaper otherwise clean and unmarked with light wear. Much sunning to spine of dust jacket which is now preserved in archival-grade Brodart. A quality copy. Book
Best.-Nr. 1701PG078From the creation to the present time for the use of the statesman the historian and the journalist. Edited by J. Bertrand Payne M.R.I. F:R:S:L: F. Geog. Soc. London and Paris Member of the Society of Antiquaries of Normandy Massachusetts and New Jersey. E. Moxon Son. London. 1870. De 22x155 cm. com lxxxiv 586 págs. Encadernação da época com nervos e ferros lavrados a seco na lombada pastas e seixas. Cortes das folhas carminados. As folhas preliminares contêm a história e as árvores genealógicas das casas reais europeias e a sucessão dos Papas. O dicionário está impresso a duas colunas sobre papel encorpado de excelente qualidade. Exemplar pertenceu à Biblioteca do Rosário situada na Igreja do Corpo Santo dos Dominicanos ingleses em Lisboa. Tem colado o regulamento da biblioteca na frente da folha de guarda e a cota escrita a lápis na mesma folha e numa etiqueta colada na parte inferior da lombada. Grande número de notas biográficas escritas com rigor e muita atenção às datas. Trata-se de uma obra que desenvolve e alarga a informação contida no «Haydn's Dictionary of dates». Importante instrumento de trabalho que contém muitas informações que não constam de fontes mais recentes. I-17-F-14 unknown
Best.-Nr. LCI-6407Braunschweig, Henry litolff SD 1 in -4 toile avec couverture illustrée et engravée dorée 32 [.p] RARE PARTITION D’ÉPOQUE — HAYDN, SONATE EN LA MAJEUR POUR PIANO ET VIOLONÉdition Henry Litolff, Braunschweig — couverture illustrée et gravée dorée, un vrai bijou de bibliophilie musicale.Très bon état : pages blanches, reliure solide, couverture intacte — idéal pour musiciens, collectionneurs, ou amateurs d’art musical du XIXe siècle. Pour ceux qui veulent jouer Haydn comme en 1880 — ou simplement admirer une partition qui respire l’élégance d’un autre temps. “Une sonate, une couverture dorée, une histoire — ce n’est pas qu’une partition, c’est un moment suspendu.”
Best.-Nr. 51-4137Paris : Ballard 1806. 8vo. 20 x 11 cm. 24 pp. Bound in qtr. Sakora goat with marbled boards by the artisan binder Sasha Mosalov. This edition not in OCLC . Paris : Ballard, 1806 hardcover
Best.-Nr. 51-5439Paris: Le Duc circa 1800-02. Folio. 27 x 35.5cm 38pp. New marbled wraps by the artisan binder Sasha Mosalov. Not in OCLC Paris: Le Duc, circa 1800-02 paperback
1827Best.-Nr. 40402London: Printed & Sold by Rt. Birchall140 New Bond Street 1827. Folio. Disbound. Violino primo: 1f. recto title verso blank 7 pp. Violino secondo: 6 pp. Viola: 4 pp. Violoncello é basso: 4 pp. 2 copies Flauto: 4 pp. Oboe primo: 4 pp. Fagotti: 3 pp. Timpani in B. F. 1 p. Purple ink handstamp of "Stanley Hoyle Pianist" and "John Curtie" to each part. Quite worn; large tear to title some fraying tears and soiling. Lacking parts for Oboe secondo Horns and Trumpets. HWV Vol. I p. 199 Coll.Sy.3a. Printed & Sold by Rt. Birchall,140 New Bond Street unknown
Best.-Nr. 40271Italy Early 19th century. Oblong folio 222 x 288 mm. Unbound. i title 26 vi blank pp. Notated in black ink on 10-stave rastrum-ruled paper. Occasional small stains and light showthrough. An incomplete manuscript copy of the piano arrangement of the work published by Artaria in 1787 terminating near the end of Sonata VI. The Seven Last Words were commissioned for a Lenten service in a church in Cadiz Spain; the original work was scored for orchestra and the parts issued in 1787; the arrangements for string quartet and for piano both overseen by Haydn were published shortly thereafter. The choral version was first performed in 1796 and published in 1801. The unusual form of the work was dictated by the structure of the religious service: an introduction then adagios lasting approximately ten minutes each following the recitation of each of the seven "last words" and the whole ending with a depiction of the earthquake at the death of Christ. It produced a great impression; Robbins Landon quotes the following contemporary review: "The idea of expressing these thoughts by purely instrumental music is curious and daring and only a genius like Haydn would take such a risk . but every movement even without the Latin superscriptions is most interesting and entirely worthy of a Haydn." Haydn: Chronicle and Works II p. 618. unknown
1827Best.-Nr. 40402London: Printed & Sold by Rt. Birchall140 New Bond Street 1827. Folio. Disbound. Violino primo: 1f. recto title verso blank 7 pp. Violino secondo: 6 pp. Viola: 4 pp. Violoncello é basso: 4 pp. 2 copies Flauto: 4 pp. Oboe primo: 4 pp. Fagotti: 3 pp. Timpani in B. F. 1 p. Purple ink handstamp of "Stanley Hoyle Pianist" and "John Curtie" to each part. Quite worn; large tear to title some fraying tears and soiling. Lacking parts for Oboe secondo Horns and Trumpets. HWV Vol. I p. 199 Coll.Sy.3a. Printed & Sold by Rt. Birchall,140 New Bond Street unknown books
Best.-Nr. 40271Italy Early 19th century. Oblong folio 222 x 288 mm. Unbound. i title 26 vi blank pp. Notated in black ink on 10-stave rastrum-ruled paper. Occasional small stains and light showthrough. An incomplete manuscript copy of the piano arrangement of the work published by Artaria in 1787 terminating near the end of Sonata VI. The Seven Last Words were commissioned for a Lenten service in a church in Cadiz Spain; the original work was scored for orchestra and the parts issued in 1787; the arrangements for string quartet and for piano both overseen by Haydn were published shortly thereafter. The choral version was first performed in 1796 and published in 1801. The unusual form of the work was dictated by the structure of the religious service: an introduction then adagios lasting approximately ten minutes each following the recitation of each of the seven "last words" and the whole ending with a depiction of the earthquake at the death of Christ. It produced a great impression; Robbins Landon quotes the following contemporary review: "The idea of expressing these thoughts by purely instrumental music is curious and daring and only a genius like Haydn would take such a risk . but every movement even without the Latin superscriptions is most interesting and entirely worthy of a Haydn." Haydn: Chronicle and Works II p. 618. unknown books
