Haydn, JosephBiblio.com
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2011réf. DADAX1241352682British Library Historical Print Editions 2011-03-01. paperback. New. 9.69x0.94x7.44. Buy with confidence. Excellent Customer Service & Return policy. British Library, Historical Print Editions paperback
réf. 1241352682.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1241352658.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 41685Large oblong quarto 241 x 309 mm. Notated in dark brown ink on the verso of the second leaf of a bifolium i.e. page 4 on 10-stave rastrum-ruled paper of British manufacture. Watermark dated 1794. Late spring or early summer 1795 see H.C. Robbins Landon: Haydn Chronicle and Works Volume III p. 495. With pencilled note in another hand to first page: "Haydn autograph notes of the 12 English Symphonies. Haydn misquotes the 2nd." Very slightly worn browned and soiled; minor foxing and very short splits to central fold; vertical crease to center of bifolium; lower edge with several miniscule tears. In addition to noting the musical incipits which comprise 25 measures spread out over 4 staves Haydn identifies the key time signature and year in which each symphony was first performed in noting the performance date of Symphony 97 however Haydn makes an error and cites 1791 instead of 1792. The sketch for the piano trio Hob. XV:25 is notated 5 staves below the symphonic incipits and consists of 9 measures of melodic material for the famous third movement. Provenance Leo Liepmannssohn auction catalogue Berlin 1907 lot 91. The Westley Manning Collection Sotheby's London 12 October 1954 lot 207. The London Symphonies were commissioned by the London impresario and violinist Johann Peter Salomon 1745-1815 and composed over the period 1791-95. Salomon was responsible for bringing Haydn to London where he became immensely popular largely through performances of his music at Salomon's concerts. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . The last six London symphonies are even more brilliant than the first six. . Haydn's determination to conquer new territory with each work is palpable." James Webster in Grove Music Online "The finale of Hob. XV:25 is the famous rondo "in the Gypsies Style." It seems that a composer's most popular works if not spurious are at least unusual manifestations of his style and this rondo fits this characterization. . Even though this finale was best known during the eighteenth century as a separate piece in many different settings its impact is best appreciated within the context of this keyboard trio cycle for the Andante and Poco Adagio the first and second movements hardly prepare one for its burst of energy." A. Peter Brown: Joseph Haydn's Keyboard Music Sources and Styles p. 377. ". the G major Trio 39 turned out to be Haydn's most popular piano piece because of the 'Gypsy Rondo' Finale. . It became an enormous favourite first in England and immediately afterwards on the Continent." Robbins Landon III pp. 431-432. A unique and interesting manuscript being a virtual catalogue of all the London Symphonies considered the crowning achievement of the composer's symphonic career and including music from the famous Gypsy Rondo some of Haydn's best music from his important London period. unknown
réf. 41685Large oblong quarto 241 x 309 mm. Notated in dark brown ink on the verso of the second leaf of a bifolium i.e. page 4 on 10-stave rastrum-ruled paper of British manufacture. Watermark dated 1794. Late spring or early summer 1795 see H.C. Robbins Landon: Haydn Chronicle and Works Volume III p. 495. With pencilled note in another hand to first page: "Haydn autograph notes of the 12 English Symphonies. Haydn misquotes the 2nd." Very slightly worn browned and soiled; minor foxing and very short splits to central fold; vertical crease to center of bifolium; lower edge with several miniscule tears. In addition to noting the musical incipits which comprise 25 measures spread out over 4 staves Haydn identifies the key time signature and year in which each symphony was first performed in noting the performance date of Symphony 97 however Haydn makes an error and cites 1791 instead of 1792. The sketch for the piano trio Hob. XV:25 is notated 5 staves below the symphonic incipits and consists of 9 measures of melodic material for the famous third movement. Provenance Leo Liepmannssohn auction catalogue Berlin 1907 lot 91. The Westley Manning Collection Sotheby's London 12 October 1954 lot 207. The London Symphonies were commissioned by the London impresario and violinist Johann Peter Salomon 1745-1815 and composed over the period 1791-95. Salomon was responsible for bringing Haydn to London where he became immensely popular largely through performances of his music at Salomon's concerts. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . The last six London symphonies are even more brilliant than the first six. . Haydn's determination to conquer new territory with each work is palpable." James Webster in Grove Music Online "The finale of Hob. XV:25 is the famous rondo "in the Gypsies Style." It seems that a composer's most popular works if not spurious are at least unusual manifestations of his style and this rondo fits this characterization. . Even though this finale was best known during the eighteenth century as a separate piece in many different settings its impact is best appreciated within the context of this keyboard trio cycle for the Andante and Poco Adagio the first and second movements hardly prepare one for its burst of energy." A. Peter Brown: Joseph Haydn's Keyboard Music Sources and Styles p. 377. ". the G major Trio 39 turned out to be Haydn's most popular piano piece because of the 'Gypsy Rondo' Finale. . It became an enormous favourite first in England and immediately afterwards on the Continent." Robbins Landon III pp. 431-432. A unique and interesting manuscript being a virtual catalogue of all the London Symphonies considered the crowning achievement of the composer's symphonic career and including music from the famous Gypsy Rondo some of Haydn's best music from his important London period. unknown books
1988réf. 44379Delta Music, 1988. 15051 CD CD
1983réf. 13288BKassel usw., Bärenreiter, 1983. (VNr. 1140), Gr.-8°, X, 379 Seiten, Portrait- Taf., zahlr. Abb. und Faks. OKt
1909réf. STLD014bWien, (Lith. u. Druck A. Berger, Wien) (1909). 14,8 x 17 cm. 14 einseitig bedruckte Kartons - davon 12 mit Farblithographien von Remigius GEYLING - unter Seidenhemdchen. Weißer Glacélederband (Wilhelm Melzer Wien) mit goldgepr. Stadtwappen u. Deckeltitel, gold- u. schwarzgepr. Verzierungen, farbig gemusterte Vorsätze. Kanten leicht berieben. Ohne Kassette. Einzige Ausgabe dieser sehr schönen Ballspende anläßlich des hunderdsten Jahrestages der zweiten Besetzung Wiens durch Napoleon. Die schönen Tafeln, im Stil der Wiener Werkstätte, zeigen in leuchtenden Farben u. a. das Ballfest im Apollosaal, die Wiener Buerger-Grenadier-Division, die Beschießung Wiens, die Einquartierung. - Der österreichische Maler und Bühnenbildner Remigius Geyling (1878-1974) war Gründungsmitglied des Österreichischen Werkbunds und von 1926-1946 Professor an der Wiener Kunstgewerbeschule. Der Buchbinder Wilhelm Melzer schuf zahlreiche Arbeiten für die Wiener Werkstätte.- Mayer 8343; Schweiger, WW 261; Wien um 1900, 591.
1937réf. 821361937. Boriswood London. 1937. First Edition. Hardback. No DW. Green cloth yellow text. Portrait frontis illustrations. Boards are a little mottled and partially faded. Bookplates to front pastedown and front free endpaper. Small closed tear to bottom margin of page 107 o/w a contents are clean and sound. hardcover
1937réf. 75330319 pages portrait frontispiece signed by the author on the title page illustrated throughout forwarded by Lord Baden Powell Published by Boriswood hardcover
1968réf. 34024München: G. Henle 1968. 2 Bll., 187 S. Mit 1 Frontispiz.; 50 S. m. Noten im Text. OLeinen 33x26 cm bzw. OKart geheftet 21x15 cm.
1851réf. mon0000992290Longman Brown Green and Longm 1851. Hardback. Very Good. in x in x in. Some foxing to front few pages. rnPrevious owners inscription in pen on FFEP. First edition first printing. Pages clean and bright no markings light wear to edges. Binding tight. Longman, Brown, Green, and Longm hardcover
1851réf. 401629London : Longman Brown Green and Longmans 1851. 1st edition. Hardcover. Very good copy in the original paper-covered boards with paper labels. Spine bands and panel edges slightly dulled and dust-toned as with age. Remains particularly well-preserved overall. Physical description; 594 pp. Subjects; Royal houses Europe ; Registers. Nobility Great Britain. Aristocracy Social class. Public officers. Officials and employee. Directories. London : Longman, Brown, Green, and Longmans hardcover
1851réf. 030124London: Longman Brown Green And Longmans 1851. 1st Edition . Hardcover. Good. Maps And Plan. Xvi594 Pp. Ads At Rear Addenda And Corrigenda On P. Xvi. Quarter Red Morocco Over Green Cloth Decorated Endpapers With Ads On Pastedowns Binder's Ticket Of Remnant And Evans London. Wear Fraying At Corners Spine Gilt Brilliant But Spine Reinforced With Strips Of Transparent TapeHinges Solid Binding Intact 2" Fray/Tear At Lower Left Of Spine But Not Reaching The Bottom Edge. Note "From The Publisher's" On Page Facing Title ;Page With Later Ownership Signature Of An Employee Of The Mgm Research Department. A Massive Compilation Of Information Chiefly Historical Including Foreign Colonies And Company Administrations Etc. The Best Summary Of British Imperial Administration At Its Unsupportable Height When Power Was A Dignity. Longman, Brown, Green, And Longmans hardcover
1851réf. LTH17-D-22London: Longman Brown Green and Longmans 1851. Leather. Good. 9" by 6". None. An interesting heraldic and historical reference work. This work comprises of civil ecclesiastical judicial military naval and municipal rolls of the official personages from the earliest periods to the nineteenth century. There are also the sovereigns of Europe the peerage of England and Great Britain and more. Written and compiled by Joseph Haydn. With letters from William Brenchley Rye to his book dealer loosely inserted. Rye was the keeper of printed books in the British Museum. In a quarter morocco binding with cloth covered boards. Externally generally smart with rubbing to the spine and to the joints. Heavier rubbing to the tail of spine. Cracks to the spine due to wear. Minor bumping to the extremities. Prior owner's bookplate to the front pastedown Mr Wm Campbell. Internally binding is strained in places. Loosely inserted are articles on this work and the author. Letters loosely inserted from William Brenchley Rye keeper of books at the British museum. Small article on Rye loosely inserted also. Pages are generally bright with the odd spots throughout. Good Longman, Brown, Green and Longmans hardcover
réf. RO50031283Schonenberger. XIXème. In-8. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 15 pages. Imprimé sur du papier à la forme.. . . . Classification Dewey : 780.26-Partitions
1961réf. R0719-02Budapest Vlg. der Ungar. Akademie der Wiss. 1961. gr.8°. 186 S. Mit zahlr. Notenbeispielen. Oln., Rücken verbl. u. geringfügig fl., sonst gut erhaltenes Exemplar.
réf. 114200Stockholm Johan Imnelius 1819. 8:o. 4 88 s. litogr. tvåsidig musikbilaga. C. Müller. Lagerfläckig och med fuktrand mot slutet. Oskuren och delvis ouppsprättad i modernt svart hfrbd med guldornerad rygg och marmorerade pärmpapper. Ur Rolf Mallanders bibliotek. Davidsson 3151. Det första sällsynta verket om Haydn på svenska i översättning av musikhandlaren och pionjären i Sverige på litografiskt musiktryck Ulric Emanuel Mannerhjerta 1775-1849. Mannerhjerta fick samma år 1819 tillstånd att inrätta ett litografiskt nottryckeri i Stockholm men musikbilagan här är dock i stentryck av Carl Müller. Georg August von Griesinger 1769-1845 var diplomat i Wien och känd för sin vänskap med Haydn och Beethoven. Hans berömda biografi om Haydn ”Biographische Notizen über Joseph Haydn” utkom i Leipzig 1810. unknown
1819réf. 47344Stockholm Johan Imnelius 1819. Samtidigt marmoreret papbd. nederste del af ryg mangler. 488 pp. samt dobbelsidet kobberstukket nodeplanche. Et ormehul i indre marginpå de første blade. Nederste del af bladene med aftagende bruning. unknown
1819réf. 47344Stockholm, Johan Imnelius, 1819. Samtidigt marmoreret papbd. nederste del af ryg mangler. (4),88 pp. samt dobbelsidet kobberstukket nodeplanche. Et ormehul i indre marginpå de første blade. Nederste del af bladene med aftagende bruning.
1810réf. 40444Wien: Camesinaische Buchhandlung 1810. Octavo. Full 19th century dark red calf with gilt rules and blindstamping to boards titling gilt to upper dark red doublure endpapers. Preserved in a modern quarter brown mid-tan leather clamshell box with dark ivory linen boards titling gilt to spine. 1f. fine engraved frontispiece portrait of Haydn by D. Weiss after Ihrwack's medallion 1f. recto title verso 3-line verse by D. Tomas de Yriarte 1f. recto dedication verso blank v-x 11-220 pp. 1 folding plate of engraved music. Binding slightly worn rubbed and bumped. Minor to moderate foxing throughout; small tear to lower outer corner of pp. 157/158 with no loss of text; frontispiece loose. First Edition. Catalogue of the Printed Books in the British Museum. Accessions Third Series . Books in the Hirsch Library. P. 118. Eitner III p. 197. Dies was a German writer composer and painter. "Esterhazy sponsored the publication of his Biographische Nachrichten von Joseph Haydn . for which Dies collected material from 30 conversations with the aged composer. Because of its factual tone and the typically Classical standpoint of its aesthetic judgments this work occupies a significant position in early Haydn literature alongside Griesinger and Carpani. . Many Haydn documents appeared for the first time in the Nachtrichten and it contains a 'list of all the works Haydn composed in London' taken from the lost London notebook." Horst Seeger in Grove Music Online An early and important biographical account of Haydn. Camesinaische Buchhandlung unknown
1810réf. 40444Wien: Camesinaische Buchhandlung 1810. Octavo. Full 19th century dark red calf with gilt rules and blindstamping to boards titling gilt to upper dark red doublure endpapers. Preserved in a modern quarter brown mid-tan leather clamshell box with dark ivory linen boards titling gilt to spine. 1f. fine engraved frontispiece portrait of Haydn by D. Weiss after Ihrwack's medallion 1f. recto title verso 3-line verse by D. Tomas de Yriarte 1f. recto dedication verso blank v-x 11-220 pp. 1 folding plate of engraved music. Binding slightly worn rubbed and bumped. Minor to moderate foxing throughout; small tear to lower outer corner of pp. 157/158 with no loss of text; frontispiece loose. First Edition. Catalogue of the Printed Books in the British Museum. Accessions Third Series . Books in the Hirsch Library. P. 118. Eitner III p. 197. Dies was a German writer composer and painter. "Esterhazy sponsored the publication of his Biographische Nachrichten von Joseph Haydn . for which Dies collected material from 30 conversations with the aged composer. Because of its factual tone and the typically Classical standpoint of its aesthetic judgments this work occupies a significant position in early Haydn literature alongside Griesinger and Carpani. . Many Haydn documents appeared for the first time in the Nachtrichten and it contains a 'list of all the works Haydn composed in London' taken from the lost London notebook." Horst Seeger in Grove Music Online An early and important biographical account of Haydn. Camesinaische Buchhandlung unknown books
1962réf. 48172Berlin : Henschel 1962. 243 S. : Ill., Noten ; 18 cm O-Klarsichtumschlag, Lw., gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand
1984réf. 39454Offizin Andersen Nexö, Lpz. 1984. Mit Abbildungen. 566 S. 5,5 x 5,5 cm. Grüner Orig.-Leder-Einband in Schmuckschuber. Gutes Exemplar.
