GOUNOD Charles / DE SEGUR A.Livre Rare Book
950 résultats
réf. RO50008220Choudens Père et Fils. fin XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 7 pages. Gravure noire et blanche de Chatinière en couverture.. . . . Classification Dewey : 780.26-Partitions
réf. RO50013699Choudens. XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 5 pages. Gravure noire et blanche de Barbizet en couverture. Plats détachés. Quelques petites déchirures.. . . . Classification Dewey : 780.26-Partitions
réf. RO50010599Choudens fils. début XXème. In-4. En feuillets. Bon état, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 5 pages. Gravure noire et blanche de A. Challard en couverture. Quelques petites déchirures. Ecritures au crayon.. . . . Classification Dewey : 780.26-Partitions
réf. R130006097ERATO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, enregistrement réalisé au palais de la musique et des congrés à Starsbourg. Orchestre philharmonique de Starsbourg, choeurs de l'Opéra du RHIN. Direction: ALAIN PLOMBARD. Quatres disque / Un livres à l'intérieur de coffret.. . . . Classification : 410-33 Tours
réf. RO50063836Non communiqué. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 12 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
réf. RO50059436CHOUDENS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 7 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
réf. c3134Paris, Ollendoff, 1884 ; in-16°, demi-chagrin rouge, dos à nerfs, auteur et titre dorés, date dorée en pied, tête rouge, couverture conservée (J. Foulquier relieur); XVIpp.,204pp. Manque le faux-titre, taches rousses à plusieurs feuillets.
1895réf. 462014Chicago: Rand McNally & Company 1895. Hardcover. Near Fine/Near Fine. First American edition. Translayed by Annette E. Crocker. 12mo. 223pp. Partially opened. Decorated green cloth. Foredge untrimmed a few pages roughly opened but a handsome near fine copy. Rand, McNally & Company hardcover books
réf. 13967NY STEIN 1973. FIRST AMERICAN EDITION VERY GOOD. 1st Edition. NY, STEIN, 1973 unknown books
1892réf. 28738Boston: Oliver Ditson 1892. Quarto. Original publisher's dark orange wrappers with titling within architectural border. 1f. recto title verso blank 1f. recto preface verso blank 3-5 dramatis personae synopsis and contents 6-236 pp. Wrappers detached with minor chips tears and tape repairs to edges; former owner's signature "E.B. Shinmon" to upper wrapper; spine lacking. Some signatures split; former owner's signature to title; tape repair to upper margin of p. 131 not affecting music. Third version. First American edition. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. Oliver Ditson unknown books
1880réf. 28812London and New York: Boosey and Co 1880. Large octavo. Original publisher's full dark red cloth decoratively tooled in blind black dark blue and gilt titling gilt to spine all edges gilt. 1f. recto title verso printer's note 1f. recto contents verso cast list and synopsis 176 pp. Head and tail of spine very slightly frayed. Some signatures partially split; minor staining to upper margins of pp. 158-161. "There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Boosey and Co unknown books
1867réf. 36761Paris: Choudens PN A.C. 1412 1867. Large octavo. Mid-tan morocco-backed dark brown pebbled paper boards with titling and rules gilt to upper. 1f. recto title printed in dark blue within architectural border verso blank 1f. recto dedication to "Charles XV Roi de Suède & de Norwège" verso blank 1f. recto cast and contents verso blank 3-147 i blank pp. Lithographed. Berlin agents Schlesinger and Lienau printed to foot of title; handstamp of former Viennese owner to upper outer corner of free front endpaper. Binding worn and rubbed; corners abraided. Light browning throughout most noticeable to first and last leaves; many signatures split. First Edition in this form evidently published for both French- and German-speaking markets. First performed in Paris at the Lyrique on 27 April 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1412] unknown books
réf. 89892Paris: Choudens undated c 1890. Hardcover. Acceptable. Bumped and rubbed corners and edges and one inch break in bottom of front cover; light foxing. Choudens hardcover
1987réf. 013594Classical Vocal Reprints 1987. Paperback. Fine. Includes English lyric translations. In excellent uncreased condition. Inscribed/signed by editor Glendower Jones otherwise entirely unmarked. Classical Vocal Reprints paperback
1914réf. 28515Bryn Mawr PA: Oliver Ditson Company 1914. Date is the copyright date. Vocal Score by Leo Delibes. English Version by H.F. Chorley. Revised and Extended by Charles Fonteyn Mannney. Into by Philip Hale. Soft Cover. Very Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Oliver Ditson Company Paperback
1911réf. 28514Paris: Editions Choudens 1911. Partition Chant et Piano Transcrite par Leo Delibes. No date but Googlebooks has 1911. Dust band across top of front cover. 5e Edition Avec Les Recitatifs Ajoutes. Soft Cover. Good/No Dust Jacket. Illus. by Barbier J.; Carre M. libretto. 4to - over 9¾" - 12" tall. Editions Choudens Paperback
réf. 1332444253.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1333058586.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 45311108like new. unknown
réf. 1391292480.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390539202.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390281035.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Paris, Michel Lévy frères, 1868. Un volume broché de format in 8° de 68 pp., couverture verte imprimée. Bon état. Intérieur très frais. Peu courant. Livret de Barbier et Carré
1868réf. 72761868 Paris, Michel Lévy frères, 1868. Un volume broché de format in 8° de 68 pp., couverture verte imprimée.
réf. 058219Choudens Fils reliure Rigide Décorative Paris partition chant et piano - 213 pages en format 19 - 29 cm - reliure rigide en semi cuir
