Charles GounodBiblio.com
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2020réf. BIBSD0021356812020. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1885 and this unique edition is Reprinted in 2020 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Latin Pages 206. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
réf. 100-18314Century Music. Sheet Music. Good. Good condition with wear and markings. Century Music unknown
réf. 100-26550Century Music. Sheet Music. Good. Good condition with wear and markings. Century Music unknown
réf. 100-26044Carl Fischer. Sheet Music. Good. Good condition with wear and markings. Carl Fischer unknown
réf. 100-19328Oliver Ditson. Sheet Music. Good. Good condition with wear and markings. Oliver Ditson unknown
réf. 100-17982Edwin F. Kalmus & Co. Inc. Sheet Music. Good. Good condition with wear and markings. Edwin F. Kalmus & Co., Inc unknown
réf. 1246977508.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1880réf. 137141880 percaline rouge éditeur, tr. dor. (plats un peu passés). in-8, 2 pl. lith., 101, 46, 75, 131pp., P. Fouquet ca. 1880
réf. 8060K éditeur, 1949. In-8, broché, 170-(6) pp., couverture illustrée (papier jauni). Maquette de Pierre Faucheux.
réf. 022154Georges Hüe (1858-1948), compositeur, élève de Charles Gounod et César Franck. L.A.S, 27 mars [1924], 1p in-8. Au peintre Georges-Jules Bertrand (1849-1929). « Mon cher ami, Excusez-moi de répondre si tardivement à votre affectueuse lettre qui m'a bien vivement touché. Je regrette aussi que la santé de votre femme ne vous permette pas d'entendre "Siang-Sin". Dans le courant d'avril, on le donnera sans doute un dimanche en matinée. Si cela vous tente et que cela vous soit possible, dites-le moi. Ma femme et moi nous vous envoyons à vous et aux vôtres nos très vives amitiés. Georges Hüe ». Siang-Sin est un ballet-pantomime créé pour un festival de printemps chinois en 1924. [537]
réf. 0486283496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1879réf. 28957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon. With an inscription signed A. Giacometti to dedication. Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue. Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown
1886réf. 36796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only. Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
1891réf. 40524AB1891. London Sampson Low Marston Searle & Rivington 1891. 23cm x 14.5cm. xxxii 3 244 pages. Original Hardcover. Gilt lettering on spine and cover. Very good condition with only minor signs of wear. Minor stain on endpaper. Stamp and annotation by previous owner on end paper. Spine starting to separate from the block. Minor traces of foxing to end papers and title page. Text itself in excellent condition. Very Rare ! Includes for Example: Gounod at home/ The Monceau quarter/ His house family and study/ Sociability of musicians/ What Gounod thinks of virtuosi/ His favourite interpreters: Madame Viardot Madame Carvalho Madame Krauss/ Gounod rehearsing his interpreters/ His privacy invaded by professionals and amateurs/ His correspondence/ His unvarying politeness and inexhaustible good nature/ Concerts and festivals/ Leader of the orchestra/ Why a composer likes to direct the execution of his music/ Sensitiveness of musicians/ Opinions of St. Augustine and Alexandre Dumas on play-acting/ Over the 500th performance of "Faust" and the first of "L'Arlesienne"/ Gounod's marriage/ His theatrical work/ The choruses of "Ulysses" at the Theatre Francais/ Grecian without being Pagan/ Two symphonies/ The "Nonne Sanglante" at the Opera/ "Faust" Gounod's masterpiece/ First application of the "leit motiv" by Monteverde in the sixteenth century/ State of French musical art at the time of "Faust's" appearance/ Jules Barbier Gounod's librettist/ The quest for a manager M. Carvalho accepts "Faust" for the Theatre Lyrique/ Gounod composes "Le Medecin malgre lui"/ Madame Miolhan Carvalho/ Demands for a final a l'Italienne/ Gounod looked upon as a revolutionary/ His views on music and musicians/ His reverance for Mozart/ What he thought of Bach Weber Palestrina Gluck Rossini Meyerbeer Berlioz Bizet/ The burning question of Wagner/ How Gounod understood art/ His ironical catechism of modern music etc. hardcover
2026réf. LRB27051329Paris: Editions Recreasoft 2026 Reliure rigide hardcover. Langue : Français. Environ 934 pages. Français : Réimpression à la demande. Édition originale : 1878. Ouvrage en français. Langue: Partition complète imprimée et manuscrite de l'opéra "Cinq-mars" en quatre actes composée par Charles Gounod. Ce document musical rare offre un aperçu détaillé de la partition originale incluant les dialogues et la structure dramatique. OEuvre majeure du répertoire lyrique français cet opéra historique s'inscrit dans la tradition romantique du XIXe siècle. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1878. Text in French. Complete printed and manuscript full score of the opera "Cinq-mars" in four acts composed by Charles Gounod. This rare musical document provides a detailed view of the original score including dialogues and dramatic structure. A major work in the French lyrical repertoire this historical opera is part of the romantic tradition of the 19th century. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1992réf. Q-0793511968Hal Leonard 1992-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard paperback
réf. RO40172287Choudens, Paris. Non daté. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos très frotté, Rousseurs. 248 pages. Partitions. Titre, fleurons et filets dorés sur le dos. Inscription dorée sur le 1er plat (H. de Moly). Etiquette de code sur le dos. Tampons de bibliothèque en page de titre. Manque en coiffe de tête. Bords des plats très frottés.. . . . Classification Dewey : 780.26-Partitions
1890réf. R150201159CALMANN LEVY. 1890. In-8. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Intérieur frais. 194 pages- pages partiellement désolidarisées. . . . Classification Dewey : 792-Théâtre
réf. RO30164003. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 coffret cartonné rigide contenant 7 disques audio 33 tours + 1 fascicule de 27 pages augmentées de nombreuses photos monochromes dans et hors texte - coffret en bon état - 2 PHOTOS DISPONIBLES. . . . Classification : 410-33 Tours
réf. RO50013160Choudens. XIXème. In-8. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Rousseurs. 123 pages. Plats manquants. Coin de la dernière page manquant altérant la lecture. Quelques petites déchirures.. . . . Classification Dewey : 780.26-Partitions
réf. RO50045060CHOUDENS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 72 pages de partitions. Couverture en couleur et illustration en noir et blanc sur le premier plat. Dos renforcé avec de l'adhésif. Page de titre illustrée en couleur. Quelques déchirures aux extrémités des plats.. . . . Classification Dewey : 780.26-Partitions
réf. RO50049786CHOUDENS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Plats abîmés, Coiffe en tête abîmée, Quelques rousseurs. 123 pages de partitions. Page de titre illustrée en couleur monochrome par Barbizet. Edition C : pour Contralto ou basse. Compositeur, titre et filets dorés au dos de l'ouvrage. Coins des plats frottés.. . . . Classification Dewey : 780.26-Partitions
réf. RO50012568Choudens. XIXème. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Rousseurs. 245 pages. Quelques mouillures. Quelques déchirures. Nombreuses bandes adhésives sur les bords des pages.. . . . Classification Dewey : 780.26-Partitions
réf. RO50053747CHOUDENS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Intérieur acceptable. 268 pages de partitions. 4° édition. Page de titre en couleur. Opéra de Jules Barbier et Michel Carré. Plats et coins frottés. Partition chant et piano transcrite pat Léo Delibes. Roulettes, fleurons, compositeur et titre dorés au dos de l'ouvrage. Plats jaspés. Dos légèrement frotté.. . . . Classification Dewey : 780.26-Partitions
réf. RO50056826CHOUDENS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos plié, Non coupé. 277 pages de partitions. Opéra de Jules Barbier et Michel Carré.. . . . Classification Dewey : 780.26-Partitions
