1000 risultati
rif. 0515Buenos Aires, B. y M. (ohne Jahr). 20 s.
2001rif. 41596Decca, 2001. 467914-2 CD CD
2003rif. 41610Deutsche Grammophon, 2003. 474214-2 CD CD
2012rif. 39468Naive Classique, 2012. V 5297 1 CD CD
1989rif. 46090Deutsche Grammophon, 1989. 427686-2 CD CD
1892rif. KUS1631London, 1892. 6 Bilder (Chromolithographien), H 7 x 11 cm. - Leichte Gebrauchsspuren. broschiert/ Taschenbuch/ paperback
1983Mm 315x450 Fascicolo in folio di pp. 8 con prima e ultima carta illustrate a colori, alcune illustrazioni in nero nel testo. Copertina con molte inserzioni pubblicitarie, vignette di Julio e brevi rubriche. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 135x200 Libretto d'opera, con appendice contenente "La Notte di Valpurgis" ed altri pezzi aggiunti dall'Autore. Traduzione italiana di Achille de Lauzières - Brossura editoriale di 47 pagine, senza data ma probabilmente anni Trenta del Novecento. Esemplare in ottimo stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 115x180 Libretto d'opera. Traduzione italiana di Achille de Lauzières - Brossura editoriale di 48 pagine, senza data ma seconda metà dell'Ottocento. Qualche lieve traccia di umidità alla copertina, peraltro esemplare in buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 115x180 Raro libretto d'opera. "Composto e diretto dal coreografo Pasquale Borri, musica espressamente scritta da Antonio Baur, da rappresentarsi nel Comunale Teatro Apollo [Roma] la Stagione d'Inverno 1871 in 1872" - Brossura editoriale con copertina muta azzurra, 16 pagine. Lievi sporcature alla prima e ultima carta, peraltro esemplare in buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1862In 16, pp. 36. Br. muta coeva. Traduzione ital. del Fausy di Barbier e Carre' con musiche di Gounod.
1930Paris, 1930. Une plaquette de format in 12° carréde de 24 pp. sur papier glacé, photographies des principaux roles. Reliure en demi toile noire, titre doré. Couvertures conservées. Genèse de l'œuvre, puis analyse. Parfait état.
Paris, Michel Lévy frères, 1868. Un volume broché de format in 8° de 68 pp., couverture verte imprimée. Bon état. Intérieur très frais. Peu courant. Livret de Barbier et Carré
1858Un volume de format grand in 8° de 2 ff.; 190 pp. entièrements gravées. Titre en brun. Reliure de l'époque en demi chagrin noir. Dos lisse; filets et titre dorés. Quelques pâles rousseurs; bel état. Voir les photos.
1898Buona copertina ma non originale e akcune pagine con rammendi
1955Club du Livre du Mois 1955, 2 volumes In-8 relié toile grége éditeur sous rhodoïd, plats illustrés, non paginé (environ 500 pages) . IIlustrations en hors texte. Trés bon état.
1920Choudens SD (vers 1920), In-8 broché, 116 pages. Bon état.
1942NRF Gallimard 1942, In-12 broché, 271 pages. Bon état.
32 S. 16°. Dek. OLn. Mit farbigen abb.
32 S. 12°. Or. Cloth. Several plates and title-illustration.
1896rif. 35065London: William Heinimann 1896. Hardcover. Good. Octavo. Full dark green cloth with musical motif gilt to upper titling gilt to spine. 267 32 pp. publisher's catalogue. Binding slightly worn rubbed and bumped; endpapers slightly stained. Minor internal wear and browning; edges slightly dusty; some gathering slightly split. William Heinimann hardcover books
1985rif. 28835Kassel: Alkor-Edition PN HV 145 1985. Large octavo. Original publisher's wrappers with titling in blue. 1f. recto title verso copyright statement i recto cast list and orchestration iv contents i blank viii foreword 388 pp. Text in German and French. Small price label to upper wrapper; spine slightly creased. First performed to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust Part I in the French translation by Gérard de Nerval in Paris at the Théâtre Lyrique on March 19 1859. To most opera lovers today Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online. Alkor-Edition [PN HV 145] unknown books
1900rif. 28958Paris: Choudens Fils PN A.C. 1482 1900. Large octavo. Half black cloth with textured black paper boards. 1f. recto title verso blank i cast list and contents 2-253 i blank pp. Text in German. With occasional lyrics translated into Danish in manuscript. Binding slightly worn and shaken. Tear to outer margin of p. 197-198. First performed in Paris at the Lyrique on April 27 1867 to a libretto by Barbier and Carré after Shakespeare. Gounod's "Roméo et Juliette contains four exquisite soprano-tenor duets a number almost certainly unprecedented in 19th-century opera and a harbinger of the prominence of love duets in such works as Massenet's Manon and Werther; to Gounod's great credit each has a distinct musico-dramatic ambience and shape." Steven Huebner in Grove Miusic Online. Choudens Fils [PN A.C. 1482] unknown books
1862rif. 26503Milano: Francesco Lucca PNs 13851-13876 1862. Folio. Dark gold cloth-backed wrappers. 1f. recto with lithographic illustration of a scene from the opera verso blank. 1f. recto title verso blank 1f. recto named cast list verso table of contents with plate and page numbers 247 i blank pp. Engraved. Text in Italian. Named cast includes Giuseppe Morini Giorgio Atry Luigi Colonnese Vincenzo Paraboschi Leonilda Boschetti Maria Gualtieri and Prassede Dompieri. Lacking upper wrapper lower worn and soiled. Slightly worn and soiled; margins and outer leaves foxed; occasional fraying perforations chips and small tears not affecting music; upper portions of some leaves dampstained. First Italian Edition of the second version. OCLC no. 16852458. Faust was first performed at the Théâtre Lyrique in Paris on March 19th 1859 in a version with spoken dialogue; recitatives were added in 1860 and a ballet in 1869. The libretto by Barbier and Carre is based on Goethe but focuses on the love story between Faust and Marguerite. "The historical importance of Faust is that it sounded a new note in French music. The conventional pomposities of the grand opera which then dominated the stage were superseded by a more intimate and poetic approach. The fashion Gounod set was one of conversational exchange rather than declamation." James Harding: Gounod p. 114. Francesco Lucca [PNs 13851-13876] unknown books
1870rif. 26347London: Cramer & Co. Limited PN 8914 1870. Folio. Original publisher's quarter dark green cloth with illustrated boards titling gilt to spine. 1f. publisher's catalogue of operas arranged for piano 1f. title 1f. "Argument" i table of contents i cast list 281 i blank 1f. catalogue of Debain's Harmoniums pp. Lithographed. Text in English. With additional publisher's catalogs "Old English Ditties" and instruction books to pastedowns. Binding worn and shaken with some bumping and chipping; endpapers browned. Occasional light soiling; several leaves partially detached; some minor creasing. First English Edition. Revised version for London. Very scarce. OCLC no. 16852569. La Reine de Saba to a libretto by Jules Barbier and Michel Carré after Gérard de Nerval's collections of stories Le voyage en Orient was first performed at the Opéra in Paris on February 28 1862. The English version by Henry Farnie was renamed Irene and interwove "certain legends and traditions of freemasonry." Wikipedia. "The work was severely condemned by almost the entire Parisian press. In spite of Gounod's efforts to clarify motivations of the characters through thematic recollections critics were mystified by the racial origin of and ideological imperatives for the Balkis-Adoniram union; the opera was withdrawn after only 15 performances. With some revisions it fared better at the Théâtre de la Monnaie and became part of the repertory there in the 1860s and 70s. Performances in England in 1865 at the Crystal Palace where the title role became Irene and the setting was shifted to Turkey as well as a Parisian revival in 1900 were unsuccessful." Steven Huebner in Grove Music Online. Cramer & Co. (Limited) [PN 8914] unknown books
