GOUNOD (Charles)Livre Rare Book
1 012 résultats
réf. 2342London & New York, Novello, Ewer & Co., sans date, 17 X 26 cm., relié, 188 pp. Suite de la trilogie sacrée de Charles GOUNOD "Rédemption". Page de titre en anglais, préface de l'auteur en français, oeuvre en latin. Demi-chagrin à nerfs, dos richement orné, plats en simili au chiffre C.T. Très rares rousseurs, sinon en bel état.
1885réf. 134414London & New-York, Novello, Ewer & co. 1885 Grand in-8, plein maroquin cerise, dos à nerfs, tranches dorés, double filet en coupes, large dentelle en contreplats, V- 188 pp. Reliure un peu ternie, menus frottements.
réf. RO50006013Au ménestrel. fin XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 3 pages. Ornements en couverture.. . . . Classification Dewey : 780.26-Partitions
réf. RO50061064CHOUDENS. NON DATE. In-8. En feuillets. Etat passable, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 6 pages de partitions - clé de sol et clé de fa. . . . Classification Dewey : 780.26-Partitions
réf. 0666410054.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1880réf. 28812London and New York: Boosey and Co 1880. Large octavo. Original publisher's full dark red cloth decoratively tooled in blind black dark blue and gilt titling gilt to spine all edges gilt. 1f. recto title verso printer's note 1f. recto contents verso cast list and synopsis 176 pp. Head and tail of spine very slightly frayed. Some signatures partially split; minor staining to upper margins of pp. 158-161. "There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Boosey and Co unknown books
réf. 0656167866.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1901réf. 28814Paris: Choudens PNs A.C. 1005 1012 7410 1901. Large octavo. Original publisher's dark ivory illustrated wrappers printed in green. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 242 pp. Named cast includes Marthe Rioton Marié de L'Isle de Crapone Eyreams M.L. Rolland Marechal Dufrane Vieuiller Jacquin and Huberdeau. With an autograph inscription signed by English dramatic soprano Florence Easton 1882-1955 to upper portion of title. Wrappers worn and soiled; spine creased. Signatures partially split. Fourth version. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PNs A.C. 1005 (1012), 7410] unknown books
1864réf. 28811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp. Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel. Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown books
1865réf. 28785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp. Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown books
1890réf. 28826Paris: Choudens Fils PN A.C. 1005 1890. Large octavo. Original publisher's full red cloth flexible blindtooled boards titling in silver to upper and spine. 1f. recto title verso blank 1f. recto named cast list and contents verso blank 3-32 viii 132-328 33-213 i blank pp. Binding slightly worn soiled and bumped; front free endpaper brittle corner lacking. Browned; some signatures split. Third version fourth issue. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
1886réf. 36796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only. Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
1886réf. 36796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only. Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
1864réf. 28811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp. Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel. Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown
1865réf. 28785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp. Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown
réf. 9895Paris, Choudens fils, s.d. 1 vol. in-4°, cart. éditeur, charnière sup. fendue. (1) f., 213 pp. [C04]
réf. 200713472, s.d. ; in-4, demi cuir.
1939réf. ROD0019243Calmann-Lévy. 1939. In-12. Broché. Etat d'usage, Couv. partiel. décollorée, Coiffe en pied abîmée, Intérieur bon état. 60 pages. Dos fané et frotté.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1892réf. RO80082193CALMANN LEVY. 1892. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 60 pages.. . . . Classification Dewey : 792-Théâtre
1898réf. RO80149798CALMANN LEVY. 1898. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 60 pages.. . . . Classification Dewey : 792-Théâtre
1945réf. RO50052396CHOUDENS. 1945. In-8. En feuillets. Etat d'usage, 1er plat abîmé, Dos abîmé, Quelques rousseurs. 291 pages de partitions. Tampon sur la page de titre. Déchirure sur le premier plat. Tiré du poème de Frédéric Mistral. Soulignements au crayon de couleur sur quelques phrases. Premier plat tâché.. . . . Classification Dewey : 780.26-Partitions
1886réf. R150201161CALMANN LEVY. 1886. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur frais. 60 pages- quelques petites déchirures, sans manque sur les plats- dos partiellement manquant. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. RO30337946Calmann-Levy. Non daté. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Papier jauni. 60 pages. Quelques rousseurs. Ex-libris à l'encre en 1er plat, page de garde. Dos noirci, accrocs. Coins frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1899réf. R200118432Calmann-Lévy. 1899. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 60 pages. Manque au dos, en coiffe de tête.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. RO50001003CHOUDENS. non daté. In-8. En feuillets. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur bon état. 4 pages dont 2 de partition avec textes. Photographie de Gounod par Nadar, en première page.. . . . Classification Dewey : 780.26-Partitions
